The Joneses Film Techniques

The Joneses Film Techniques
Granted a captivating lead by actress Demi Moore, and a neat narrative, The Joneses captures the
life of a more than average family that enacts the fascinating sequels that take place whilst living a
life of a con–artistry, and are they ever so convincing. With intentions to simply be desired by
members of their upscale neighborhood, the fictitious, fabricated family perform intense hoaxes in
order to promote high end products to those surrounding them. The Joneses is an alluring comedy
that offers a laugh for the entire family ;however, I believe there are secondary adjustments that
could improve the final message of the film. By using an array of climatic events, the disquieting
unknown reveals the secluded truth of a former acquaintance,
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The Film Techniques Used By Cameron
Being a science fiction fan during his childhood, he worked his way in producing several highly
acclaimed science fiction movies such as Avatar, Aliens, and the Terminator. Born on August 16,
1954, in Ontario Canada and later moved to California to finish his college at California State
University. In order to pursue his dreams in cinematography, he worked as a truck driver and would
work on screenplays. Then his career began from an art director in Battle beyond the Stars (1980) to
directing various films. Now, he is an Oscar–winning director whose films Titanic (1997) and Avatar
(2009) remains the top grossing films of all time. He has won various awards from different sides of
the world, Norway, France, and the United Kingdom. Mise–en–scenes were well incorporated in
each of James Cameron's movies especially for science fiction movies that used elegantly crafted
visuals.
This paper will focus on the film techniques used by Cameron in his three most known movies,
Titanic (1997), Avatar (2009), and Terminator series. Mise–en–scene according to John Gibbs is
used in film studies in the discussion of visual style. Translated literally it means "To put on stage",
but for the purpose of students, it is defined as the contents of the frame and the way they are
organized (p 5). In addition, a director's style can be identified only through the arrangement and
orchestrations of the film's mise–en–scene (Nelmes, 425).The films Titanic, Avatar, and Terminator
series were successful

Techniques In The Film 'Reitman'
In a quirky film about a Tabasco lobbyist and his son, gives an alternative view on what many think
about the industry. As a lobbyist for tobacco, Nick Naylor is excellent at his job; he even convinced
cancer patient that he could still smoke. Even if the film is not the most visible pleasing, Reitman
still uses techniques of the film industry to give the movie more depth. In one scene from earlier in
the film, Reitman is able to use a vast variety of techniques in a fairly short sequence in order to set
the tone for the rest of the movie. By using various technique such as filmography, Mise en Scene,
movement and editing; Reitman is able to not only show the nature of the protagonist, but also his
relationship with his son.
During a movie

Sunrise Film Techniques
Sunrise is a film directed by director F.W.Murnau that some might argue is more of a classic love
story but I am going to show you why this is more of a horror film instead. Sunrise had a hint of
love in it indeed but it contains plot of murder as well as attempt of murder twice. It also contains a
very controlling character that show hints of being evil or monster like in her personality as well as
her appearance. The director used the camera angle, camera movement, as well as lighting to show
why this is more of a dark and chilling story and I will explain why.
The first obvious clue to the viewers that this might be more of a horror film than a love film is the
very controlling a devil like character that we get introduced to very early ... Show more content on
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We get a little bit of everything in this film such as creepy locations and camera angle that shows
darkness to a shot or characters true feeling or intention. F.W.Murnau used a variety of ways to show
the horror prospective in this film. in the beginning we see the husband meeting his lover in a dark
and creepy moon lit swamp. In an edit sequence we get a trailing shot of the husband walking
through the very dark and gloomy swap with a slouch posture and hands in his pockets, we also hear
a very slow and creepy soundtrack playing in the background giving the audiences a chilling feels to
it. Then we see that he walks out of the frame and the camera keeps going and stops on a shot of the
city woman standing near some bushes with a very bright and high moon in the background. This is
where we can draw a clear conclusion that the location is imposed on us to give a feeling of sadness
or evil sin that they are about to commit in this isolated part of the farm. He uses high angles several
time through the film as well to show the shadows of darkness on characters face and give them a
monster like appearance. We see a perfect example of this in the shot of a close up of the husband
face at a high angle and low light in the boat when he is about to stand up to kill his wife. We see the
dark shadow in his face and his slouched Frankenstein posture as he moves his eye on his wife about
to kill her. He used these cinematic techniques to show character emotions and implement the horror
prospective in the film and these are clear reasons why some might say this is more horror than a
classic love story of two

Mulchay Film Techniques
Shine and swimming upstream are two very exciting movies. Muclahy and Hicks have created two
extremely strong characters through using different camera angles, sounding, and lighting when they
are on the screen. These two directors also created two intense action scenes through using those
techniques. Even though both exciting films have different stories within them they still pose similar
themes.
Mulchay and Hicks created two very intense and exciting action themes in the movies swimming
upstream and Shine. When Tony and John were racing in the trials for the empire games, camera
angles, transitions and the type of music being played created the audience to move to the edge of
their seats. The way the camera transitioned from Tony to John ... Show more content on
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In the film, Swimming Up Stream Mulcahy directed a scene where Tony and his older brother,
Harold Jnr, had a boxing match with their father watching on. Both sons wanted to impress their
father, but it was obvious that Tony was the weaker son and wasn't his father's favorite at all. In the
scene, it portrayed Tony's characteristics as him not being a fighter, being a pushover but also
wanting to impress his father. Because when his father commented, "com' on you little poofta get up
and fight, stop being a little sissy." During the fight, he got up and started to fight back until his
mother came in and broke them up. The camera angles and music that was used when Tony was the
focal point of the screen generally portrayed him as determined, but also made the audience feel his
feeling of being disowned. David also had the same kind of camera angles and music displayed
when he was the center focus, as when he told his father about leaving Australia to move to London,
to live the dream of becoming one of the best pianists in the world. As he got the invite to (need the
college) he told his father in an extremely weak voice "I wanna go and you can't stop me." After he
said that he got abused by his father, and when he was coming up the camera angles was as if the
audience was looking down to him which made him be portrayed as weak and a pushover. David
was extremely influenced by his father, extremely so that when he became disabled he would
murmur words such as "I'm a very lucky boy" continuously, he would also murmur words and
phrases that his father drilled into him since a young age. Both boys were push overs and did exactly
what their fathers told them to do, but were also strong and independent when they discovered that
they are mentally stronger than their fathers, these characters were a key point in the making of the

The Crucible Film Techniques
Another scene in the film in which Kaye has carefully used the soundtrack to convey the idea of
Derek's actions affecting Danny is the revelation scene later on in the film. During this scene, we see
Derek reflecting on the past through a flashback. A buildup of soft violin, piano and cello sounds are
used in contrast to other parts of the film to amplify the sense of happiness and to show how Derek
cherishes this memory as it is possibly the last moment where his life was good. By using a build up
of volume and pace in the soundtrack Kaye is able to make the audience understand how this is a
past memory that is happy for Derek and that the emotions he is experiencing are due to his change
of character from a violent racist into a normal person. ... Show more content on Helpwriting.net ...
Through his directing Kaye shows the viewer the link between Danny and Derek, highlighting the
issue of racial traits being passed down through modern American families and warning the
audience about the future. His use of camerawork and soundtrack in uncommon ways compared to
how other films of this genre make this film stand out and provide a more visceral and realistic
sense of how racism affects many Americans' in modern times. Kaye's use of close–ups provide the
raw and gut wrenching emotions in every scene, be it the stomach turning sense of teeth touching
the curb or to highlight the emotion on a character's face. His use of soundtrack further enhances
every scene seamlessly building tension and then bringing it all crashing down in a high pitched
threnody. Through studying this film it is clear to see that Tony Kaye's masterful use of camerawork
and soundtrack in these two scenes successfully pushes the message of the film home, which is that
even though we may not be able to see it, racist traits are still passed down through families in
today's world. Although the entire film helps to further push that point it is these two scenes that
show to the viewer that even a simple racist statement from a parent or sibling can be enough to
affect a child for the rest of their life and to further spread racism and intolerance into the

Scarface Film Techniques
The AFI movie I chose for a week 3 assignment is Scarface, this 1983 cinematic masterpiece,
starring Al Pacino, shows the journey of a simple immigrant from Cuba trying to make his way to
America, trying to find the American dream, after the character Tony Montana play by Al Pacino
tries to enter into United States illegally, he was caught and placed into a immigration detention
center, this is where Tony Montana gets his big break by taking on a contract hit for a Colombian
drug cartel that can help him with his immigration status. The theme of this movie Scarface is a fast
rise and fall of a poor immigrant from Cuba, with goals and aspirations to become a drug kingpin.
Each scene becomes progressively understanding and clear that Tony Montana goal is to become a
boss, by setting into motion plans to make his way into South Florida by any means necessary,
Montana at this time has taken on hit man jobs and started paddling narcotics for himself and his
crew, I feel as though the first scenes Tony Montana's cocky attitude broken English and demeanor
and disposition towards the police, introduced us to who Tony Montana was, at one point in this film
Tony Montana talks about Humphrey Bogart and a few other actors that portrayed gangsters and
gangster life style, he seemed to be admiring the gangster life style, in this scene you can almost see
the admiration within his eyes as he was telling the a story about them. This scene was brought to
light by the cinematographer who created a dim but dynamic lighting setting, the focal point was
directly on Al Pacino as he was telling his story, the effective framing and captivating way that Al
Pacino portrays his character. There was another scene in Scarface

Coming Of Film Techniques
Film style refers to the technical practices employed within filmmaking, this includes the use of
cinematography, mise–en–scene, dialogue, editing and narrative. Understanding changes in film
style is crucial to examining film in a historical, political and cultural context. All of which as these
external elements directly affected the production of film and altered the style of filmmaking. In this
essay I will be exploring how the coming of sound homogenised filmmaking and aided the creation
of a widespread distinct film style, 'Classical Hollywood' cinema.
As a result of the coming of film sound, an exclusively visual experience, became an equally audible
one and within a decade, silent films were transformed from being the exclusive mode ... Show
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Short pieces of dialogue were inserted into the film through title cards, which framed the film's
narrative through textual communication. These distinctive film style techniques changed as as a
result of the coming of film sound as films were created with a consideration of sound. Scenes
began to have less cuts in order to focus on the importance of the characters dialogue, which strayed
from the previous importance placed on mise–en–scene and set design. This pattern of conventions,
created a new film style that favoured naturalistic acting, static camera shots and an overall
emphasis on dialogue and sound. In 1929, Britain released it's first 'full–talkie' film, Blackmail,
directed by Alfred Hitchcock. Despite the film originally being shot as silent film the studio decided
that the film would alternatively be produced as a talkie alongside the original release. Hitchcock's
Blackmail epitomises the changes film style accommodated with the new medium of sound. The
two versions of the film differ in filmic techniques, despite the only difference being the
introduction of sound. With the inclusion of sound there is less of a need for visual storytelling. In
the film's famous knife sequence the silent version of the scene has a shot of the bell ringing to
indicate that someone has entered the shop, this is a requirement as the audience would not
otherwise be aware of this. However, in the version with sound this shot is cut as the sound can be a
diegetic noise, leading to less of an interruption in the scene's building tension – an important motif
which became a trademark of Hitchcock's filmmaking style. Another aspect which conveys a shift in
film style is when the film's protagonist Alice reaches over to grab the knife on the table. In the
film's silent version a dark shadow is cast under her hand, acting as a connotation to Alice's inner
turmoil after

Rebecca Film Techniques
Recently, I was given the opportunity to view one of the best movies made in 1940... Rebecca.
Rebecca is a gothic horror film directed by Alfred Hitchcock features Joan Fontaine (Mrs. de
Winter), Laurence Olivier (Maxim de Winter), Judith Anderson (Mrs. Danvers), and Florence Bates
(Mrs. Van Hopper). The actors in this film make the movie worth watching.
The narrator, a young woman vacationing in Monte Carlo with her employer crosses paths with an
older man (Mr. de WInter) who just so happened to just have lost his wife in a boat accident at sea...
or at least everyone thinks. After Mr. de Winter asks for the narrator's hand in marriage the new
happily married couple travel back to the beautiful and highly esteemed Manderley. Soon after ...
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This technique is the same as if it were a close up on a particular character's face to show the
emotion that is represented in that particular scene. The props that were used in this film were
outstanding especially with the engravings of RDW. However, a special effect of flashback when the
story of Rebecca's death was being told would've been much better instead of how it actually was in
the film. Other audience members and myself would have loved to actually have seen what Rebecca
had looked like rather than the story being just explained. If the use of flashback was incorporated
into the film it would make the film ten times better than what it already is. Although, Hitchcock
mainly focused on emotion in his films paying closer attention to dialogue would make this film
brilliant. When the characters finally did speak you couldn't get a good understanding of what they
were saying due to their rush in speech. The characters spoke very fast to the point where you had to
listen closely to conversation or you would miss what they were saying, this is where the importance
of reading the emotion on the character's face is vital.
A common theme that is shared throughout the entire film is that your past can and will haunt your
future. As shown in this film and many others by the great Alfred Hitchcock the theme is generally
displayed with every aspect in this film. This theme is displayed when Maxim

Romeo And Juliet Film Techniques
Baz Luhrmann, on completing the, "red curtain trilogy" has earned much success, which can be
traced from Luhrmann's evolution of cinematic techniques as well as philosophy of cinema. This
essay will examine Luhrmann's use of postmodern film techniques, by analyzing the, "red curtain
trilogy". From Strictly Ballroom's, "flattening of affect" as Scott's rigid false perception of winning
the San Pacific Ballroom dance completion. To Romeo + Juliet's multi–voiced narratives. Climaxing
to The Great Gatsby's intertextuality of the book to the current movie. All of these techniques and
much more discusses, develops Luhrmann's film of philosophy, to Strictly Ballroom, "a life lived in
fear is a life half lived", to Romeo + Juliet's endearment of love and finally The Great Gatsby's
social commentary on society, capitalism and history.
In Strictly Ballroom, Baz Luhrmann has done a phenomenal job of utilizing the conventional
philosophy of cinema ... Show more content on Helpwriting.net ...
The Elizabethan play is re–imagined as a modern action, love film, Bricolage. Luhrmann's Romeo +
Juliet takes aspects of the original Romeo and Juliet, pastiche, and includes them in scenes such as
the prologue, taking the original artifice and adapting its relevance to today. The techniques of
metafiction are also found, as Mercutio in Luhrmann's film is a black bisexual male. There is also
techniques of, "flattening of effect" where violence detaches the families' members from emotional
lives. Baz Luhrmann's Romeo and Juliet's multi voiced narrative, setting his movie in a country and
culture unfamiliar to himself contra to Strictly Ballroom, Luhrmann implementing Shakespearian
prose in place of modern communication within his film and filming Romeo + Juliet in a much
larger area, with more diverse areas for scenes, indicates the development of Luhrmann becoming a
more courageous and expressive

Jean Renoir Rules Of The Game Film Techniques
Film has often been an accurate representation of a time period's culture. Rules of the Game is no
exception with its portrayal of women and their relationships with each other and with men. Jean
Renoir uses Rules of the Game to make statements on the expectations and perceptions of women
by techniques of cinematography. Although often not a favorable representation, Renoir portrays
women differently than society would have expected. Through camera focus, angles, and distance,
Jean Renoir demonstrates the contradictions between the expectations of women and the reality of
their behavior, but with negative undertones. Renoir uses mirrors and camera angles to represent
Christine and Lisette's flaws of character and the deception in their

Hairspray Film Techniques
The film 'Hairspray' directed by Adam Shankman, is set in June 1962 in Baltimore, America. During
this time, the Negroes were segregated from the white people. There was extensive discrimination.
Adam Shankman used effective film techniques that helped me to understand a key idea that is that
all people should be treated equally regardless of their race and colour. These techniques include the
use of prop, costume and dialogue.
The first effective film technique that helped me to understand the key idea was props. The props
used were placards and candles. During the protest for integration of Negro Day on the Corny
Collins' show, placards were used with messages written on them. Some of the messages were,
'Integration not Segregation', 'Black and White Unite' and 'Do the checkerboard'. These placards
were held by people supporting integration, stating that integration should happen between the
Negroes and the white people. Another prop used during the protest march were candles to represent
peace. The candles were used by the protesters to show that they wanted to say that even though ...
In the ending sequence of the film, Tracy was wearing a black and white checkerboard dress at the
Miss Teenage Hairspray pageant. Tracy wore this dress and danced happily with all the people there,
black and white, everyone. Also, at this ending scene Corny Collins announced that the Corny
Collins' show would be officially integrated from then on, showing the supportment of the key idea.
The dress had only colours of black and white. This represented that Negroes and white people
should be united together. The black checkerboard pieces of the dress represented the Negroes,
while the white parts represented the white people. It was mixed to show integration. This portrayed
a clear message that black and white people should be united as one and not apart, showing another
strong relation to the key

Eric And Dylan Film Techniques
Film is a theme and character driven film that documents the progression of the two main characters
from regular teenagers to violent criminals. Unlike most movies that document lives in a fly on the
wall style, Film often shows the scenes from the points of view of the main characters. It does this
by showing many close ups on their faces allowing the actors performances to be clear and visible to
the audience and also by the editing and composition; shots showing exactly what the characters are
seeing. This allows the audience to truly understand the characters and to provoke a personal
emotional response. Here I will analyse the elements of film, describing techniques and why they
are used.
The major theme of film is isolation, throughout ... Show more content on Helpwriting.net ...
Because of this Eric grows to trust what he knows (which is his secluded life with Dylan) and
distrust the rest of society which Dylan teaches him is to be feared or attacked.
Throughout each scene the time of day changes from dawn in scene 1 to nighttime in scene 5 and
the final scene being morning again. The time of day symbolises Eric's ability to see clearly and
change the path he's on. In the beginning, when it's morning, he's impressionable, learning brutality
from Dylan. By the fifth scene he is trapped in a chain of violence, he has no choice but to allow
dylan to scar him. By the final scene it's morning and this is when Eric takes the authority to choose
what he wants to do and not follow in Dylan's footsteps.
Cinematography techniques are used throughout film to develops the characters and create a
relationship of understanding between the audience and the characters, this relationship allows the
audience to understand the main theme of isolation and hopefully leaves an impression on

Jaws Film Techniques
Winnie Chan #3
Film Lit Block 4
February 22, 2016
Cinematic Vocab Sentences
(202) scene: In the opening scene of Toy Story(1995), Woody is seen being tossed around by Andy
throughout the house. The scene comprises of shots in various parts of the house, showing the close
bond Andy has with Woody.
(40) close–up shot: The close–up shot in The Passion of Joan of Arc (1929) focuses solely on the
haunting facial expression of Joan. The director utilizes this to portray her strong faith in God.
(131) medium shot: The director uses a medium shot in The Searcher(1956) to display Ethan
Edward pointing his gun to shoot the Native Americans, but Captain Clayton slaps the gun down.
The audience sees the sudden change of where the gun is pointing, and ... Show more content on
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(263) zoom shot: In Jaws (1975) a zoom shot is used to show police chief Brody's realization that a
kid had been attacked by a shark. The audience sees his change in expression and probably feels the
same way.
(49) cross–cutting: In Inception (2010), cross–cutting is used to parallel the two scenes. Joseph
Gordon levitt is getting into an elevator and an intense car chase. The director uses this to show that
the two scenes are occurring at the same time, while also leaving the audience captivated by the
suspense.
(51) cutaway shot: In Ferris Bueller's Day Off (1986), the director uses a cutaway shot to show the
truancy officer attempting to reach Ferris' household about his absence. No one answers the phone,
and a cutaway shot shows the truancy officer angrily presses a button on the phone.
(106) insert shot: In Into the Wild(2007) an insert shot of the pages in the book about botany is used
when Christopher McCandless is trying to see what plants are edible or not. The audience is able to
see his anxiety trying to find

Color Purple Film Techniques
The Color Purple is a 1985 film written by Menno Meyjes and directed by Steven Spielberg, based
upon a novel by Alice Walker. The major actors in the film were: Oprah Winfrey, Whoopi Goldberg,
Danny Glover, and Margret Avery. Celie, the main character, is treated harshly by the world, a
bashful, afraid girl whose life mostly involves fleeing from the men who want to beat and rape her.
Celie's eventual flourishing delivers a joyful experience, one of the greatest ones I've gotten from a
movie. The scene where Shug teases Celie into smiling was a turning point of the film, and it's the
moment we realize humanity is gleaming out of the screen upon us. In The Color Purple, it appears
Celie has a life of filled with misery. By the age of 14, she ... Show more content on Helpwriting.net
...
Spielberg uses the musical element of melody in the opening scene. We hear Celie and Nettie
singing a tune together, clapping their hands, and dancing around in a field of purple flowers.
Another musical element used is rhythm. Rhythm is found in the scene where Albert is kicking
Nettie off his land. The notes are long for a more dramatic sound. Spielberg uses the musical
element of texture in the scene where Celie discovers the letters from Nettie and the audience hears
all the different sounds of Africa going on at once. The sounds of the African people humming,
chopping, and drums all create a pleasant background to Nettie's voice. Another musical element
used is timbre. Timbre is found in the scene when Celie is learning to read after Nettie left. The
quality of the sound here is rich and empowering. Spielberg uses the musical element of dynamics in
the reunion of Celie and Nettie at the end. The music starts out soft but slowly gets louder as the two
finally meet. One aspect of the musical texture used is density. Density is found in the background
music to Harpo bringing Sophia to meet Albert. The music is thick and building up to Albert and
Sophie's unsmooth meeting. Spielberg used the aspect of musical texture called range. At Sophia
and Harpo's wedding, the organ is played making music from a low pitch to a high pitch creating the
background music to the wedding scene. The

Juno Film Techniques
Roger Ebert once said, "Every great film should seem new every time you see it." And when
directors can incorporate cinematic elements to further the plot of the story it enables you to see the
film from different viewpoints. The cinematic language and filmmaking techniques used in a movie
help in enhancing and bringing out the different themes within a movie. The filmmaking techniques
a director chooses to use in their movie helps in better showing the wider themes portrayed within
the movie. This can evidently be seen within the movie Juno (Jason Rietman, 2007). Elements of
mis–en–scene are used heavily in the film to further the films plot and provide understanding of
important elements and themes the characters in the film fail to highlight. Over the course of this ...
What we hear in a film is very important. When you hear creepy classical music in scary movies it
puts you on the edge of your seat. This aids in delivering the full movie experience as it draws you
in. The sound in Juno works in a similar fashion as it helps a viewer get a better understanding on
what is happening in the movie as well as make the theme of the movie more evident. Within the
first 20 seconds of the clip the director can introduce Paulie without even putting the camera on his
face. In the sequence, Juno's father is comforting her in her hospital bed blocking the door from
Juno with the camera facing away from the door. Viewers can identify Paulie by the sound of his
track and field spikes hitting of the tiles of the hospital floor. This goes on until Juno's father leaves
and Paulie is seated on the bed with Juno. The film transitions from the sound of the spikes to a
mellow singing of an acoustic song. This is done as before Paulie is introduced to us in the hospital
room Juno's father was comforting her. As they trade places the music fades in because it's almost as
if Juno receives comfort just by being with Paulie. This would make sense because they were best

Jeunet Film Techniques Essay
Jeunet's techniques are influential to his film's visual style. For example, Jeunet utilized wide angle
lenses and placed the actors particularly close to the camera. This produced animated–like facial
features which worked well with the actors casted, due to their unique facial features. I did a little bit
of research on the cameras and lenses used to film and I came up on a blog. The stated that for
Tautou, Delbonnel and Jeunet found that a wide angle 14mm or 27mm lens was just right. Anything
longer or shorter did not look quite right. The camera in Amélie barely filmed scenes at eye level.
Bruno Delbonnel set the camera usually a bit above or below eye level. Mixed in with the wide
angle lenses, a small tilt up or down eventually contributes to the dynamic look. Another element I
cherished about the camera work was the way Delbonnel moved the camera towards an object or
focal point. He did not simply zoom in, he gradually moved the camera as he moved it with a turn of
about 180 degrees. The use of the track/crane device is common in most films but Jeunet's
controlled ... Show more content on Helpwriting.net ...
The non–diegetic sounds (that which couldn't be heard by the characters in the film) and diegetic
sounds often blur because of the use of sound effects (non–diegetic) that occur in real life (or
particularly in Amelie's) such as trains, cars and air brakes. For example, when Amelie moves from
one Bredoteau to the next, we hear traffic noises, or when she comes to a halt at the photo booth, we
hear a train stopping. This effective blend of audio engineering reflects the subtleties of realistic and
fantastic elements in the film. We hear added sound, but it is as if it is part of the world of of the
film. Often non–diegetic and diegetic work together. See Lucien's insults of Collignon, accompanied
by increasing musical volume, to the point where Dufayel cries out for him to stop and so the music
does

The Technique Of Film And Video Editing
Summarizing
The Technique Of Film & Video Editing.
Film first began in 1895. By the time the first motion picture was made, editing was non–existant.
The very first films made were less than a minute long. Only films like Melies' used at least a little
bit of editing. Melies' films also grew longer in length, however they were all still single shots.
Although the films were edited to have multiple shots and to tell a story, they were not made in a
manner that we are now used to. It was only until the movies of Edwin S. Porter that film editing
started to have a meaning.
EDWIN S. PORTER– FILM CONTNUITY BEGINS
Intrigued by the length and quality of Me´lie`s's work, In 1903 Edwin S. Porter began to use a visual
continuity to make his films more compelling. In one of his films The Life of an American Fireman
(1903)he uses 20 shots in six minutes to show how the mother and child are saved. Porter believes
that a single should stand as the basic principle of editing. The job of the camera was simply to
record the shot and not add ... Show more content on Helpwriting.net ...
Griffith. Emotional relevance plays a major role in this film, and to capture the most emotional
scenes in the narrative I will be using Close up shots. A camera technique made famous by D.W.
Griffith(Dancygey 2011: 5). Like Mr. Griffith tried to achieve with his audience, I want the
spectators watching our film to show sympathy towards our protagonist. This will make them feel
emotionally involved with the film(Dancyger 2011: 5). The scene in the beginning of the film where
the actor sheds a tear, I will be using the close up shot and paying clearly emphasis on the tear as it
drops from his eyes. This scene immediately tells us that the car guard is not proud with the position
of life he is in. Another scene that I will be using a close up shot will be the ending scene as the car
guard starts to realise his life is about to

Charlestown Film Techniques
A Film Analysis of the Town 2010
Student's Name:
Institutional Affiliation:
Question 1: The True Subject and the Theme of the Film
The Town is a 2010 crime film based in Charlestown. Featuring Doug MacRay and James Coughlin,
the film involves three major robberies in three different locations within Charlestown. A team of
highly skilled robbers is involved in high–level crimes including robbing a bank, hitting a money
transfer lorry, and finally attacking a cash house where two are gunned down. The true subject and
the theme of the town is both a crime–based and a thriller film. The most outstanding elements that
contribute to the above subject line include the overall scene, the characters most of who are former
offenders, and the overall plots and visuals all that help in bringing out the nature of crimes in the
town. For instance, in the very first scenes, the film shows James Coughlin and Doug MacRay
squandering as technicians before they gain entrance in a town bank and rob both cash and
valuables. Further scenes capture the two characters plus other allies Albert Glonsy and Desmond
Elden who ... Show more content on Helpwriting.net ...
For instance, Affleck uses the jump forward technique as an editing approach to show the dreams
and aspirations of MacRay after the final crime. The cutting in action is further used to show how
Coughlin and MacRay move from one crime to another – including their strategy to escape the
police and law enforcement after hitting a cash transfer lorry. Another editing technique is the L Cut
and the J Cut. The L cut is used to enhance a smooth transition from one scene to the other,
including the scene where the lead characters adorn in police attire after they are corned inside a
building. The J cut technique is used to make the film flow naturally including offering a detailed
history of the characters, their childhoods, and how they plunged into

Film Techniques in the Movie "Shawshank Redemption"
'Shawshank Redemption' directed by Frank Darabont is a compelling film about the life of one of its
prisoners, Andy. many film techniques were used through out the film as a clever way of conveying
main themes. This essay is going to examine how Darabont used camera angles and colour
effectively in this film to portray the idea of power. The use of camera angles was a clear way of
defining a characters personality. The warden, Norton, is often seen from a low angles which
highlights his high status in the prison and his authority."Your arse belongs to me". This effective
way of showing Norton's position of power allows the audience to understand the significance of
him. The prisoners, however are frequently shown from a high angle which ... Show more content
on Helpwriting.net ...
When Andy plays music we see the prisoners shown form a bird's eye view, this is another camera
angle used to display the prisoners as small and insignificant. The camera angles used by Darabont
allow the audience to see the status of the characters. As the audience we get an instant look into
who is a in control and who isn't. While Andy is inside Shawshank we do not see many variations of
colour, mainly just shades of grey. these dull, lifeless colours highlight the prisoners lack of power
and for most of the prisoners, their lack of hope. Being contained in those dull prison walls and
obeying Norton completely shows that the prisoners do not maintain any form of control in the
situation they are in. The grey boring tones of the prison represent how the prisoner are expected to
act, dull, lifeless and without and opinion. The colours Darabont has used show how insitutionalised
the prisoners become. When Brooke's is released these dull colours are also shown, emphasizing
how he has become insitutionalised. This contrasts against the colours shown during the reunion of
Andy and Red. The audience no longer sees grey, depressing colours, but instead sees the bright
sand and vibrant colours of the pacific ocean. This shows the audience how Andy is no longer
controlled by the conformity of prison life, has regained power and is now, finally free. both camera
angles and use of colour were effective ways of portraying the idea of power.

The Drive Film Techniques
Before this class I never really had analyzed the variety film techniques director's use, but taking
this class had made me realize that film is an art that creates illusions on the screen. When I watched
Drive that is when I had realized the director's intentions to contrast different colors in order to tell a
story, it's not mainly about the dialogue if not the visual presentation of the movie. Drive is an
exhilarating film that uses various techniques in order to support the theme such as warm vs cool
lighting, actor's position, and tight frames being demonstrated throughout the movie in a way to
create mystery and illusion towards the characters.
The first technique director Nicolas Winding Refn uses the majority of the time throughout the film
is the lighting techniques depicting two different worlds using warm and cool colors, using the cool
colors toward the Driver and the warm colors toward Irene this purpose maybe to illustrate two
characters one with mystery and darkness while the other is golden in the eyes of the Driver. For
example in the scene when the the driver was walking away from his car heading toward the
elevator he is in a dark dull background reflecting sadness and eeriness toward the actor and at the
elevator is Irene who is in a golden red background wearing a red shirt. She ... Show more content
The lighting created a contrast between the characters, the actor's position added drama and thriller,
and finally the boundaries between with in the characters had illustrated entrapment as well as the
proximity demonstrating the relationship between the character's. Overall I enjoyed this movie it
really did make me see the actual visual art of film it's not always about the dialogue if not the way
the movie is presented towards the audience it creates a connection to the director's visual idea
towards the

Examples Of Film Techniques In Shutter Island
Shutter Island, a psychological thriller, directed by Martin Scorsese incorporates techniques
throughout the film to reveal the truth in Shutter Island. The film is based on a missing patient
investigation, but the truth shows it is a psychological experiment on Andrew to bring him back to
sanity. By analysing certain scenes, including the opening scene, Teddy and Chuck are addressing
Dr Cawley, and whist Teddy and Chuck are interviewing the patients. These three scenes assist in
displaying Shutter Island through film techniques such as camera angle and mise en scene.
The opening scene uses camera angle techniques and symbolism to expose that Teddy is a prisoner
on Shutter Island. A medium shot of Teddy violently throwing up in the bathroom is followed by a
close up shot to observe Teddy at the window saying, 'that's a lot of water.' The audience can see that
Teddy is scared of the water. Water symbolises the truth and is continuously exposed throughout the
film. When the real facts are shown, the viewer Andrew Laediss is said to not be able to live with his
trauma and guilt hence creating a second personality (Teddy) to escape it. A medium shot is used as
Teddy is seen walking through chains and shackles clanging together. This gives the audience a
prison consistant sense, this is later linked to ... Show more content on Helpwriting.net ...
Techniques are prominent during the opening scene, when Dr Cawley is talking to both Teddy and
Chuck, furtermore interviewing the patients. Scenes combined leak small parts of reality, including
Teddy being scared of the truth and Andrew Laeddis being the most dangerous patient together with
the prison symbolism. They all help reveal the overall truth that Teddy is in fact the most dangerous
patient Andrew Laeddis in Ashcliffe Asylum. This is after he is admitted for having a personality
disorder created to hide from the truth of Andrew killing his wife after she drowned all three of his

Columbine Film Techniques
Michael Moore is an American documentary filmmaker, who is best known for his line of
controversial documentaries exploring and addressing political and social issues in the US. Moore
has a number of films, including 9/11: Fahrenheit, Sicko and Roger and Me for example. In
particular, he has produced and directed "Bowling for Columbine" which I will be close viewing for
my 3.9 report. During this film he raises and explores the issue of gun violence in the United States
and uses a variety of techniques to showcase his thinking. In the two excerpts "Columbine" and
"Fear of Black Men", I will be discussing how he uses archival footage (stock footage) and
nondiegetic sound to help to steer his audience into thinking a certain way or to make them feel
connected while watching.
Excerpt one– "Columbine"
In my first excerpt "Columbine", Michael Moore made sure to keep his audience on edge and feel
like they were in the shoes of those students as they were watching the CCTV footage of the
massacre that happened at Columbine High School, April 20th of 1999. In this excerpt, he uses two
effective film techniques of archival footage (stock footage) and nondiegetic sound. ... Show more
content on Helpwriting.net ...
In this excerpt we are shown the time and place during this incident, and what happened within the
time period that this event occurred. This helps viewers/audience gather more information or help
them get more of an understanding about what is happening in the film or scene that is being
watched. While watching this excerpt we see students run up stairs, sprint throughout the halls and
crawl under the cafeteria tables as they safely try to find cover from the two gunmen that were in
their school about to kill completely innocent youth, and teachers. We are left shocked and scared
after watching the footage, almost like we're involved in some way because of how real everything

Essay on Film Techniques in 12 Angry Men
Film Techniques in Twelve Angry Men
Summary: Reviews the film Twelve Angry Men, directed by Sidney Lumet. Discusses the director's
use of cinematic techniques, including lighting, music,and set design, to reinforce the themes of the
story.
________________________________________
"Twelve Angry Men", directed by Sidney Lumet, is a film which portrays intentions significantly
employed by the use of film techniques. Although entirely set in a cramped, humid jury room
(except for the few minutes at the beginning and end), Lumet applies many different film techniques
to great effectiveness.
Lumet's usage of different types of camera shots is likeliest to be the most efficacious method of
illustrating intentions in the film. Towards the ... Show more content on Helpwriting.net ...
Furthermore, Lumet uses the film technique of different 'camera lenses and angles' to emphasize his
intentions during the film. He employs numerous methods to enhance the ever–building tension
throughout the room, including physically moving the walls in on the actors to enhance the feeling
of claustrophobia. One case of this occurring is performed throughout the whole movie. As the story
continues, Lumet gradually changes the lenses of longer focal lengths, so that the backgrounds
seems to close in on the characters as the movie progresses, this gives viewers the feeling that there
is an increasingly amount of pressure and tension filling the room as the decision becomes more
uneasy on the jurors. Another example employed by Lumet to raise the tension level of the film is
by using various camera angles during the film. Lumet shoots the first third of the movie above eye
level, shoots the second third at eye level and the last third from below eye level. In that way, as the
film begins we look down on the characters, and the angle suggests that they can be comprehended
and mastered. By the end, the ceiling is visible, the characters loom over us, and we feel
overwhelmed by the force of their passion.
In addition, Lumet also implements the techniques of 'lighting' and 'music' to highlight to

Theme and Technique in Films
Films are about some topics or themes and involve different types of characters. Many filmmakers
use a variety of techniques to convey their messages. The choice on the type of the techniques
depends on the theme of the film and how effective the filmmakers want to communicate their ideas.
This essay aims at illuminating theme and technique in films basing its argument on Alfred
Hitchcock's movies; Notorious movie, Rope, and Strangers on the Train. Alfred Hitchcock was a
director of movies and his place in the film studies is unrivalled. He is famously known due to his
brilliant plots, witty dialogue, and his ability to tell stories visually. This unique ability brought a
new revolution in the film industry that made him become a very ... Show more content on
Helpwriting.net ...
However, Guy and Anne manage to stop him and reveal the truth to the police. Apparently, the three
movies feature the theme of murder in the society. In the movie 'Rope', Brandon and Philip reveal
their obsession with murder. They see the act as a way of expressing superiority and autonomy.
Before the act, they had listened to Rupert speech who advocated the murder as a solution to some
social problems such as employment and poverty. They take these words literally and execute the
murder. Rupert was a follower of Neitzsche and Ubermenschen theories of murderer (Denzin 2008).
Alfred Hitchcock seems to direct camera at Brandon, who imagines how murder could be executed
and then goes ahead to do that. Alfred Hitchcock communicates the theme of murder in a different
way in the movie 'Strangers on a train'. Brumo meets with Guy, and he convinces him to murder
Brumo's father and in return Brumo will kill Mariam. Brumo goes ahead and murders Mariam. He
demands the same for Guy. In the Morton Party, Brumo does not only discuss murder but also
demonstrate on Cunningham's neck (Denzin 2008). The theme of murder is also evident in the
movie 'Notorious'. After discovering that Alicia is a spy who is investigating their group, Sabastian
plans to murder her silently. Sabastian is already in love with Alicia. However, after his discovery
that Alicia was a spy, he is ready to poison her so that he does go against the group. At last, he

Baz Luhulmann Film Techniques
Baz Luhrmann was born Mark Anthony Luhrmann on the 17th of September 1962 in Sydney
Australia. Baz Luhrmann is a successful film director, screenwriter and producer who is well known
for his Red Curtain Trilogy which includes films such as Strictly Ballroom (1992), Romeo and Juliet
(1996) and Moulin Rouge (2001). Baz's first films were inspired by his background as both his
parents did ballroom competitions, His mom was a ballet dancer and Baz did ballroom dancing
when he was younger which influenced one of his first films, Strictly Ballroom. Baz Luhrmann's
father owned a movie theatre which was where Baz Luhrmann first became enthralled by the world
of movies and storytelling. Luhrmann uses great editing techniques and wants to tell a story behind
every camera angle he makes emphasis on. He is the kind of director who always knows exactly
what he wants in the film and how he wants it to look like in the end. Baz Luhrmann's movies all
show similarities but are different in their own ways.
Baz ... Show more content on Helpwriting.net ...
The cinematic language of a movie is the way in which the movie is shot and edited, this also
includes the way the actors are dressed as well as their make–up. Cinematic language also assists in
telling the story.
In both Strictly Ballroom and The Great Gatsby, Luhrmann uses music that is jazzy and upbeat and
that the audience can relate to. In the movie Romeo and Juliet, he uses upbeat and dramatic music
throughout the film. He uses lights and camera angles that make the films look un–natural. The
characters in the film are over exaggerated and this is shown in their make–up and costumes. The
costumes are sparkly and short and the actors wear a lot of make–up. The actors in Romeo and Juliet
wear outfits that one would not usually consider wearing on a day to day basis, these assist in
making the movies look

127 Hours Film Techniques
With the continuous development of advertising and communication, film trailers are a key resource
used in this industry to persuade audiences to view a film. To allow a sense of anticipation towards
the audience the elements of the storyline, music, themes, camera angles as well as the characters
and actors are all used incorporation to achieve this. This identified strategy is a significant tool used
in effective communication to efficiently persuade the audience to view the film, based on their
emotional response. This approach is both used in the two 2012 inspiring films based on true stories.
127 hours directed by Danny Boyle follows a skilled hiker who craves solitude. This exotic film of
independence is based on a true story of reflection ... Show more content on Helpwriting.net ...
In 127 Hours the camera angles chosen not only enhanced the intensity of the scene, but enhanced
the desired emotion portrayed. For example, in the opening scene the use of a split screen showing
different stages of the protagonist life imply to the audience his being stages of reflection. This
feature encourages the audience to connect with the main character and relate to his overall
struggles. The use of a camera recorder throughout the trailer is a narrating technique used by the
director to imply a more intimate connection between the audiences. The audience members can
easily connect with the emotions, this is a persuasive technique which in turn, is an effective tool of
communication. Hyper sensory is also used as a form of communication to influence the emotional
response from the audience. The music used throughout the trailer is comfortable and relaxing
whilst allowing the audience to focus on the elements of significance. The Impossible uses serval
visual features in enhancing the impact towards the audience. To exaggerate the intensity of the
trailer the directors use flashes of black scenes to impact the effect of the tsunami. This visual
feature is also used incorporation with the striking music of intensity to again, influence an
emotional connection towards the audience. When these two stylistic features are applied together a
connection is made with the hyper senses of the viewer. With the strong visual features and
corresponding sound it triggers an emotional connection of sympathy towards the main character.
These features are all efficacious form of communication, which in turn assist the advertising of the
film trailer enhancing the appeal to the

The Third Man Film Techniques
'The Third Man' is a 1949 film–noir written by Graham Greene and directed by Carol Reed. The
film narrates the escapades of Holly Martins, portrayed by Joseph Cotton, in occupied Vienna.
Martins is an American writer who moves to Vienna in search of an employment opportunity offered
by his friend Harry Limes (Orson Welles). However, on arriving in Vienna, Martins discovers that
Lime is dead. At Lime's funeral Martins encounters Major Calloway (Trevor Howard) and Sergeant
Paine (Bernard Lee). The two British Military Police inform Martins that his college friend is a
criminal and advice Martins to leave town. Harry Lime had a romantic relationship with a woman
known as Anna (Alida Valli) from whom Martins seeks answers behind the mystery death and
criminal reputation of his friend. Martins soon discovers that Lime is alive, and the allegations
against him are factual. Major Calloway reveals to Martins that Lime steals penicillin from ... Show
more content on Helpwriting.net ...
Lime is unaware of Martins collaboration with the military police and escapes arrest after Anna
warns him of the police ambush. Lime gets away and attempts to lose the military police beneath
Vienna as police reinforcements chase after him in the underground maze of sewers. The sequence
plays a significant role in the larger background of the narrative as it acts as a build up to the climax
of the film. The chase sequence is well crafted and located and is effective in advancing the plot of
the movie (Kiplange). Lime's escape into the underground is also symbolic of a rat in a maze as the
police who enter the sewer from different tunnels, outnumber Lime. The sequence is fast paced and
builds up the climax, as the capture of Lime seems eminent. The depiction of Lime as a rash
individual shooting indiscriminately at the police foreshadows the probable demise of Lime under
police gunfire.

Hugo Film Techniques
Hi everyone this week The Australian Film Institute has asked me look at the special effects in
Hugo. Chroma key, models, CGI and stunts all come under Special effects, which are illusions to the
eye seen on screen. But today I'll just be discussing the sub elements of Chroma key and models.
Also, how they add to the overall entertainment value and their impact on the audience. [Hugo 21 in
background fades in] Chroma key is created by green or blue screens where images are inserted into
the area where the green or blue screens are. Because green and blue are colours very different to
human skin they are used to layer images over without covering people and props. This technique
makes it easier and less expensive to film rather than to create ... Show more content on
Helpwriting.net ...
He's not actually hanging from a high point above the streets of Paris. Chroma key builds suspense
and the viewers are afraid and led to believe that Hugo could really fall off. These emotions that the
viewers have because of the imagery created by Chroma key. [Hugo 3 in background fades in]
Another sub element of special effects are Models, mini scenes made and filmed so that they look
big and real in the film. Models are made so that real size sets, that are expensive, don't have to be
created. These scenes build suspense and are exciting as the audience is in awe at how this set could
have been created. In Hugo this can be seen in Hugo's dream where the train crashes through and
out of the train station. The train crash scene isn't actually real size but is well made so that it looks
realistic when on screen. This is because the creators of the train crash model went to great detail,
such as how the glass shatters and explodes on the model, to make this more visually effective. It
also seems more realistic because scenes before show real people at the station and this mix of
reality and the model makes it seem more

Gcse Film Techniques
The 2001 Baz Luhrmann Moulin Rouge production is assembled like a bunch frenzied snapshots of
what a drug induced erotic encounter would look like, or what we would imagine it would look like.
The film does not depend on dialogue but on the way you imagine a fantasy from one angle and
then another with all of extreme contrast between dark and light colors and the fast movement of the
film. Luhrman uses many different techniques to convey images to his viewers. Examples of these
are mise–en–scene, cinematography, and editing. All of these techniques are used to draw you into
the film; the uses of these together make a fantastic story about love.
Luhrman uses mise–en–scene to a great effect. A perfect example of this is in the first scene where
we are introduced into Christian's attic. We are shown Cristian being surrounded by papers, bottles,
clothes, dust and dirt, with his face down in his arms. The lighting on him is a saturated blue light
and the detail of the typewriter, his dirty appearance, even more empty ... Show more content on
Helpwriting.net ...
This film was a lot to take in due to is very unconventional use of mise–en–scene, cinematography,
and most of all editing. I can honestly say that if I had not taken this film appreciation course, sadly
I would not have made it through the first 10 minutes of pure madness. Had I not been able to better
recognize the meaning or reasoning behind the editing style and use of artwork I would have been
uninterested. Now, with all of that being said the movie over all is a fantastic piece of artwork. From
the beginning scenes with the perfect use of illuminated blue lighting, to the use of cinematography
to really bring us into the character's perspective, to the creative use of hyper–kinetic style editing to
give the feeling of freedom. It all comes together to really bring the audience a true feel of what the
1899 bohemian revolution would have been

Matilda Film Techniques
"Matilda" movie essay
What techniques does the director, Danny DeVito use in the film to illustrate that the character, Miss
Agatha Trunchbull, is malicious and evil (mean)?
The film "Matilda" directed by Danny DeVito was released in 1996, on the second of August. The
main characters of this film are Agatha Trunchbull, Jennifer Honey, Matilda Wormwood, Zinnia
Wormwood and Harry Wormwood. Ms Agatha Trunchbull is the legal guardian of Miss Honey and
has very strict rules at her school, as she despises of all young children. She depicted as a malicious
and evil character as the director uses various film techniques such as appearance, language,
personality, lighting, and camera angles and shots. All of these techniques help to create the idea that
Ms Trunchbull is a hostile and cold ... Show more content on Helpwriting.net ...
The most common camera shot is a medium shot with the camera tilted up from Ms Trunchbull's
waist. This angle is used to show her unflattering physique and to make her look larger and more
powerful without the character having to speak. The medium shot is used so that you can see her
clearly and still be able to see her arrogant body language and expressions. Although, in one scene
in the movie, an extreme close up is used to show that Ms Trunchbull is more powerful than Miss
Honey. This shows her imperfections and gives the impression that Ms Trunchbull is unappealing
and aggressive. The most common camera angles create dark and malicious scene where as Miss
Honey's camera angles are full shots and tilted down to make her seem small and powerless. Having
a full shot scene for Miss Honey's scenes also makes her more approachable and welcoming
compared to Ms Trunchbull. Moreover, camera angles and shot techniques have proven that the
director, Danny DeVito, has revealed an arrogant and conceited mood for the character, Agatha

There Will Be Blood Film Techniques
Introduction
The film There Will Be Blood is a history/drama directed by Paul Anderson in 2007. It's widely
known for the performance of Day–Lewis who plays Daniel Plainview. It's also known for the
exquisite cinematography and screenplay. The film features famous actors such as Daniel Day–
Lewis, Paul Dano, and Kevin O'Conner. There Will Be Blood has received many awards as well.
The Academy Award for Best Actor, Academy Award for Best Cinematography, and the Silver Bear
for Best Director are a few of the more prominent awards. I selected this film because it was among
the highest rated films on IMBD. Also, I wanted to find and dive into a history/drama movie
because normally those genres would fall outside my comfort zone.
Brief Summary Set in the early 1900s, the plot follows a wealth driven man whose goal is to take
over the oil industry with his oil drilling company. Daniel Plainview, the oil tycoon, uses his adopted
son to suggest he's a family man during negotiations. He uses this image to further build his "caring"
reputation by promising to build schools, housing, and create jobs if he were to secure the land he's
negotiating ... Show more content on Helpwriting.net ...
First, I learned that rewatching the film is a must. Rewatching allows you to dispel all your previous
emotions about it and focus on elements that allow you to understand the film. More specifically,
editing. This assignment helped me understand why certain edits are made. Editors are vital in
creating and maintaining emotion in the viewers. I've found a new understanding and respect for
editors of all great films. Secondly, from this assignment I've learned to appreciate a new genre and
style of film. Typically, I wouldn't even think about watching a drama that takes place 100 years
ago. However, allowing myself to expand my horizons with this assignment has opened my eyes.
I've noticed that each genre has their own elements you need to consider before judging the

The Second Film Technique Wilson Yip
The second film technique Wilson Yip uses to bring out Ip Man's honor is cinematography.
Although cinematography might not seem like an obvious way to bring out honor, it does its part by
emphasizing the honor already evident through the characterization and mis en scene.
Cinematography in the Ip Man movies lets the audience focus on the elements of honor Wilson Yip
is trying to convey. If it were not for very specific cinematic techniques used by Yip, most of the
honor built up through characterization and mis en scene would be useless because the audience
would be unable to focus on it. In the first movie, we can see the benefits of cinematography and
editing in the same scene with the northern fighter.3 In this scene, Yip uses the close up shot and
point of view shot to not only immerse the audience in the action, but also to help the audience
relate Ip Man with honor through an especially expressive viewpoint. Many times after Ip Man hits
the northern fighter, there is a flury of close up shots of the northern fighter's face from Ip Man's
point of view, including one just after he gets hit with a duster. The northern fighter wipes his face
and then grimaces in pain. The reaction on his face indicates the ease of which Ip Man is defeating
the him. In contrast, Ip Man is relatively unfazed by his competition and keeps a calm and collected
expression. Through the sheer number of close up and point of view shots, there is a feeling that Ip
Man is winning the fight by a

In Memento Film Techniques
Nolan has strong abilities in all areas of filmmaking. However, his main strengths lie in directing
and writing. This strong strength in screenwriting could be due to his choice of study in university.
He studied literature and we see this reflected in the stories he sets out in his films as they are very
intellectually thought of. In all of his films, there is a trend of his directorial style. There are a couple
of things that are similar throughout his productions. The first is the themes he uses in his films. One
is the mentor–apprentice relationship that is visible in Inception between Cobb and Ariadne and in
Memento between Leonard and the cop Teddy. The mentor–apprentice relationship is also a
technique Nolan uses in his filmmaking ... Show more content on Helpwriting.net ...
In Memento, the ending is chronologically the beginning of the story. In a way is the ending a
betrayal because the audience finds out that the narrator was actually not trustworthy the whole time
they were following him. "I think the audience at the end of the film is left to make certain of the
same judgments that he is invited to believe or disbelief certain elements of what is supposed to
have happened in his life as much as he is." Nolan often uses twists and surprises his audience
because he feels that endings are the most important part of a film. He says, "I sometimes get
frustrated with studio executives and critics, who will watch a film and sort of make notes as they
go... because that's not how movies work. The audience gets to the end and then you take about five
minutes to decided 'ok what was all that' and your brain really looks at everything in a different way,
and then you decide. That's why endings are so important: you really have to get to the end of a
movie before you know what it is." (The Culture Show, 2012) Memento is a brain scratcher and
Nolan definitely made sure that his audience was willing to watch the film all the way to the

Mr Ripley Film Techniques
In the film "The Talented Mr. Ripley" directed by Anthony Minghella. Four techniques that
Minghella used to develop Peters Murder/ The final scene of the film were cinematography, editing,
music and lighting were all used to show the importance that that scene had to the film.
One important technique that was used in the scene of Peter's Death was cinematography, this was
shown when the camera was close up on Tom face as he was telling Peter that Tom Ripley is a
nobody. When the camera suddenly changes from being close up on Tom's face it switches to a mid–
shot of Peter on the bed asking Tom what he's going on about. These camera angles show the
emotion of confusion on both Tom and Peters faces mainly Peters. The camera is also showing Tom
as lost and guilty of what his life has turned out to be. At this point he is in too deep to tell anyone
what he has done. Tom is presented as a confused character throughout the film, yet he becomes
more of a stronger player. This shows the audience that Tom Ripley is different from he was in the
beginning of the film.
Another technique that stood out was editing, this is shown whilst the two were lying on the bed of
the boat, and suddenly Tom asks Peter to tell him good ... Show more content on Helpwriting.net ...
The lighting that was used for this scene was artificial lighting. It has a big effect as it means Tom
and Peter are enclosed in a room on a boat with only the ocean surrounding them, the only part of
the room that is not lit up by artificial lighting is the small window above the bed, in that little
window it shows the sun slowly setting then after if you look closely as Tom moves into the other
room alone you can see that it is now dark outside with only the moon in sight. if you look the lights
in the room that where Tom is sitting down in it is very dark with not so many lights as the room
that him and Peter were in. this gives a hint to the audience that Tom is now alone in

Clueless Use Of Film Techniques In Jane Austen's Emma
How does the composer of Clueless use film techniques to transform the social, historical and
environmental context of Jane Austen's Emma to the modern context of Clueless?
Amy Heckerling's Clueless involves a storyline, which closely follows the text of Jane Austen's
novel Emma. However, there are some key points of difference in the transformation that has taken
place. This is due to the individual context of the nineteenth century prose text and that of the
modern appropriated film text. The context can be divided into three focal categories, the social,
historical and environmental context. In order to be able to address the question, these three
groupings must be identified accordingly. Social context refers to the life and ... Show more content
The shot itself produces a real–life effect that is pleasing to the viewer as it invites them to enter
Cher's world, while the sharp focus and high key lighting emphasizes what a bright sunny day it is at
the Beverly Hills High School and contradicts with the events that will unfold as the plot progresses.
The strict class hierarchy of Highbury allows for little social mobility or interaction. When Emma is
in need of a new match–making candidate to ensue the success of her last project involving Mr
Weston and his new wife, formerly Miss Taylor, she says to her father and also Mr. Knightley who
both disagree with her on the subject of interfering in people's own affairs: "Only one more, papa;
only for Mr. Elton! You like Mr. Elton, papa, – I must look about for a wife for him. There is nobody
in Highbury who deserves him–and he has been here a whole year, and has fitted up his house so
comfortably that it would be a shame to have him single any longer–and I thought when he was
joining their hands to–day, he looked so very much as if he would like to have the same kind office
done for him! (Pages 14–15) I think very well of Mr. Elton, and this is the only way I have of doing
him a service." This passage reveals the significance Emma places in status or that it is only
acceptable to marry into one's own

Jaws Film Techniques
There's more to a good movie than most people think. Judgement comes down to personal taste. A
good movie will have, not just interesting but inspiring characters. Characters that, while watching
the film, will make us empathize and care about what happens to them throughout their cinematic
journey throughout the film. It allows the audience to converse about their views on who were the
good guys and who were the bad. This let's us, as the audience, to continue and embellish on the
film with our own imaginations.
Another component that makes a movie good is the story itself. Is it believable? Are we watching
this movie, feeling like it could happen to us? Or are we, instead, sitting back unpleased waiting for
the next time to sigh and roll ... Show more content on Helpwriting.net ...
Sometimes others are easier to point out. American Beauty, about Lester a depressed suburban father
in a mid–life crisis, decides to turn his hectic life around after developing an infatuation for his
daughter's attractive friend, Angela. This recurring theme of the color "red" sparks in the beginning
of the movie when we first see their front house door red, when Lesters wife is planting red roses in
the garden, Lester's red car, in almost every room in the home and in just about every scene of the
movie. Whenever Lester begins to have sexual fantasies about Angela, rose petals appear. Perhaps
the first thing to focus on first, is the use of color and motif. Throughout the entire film, the rose, the
American Beauty, had often been a symbol of Lester's lust and desire for Angela. In his fantasies,
the girl is shrouded in the roses, covering her body, betraying the fact that these are, in fact, his
passionate musings rather than reality. When Lester is killed however, the viewer can spot a bunch
of roses set on the countertop next to his body. The image is striking; because the flower had been so
associated with sexuality and infatuation, it seems somewhat odd for it to reappear in death.
However, let us not forget, the significance red represents in cinema danger. Is it because it's the
color of

The Crucible Film Techniques And Techniques
Technique 1: Cross Cutting The director uses cross cutting to show us every single moment that
happening in places at the same time when Truman was trying to escape from Seahaven and
Christof uses his power to make Truman discouraged then abandoned the intention to leave
Seahaven. Cross cutting occurs when Truman decided to curb his fear of the water and sail over the
ocean to regain his freedom. The shot began when Christof found Truman on the ocean and directs
everyone in the Lunar Room create fierce waves to hinder Truman's escape, Christof wants Truman
to believe that he could be in danger when he is out of Seahaven. Then this technique led us to
another location that where Truman at, he was on the boat and tries to do everything such as ...
Christof uses his power and dictatorship to control the weak, and Truman has nothing but the will to
fight for himself to the end. Let the viewer see the event taking place in both the Lunar room, where
Truman at and the audience in the film. Peter Weir's purpose is to make sure we can follow every
command of Christof that what will happen to Truman and the audience's emotion while watching
it. Both of them simultaneously portray the different personality of two people, but they have one
thing in common is never give up what they want to achieve. This theme which is two technique
portray relates to The New Yorker, Never Give Up article, Some will try to discourage you. They'll
say that what you're doing is "illegal," or a "sin," or a violation of the health code. They may cling to
your legs, causing you to drag them along, or jump onto your back, pleading, "In the name of God,
please stop what you're doing!" This relates to Truman in this scene as Christof was the one who
jump onto his back and tell him to stop what he is doing while he is trying to get back his real life,
his freedom. It seem like an unfair battle as Christof has every power he needs but Truman has
nothing. When everybody around him told him not to run away fro Seahaven, Truman still believe
in himself and keep doing what he want, what he think it is good for

Film Techniques In The Birds
The Birds, directed by Alfred Hitchcock, is a thriller movie created in the 1960s. Throughout the
movie the main character, Melanie, goes through a substantial transformation. In the beginning of
the movie Melanie is childish, and is used to having whatever she wants handed to her. As the movie
progresses the viewer sees Melanie become more mature and act as a mother. At the start of the
movie it is evident that Melanie is very immature. She comes from a wealthy family and is
accustomed to having a high standard of living without working for it. She can barely take care of
herself, let alone take care of herself and a family. This is evident through the scene in the movie
when Melanie is in the bird shop. She only wants to purchase a bird that is full–grown, and clarifies
with the shop owner that the ... Show more content on Helpwriting.net ...
This is evident through multiple scenes in the movie, one being the scene after Lydia finds Dan, the
chicken feed seller, dead with his eyes poked out by birds. Lying in her bed with her eyes wide in
fear, Lydia is in shock. Melanie enters her room to comfort her: "It's me, Mrs. Brenner. I thought
you might like some tea." Melanie adjusts the pillows behind Lydia and makes sure that she is warm
enough. This scene is very symbolic in that is portrays Melanie's growth. The roles of Lydia and
Melanie reverse: Melanie acts as the mother and Lydia acts as the daughter. Mothers are known for
always trying help to their children, even when the help isn't asked for. Mothers are nurturers, they
are selfless. Melanie is playing the role of the mother by providing comfort. This is a very
substantial turn in Melanie's character. Another scene that illustrates Melanie's transformation is
towards the end of the movie when the birds are attacking the house. Terrified, Cathy cuddles in
Melanie's arms. Melanie again acts as a mother by hugging Cathy and gently rubbing her

The Joneses Film Techniques

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