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Overview
It’s an exciting time for magazine publishers. Measures of consumer engagement consistently rate
magazines higher than TV or the Internet, and research shows that their readers trust and enjoy advertising
more than consumers of any other media. As the widespread use of smartphones, tablets and other mobile
devices opens up new ways to access and consume entertaining and informative content, savvy magazine
editors are taking bold steps to create relevant print-to-mobile experiences to extend engagement. Many
magazines now offer platform-specific digital editions for mobile phones, tablets and e-readers; and,
while the majority of magazines are still firmly rooted in the tactile and leisurely experience of reading
in print, our conception of the medium is rapidly evolving to include the full spectrum of interactive
multimedia content, including audio and video. Reader expectations are now conditioned by the
infinite and varied content of the web and the “always-on” connectivity offered by mobile devices.
Media consumers today are increasingly in control – they follow a hyperlink to explore an idea
in more detail, pause from reading to watch a video, navigate to a musician’s website while
listening to a song, or go online to investigate a product they see advertised in a publication or
on TV. Magazines work hard to accommodate the demands of these media-hungry consumers,
exploring new technologies and making a commitment to innovation to provide their readers
with a fully integrated experience encompassing print, mobile and digital channels.
House Beautiful
Hearst Corporation’s House Beautiful is a leading publication in the home design and
decoration niche, reaching more than seven million readers each month. The magazine’s
mission statement reflects a focus on aesthetics and respect for the reader’s participation
With the proliferation
of smartphones
and tablets, savvy
magazine editors
are taking bold steps
to create relevant
print-to-mobile
experiences to extend
engagement.
Digimarc®
Discover
House Beautiful Opens the Door to
Innovation with Digimarc®
Discover
Digimarc Case Study | Interactive Magazines
Scan the above image with the Digimarc Discover app ( / )
to learn more about Digimarc’s print-to-mobile solution.
in the experience of imagining and creating a beautiful home: “We believe everyone has a
beautiful house in them and know only you can make yours beautiful. We’re simply here to
help you discover and create the home that makes you smile.” The magazine’s readers are well-
educated (68% attended college) and relatively affluent (median household income is more than
$67,000), and are likely to be among the rapidly growing ranks of avid smartphone users.
House Beautiful’s editor-in-chief Newell Turner wanted to find a way to integrate carefully chosen
mobile-optimized content into the printed publication to engage readers without appearing
gimmicky or letting the technology itself become the focus of attention. Like many magazines
in its category, House Beautiful takes special pride in its exquisite production values and pays
close attention to aesthetics in the design and layout of every page. While QR codes, Microsoft
Tags and other visible mobile response codes can be used to create print-to-mobile experiences,
Turner never seriously considered them. “Most QR codes are ugly and ruin the experience of print.
They’re like digital barnacles intruding on the overall design experience of a page,” Turner said.
Digimarc Case Study | Interactive Magazines
Rather than accepting
the unpleasant
compromises required
when incorporating
a visible QR code or
tag into the layout,
publishers can embed
imperceptible digital
information in images,
text or personalized
mobile response
codes, creating an
invisible hyperlink
from the printed page
to online content.
House Beautiful uses a simple icon that works elegantly with their layout and informs readers about connected content .
The Solution
Intrigued by the use of digital watermarks in a sweepstakes issue of Seventeen (a sister publication in
the Hearst family), House Beautiful contacted Digimarc, the leading provider of digital watermarking
technology and the company behind Digimarc®
Discover. At the heart of Digimarc’s technology are digital
watermarks, which function like invisible barcodes. Rather than accepting the unpleasant compromises
required when incorporating a visible QR code or tag into the layout, publishers can embed imperceptible
digital information in images, text or personalized mobile response codes, creating a visually pleasing
hyperlink from the printed page to online content. Readers can’t see digital watermarks, but they are
easily detected by their smartphone cameras. Unlike barcodes and tags, digital watermarks do not
occupy valuable space on the page nor do they negatively impact the layout or design aesthetics.
Embedding a watermark takes just seconds, with very little impact on workflow, and publishers
can use the Digimarc Discover ID Manager to easily manage the entire process online – without
purchasing any additional software or hardware. The ID Manager’s backend database connects
the digital ID from the watermark to a corresponding consumer experience (such as view a video,
share on social media, map location or buy now), and the experience is activated via the Digimarc
Discover mobile app or a custom-branded app on the reader’s smartphone. Details of readers’
interactions with enabled content are then captured and aggregated for reporting and insight.
Digimarc Case Study | Interactive Magazines
Implementation
After contacting the Digimarc Discover team in May 2011, the staff at House Beautiful first tested
digital watermarking in its July/August issue. A two-page spread of a small apartment decorated by
interior designer Nick Olsen included an embedded watermark that linked to a video walk-through of the
apartment by the designer. A watermark in the September 2011 issue transported readers from Turner’s
“Letter from the Editor” to a video that revealed behind-the-scenes details from the magazine’s offices.
Impressed with the results of these initial efforts, the staff committed to a multi-issue strategy,
beginning with the addition in October of a special digital table of contents, devoted to instructing
readers how to download and use the Digimarc Discover app as well as an overview of all digitally
watermarked content in the magazine. The November issue presented the magazine’s first
digitally watermarked cover, linking to a video via a customized graphic in the lower-right corner.
Digitally watermarked editorial content was indicated with a small blue smartphone icon.
Watermarked ads, featuring an orange icon, first appeared in the February 2012 issue, which presented
a unique integration of both advertising and editorial material. The watermarked Glidden ad linked to
Glidden-branded videos that featured Glidden’s new blogger portal, MyColortopia.com. Watermarked
editorial content linked to editorial videos that were each preceded by splash pages promoting Glidden
Paint. The Glidden MyColortopia video was also embedded in House Beautiful’s digital replica edition.
Watermarked ads present a unique integration of both
advertising and editorial material.
The editor’s picture transported readers from Turner’s
“Letter from the Editor” to a video that reveals behind-the-
scenes details from the magazine’s offices.
House Beautiful
was excited by the
opportunity to augment
the experience of
still photography
with a new dynamic,
interactive dimension.
A two-page spread of a small apartment decorated by interior designer Nick Olsen includes an embedded watermark that links
to a video walk-through of the apartment by the designer. Scan the above image with the Digimarc Discover app
( / ) and experience the video for yourself.
House Beautiful gave readers the opportunity
to interact directly with Glidden and its blogger
portal, as well as take a guided tour of the House
Beautiful offices by simply using the Digimarc
Discover app ( / ) on their phones.
Scan these images and experience the videos
for yourself.
The above customized graphic – from the November cover –
linked readers to a short video.
DIGIMARC CORPORATION
9405 SW Gemini Drive, Beaverton, OR 97008
T: +1.800 DIGIMARC (344.4627)
T: +1.503.469.4800
F: +1.503.469.4777
info@digimarc.com
www.digimarc.com
ABOUT DIGIMARC CORPORATION
Digimarc Corporation (NASDAQ:DMRC), based in Beaverton,
Oregon, is a leading innovator and technology provider, enabling
businesses and governments worldwide to enrich everyday living
by giving persistent digital identities to all forms of media and
many other objects. Copyright © 2014 Digimarc Corporation.
Digimarc and the Digimarc logo are registered trademarks of
Digimarc Corporation. All rights reserved. All other trademarks
are the exclusive property of their respective companies.
Get Started Today!
There are no long-term contracts or
high prices to negotiate. We’ve created
the Digimarc Discover ID Manager to
be easy, affordable and accessible. It
takes minutes to set up an account and
begin creating many new and exciting
experiences from print and audio. Engage
your readers and customers by giving
them an entirely new way to experience
your brand and take immediate action
on your products or services. Mobile is
exciting, measurable and it’s with us 24/7.
Visit www.digimarc.com/manager
to get started.
Digimarc Case Study | Interactive Magazines
To date, much of the content enabled by digital watermarks in House Beautiful consists of short,
one minute videos and commerce opportunities. For instance, a watermark embedded on the
November cover linked readers to a video documenting the transition from day to night in a New
York apartment decorated by designer Heather Moore. Turner was excited by the opportunity to
augment the experience of still photography with a new dynamic, interactive dimension. Adhering to
the magazine’s laser focus on aesthetic integrity, House Beautiful’s staff opted to film video payoffs
using iPhones equipped with filming apps to create an 8mm film experience which they consider
more authentic and appropriate in a mobile context. To avoid overwhelming readers they have kept
the number of watermarks per issue relatively small (currently around seven per issue). House
Beautiful has also chosen to keep video payoffs short, some less than a minute, to prevent overkill
and keep the focus on the integration of print and multimedia rather than on the technology itself.
Lessons Learned
Plan carefully, and introduce the technology in a way that doesn’t intrude on the reader’s experience.
A phased approach over several issues generally works best. House Beautiful’s well-designed digital
table of contents introducing readers to the presence of watermarking technology in the magazine is a
perfect example of using design to educate readers and pique interest. Once readers have a chance to
scan a few watermarks and see how easy and fun it is, they’ll be ready for more in subsequent issues –
but the payoffs must provide real added value.
Fit the technology to your publication’s brand and mission. For House Beautiful, this meant taking a subtle,
fine-tuned approach, watermarking editorial content first and carefully crafting experiences that reflect
the publication’s aesthetic and editorial values and the unique characteristics of mobile viewing. This
approach also informed the editors’ choice to use iPhones and the iMovie app to produce video payoffs.
The goal is to give readers an opportunity to recognize the value in enhancing print with multimedia, so
that the technology is perceived as an open door to new experiences rather than simply a promotion.
Don’t overdo it – don’t link just for the sake of linking. Payoffs should augment, not detract from,
the print reading experience; readers should retain the feeling that they are in control. Keep video short
and content relevant. Interactive content should be perceived as a natural extension of the printed content,
whether it’s an article, column or advertisement.
A watermark embedded on the November cover linked readers to a video documenting the transition from day to night in a
New York apartment decorated by designer Heather Moore. Scan the above image with the Digimarc Discover app
( / ) to watch this video homage to early Andy Warhol film.

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DigimarcDiscover_CaseStudy_HouseBeautiful_061714_FNL

  • 1. Overview It’s an exciting time for magazine publishers. Measures of consumer engagement consistently rate magazines higher than TV or the Internet, and research shows that their readers trust and enjoy advertising more than consumers of any other media. As the widespread use of smartphones, tablets and other mobile devices opens up new ways to access and consume entertaining and informative content, savvy magazine editors are taking bold steps to create relevant print-to-mobile experiences to extend engagement. Many magazines now offer platform-specific digital editions for mobile phones, tablets and e-readers; and, while the majority of magazines are still firmly rooted in the tactile and leisurely experience of reading in print, our conception of the medium is rapidly evolving to include the full spectrum of interactive multimedia content, including audio and video. Reader expectations are now conditioned by the infinite and varied content of the web and the “always-on” connectivity offered by mobile devices. Media consumers today are increasingly in control – they follow a hyperlink to explore an idea in more detail, pause from reading to watch a video, navigate to a musician’s website while listening to a song, or go online to investigate a product they see advertised in a publication or on TV. Magazines work hard to accommodate the demands of these media-hungry consumers, exploring new technologies and making a commitment to innovation to provide their readers with a fully integrated experience encompassing print, mobile and digital channels. House Beautiful Hearst Corporation’s House Beautiful is a leading publication in the home design and decoration niche, reaching more than seven million readers each month. The magazine’s mission statement reflects a focus on aesthetics and respect for the reader’s participation With the proliferation of smartphones and tablets, savvy magazine editors are taking bold steps to create relevant print-to-mobile experiences to extend engagement. Digimarc® Discover House Beautiful Opens the Door to Innovation with Digimarc® Discover Digimarc Case Study | Interactive Magazines Scan the above image with the Digimarc Discover app ( / ) to learn more about Digimarc’s print-to-mobile solution.
  • 2. in the experience of imagining and creating a beautiful home: “We believe everyone has a beautiful house in them and know only you can make yours beautiful. We’re simply here to help you discover and create the home that makes you smile.” The magazine’s readers are well- educated (68% attended college) and relatively affluent (median household income is more than $67,000), and are likely to be among the rapidly growing ranks of avid smartphone users. House Beautiful’s editor-in-chief Newell Turner wanted to find a way to integrate carefully chosen mobile-optimized content into the printed publication to engage readers without appearing gimmicky or letting the technology itself become the focus of attention. Like many magazines in its category, House Beautiful takes special pride in its exquisite production values and pays close attention to aesthetics in the design and layout of every page. While QR codes, Microsoft Tags and other visible mobile response codes can be used to create print-to-mobile experiences, Turner never seriously considered them. “Most QR codes are ugly and ruin the experience of print. They’re like digital barnacles intruding on the overall design experience of a page,” Turner said. Digimarc Case Study | Interactive Magazines Rather than accepting the unpleasant compromises required when incorporating a visible QR code or tag into the layout, publishers can embed imperceptible digital information in images, text or personalized mobile response codes, creating an invisible hyperlink from the printed page to online content. House Beautiful uses a simple icon that works elegantly with their layout and informs readers about connected content . The Solution Intrigued by the use of digital watermarks in a sweepstakes issue of Seventeen (a sister publication in the Hearst family), House Beautiful contacted Digimarc, the leading provider of digital watermarking technology and the company behind Digimarc® Discover. At the heart of Digimarc’s technology are digital watermarks, which function like invisible barcodes. Rather than accepting the unpleasant compromises required when incorporating a visible QR code or tag into the layout, publishers can embed imperceptible digital information in images, text or personalized mobile response codes, creating a visually pleasing hyperlink from the printed page to online content. Readers can’t see digital watermarks, but they are easily detected by their smartphone cameras. Unlike barcodes and tags, digital watermarks do not occupy valuable space on the page nor do they negatively impact the layout or design aesthetics. Embedding a watermark takes just seconds, with very little impact on workflow, and publishers can use the Digimarc Discover ID Manager to easily manage the entire process online – without purchasing any additional software or hardware. The ID Manager’s backend database connects the digital ID from the watermark to a corresponding consumer experience (such as view a video, share on social media, map location or buy now), and the experience is activated via the Digimarc Discover mobile app or a custom-branded app on the reader’s smartphone. Details of readers’ interactions with enabled content are then captured and aggregated for reporting and insight.
  • 3. Digimarc Case Study | Interactive Magazines Implementation After contacting the Digimarc Discover team in May 2011, the staff at House Beautiful first tested digital watermarking in its July/August issue. A two-page spread of a small apartment decorated by interior designer Nick Olsen included an embedded watermark that linked to a video walk-through of the apartment by the designer. A watermark in the September 2011 issue transported readers from Turner’s “Letter from the Editor” to a video that revealed behind-the-scenes details from the magazine’s offices. Impressed with the results of these initial efforts, the staff committed to a multi-issue strategy, beginning with the addition in October of a special digital table of contents, devoted to instructing readers how to download and use the Digimarc Discover app as well as an overview of all digitally watermarked content in the magazine. The November issue presented the magazine’s first digitally watermarked cover, linking to a video via a customized graphic in the lower-right corner. Digitally watermarked editorial content was indicated with a small blue smartphone icon. Watermarked ads, featuring an orange icon, first appeared in the February 2012 issue, which presented a unique integration of both advertising and editorial material. The watermarked Glidden ad linked to Glidden-branded videos that featured Glidden’s new blogger portal, MyColortopia.com. Watermarked editorial content linked to editorial videos that were each preceded by splash pages promoting Glidden Paint. The Glidden MyColortopia video was also embedded in House Beautiful’s digital replica edition. Watermarked ads present a unique integration of both advertising and editorial material. The editor’s picture transported readers from Turner’s “Letter from the Editor” to a video that reveals behind-the- scenes details from the magazine’s offices. House Beautiful was excited by the opportunity to augment the experience of still photography with a new dynamic, interactive dimension. A two-page spread of a small apartment decorated by interior designer Nick Olsen includes an embedded watermark that links to a video walk-through of the apartment by the designer. Scan the above image with the Digimarc Discover app ( / ) and experience the video for yourself. House Beautiful gave readers the opportunity to interact directly with Glidden and its blogger portal, as well as take a guided tour of the House Beautiful offices by simply using the Digimarc Discover app ( / ) on their phones. Scan these images and experience the videos for yourself. The above customized graphic – from the November cover – linked readers to a short video.
  • 4. DIGIMARC CORPORATION 9405 SW Gemini Drive, Beaverton, OR 97008 T: +1.800 DIGIMARC (344.4627) T: +1.503.469.4800 F: +1.503.469.4777 info@digimarc.com www.digimarc.com ABOUT DIGIMARC CORPORATION Digimarc Corporation (NASDAQ:DMRC), based in Beaverton, Oregon, is a leading innovator and technology provider, enabling businesses and governments worldwide to enrich everyday living by giving persistent digital identities to all forms of media and many other objects. Copyright © 2014 Digimarc Corporation. Digimarc and the Digimarc logo are registered trademarks of Digimarc Corporation. All rights reserved. All other trademarks are the exclusive property of their respective companies. Get Started Today! There are no long-term contracts or high prices to negotiate. We’ve created the Digimarc Discover ID Manager to be easy, affordable and accessible. It takes minutes to set up an account and begin creating many new and exciting experiences from print and audio. Engage your readers and customers by giving them an entirely new way to experience your brand and take immediate action on your products or services. Mobile is exciting, measurable and it’s with us 24/7. Visit www.digimarc.com/manager to get started. Digimarc Case Study | Interactive Magazines To date, much of the content enabled by digital watermarks in House Beautiful consists of short, one minute videos and commerce opportunities. For instance, a watermark embedded on the November cover linked readers to a video documenting the transition from day to night in a New York apartment decorated by designer Heather Moore. Turner was excited by the opportunity to augment the experience of still photography with a new dynamic, interactive dimension. Adhering to the magazine’s laser focus on aesthetic integrity, House Beautiful’s staff opted to film video payoffs using iPhones equipped with filming apps to create an 8mm film experience which they consider more authentic and appropriate in a mobile context. To avoid overwhelming readers they have kept the number of watermarks per issue relatively small (currently around seven per issue). House Beautiful has also chosen to keep video payoffs short, some less than a minute, to prevent overkill and keep the focus on the integration of print and multimedia rather than on the technology itself. Lessons Learned Plan carefully, and introduce the technology in a way that doesn’t intrude on the reader’s experience. A phased approach over several issues generally works best. House Beautiful’s well-designed digital table of contents introducing readers to the presence of watermarking technology in the magazine is a perfect example of using design to educate readers and pique interest. Once readers have a chance to scan a few watermarks and see how easy and fun it is, they’ll be ready for more in subsequent issues – but the payoffs must provide real added value. Fit the technology to your publication’s brand and mission. For House Beautiful, this meant taking a subtle, fine-tuned approach, watermarking editorial content first and carefully crafting experiences that reflect the publication’s aesthetic and editorial values and the unique characteristics of mobile viewing. This approach also informed the editors’ choice to use iPhones and the iMovie app to produce video payoffs. The goal is to give readers an opportunity to recognize the value in enhancing print with multimedia, so that the technology is perceived as an open door to new experiences rather than simply a promotion. Don’t overdo it – don’t link just for the sake of linking. Payoffs should augment, not detract from, the print reading experience; readers should retain the feeling that they are in control. Keep video short and content relevant. Interactive content should be perceived as a natural extension of the printed content, whether it’s an article, column or advertisement. A watermark embedded on the November cover linked readers to a video documenting the transition from day to night in a New York apartment decorated by designer Heather Moore. Scan the above image with the Digimarc Discover app ( / ) to watch this video homage to early Andy Warhol film.