SlideShare a Scribd company logo
1 of 14
+
Unit G321
By Ge
+
In what ways does your media
product use, develop, or challenge
forms an conventions of media
products?
 The magazine across the 4 pages, ‘repeats’ (Steve Neale), the
codes and conventions of many well established magazines
including magazine such as NME, Q, Vibe. Many magazines
gave me a focus so that I can repeat certain aspects of each
magazine like the structure, font and the design of the
magazines. I created a similar convention as I thought that it
would be effective seeing that all these magazines have been
very successful in their work. My double page spread was
influenced by NME magazines because I have included a big
exclusive.
+
How does your media product
represent particular social
groups?
 The denotation of representation is to social groups which are fans
of the musical genre of progressive deep house and electro. This
particular social group would be likely to enjoy their time at festivals
like Lovebox and Nass and will also enjoy going to their favorite
artists concerts.. They want to go and watch their favorite artists, for
example Aluna George, and Karen Harding. Consequently, the
social groups that are interested in Electro music and progressive
deephouse would enjoy going to watch their favorite artists perform
live. Therefore my media production denotes the sense of being a
fan for the genre of music I have chosen. For example I have given
them the chance to win tickets to go and see Chase and Status on
the contents page. I used this in my magazine because I knew that
it would be successful through the social groups.
+
What kind of media institution
(Publisher) might distribute your
media product and why?
 From my research, I can’t find any sort of magazines
that focus on the genre of music that I have focused on.
It’s a rare kind of music. I have found out that a media
distribution that may distribute my media product is
because of the magazines they tend to produce. I have
looked at many different magazines of inspiration
seeing as my genre of music doesn't’t have many
magazines focused on it. However a magazine I did
like was NME, due to the many conventions that they’ve
used. I have made the font of my magazine very similar
to NME’s because it looks high quality and professional
and I think that my masthead being in this font will be a
USP (unique selling point).
+
Who would be the audience for
your media product and why?
 According to Hartley's 7 subjectivities the audience of my magazine tempo are both of the male and
female gender between the ages of 16-25. This is because the music I have focused my magazine on, is
electro and deep house. Electro and progressive deep house is very popular with this age group. As my
magazine ‘Tempo’ is focused on this genre, this is why my target audience is the same because they will
be engaged by what we have included in our magazine, like certain artists they will be intrigued by and
influenced by.
 According to Katz’ Uses and Gratifications theory, the target audience will want to ‘Personal identify’ with
the artists. The consumers will buy my magazine because they like what they see and who my magazine
interviews therefore they want to identify with their idols, and want to find out more about them.
 According to Maslow’s Hierarchy of needs theory, the audience will want to ‘Social Climb’ when reading
my magazine. Social climbers look at something or someone that they idolize, and are inspired by them
and will aim to be like them. They climb the social ladder of being superior to everyone. For example
Social Climbers will read my magazine and see something they like for example a piece of clothing they
like, therefore they want it and will go out and get it as well. This is a prime example of a social climber.
+
How did you attract/address your
audience?
 I attracted the audience by including many codes and conventions that would
help me sell my magazine including convergence and puff/promotion. This is
because Electro and Progressive deep house is a genre of music which is
growing in popularity amongst young people in society. Therefore a way of
appealing to the young people is through convergence, as the awareness of
my magazine will increase. Loads and loads of young people in todays society
in my target age group 16-25 spend hours on social networking sites, therefore
the use of convergence will increase the popularity to others because more
people will know about it through going on twitter, facebook, and a website. The
use of puff/promotion within my magazine is that I’m offering people the chance
to win tickets to go and see Chase and Status live. This increases the attraction
from the audience because people will really want to win tickets to go and see
one of their favorite artists. Things like this chance to win tickets will be in
regular magazine issues.
+
What have you learnt about
technologies from the process of
constructing this product?
 In order for this magazine to attract the target
audience, I chose to create the font cover using a
full image where I made some changes on
Photoshop to the image itself. I felt as if the
image worked really well because I used the
rectangular marquee tool to crop the image that I
wanted to use. I used the pen tool on my double
page spread for my text. The pen tool helps me
to make my double page look professional and
neat because you use it to make different shapes
for your text box so that it can curve round an
image for example.
+
Looking back at your pleminary
task, what do you feel you have
learnt in the progression for the
full product.
 I feel that, having completed the preliminary task and learning
about the demands of this production process, I have learnt
that you need to use your time more wisely instead of maybe
wasting it on stuff that doesn’t necessarily need to have loads
of time spent on it. You need to focus on the small details that
will make your product more well established.
+
Photography Planning- front cover
+
Photography Planning- Contents
page
+
Photography Planning- interview
+
Analysis of front cover
Masthead: This
identifies the
magazine to
carry on
acknowledging
the magazine.
Subscription: This is a way of getting
more consumers and increase their
production rate because more people
will sign up so that they have a
subscription.
Main central image: This is a way of
attracting an audience, especially when
they’re a star because when ‘star
appeal’ (Richard Dyer) is used, then
more people will see their favorite
stars, they want to read about them.
Issue, date and barcode: These
are the typical just basic thing you
need when selling a product like
this one.
Cover line: This is
another way of
intriguing the
audience in to read
by showing what
other stories to the
magazine
Strapline: To show
the audience that its
well established
magazine which is
worth the read.
Convergence: The
way of letting people
know about the
magazine through
social networking
sites.
+
Analysis of Contents page
Editorial: This is a way of introducing the magazine
and to show what sort of stories will be involved in
this issue. It also contains a picture of the editor
and ways to contact the magazine.
Puff/Promotion: This is the way of people winning
stuff, this increases buys because people will want
the chance to winning something.
Cover Stories: This is a way of creating more
interest for readers so they know that there is more
to read about other than just the main storyline.
+
Analysis of double page spread
Image: This is
the image and is
used to support
the main story
seeing as it’s the
double page
spread.
Interview: I
differentiated the
interview to
make the
separation of the
questions and
the answers
more clearer.
Title: This gives a
headline to the
story. The use of
‘tells’ and
‘everything’ in bold
makes the reader
engaged because
they know that a lot
will be revealed.
Convergence: The use of convergence
is again used for the same reason so
that the magazine can be shown on
different social networking sites.

More Related Content

What's hot

AS MEDIA COURSEWORK: The Evaluation
AS MEDIA COURSEWORK: The EvaluationAS MEDIA COURSEWORK: The Evaluation
AS MEDIA COURSEWORK: The Evaluationaquinasmedia
 
Media evalution final versions
Media evalution final versionsMedia evalution final versions
Media evalution final versionshaydnbarry
 
Media evalution final versions
Media evalution final versionsMedia evalution final versions
Media evalution final versionshaydnbarry
 
Georgia Everitt AS media evaluation
Georgia Everitt AS media evaluationGeorgia Everitt AS media evaluation
Georgia Everitt AS media evaluationAnne Horne
 
AS Media Magazine Evaluation
AS Media Magazine EvaluationAS Media Magazine Evaluation
AS Media Magazine EvaluationNoctisStar
 
Sasha Hodjati AS media evaluation
Sasha Hodjati AS media evaluationSasha Hodjati AS media evaluation
Sasha Hodjati AS media evaluationAnne Horne
 
Media evaluation
Media evaluationMedia evaluation
Media evaluationOllySnowxx
 
Media studies Evaluation Questions
Media studies Evaluation QuestionsMedia studies Evaluation Questions
Media studies Evaluation Questionsnotoriousxx
 
Michael Bobin AS media coursework
Michael Bobin AS media courseworkMichael Bobin AS media coursework
Michael Bobin AS media courseworkAnne Horne
 
Media evaluation
Media evaluationMedia evaluation
Media evaluationOllySnowxx
 
Media Studies Evaluation
Media Studies Evaluation Media Studies Evaluation
Media Studies Evaluation guest6262296
 
AS Media Studies- Music Magazine Evaluation
AS Media Studies- Music Magazine EvaluationAS Media Studies- Music Magazine Evaluation
AS Media Studies- Music Magazine EvaluationNickySahota
 

What's hot (20)

Log book
Log book Log book
Log book
 
Log book
Log book Log book
Log book
 
Question 1 completed
Question 1 completedQuestion 1 completed
Question 1 completed
 
AS MEDIA COURSEWORK: The Evaluation
AS MEDIA COURSEWORK: The EvaluationAS MEDIA COURSEWORK: The Evaluation
AS MEDIA COURSEWORK: The Evaluation
 
Media evalution final versions
Media evalution final versionsMedia evalution final versions
Media evalution final versions
 
Media evalution final versions
Media evalution final versionsMedia evalution final versions
Media evalution final versions
 
Georgia Everitt AS media evaluation
Georgia Everitt AS media evaluationGeorgia Everitt AS media evaluation
Georgia Everitt AS media evaluation
 
AS Media Magazine Evaluation
AS Media Magazine EvaluationAS Media Magazine Evaluation
AS Media Magazine Evaluation
 
Sasha Hodjati AS media evaluation
Sasha Hodjati AS media evaluationSasha Hodjati AS media evaluation
Sasha Hodjati AS media evaluation
 
Evaluation Question 1
Evaluation Question 1Evaluation Question 1
Evaluation Question 1
 
Media evaluation
Media evaluationMedia evaluation
Media evaluation
 
Media studies Evaluation Questions
Media studies Evaluation QuestionsMedia studies Evaluation Questions
Media studies Evaluation Questions
 
Michael Bobin AS media coursework
Michael Bobin AS media courseworkMichael Bobin AS media coursework
Michael Bobin AS media coursework
 
Media Studies Magazine Evaluation
Media Studies Magazine EvaluationMedia Studies Magazine Evaluation
Media Studies Magazine Evaluation
 
Magazine Evaluation
Magazine EvaluationMagazine Evaluation
Magazine Evaluation
 
Media evaluation
Media evaluationMedia evaluation
Media evaluation
 
Media Evaluation
Media EvaluationMedia Evaluation
Media Evaluation
 
Media Studies Evaluation
Media Studies Evaluation Media Studies Evaluation
Media Studies Evaluation
 
AS Media Studies- Music Magazine Evaluation
AS Media Studies- Music Magazine EvaluationAS Media Studies- Music Magazine Evaluation
AS Media Studies- Music Magazine Evaluation
 
Evaluation
EvaluationEvaluation
Evaluation
 

Viewers also liked

Roma
RomaRoma
RomaEUKP
 
Gemma o'donovan complete log book
Gemma o'donovan complete log bookGemma o'donovan complete log book
Gemma o'donovan complete log bookgemmaodonovan
 
Independent textual analysis
Independent textual analysisIndependent textual analysis
Independent textual analysisgemmaodonovan
 
Chairul tanjung
Chairul tanjungChairul tanjung
Chairul tanjungsaryul
 
Histology.expert
Histology.expertHistology.expert
Histology.expertBasil Boluk
 
GrowHack for AdMars
GrowHack for AdMarsGrowHack for AdMars
GrowHack for AdMarsBasil Boluk
 
150417 презентация окна петербурга
150417 презентация окна петербурга150417 презентация окна петербурга
150417 презентация окна петербургаBasil Boluk
 
Soloquesto strategy description
Soloquesto strategy descriptionSoloquesto strategy description
Soloquesto strategy descriptionBasil Boluk
 
Онлайн-аптека Rx/OTC с сетью роботизированных аутпостов
Онлайн-аптека Rx/OTC с сетью роботизированных аутпостовОнлайн-аптека Rx/OTC с сетью роботизированных аутпостов
Онлайн-аптека Rx/OTC с сетью роботизированных аутпостовBasil Boluk
 
yliopiston apteekki - online pharmacy
yliopiston apteekki - online pharmacyyliopiston apteekki - online pharmacy
yliopiston apteekki - online pharmacyBasil Boluk
 
Запчасти онлайн
Запчасти онлайнЗапчасти онлайн
Запчасти онлайнBasil Boluk
 

Viewers also liked (15)

Roma
RomaRoma
Roma
 
Log book
Log bookLog book
Log book
 
Gemma o'donovan complete log book
Gemma o'donovan complete log bookGemma o'donovan complete log book
Gemma o'donovan complete log book
 
Schedule
ScheduleSchedule
Schedule
 
Independent textual analysis
Independent textual analysisIndependent textual analysis
Independent textual analysis
 
Logbook
LogbookLogbook
Logbook
 
Chairul tanjung
Chairul tanjungChairul tanjung
Chairul tanjung
 
CV Basil Boluk
CV Basil BolukCV Basil Boluk
CV Basil Boluk
 
Histology.expert
Histology.expertHistology.expert
Histology.expert
 
GrowHack for AdMars
GrowHack for AdMarsGrowHack for AdMars
GrowHack for AdMars
 
150417 презентация окна петербурга
150417 презентация окна петербурга150417 презентация окна петербурга
150417 презентация окна петербурга
 
Soloquesto strategy description
Soloquesto strategy descriptionSoloquesto strategy description
Soloquesto strategy description
 
Онлайн-аптека Rx/OTC с сетью роботизированных аутпостов
Онлайн-аптека Rx/OTC с сетью роботизированных аутпостовОнлайн-аптека Rx/OTC с сетью роботизированных аутпостов
Онлайн-аптека Rx/OTC с сетью роботизированных аутпостов
 
yliopiston apteekki - online pharmacy
yliopiston apteekki - online pharmacyyliopiston apteekki - online pharmacy
yliopiston apteekki - online pharmacy
 
Запчасти онлайн
Запчасти онлайнЗапчасти онлайн
Запчасти онлайн
 

Similar to Evaluation

Evaluation Queue Cards
Evaluation Queue CardsEvaluation Queue Cards
Evaluation Queue CardsAmyBoardman
 
Evaluation Queue Cards
Evaluation Queue CardsEvaluation Queue Cards
Evaluation Queue Cardsjoemulbz123
 
Evaluation queue cards
Evaluation queue cardsEvaluation queue cards
Evaluation queue cardsjoemulbz123
 
Evaluation Queue Cards
Evaluation Queue CardsEvaluation Queue Cards
Evaluation Queue CardsAmyBoardman
 
As Media Studies Evaluation
As Media Studies EvaluationAs Media Studies Evaluation
As Media Studies Evaluationlhyatt92
 
Evaluation real
Evaluation real Evaluation real
Evaluation real Roshan6596
 
Gareth tomlins 2
Gareth tomlins 2Gareth tomlins 2
Gareth tomlins 2afrench14
 
Evaluation
EvaluationEvaluation
EvaluationPCaudy
 
Evaluation
EvaluationEvaluation
EvaluationPCaudy
 
Evaluation
EvaluationEvaluation
EvaluationPCaudy
 
Evaluation
EvaluationEvaluation
EvaluationPCaudy
 

Similar to Evaluation (20)

Evaluation
EvaluationEvaluation
Evaluation
 
Evaluation Queue Cards
Evaluation Queue CardsEvaluation Queue Cards
Evaluation Queue Cards
 
Evaluation Queue Cards
Evaluation Queue CardsEvaluation Queue Cards
Evaluation Queue Cards
 
Evaluation queue cards
Evaluation queue cardsEvaluation queue cards
Evaluation queue cards
 
Evaluation
EvaluationEvaluation
Evaluation
 
Evaluation
EvaluationEvaluation
Evaluation
 
Evaluation Queue Cards
Evaluation Queue CardsEvaluation Queue Cards
Evaluation Queue Cards
 
Evaluation
EvaluationEvaluation
Evaluation
 
As Media Studies Evaluation
As Media Studies EvaluationAs Media Studies Evaluation
As Media Studies Evaluation
 
Evaluation
EvaluationEvaluation
Evaluation
 
Evaluation real
Evaluation real Evaluation real
Evaluation real
 
Evaluation
EvaluationEvaluation
Evaluation
 
Evaluation 12
Evaluation 12Evaluation 12
Evaluation 12
 
Gareth tomlins 2
Gareth tomlins 2Gareth tomlins 2
Gareth tomlins 2
 
Evaluation
EvaluationEvaluation
Evaluation
 
Evaluation
Evaluation Evaluation
Evaluation
 
Evaluation
EvaluationEvaluation
Evaluation
 
Evaluation
EvaluationEvaluation
Evaluation
 
Evaluation
EvaluationEvaluation
Evaluation
 
Evaluation
EvaluationEvaluation
Evaluation
 

More from gemmaodonovan

More from gemmaodonovan (6)

Storyboard
StoryboardStoryboard
Storyboard
 
Letter
LetterLetter
Letter
 
Prop list
Prop listProp list
Prop list
 
Prop list
Prop listProp list
Prop list
 
Independent Textual Analysis
Independent Textual AnalysisIndependent Textual Analysis
Independent Textual Analysis
 
Log book
Log bookLog book
Log book
 

Recently uploaded

Private Call Girls Bally - 8250192130 | 24x7 Service Available Near Me
Private Call Girls Bally - 8250192130 | 24x7 Service Available Near MePrivate Call Girls Bally - 8250192130 | 24x7 Service Available Near Me
Private Call Girls Bally - 8250192130 | 24x7 Service Available Near MeRiya Pathan
 
Kolkata Call Girl Bagbazar 👉 8250192130 ❣️💯 Available With Room 24×7
Kolkata Call Girl Bagbazar 👉 8250192130 ❣️💯 Available With Room 24×7Kolkata Call Girl Bagbazar 👉 8250192130 ❣️💯 Available With Room 24×7
Kolkata Call Girl Bagbazar 👉 8250192130 ❣️💯 Available With Room 24×7Riya Pathan
 
VIP Call Girls in Gulbarga Aarohi 8250192130 Independent Escort Service Gulbarga
VIP Call Girls in Gulbarga Aarohi 8250192130 Independent Escort Service GulbargaVIP Call Girls in Gulbarga Aarohi 8250192130 Independent Escort Service Gulbarga
VIP Call Girls in Gulbarga Aarohi 8250192130 Independent Escort Service GulbargaRiya Pathan
 
fmovies-Movies hold a special place in the hearts
fmovies-Movies hold a special place in the heartsfmovies-Movies hold a special place in the hearts
fmovies-Movies hold a special place in the heartsa18205752
 
Air-Hostess Call Girls Shobhabazar | 8250192130 At Low Cost Cash Payment Booking
Air-Hostess Call Girls Shobhabazar | 8250192130 At Low Cost Cash Payment BookingAir-Hostess Call Girls Shobhabazar | 8250192130 At Low Cost Cash Payment Booking
Air-Hostess Call Girls Shobhabazar | 8250192130 At Low Cost Cash Payment BookingRiya Pathan
 
Models Call Girls Hridaypur | 8250192130 At Low Cost Cash Payment Booking
Models Call Girls Hridaypur | 8250192130 At Low Cost Cash Payment BookingModels Call Girls Hridaypur | 8250192130 At Low Cost Cash Payment Booking
Models Call Girls Hridaypur | 8250192130 At Low Cost Cash Payment Bookinganamikaraghav4
 
Amil baba in Pakistan amil baba Karachi amil baba in pakistan amil baba in la...
Amil baba in Pakistan amil baba Karachi amil baba in pakistan amil baba in la...Amil baba in Pakistan amil baba Karachi amil baba in pakistan amil baba in la...
Amil baba in Pakistan amil baba Karachi amil baba in pakistan amil baba in la...Amil Baba Company
 
VIP Call Girls Service Banjara Hills Hyderabad Call +91-8250192130
VIP Call Girls Service Banjara Hills Hyderabad Call +91-8250192130VIP Call Girls Service Banjara Hills Hyderabad Call +91-8250192130
VIP Call Girls Service Banjara Hills Hyderabad Call +91-8250192130Suhani Kapoor
 
FULL ENJOY Call Girls In Mahipalpur Delhi Contact Us 8377087607
FULL ENJOY Call Girls In Mahipalpur Delhi Contact Us 8377087607FULL ENJOY Call Girls In Mahipalpur Delhi Contact Us 8377087607
FULL ENJOY Call Girls In Mahipalpur Delhi Contact Us 8377087607dollysharma2066
 
Kolkata Call Girl Kalyani 👉 8250192130 ❣️💯 Available With Room 24×7
Kolkata Call Girl Kalyani 👉 8250192130 ❣️💯 Available With Room 24×7Kolkata Call Girl Kalyani 👉 8250192130 ❣️💯 Available With Room 24×7
Kolkata Call Girl Kalyani 👉 8250192130 ❣️💯 Available With Room 24×7Riya Pathan
 
Call Girls Nikol 7397865700 Ridhima Hire Me Full Night
Call Girls Nikol 7397865700 Ridhima Hire Me Full NightCall Girls Nikol 7397865700 Ridhima Hire Me Full Night
Call Girls Nikol 7397865700 Ridhima Hire Me Full Nightssuser7cb4ff
 
(Dipika) Call Girls in Bangur ! 8250192130 ₹2999 Only and Free Hotel Delivery...
(Dipika) Call Girls in Bangur ! 8250192130 ₹2999 Only and Free Hotel Delivery...(Dipika) Call Girls in Bangur ! 8250192130 ₹2999 Only and Free Hotel Delivery...
(Dipika) Call Girls in Bangur ! 8250192130 ₹2999 Only and Free Hotel Delivery...Riya Pathan
 
Verified Call Girls Esplanade - [ Cash on Delivery ] Contact 8250192130 Escor...
Verified Call Girls Esplanade - [ Cash on Delivery ] Contact 8250192130 Escor...Verified Call Girls Esplanade - [ Cash on Delivery ] Contact 8250192130 Escor...
Verified Call Girls Esplanade - [ Cash on Delivery ] Contact 8250192130 Escor...anamikaraghav4
 
Call Girls In Karnal O8860008073 Sector 6 7 8 9 Karnal Escorts
Call Girls In Karnal O8860008073 Sector 6 7 8 9 Karnal EscortsCall Girls In Karnal O8860008073 Sector 6 7 8 9 Karnal Escorts
Call Girls In Karnal O8860008073 Sector 6 7 8 9 Karnal EscortsApsara Of India
 
(DIVYA) Dhanori Call Girls Just Call 7001035870 [ Cash on Delivery ] Pune Esc...
(DIVYA) Dhanori Call Girls Just Call 7001035870 [ Cash on Delivery ] Pune Esc...(DIVYA) Dhanori Call Girls Just Call 7001035870 [ Cash on Delivery ] Pune Esc...
(DIVYA) Dhanori Call Girls Just Call 7001035870 [ Cash on Delivery ] Pune Esc...ranjana rawat
 
Vip Udaipur Call Girls 9602870969 Dabok Airport Udaipur Escorts Service
Vip Udaipur Call Girls 9602870969 Dabok Airport Udaipur Escorts ServiceVip Udaipur Call Girls 9602870969 Dabok Airport Udaipur Escorts Service
Vip Udaipur Call Girls 9602870969 Dabok Airport Udaipur Escorts ServiceApsara Of India
 
Housewife Call Girls Sonagachi - 8250192130 Booking and charges genuine rate ...
Housewife Call Girls Sonagachi - 8250192130 Booking and charges genuine rate ...Housewife Call Girls Sonagachi - 8250192130 Booking and charges genuine rate ...
Housewife Call Girls Sonagachi - 8250192130 Booking and charges genuine rate ...Riya Pathan
 
Amil Baba in Pakistan Kala jadu Expert Amil baba Black magic Specialist in Is...
Amil Baba in Pakistan Kala jadu Expert Amil baba Black magic Specialist in Is...Amil Baba in Pakistan Kala jadu Expert Amil baba Black magic Specialist in Is...
Amil Baba in Pakistan Kala jadu Expert Amil baba Black magic Specialist in Is...Amil Baba Company
 
Kolkata Call Girl Airport Kolkata 👉 8250192130 ❣️💯 Available With Room 24×7
Kolkata Call Girl Airport Kolkata 👉 8250192130 ❣️💯 Available With Room 24×7Kolkata Call Girl Airport Kolkata 👉 8250192130 ❣️💯 Available With Room 24×7
Kolkata Call Girl Airport Kolkata 👉 8250192130 ❣️💯 Available With Room 24×7Riya Pathan
 
1681275559_haunting-adeline and hunting.pdf
1681275559_haunting-adeline and hunting.pdf1681275559_haunting-adeline and hunting.pdf
1681275559_haunting-adeline and hunting.pdfTanjirokamado769606
 

Recently uploaded (20)

Private Call Girls Bally - 8250192130 | 24x7 Service Available Near Me
Private Call Girls Bally - 8250192130 | 24x7 Service Available Near MePrivate Call Girls Bally - 8250192130 | 24x7 Service Available Near Me
Private Call Girls Bally - 8250192130 | 24x7 Service Available Near Me
 
Kolkata Call Girl Bagbazar 👉 8250192130 ❣️💯 Available With Room 24×7
Kolkata Call Girl Bagbazar 👉 8250192130 ❣️💯 Available With Room 24×7Kolkata Call Girl Bagbazar 👉 8250192130 ❣️💯 Available With Room 24×7
Kolkata Call Girl Bagbazar 👉 8250192130 ❣️💯 Available With Room 24×7
 
VIP Call Girls in Gulbarga Aarohi 8250192130 Independent Escort Service Gulbarga
VIP Call Girls in Gulbarga Aarohi 8250192130 Independent Escort Service GulbargaVIP Call Girls in Gulbarga Aarohi 8250192130 Independent Escort Service Gulbarga
VIP Call Girls in Gulbarga Aarohi 8250192130 Independent Escort Service Gulbarga
 
fmovies-Movies hold a special place in the hearts
fmovies-Movies hold a special place in the heartsfmovies-Movies hold a special place in the hearts
fmovies-Movies hold a special place in the hearts
 
Air-Hostess Call Girls Shobhabazar | 8250192130 At Low Cost Cash Payment Booking
Air-Hostess Call Girls Shobhabazar | 8250192130 At Low Cost Cash Payment BookingAir-Hostess Call Girls Shobhabazar | 8250192130 At Low Cost Cash Payment Booking
Air-Hostess Call Girls Shobhabazar | 8250192130 At Low Cost Cash Payment Booking
 
Models Call Girls Hridaypur | 8250192130 At Low Cost Cash Payment Booking
Models Call Girls Hridaypur | 8250192130 At Low Cost Cash Payment BookingModels Call Girls Hridaypur | 8250192130 At Low Cost Cash Payment Booking
Models Call Girls Hridaypur | 8250192130 At Low Cost Cash Payment Booking
 
Amil baba in Pakistan amil baba Karachi amil baba in pakistan amil baba in la...
Amil baba in Pakistan amil baba Karachi amil baba in pakistan amil baba in la...Amil baba in Pakistan amil baba Karachi amil baba in pakistan amil baba in la...
Amil baba in Pakistan amil baba Karachi amil baba in pakistan amil baba in la...
 
VIP Call Girls Service Banjara Hills Hyderabad Call +91-8250192130
VIP Call Girls Service Banjara Hills Hyderabad Call +91-8250192130VIP Call Girls Service Banjara Hills Hyderabad Call +91-8250192130
VIP Call Girls Service Banjara Hills Hyderabad Call +91-8250192130
 
FULL ENJOY Call Girls In Mahipalpur Delhi Contact Us 8377087607
FULL ENJOY Call Girls In Mahipalpur Delhi Contact Us 8377087607FULL ENJOY Call Girls In Mahipalpur Delhi Contact Us 8377087607
FULL ENJOY Call Girls In Mahipalpur Delhi Contact Us 8377087607
 
Kolkata Call Girl Kalyani 👉 8250192130 ❣️💯 Available With Room 24×7
Kolkata Call Girl Kalyani 👉 8250192130 ❣️💯 Available With Room 24×7Kolkata Call Girl Kalyani 👉 8250192130 ❣️💯 Available With Room 24×7
Kolkata Call Girl Kalyani 👉 8250192130 ❣️💯 Available With Room 24×7
 
Call Girls Nikol 7397865700 Ridhima Hire Me Full Night
Call Girls Nikol 7397865700 Ridhima Hire Me Full NightCall Girls Nikol 7397865700 Ridhima Hire Me Full Night
Call Girls Nikol 7397865700 Ridhima Hire Me Full Night
 
(Dipika) Call Girls in Bangur ! 8250192130 ₹2999 Only and Free Hotel Delivery...
(Dipika) Call Girls in Bangur ! 8250192130 ₹2999 Only and Free Hotel Delivery...(Dipika) Call Girls in Bangur ! 8250192130 ₹2999 Only and Free Hotel Delivery...
(Dipika) Call Girls in Bangur ! 8250192130 ₹2999 Only and Free Hotel Delivery...
 
Verified Call Girls Esplanade - [ Cash on Delivery ] Contact 8250192130 Escor...
Verified Call Girls Esplanade - [ Cash on Delivery ] Contact 8250192130 Escor...Verified Call Girls Esplanade - [ Cash on Delivery ] Contact 8250192130 Escor...
Verified Call Girls Esplanade - [ Cash on Delivery ] Contact 8250192130 Escor...
 
Call Girls In Karnal O8860008073 Sector 6 7 8 9 Karnal Escorts
Call Girls In Karnal O8860008073 Sector 6 7 8 9 Karnal EscortsCall Girls In Karnal O8860008073 Sector 6 7 8 9 Karnal Escorts
Call Girls In Karnal O8860008073 Sector 6 7 8 9 Karnal Escorts
 
(DIVYA) Dhanori Call Girls Just Call 7001035870 [ Cash on Delivery ] Pune Esc...
(DIVYA) Dhanori Call Girls Just Call 7001035870 [ Cash on Delivery ] Pune Esc...(DIVYA) Dhanori Call Girls Just Call 7001035870 [ Cash on Delivery ] Pune Esc...
(DIVYA) Dhanori Call Girls Just Call 7001035870 [ Cash on Delivery ] Pune Esc...
 
Vip Udaipur Call Girls 9602870969 Dabok Airport Udaipur Escorts Service
Vip Udaipur Call Girls 9602870969 Dabok Airport Udaipur Escorts ServiceVip Udaipur Call Girls 9602870969 Dabok Airport Udaipur Escorts Service
Vip Udaipur Call Girls 9602870969 Dabok Airport Udaipur Escorts Service
 
Housewife Call Girls Sonagachi - 8250192130 Booking and charges genuine rate ...
Housewife Call Girls Sonagachi - 8250192130 Booking and charges genuine rate ...Housewife Call Girls Sonagachi - 8250192130 Booking and charges genuine rate ...
Housewife Call Girls Sonagachi - 8250192130 Booking and charges genuine rate ...
 
Amil Baba in Pakistan Kala jadu Expert Amil baba Black magic Specialist in Is...
Amil Baba in Pakistan Kala jadu Expert Amil baba Black magic Specialist in Is...Amil Baba in Pakistan Kala jadu Expert Amil baba Black magic Specialist in Is...
Amil Baba in Pakistan Kala jadu Expert Amil baba Black magic Specialist in Is...
 
Kolkata Call Girl Airport Kolkata 👉 8250192130 ❣️💯 Available With Room 24×7
Kolkata Call Girl Airport Kolkata 👉 8250192130 ❣️💯 Available With Room 24×7Kolkata Call Girl Airport Kolkata 👉 8250192130 ❣️💯 Available With Room 24×7
Kolkata Call Girl Airport Kolkata 👉 8250192130 ❣️💯 Available With Room 24×7
 
1681275559_haunting-adeline and hunting.pdf
1681275559_haunting-adeline and hunting.pdf1681275559_haunting-adeline and hunting.pdf
1681275559_haunting-adeline and hunting.pdf
 

Evaluation

  • 2. + In what ways does your media product use, develop, or challenge forms an conventions of media products?  The magazine across the 4 pages, ‘repeats’ (Steve Neale), the codes and conventions of many well established magazines including magazine such as NME, Q, Vibe. Many magazines gave me a focus so that I can repeat certain aspects of each magazine like the structure, font and the design of the magazines. I created a similar convention as I thought that it would be effective seeing that all these magazines have been very successful in their work. My double page spread was influenced by NME magazines because I have included a big exclusive.
  • 3. + How does your media product represent particular social groups?  The denotation of representation is to social groups which are fans of the musical genre of progressive deep house and electro. This particular social group would be likely to enjoy their time at festivals like Lovebox and Nass and will also enjoy going to their favorite artists concerts.. They want to go and watch their favorite artists, for example Aluna George, and Karen Harding. Consequently, the social groups that are interested in Electro music and progressive deephouse would enjoy going to watch their favorite artists perform live. Therefore my media production denotes the sense of being a fan for the genre of music I have chosen. For example I have given them the chance to win tickets to go and see Chase and Status on the contents page. I used this in my magazine because I knew that it would be successful through the social groups.
  • 4. + What kind of media institution (Publisher) might distribute your media product and why?  From my research, I can’t find any sort of magazines that focus on the genre of music that I have focused on. It’s a rare kind of music. I have found out that a media distribution that may distribute my media product is because of the magazines they tend to produce. I have looked at many different magazines of inspiration seeing as my genre of music doesn't’t have many magazines focused on it. However a magazine I did like was NME, due to the many conventions that they’ve used. I have made the font of my magazine very similar to NME’s because it looks high quality and professional and I think that my masthead being in this font will be a USP (unique selling point).
  • 5. + Who would be the audience for your media product and why?  According to Hartley's 7 subjectivities the audience of my magazine tempo are both of the male and female gender between the ages of 16-25. This is because the music I have focused my magazine on, is electro and deep house. Electro and progressive deep house is very popular with this age group. As my magazine ‘Tempo’ is focused on this genre, this is why my target audience is the same because they will be engaged by what we have included in our magazine, like certain artists they will be intrigued by and influenced by.  According to Katz’ Uses and Gratifications theory, the target audience will want to ‘Personal identify’ with the artists. The consumers will buy my magazine because they like what they see and who my magazine interviews therefore they want to identify with their idols, and want to find out more about them.  According to Maslow’s Hierarchy of needs theory, the audience will want to ‘Social Climb’ when reading my magazine. Social climbers look at something or someone that they idolize, and are inspired by them and will aim to be like them. They climb the social ladder of being superior to everyone. For example Social Climbers will read my magazine and see something they like for example a piece of clothing they like, therefore they want it and will go out and get it as well. This is a prime example of a social climber.
  • 6. + How did you attract/address your audience?  I attracted the audience by including many codes and conventions that would help me sell my magazine including convergence and puff/promotion. This is because Electro and Progressive deep house is a genre of music which is growing in popularity amongst young people in society. Therefore a way of appealing to the young people is through convergence, as the awareness of my magazine will increase. Loads and loads of young people in todays society in my target age group 16-25 spend hours on social networking sites, therefore the use of convergence will increase the popularity to others because more people will know about it through going on twitter, facebook, and a website. The use of puff/promotion within my magazine is that I’m offering people the chance to win tickets to go and see Chase and Status live. This increases the attraction from the audience because people will really want to win tickets to go and see one of their favorite artists. Things like this chance to win tickets will be in regular magazine issues.
  • 7. + What have you learnt about technologies from the process of constructing this product?  In order for this magazine to attract the target audience, I chose to create the font cover using a full image where I made some changes on Photoshop to the image itself. I felt as if the image worked really well because I used the rectangular marquee tool to crop the image that I wanted to use. I used the pen tool on my double page spread for my text. The pen tool helps me to make my double page look professional and neat because you use it to make different shapes for your text box so that it can curve round an image for example.
  • 8. + Looking back at your pleminary task, what do you feel you have learnt in the progression for the full product.  I feel that, having completed the preliminary task and learning about the demands of this production process, I have learnt that you need to use your time more wisely instead of maybe wasting it on stuff that doesn’t necessarily need to have loads of time spent on it. You need to focus on the small details that will make your product more well established.
  • 12. + Analysis of front cover Masthead: This identifies the magazine to carry on acknowledging the magazine. Subscription: This is a way of getting more consumers and increase their production rate because more people will sign up so that they have a subscription. Main central image: This is a way of attracting an audience, especially when they’re a star because when ‘star appeal’ (Richard Dyer) is used, then more people will see their favorite stars, they want to read about them. Issue, date and barcode: These are the typical just basic thing you need when selling a product like this one. Cover line: This is another way of intriguing the audience in to read by showing what other stories to the magazine Strapline: To show the audience that its well established magazine which is worth the read. Convergence: The way of letting people know about the magazine through social networking sites.
  • 13. + Analysis of Contents page Editorial: This is a way of introducing the magazine and to show what sort of stories will be involved in this issue. It also contains a picture of the editor and ways to contact the magazine. Puff/Promotion: This is the way of people winning stuff, this increases buys because people will want the chance to winning something. Cover Stories: This is a way of creating more interest for readers so they know that there is more to read about other than just the main storyline.
  • 14. + Analysis of double page spread Image: This is the image and is used to support the main story seeing as it’s the double page spread. Interview: I differentiated the interview to make the separation of the questions and the answers more clearer. Title: This gives a headline to the story. The use of ‘tells’ and ‘everything’ in bold makes the reader engaged because they know that a lot will be revealed. Convergence: The use of convergence is again used for the same reason so that the magazine can be shown on different social networking sites.