, Dante, Inferno And The Inferno

, Dante, Inferno And The Inferno
Most literary pieces written in the early Middle Ages were strictly written about different religions,
God, Heaven and Hell. Authors like Dante usually wrote about Christianity unlike Boccacio.
Boccacio wrote literary pieces based off of real people in real life situations, the things a lot of
people wanted to read about but no other author dared to write about. In the story of Decameron,
Boccacio uses the afterlife as a punchline in his said to be stories about entertainment. Throughout
the many other stories he wrote, he dug into the good, bad and ugly and included all the details for
all readers to have a vivid image. In juxtaposition, Dante's great masterpiece was The Divine
Comedy which consisted of three parts: the Inferno, Purgatorio, and Paradiso. In The Inferno (or
Hell) Dante explains his imaginary tour there and the different people he sees there. Both literary
pieces give insight to the reader on how these authors thoughts and views on religion and the
afterlife.
In Boccacio's Decameron, the story told by Dioneo (third day, tenth story) is about the story of a
young man using religion against a clueless young girl in order to have sex with her. Dioneo uses
this story in a kind of flirtatious way towards the other story teller women. In this writing, It's almost
as if Boccacio is throwing shade at Christians as a whole for being "so religious" but still sinning out
of temptation. The story starts off with a young girl named Alibech who goes off to search for
... Get more on HelpWriting.net ...

Essay On Dante And Inferno
In a horrific burning plain, is where you will spend eternity for being with your same sex lover!
Dante wanted to bring an end to immoral behaviors in Florence. Dante was born to a family that
liked getting involved in the multifaceted Florentine political arena. He was born in the year 1295.
The political setting that his parents were used to became a key theme in Inferno. According to
historical findings, his mother passed away when Dante was 12 years of age. When he became of
age, he was arranged for a lady who he would later marry, but was in love with another lady. After
the death of his loved one, Dante began to venture into the field of philosophy and issues dealing
with the political environment of Florence. Because of the writings that he wrote to the Florentine
government, the Florentine leaders exiled him after falling out of favor. Being exiled from Florence
was a great success for him because it was the period in which he became involved with his artistic
work. He soon then wrote he Inferno, which was a section of the Divine Comedy. He later
completed all the sections of the Divine Comedy, which is a comedy symbolizing the human life
which he presented as a visionary journey through the Christian afterlife. He wrote the comedy to
warn the corrupt society in order to lead a life of being just and righteous. In his comedy, he talks
about the sin of homosexuality. Homosexuality or sodomy is a sinful practice which leads to
destruction of souls and is found in

Dantes Inferno Essay
In The Inferno – Dante’s Immortal Drama of a Journey Through Hell, Dante allows the
reader to experience his every move. His mastery of language, his sensitivity to the sights and
sounds of nature, and his infinite store of knowledge allow him to capture and draw the reader into
the realm of the terrestrial hell. In Canto 6, the Gluttons; Canto 13, the Violent Against Themselves;
and Canto 23, the Hypocrites; Dante excels in his detailed portrayal of the supernatural world of
hell. In each canto, Dante combines his mastery of language with his sensitivity to the sights and
sounds of nature to set the stage. He then reinforces the image with examples that call upon his
infinite store of knowledge, and thus draw a parallel that ... Show more content on Helpwriting.net
...
Dante immediately lets the reader understand the new environment that he is now experiencing by
describing “Its foliage was not verdant, but nearly black. / The unhealthy branches, gnarled
and warped and tangled, / bore poison thorns instead of fruit” (119). This quote introduces
the reader to the woods of suicide and gives them an excellent picture of what he is seeing and how
he portrays the sin they committed. Due to these sinners abuse to themselves they are now in the
form of trees whereas they can no longer hurt themselves, but are often hurt by others who blatantly
disregard their existence, as they once did themselves. Dante then goes on to explain the terror of
the harpies who eat away at the branches and leaves of these sinners. He says “Their wings
are wide, their feet clawed, their huge bellies / covered with feathers, their necks and faces
human” (119). This shows the reader the grotesqueries of these violent birds, and like
Cerberus in Canto 6, the reader can vividly imagine how these harpies physically appear to Dante.
Dante continues to help the reader understand the sounds he hears as he says, “They croak
eternally in the unnatural trees” (119). This quote gives the reader an idea of the incessant
sounds that these victims are producing, as a result of the pain they are going through. He then
analogizes the broken souls of the victim’s pain simply by breaking the branch of a

Dante Alighieri's The Inferno
Dante Alighieri's The Inferno has gained great recognition over the years as one of the most
important classic literary works of all time. Well known as the source that has influenced many
modern day depictions of Hell, The Inferno also contains many themes and ideas that suggest how
people should behave in life by demonstrating the consequences for those who do not follow God's
path. In this terrifyingly striking epic poem, Dante the Poet works to make many statements of truth,
though one stands out far more than the rest. Throughout The Inferno, Dante develops the idea that
one must always remain vigilant and choose the proper way or suffer the consequences of God's
Divine Justice regardless of one's social, political, or economic status. In The Inferno, the reader
may find the definition of God's Divine Justice straightforward. However, as the reader makes him
or herself through the poem, he or she finds the underlying complex nature of God's Divine Justice
become evident. According to Dante, God created Hell in order to make sinners suffer for straying
from His path to a state of felicity. When Virgil and Dante the Pilgrim reach the Gate of Hell in
canto III, an inscription above the gate reads, "SACRED JUSTICE MOVED MY ARCHITECT. / I
WAS RAISED HERE BY DIVINE OMNIPOTENCE" (C. III li. 4–5), demonstrating that the
concern for justice indeed resulted in God's development of Hell. In The Inferno, a sinner's
punishment matches the nature and degree of their sin through the

Dante Symphony Essay
Around the year 1855 Franz Liszt began working on the composition for one of his most praised
works, The Dante Symphony. The Dante Symphony is based of Dante's Divina Commedia, which
was introduced to Liszt by his mistress Marie D'Agoult. The Symphony is composed of two
movements depicting Dante's Inferno and Purgatorio. At first Liszt wanted to depict the three
movements of Dante's Divina Commedia but "an effective representation of Paradise in music,
Wagner insisted was impossible, and he counseled Liszt to abandon plans for an elaborate choral
finale" (Grey, pg.56). However, towards the end of the sonata Liszt gives a glimpse of Paradise from
afar, setting it further from our reach, showing that Paradise is beyond comprehensible and how ...
Show more content on Helpwriting.net ...
The introduction for the symphony, the Inferno, is slow and begins with three themes, the first
theme repeating itself. Each theme reflecting the lines that are inscribed over the Gates of Hell, the
last theme being "Lasciate ogni speranza mi ch' entrate!" which translates to "All hope abandon, ye
who enter here" (Alighieri 9). After the three themes have been depicted there is a descent motif
which word paints or reflects Dante and Virgil as they descend into hell. One can find word painting
in the descent into hell, laughter painted into parts of the symphony, and the first people Dante sees
in hell who where neither good nor evil who seem to tread back and forth a path, which Liszt paints
in his symphony with melodies that go in one direction and then reverse themselves. There are many
examples of word painting in The Dante Symphony, which help the viewer imagine even more so
the occurrences within Dante's decent into hell, giving one a whole new experience and idea of
Dante's Divina

Purgatory Dantes Inferno
Virgil brings Dante to the Gates of Hell where the initiation part of the monomyth begins.
The intertwined with the initiation is also the beginning of the long journey which related to the
temple pattern. Dante begins this journey at the Vestibule of Hell, where he begins to see spiritual
indifference of neutrality. He quickly passes through this level of upper hell to come to the River
Acheron. Dante begins to go through one of his many trials at this point. He sees the souls that are
standing on the banks waiting to be ferried by the Charon. He is refused " the living man there!
Stand aside.." but Virgil helps him to gain entrance. Dante enters into the 10 levels of Hell, which
are have 3 different divisions. Each level is to signify the ... Show more content on Helpwriting.net
...
The first lines in the Cantos of Paradise are "The glory of Him who moves all things penetrates the
universe and shines in one part more and in another less. I was in the heaven that most receives His
light and I saw things which he that descends from it has not the knowledge or the power to tell
again; for our intellect, drawing near to its desire, sinks so deep that memory cannot follow.
Nevertheless, so much of the holy kingdom as I was able to treasure in my mind shall now be matter
of my song." This statement is bearing that all that arrive at paradise acknowledge that God is a
supreme being. Dante has finally gained a moral compass and a spiritual map. Paradise teaches
about contemplative life. In the 21st Cantos we encounter the the metaphor of the Golden Ladder.
This ladder is compared to Jacobs ladder as the throngs of angels are seen ascending and descending

The Role Of Dante In Dante Alighieri's The Divine Comedy
Virgil is given the role of guiding Dante through Hell and Purgatory in The Divine Comedy. When
Virgil guides Dante through Hell, he is showing him all of the suffering that the sinners go through,
and how Dante could end up. Dante Alighieri has Virgil represent human reasoning and the right
path in life. In The Divine Comedy, by Dante Alighieri, Virgil represents human reasoning and acts
as Dante's guide through Hell and Purgatory on Dante's way to heaven, and Virgil is the best person
for the job.
Virgil is Dante's guide through Hell and Purgatory. In the beginning of Inferno, Dante "finds himself
alone in a dark wood" and finds himself lost in life. He sees a mountain that is used to represent
Heaven, but as he tries to climb it, he is confronted by three beasts that represent sin, and runs away.
Dante finds Virgil, and asks to be lead through Hell and Purgatory. Virgil lives in Hell, so he is fit to
guide Dante through there. Virgil leads Dante through the 9 Circles of Hell and whos him all of the
suffering that sinners experience. While Dante and Virgil are in Purgatory, it is Virgil's job to take
Dante through the levels and show him that the people there have sinned, but then forgiven God.
Virgil explains that the people who used to be sinners had loved wrong, and once they released it,
then they turned to God. While Virgil acts as Dante's guide through Hell and Purgatory, he also has a
larger role in that he represents human reasoning. Part of human reasoning is

Dante And The Nature Of Sin
Dante and the Nature of Sin
Often, we cannot see the good until we have experienced the bad. Dante Alighieri, a poet who
makes himself the main character in his Divine Comedy, finds himself lost in a dark wood at the
start of The Inferno. Though he sees a safe path out of the wood towards an alluring light, he is
forced to take an alternate route through an even darker place. As the ending of the pilgrim Dante's
voyage is bright and hopeful, Alighieri the poet aims to encourage even the most sinful Christians to
hope for a successful end. Thus, Dante the pilgrim goes to hell in The Inferno to better understand
the nature of sin and its consequences in order to move closer to salvation; his journey an allegory
representing that of the repenting Christian soul. Before Virgil arrives to guide Dante on his journey,
Dante shares that he doesn't recall how he lost his way. He tells "How I entered [the dark wood] I
cannot truly say, I had become so sleepy at the moment when I first strayed, leaving the path of
truth" (Inferno I.10–12). Because he strayed from the holy path, Dante finds himself lost and trying
to find his way back on the right track. Dante's ultimate goal is to to free himself from the dark
wood of confusion and chaos. Looking up from the wood, Dante sees "the hilltop shawled in
morning rays of light sent from the planet that leads men straight ahead on every road" (Inferno
I.16–18). Dante begins to move towards the light, but is blocked from passing by three

Dante And The Road Of Humanism
Dante and the Road to Humanism During the Renaissance, the ideology of humanism became
extremely popular. After the black plague people presumed that God had abandoned them. As a
result, they began to search for their own answers through observation and experimentation; this
method was called empiricism. Through this, man began to place himself at the center of the
universe instead of God. Individuals began to embrace their own talents and spend less time
worrying about the next life and more living in the current one. Humanism was also developed from
a desire to re–live the Classical time period, or the golden age; therefore, the humanistic education
consisted of studies of Greek, Latin, art, music and philosophy. This contemporary way of thinking
inspired many philosophers and writers. Throughout Dante's work he emphasizes the concept of
humanism, and it is this work that influenced many other philosophers including Petrarch and
Boccaccio. Dante Alighieri was born in 1265 in Florence, Italy. Dante was an Italian poet, prose
writer, literary theorist, moral philosopher, and political thinker. In the thirteenth century, groups
called the Guelfs and the Ghibellines arose. The Guelfs supported the pope, and around 1290 they
divided into two groups, the White and Black Guelfs. Dante was closer to the White party which
was composed of merchants and traders; the Black group consisted of banking families. In 1301
Dante left Florence on a mission to gain more

Virgil And Dantes Inferno
When Dante the Pilgrim finally reaches the bottom of Hell in Canto 34 of the Inferno, the typical
reader has enormous expectations for what lies down there. Following Dante's structural logic of
Hell, this is the last, deepest section dedicated to punishing the worst sinner, Satan. Doré approaches
the task of depicting Satan with a metaphorical, underlying emotional treatment of the narrative.
Doré's illustrations are inspired by dark and gothic elements of Romanticism. His work dedicates
focus to realism, human emotion, and a sublime representation of nature. One can easily discern
Dore's thoughtful arrangements of lighting and darkness in figure 1, as if there is a spotlight directed
behind Virgil and Dante to illuminate the focal, central

Dantes Revenge Quotes
understands the accusations planned against Dantes. Fernand's crime is a rash crime. Also with the
desire to have Mercédès for himself, Fernand takes Danglars's bait and mails the letter. Caderousse
is guiltier of his cowardice. He is doesn't participate in drafting or mailing the letter. Caderousse
knows Dante's motives with the letter are innocent, but he says nothing to defend Dantes when he is
arrested. Caderousse feels bad for Dantes as well as guilt over his part in the crime, he is too scared
of turning himself in and chooses to stay quiet and let an innocent man go to prison. In a different
part of town, a different betrothal feast is taking place. The feast is in honor of an aristocratic
couple: the young daughter of the Marquis

The Inferno By Dante Alighieri
In the Inferno by Dante Alighieri, the character Dante, a poet, goes on a journey through hell with a
poet named Virgil. Together, they descend through the nine circles of hell and learn about the sins of
the souls that reside there. Dante begins his journey through hell as a naïve, sympathetic, man, yet as
the story progresses, the readers see a dramatic change in the way that Dante views things. It seems
unusual, in a place such as Hell, that Dante would sympathize with any of the sinners in the poem.
Although Dante understands that Hell is a place for sinners, he still cannot help but sympathize with
people who have committed specific sins. Nevertheless, by allowing his protagonist Dante to
develop his views throughout the poem, the author ... Show more content on Helpwriting.net ...
His lack of pity for the souls who committed Simony such as Pope Nicholas is one of turning points
for Dante. The readers learn that Dante weeps for souls that are suffering, but enjoys the sight of
suffering from political enemies. By the time Dante enters the ninth circle of hell the author shows
the readers that Dante is no longer as sympathetic and naïve as he was at the start of his descent. In
Canto XXXII Dante accidentally kicks a soul in the cheek. As he begins to apologize, he recognizes
Bocca degli Abati, an Italian traitor. We know that both character Dante and the author are proud
Italians, and it becomes clear that the traitors of Italy do not deserve sympathy in the eyes of Dante.
Dante proceeds to threaten Bocca and pull out chunks of his hair without remorse. (Inferno. XXXII
p. ) Dante was timid and sympathetic to the souls he encountered in the beginning of the poem.
Therefor it would have seemed unlikely for him to react to a soul in such an aggressive way. Yet the
longer Dante is in hell, and the farther he travels, it becomes clear that he is no longer the same
character that he was when he began his

Dante 's Inferno, By Dante The Pilgrim
Dante, Inferno Throughout the epic poem Inferno, Dante the Pilgrim travels in the different circles
of Hell told by Dante the Poet. The story examines what a righteous life is by showing us examples
of sinful lives. Dante is accompanied by his guide Virgil, who takes him on a journey to examine sin
and the effects it has in has in the afterlife to different sinners. Through the stories of Francesca and
Paolo, Brunetto Latini, Ulysses and Guido da Montefeltro, we are able to understand that people are
self–interested in the way they act and present themselves to others and that those in Hell are there
because they have sinned and failed to repent their sins and moral failings. The story of Brunetto
Latini teacher us to use the gifts we ... Show more content on Helpwriting.net ...
Francesca was married to Paolo's brother and one day while Francesca and Paolo were reading the
story of Lancelot and Guinevere, and when they got to the romantic part of the story they confessed
to each other and kissed. Francesca's husband found out shortly after and had both of them killed.
Francesca's sin was not only adultery, but also failure to accept her own responsibility for her
actions. In the story of Lancelot is about the fall of Camelot and the consequence of adultery, which
shows that Francesca and Paolo knew what they were getting themselves into and that there would
be consequences. Francesca blamed Paolo for everything, as if she didn't have control over anything
that happened. This is shown when Francesca is explaining to Dante why she is in hell. "Love, that
excuses no one loved from loving, seized me so strongly with delight in him," (Dante, Inferno, V,
line 103–104). From this we can clearly see how she is completing blaming her actions solely on
love rather than standing up and taking responsibility for the actions she has committed. She said
that love held her down so strongly that it drew her to Paolo and that she had no way of escaping.
After hearing this, Dante becomes faint, for Francesca has seduced him, she disguised her sin with a
love story, making it sound like she had no fault at all. From the story

The Divine Comedy Dante By Dante Alighieri
Perfection. Society has been taught to strive for that and normally perfection is accompanied by a
religion that exemplifies it and the reward tends to be unimaginably amazing. The problem is that no
one is perfect, and because there is no way to measure that we try our best or we give up and follow
other paths. Dante Alighieri, born in Florence, Italy in 1265, was born into a very power hungry age.
Morality was not very high on someone's to–do list. In the Divine Comedy Dante makes a point of
writing about those that have done him wrong and placing them where the "belong". But Dante does
not only expose the bad people in his life but the bad people all over the world and he also includes
himself. Dante writes his book to scare others ... Show more content on Helpwriting.net ...
Justice the founder of my fabric moved: To rear me was the task of Power divine, Supremest
Wisdom, and primeval Love. Before me things create were none, save things Eternal, and eternal I
endure. All hope abandon, ye who enter here." This phrase needed to be proclaimed for the story to
go on because it established the road for the poem. The phrase divulges that Hell is almost like a city
where there is interminable pain and suffering and anguish. In Hell there are nine circles and each of
those circles is centralizes it's punishment around a type of sin. In the first circle it is called Limbo
where the unbaptized and virtuous pagans are grieving all day every day from not being with God.
The second circle was for the lustful who are blown around by a never ending and violent wind. In
the fifth circle are the Wrathful which contain those who were angry and did not let things go. In the
fifth circle is a man named Filippo Argenti, a man who Dante hated and wished more punishment
upon. Dante got his wish. Circle VI embodies the Heretics and where Farinata, Dante's enemy in
politics, resides. Both Filippo and Farinata did Dante wrong but that is not the only reason they
ended up in Hell. They ended up there because they sinned and the punishment fit their sins. Dante
not only punished the

Dantes Inferno
The Journey of the Divine The Intro The journey of every man's soul is the sum of his life
experiences or is this just the beginning of the journey. Dante found that his soul in the afterlife had
just started his woefully long journey to find his eternal rest. His heavenly quest started on earth just
as his decent in to the darkest levels of hell. The Journey of the Paradiso; which translated from
Italian means Heaven, this is the third part in Dante's Divine Journey after both the Inferno and the
Purgetorio. The nine spheres are concentric, as in the standard medieval geocentric model of
cosmology, which was derived from Ptolemy. The Heavens are ascribed the heavenly bodies in the
sky's in our solar system with a perfect view of their concentric ... Show more content on
Helpwriting.net ...
Which is given to the Wise, within the sun, which is the Earth's source of Illumination, Dante meets
the greatest examples of prudence; the souls of the wise, who help to illuminate the world
intellectually (Dante Canto X) Initially, a circle of twelve bright lights dance around Dante and
Beatrice. These are the souls of: Peter Lombard, Dionysius, Bede, Richard of Saint Victor, and many
other great men. These souls contained in this sphere includes philosophers, theorists, and even a
king or two; in addition, this section represents a large section from across Europe and Europe only.
""Between Topino's stream and that which flows down from the hill the blessed Ubaldo chose, from
a high peak there hangs a fertile slope; from there Perugia feels both heat and cold at Porta Sole,
while behind it sorrow Nocera and Gualdo under their hard yoke. From this hillside, where it abates
its rise, a sun was born into the world, much like this sun when it is climbing from the Ganges.
Therefore, let him who names this site not say Ascesi, which would be to say too little, but Orient, if
he would name it rightly" (Dante Canto

Dantes Inferno.
Imperfect Punishments
Imagine a place where tyrants stand up to their ears in boiling blood, the gluttonous experience
monsoons of human filth, and those who commit sins of the flesh are blown about like pieces of
paper in a never–ending wind storm. Welcome to Dante 's Inferno, his perspective on the appropriate
punishments for those who are destined to hell for all eternity. Dante attempts to make the
punishments fit the crimes, but because it is Dante dealing out the tortures and not God, the
punishments will never be perfect because by nature, man is an imperfect creature. Only God is
capable of being above reproach and of metering out a just punishment. While Dante 's treatment
towards the tyrants is fitting, his views on the ... Show more content on Helpwriting.net ...
Being constantly stung by wasps and forced to chase a white flag would be mentally and physically
exhausting and seems to be a torture straight out of hell... yet they aren 't even technically in hell. On
the other hand, in Limbo one merely walks around and talks to other luckless souls, which does not
seem to be a punishment constant with what other sinners face in hell. Dante correctly assigned the
right punishments to each group of sinners, but he misplaced both groups. Limbo should be outside
of Hell because they did not have the knowledge of either Heaven or Hell. The Ante Inferno should
be the first level of Hell, reserved for those who knew about Heaven and Hell, choose neither side,
and now must face the fact that by their indecision, are bound to suffer in Hell.
While Dante may have geographically misplaced these two groups of sinners, he did correctly
punish most of the sinners in Hell. For example, "the river of blood – in which boils everyone /
Whose violence hurt others" (Canto XII 41–42) describes the perfect punishment for those who
were violent while they were alive. The degree of the violence committed also factors into the
punishment. Tyrants who slaughtered many people are completely covered in boiling blood, while
those who were violent against only a few suffer with blood up to their torsos. This is the perfect
punishment because violence is a crime of

Dantes Inferno
Foscolo, Rossetti and Valli demonstrated that the different critical exegetical positions, regarding the
Divine Comedy (whose intent appears on one side as a disciplinary and moral renewal of the
Church, and on the other side as a hidden, heretical reversion) were not free from contemporary
pressures. In fact, their own theories are able to offer a valid evidence of the nineteenth century's
political and religious debates, and for this reason, I am going to analyse the interpretation of
Dante's work by Ugo Foscolo, through both, the 'Discorso sul testo della Divina Commedia', and
two articles that Foscolo published in the Edinburgh Review' in 1818; in addition, I am going to
analyse the interpretation by Rossetti through his work titled ... Show more content on
Helpwriting.net ...
Obviously, being impossible to summarize the vast, esoteric, exegesis of Dante proposed by them, I
am feeling obliged to try to highlight some common key of readings as, for example: 1) the relation
between the symbol of the Cross (representing the Roman Church) and the Eagle (representing the
Empire), whose doctrines are linked to mankind's need for salvation. These two institutions (Church
and Empire), according Dante's thought, had to be both settled at the centre of Rome, as at the time
of the Holy Roman Empire. In addition, according to Foscolo, Rossetti and Valli, Dante attacked the
Church exclusively because he wanted the renewal of the spiritual dimension, where the Church had
to abandon its material interests, leaving exclusively to the Empire the task to unify Peoples under a
unique government. In this way, both Church and Empire would have been able to help humankind
for their spiritual and material ends. 2) Another common key of reading, for Foscolo, Rossetti and
Valli, is linked with the symbol of Beatrice, which is seen by the three interpreters, not as a real
woman, but as a symbol of the wisdom, present in many ancient traditions. 3) I will try to highlight
the fact that the esoteric reading of Dante, is considered by both, Foscolo and Rossetti in key
heterodox, neo–Pythagorean and Ghibelline, while it is considered by Valli in super–catholic key. In
brief, in my thesis, I will try to find all common passages of Dante's oeuvre, used by
Foscolo,Rossetti and Valli, analysing and comparing them in a more rigorous possible

Dante Inferno
Dante Alighieri was an Italian poet and a moral philosopher born in Florence in 1265. He is most
known for the epic poem "The Divine Comedy", which he wrote after he was exiled for twenty
years and so he began to travel and write. This epic poem was written for the purpose of warning
Christians of the society he was in to repent and fear the wrath of hell or experience the rewards of
paradise. It was most likely Dante's own experiences of love, politics and exile that inspired him to
write so deeply. "The Divine Comedy" is a work of originality. Dante is an important figure for
Italian literature and Western literature in general. The reason for that is his imagery brings the
reader into his world and his senses. Dante provides an in depth analysis of Hell and all its
dimensions, more than we would ever imagine. His imagery does not only enforce the reader to
imagine the words but also to take the journey with him. ... Show more content on Helpwriting.net
...
Dante's journey goes from Hell, to purgatory and finally to paradise, leaving the readers with a
happy ending. Dante titled the epic poem "The Divine Comedy" but there is not a single joke in the
book, quite the opposite. The comedy of his journey is that it ends on a good note instead of a bad.
The most interesting aspect about Dante is, while he is on the journey though the nine circles of hell,
he does not realize that he can still achieve salvation and be forgiven and he has the opportunity to
enter paradise. Dante's imagery pulls the reader into all nine circles of hell. Also, Dante felt pity for
most of the sinners but not all of them. His sympathy declines as the story goes on. He feels the least
pity towards Simonists, those religious leaders that make a profit out of sacred

Dante And Virgil's Punishment In Dantes Inferno
In Dante Alighieri's Inferno, Dante the pilgrim and Virgil, his guide, venture through each layer of
hell where they encounter different sinners. In the second circle of hell, they see an eternal
whirlwind tormenting the lustful sinners (Inf. 5. 31–33). It is here that Dante and Virgil encounter
the star–crossed lovers, Francesca and Paolo (Inf. 5. 82–85). Dante learns that Francesca was forced
into marriage but fell in love with her brother–in–law, Paolo. One day, Francesca and Paolo became
moved by the story of Guinevere and Lancelot and shared a fatal kiss. Their desire for one other
condemned them to hell (Inf. 5. 124–135). Upon hearing their tragic story, Dante becomes
overwhelmed and faints (Inf. 5. 139–142). Through the imagery of the ... Show more content on
Helpwriting.net ...
Francesca's character is composed of the punishment she suffers and the story of her downfall. The
description of the whirlwinds and suffering that she must endure for eternity sets the sympathetic
mood for Dante and Virgil's encounter with Francesca. When Francesca speaks to Dante, the poetic
words and references to love she uses creates an overwhelming effect of sympathy. She is shown to
be a victim of love rather than lust. Dante's reaction to Francesca when he faints completes the
sympathetic effect. All these components converge and create the message that lust is easily
mistaken for love. Dante Alighieri utilizes this situation to present mankind's difficulty to understand
lust from love. Much like Francesca, mankind is driven by inner passions, becoming incapable of
seeing the reality of lust from love. Ultimately, Francesca reflects the difficulty of differing lust from
love in modern

Dante Inferno Essay
Dante Alighieri was a major Italian poet born in Florence, Italy in 1265, around the Middle Ages.
Although he wrote other works, none were as notable as the Divine Comedy, the most illustrious
work of all medieval European literature. This epic dives into Dante's journey through hell,
purgatory, and paradise. The various religious and political figures, mythological references, as well
as biblical references, all play a role in the poet's comprehensive analysis of the turmoil Florence
was facing in the Middle Ages. In Dante's Inferno, the poet spawns his own form of punishment of
the heinous conduct that was spurning in his time period. Dante's inspiration for this epic stemmed
from being exiled from Florence. As he was exiled, he commented on the corruptness in Italy, which
produced Dante's allegory Inferno. Using a biographical lens, we can see the the influence of his life
in this work. In Dante's Inferno, Dante's background plays a prominent role in how he illustrates
politics in Hell. He incorporates the history of the Church during the 1300s.The poet illustrates the
venal behaviors of both religious figures, and the Catholic Church in its entirety. Dante's resentment
towards the church is primarily due to the corruption that the church displayed during his time
period, "his heart overflows with the wrath he feels against those who corrupt the things of God"
(Dante 152). The ordeals during that time period influenced him to write the Inferno as a
forewarning towards

Dantes Inferno Essay
Dante's use of allegory in the Inferno greatly varies from Plato's "Allegory of the Cave"
in purpose, symbolism, characters and mentors, and in attitude toward the world. An analysis of
each of these elements in both allegories will provide an interesting comparison. Dante uses allegory
to relate the sinner's punishment to his sin, while Plato uses allegory to discuss ignorance and
knowledge. Dante's Inferno describes the descent through Hell from the upper level of the
opportunists to the most evil, the treacherous, on the lowest level. His allegorical poem describes a
hierarchy of evil.
Conversely, Plato's "Allegory of the Cave" describes the ascent from ignorance to
knowledge, as one prisoner is freed to make his ... Show more content on Helpwriting.net ...
175) This quote describes the punishment for fortune tellers. In life the fortune tellers foresaw the
future.
In death they are doomed to exist with their heads on backwards and their eyes overflowing with
tears so that not only could they not see what was happening in front of them, but they could not see
at all due to these copious amounts of tears. Similarly, each sin had its own logical punishment, and
each group of sinners received the same punishment, with only a few exceptions. Such an exception
can be found in Canto XXlll when Caiaphas lies crucified on the floor while the other hypocrites
walk around him in circles. He is set apart because he counseled a Roman to crucify Jesus. While
the sinners represent man's imperfections, Virgil symbolizes human reason.
Throughout the poem, Virgil uses logic and reason to convince the monsters to allow him to gain
passage to the various circles of Hell. The use of characters and mentors is distinct in each piece.
"The Allegory of the Cave" presents few characters, and except for the one prisoner who
ascends from the cave, none are distinguished from the others. The one freed prisoner attempts to
become a mentor to the others but fails.
As he tries to enlighten the remaining prisoners he is received with anger and threats. Nothing is
learned about the characters as individuals. They remain nameless, faceless images. In contrast,
there are numerous characters in the Inferno. The sinners are arranged in

The Inferno, By Dante
Throughout the Inferno, Dante has often presented characters in a way that reflects his own
personality: there is the amorous and suicidal Dido for whom he shows sympathy and gives a lesser
punishment, while there is the suicidal Pier delle Vigne to whom he gives a much harsher
punishment. This difference in placement should reflect a strict moral code that agrees with a pre–
established divine order, and yet Dante demonstrates such obvious favoritism. Why? Dido loved
Aeneas too much, as Dante loved Beatrice. Therefore, Dante can easily sympathize. Similarly, when
Dante faces Francesca da Rimini and her lover Paolo, he experiences an immense amount of
understanding and compassion – yet they are there in Hell. While these characters may come ...
Show more content on Helpwriting.net ...
In the Commedia, Dante depicts himself as a prophet (for which God's word is the Commedia itself)
who undergoes a learning experience that transforms him into a perfect prophet who is able to
convey God's word without doubts or reservations. This transformation occurs gradually as Dante
learns from various characters he meets throughout the journey, but probably the greatest contributor
to this transformation is Ulysses. In Canto XXVI, Dante focuses on major themes regarding his
spiritual condition in order to contrast Ulysses' spiritual condition, some of which include the cause
for damnation or salvation, a poetic and/or prophetic authority, and flight. The primary source of
similarities between their spiritual states can be found in Dante's Convivio, which employs a much
more philosophic and empirical perspective that ultimately led Dante into the selva scura as seen in
the beginning of the Commedia. The Commedia itself is meant to turn those similarities into
differences and thereby convince the reader of his transformation from Convivio to the Commedia.
In Canto XXVI, as Dante the pilgrim converses with Ulysses through Virgil – while assuming that
Virgil understands that which Dante wishes to ask – it is important to note Dante's enthusiasm for
coming to understand the history and sins of each character he meets:
"'S'ei posson dentro da quelle faville parlar,' diss'io, 'maestro, assai ten priego e ripriego, che

Dante,Circles, And Characters In Dante Alighieri
Dante Alighieri was a major Italian poet of the Late Middle Ages, he was born into a family with a
complex involvement in the Florence political scene. In the Dante Alighieri's epic poem The
Inferno, Dante, the protagonist, witnesses the Circles of Hell, guided by Virgil the character
representing Human Reason. Alighieri shows compassion towards different sinners in Hell, which
provides an insight on the way he feels about people who do not repent. Although they are
illustrated as good people by the poet, they are punished within the different circles of Hell because
they did not cleanse themselves of sin. Through the uses of diction, actions of Dante and Virgil, and
imagery, Alighieri was able to show readers he felt compassion towards Farinata Degli Uberti, Pier
Delle Vigne, and Count Ugliono.
Alighieri shows compassion towards a sinner in the Sixth Circle named Farinata Degli Uberti,
through the use of diction and actions of Virgil and Dante. Farinata Degli Uberti is one of the
damned who is punished for Heresy, a person who believed that the soul dies with the body, denying
life after death. As a Heretic, his body is exhumed and burned in a tomb endlessly. When Virgil and
Dante get to this Circle, they speak to Farinata Uberti which allows for his body to rise from the
tomb in order to speak to them, "Erect, he rose above the flame, great chest, great figure,..." (Canto
X, lines 34–35). Here Dante describes him as "great chest" and "great figure" both emphasizing the

Analysis Of Dante 's Inferno, By Dante
According to the Merriam–Webster dictionary, narrow is defined as "limited in extent, amount, or
scope; restricted." In Dante 's Inferno, Virgil becomes Dante's role model and leads Dante through
the circles of Hell. Specifically, Virgil shows him what each circle was about. As Dante is going
through the circles of Hell, it becomes prominent that the crimes and punishments get worse the
deeper Dante goes. When Dante walks deeper into each circle of Hell, the rings become narrower,
making it more formidable to escape. Being stuck is not a good situation to be put in, especially at
such a young age. As a kid, I always wanted to be above average. In particular, I had a drive in
wanting to be able to afford expensive things and live lavishly. ... Show more content on
Helpwriting.net ...
The goal was to double my money and walk out happily. Like many people say, "I promise I'll stop,
just one more time." Let's just say this is where "the addiction" began. Hours began to feel like
minutes at the casino. My urge to augment my money caused me to stay at the casino for three long
hours. My luck within the games was quite peculiar– I lost some and won others. When I won, i felt
as though i was extremely adept in the games. However, when the casino took my money without
remorse, I felt a sense of weakness. At the end of the night, I was luckily able to walk out with
almost a two hundred dollar profit from the casino. It felt empowering that I made money in a
different way. I was proud of myself.
The winnings I made from the previous night at the casino had me hooked into wanting to make
more money. It became more of a need than a desire. Instead of returning to the casino, I started
watching a ton of youtube videos regarding how to make quick cash. I studied these videos like it
was homework. As a result from one of the videos, I found myself extremely interested in stocks.
Stocks became a whole new practice for me. It wasn 't so much hitting a soft number or standing on
a seventeen like you would in Blackjack. It was more than that. Stocks deal with the economy and
fluctuate by the second. The Stock Market intrigued me with its visual representation, such as the
graphs and lines. I just wanted to learn

Themes Of Violence In Dante In Love, Dante Alighieri
Introduction
According to English writer, A. N. Wilson, in 'Dante in Love', Dante Alighieri,
A.N. Wilson's perspective of Dante Alighieri as a poet, as well as a madman
According to (Wilson 2011), Dante Alighieri, author of the Divine Comedy, is a man whom
resembled both a poet and a madman. Wilson briefly emphasises in, 'Dante in Love', the two
contrasting depictions from Leonardo Bruni and Giovanni Boccaccio, of whom Dante was with
regards to the role that he played within the Florentine society and how it influenced him as a poet
in his work. (Sayers 1949), asserts that the 'Divine Comedy' is an allegorical poem, influenced by,
"Dante's theological, political and personal background".
(Wilson 2011), asserts fifteenth century writer, ... Show more content on Helpwriting.net ...
The circle is broken up further into three separate sections of whom these acts of violence can be
imposed on. These sins of violence is taken on three different forms being: performing harm on
other people, harm on oneself or harm on God, as explain by Vigil in the eleventh canto of the
'Divine Comedy' (Sayers, Dante The Divine Comedy 1: Hell 1949).
The relationship between violence and Dante as a poet
The violence portrayed in the poem
The relationship between violence and madness
In accordance with the scenes of violence found in Dante's Inferno, a link can be found in Wilson's
argument that violent scenes within the poem can justify the possibility of Dante being both a poet,
as well as a madman. Dante's Inferno, as emphasised by A. N. Wilson, is a popular and exciting read
not only from the unpredictability of order of events (Dante wrote Inferno without have a clear
vision of how the poem will end), but for the poem's, "sheer brilliance and beauty of its words, its
music", as well as for its, "unforgettable characterization" (Wilson 2011).
Significance: What is not violence? (Limbo)

Acrostic In Dante
Art is one of the most unique themes Dante includes in the Divine Comedy, especially in Purgatorio.
It is also interesting that many people rightfully view the Comedy as a work of art, which make
some of his criticisms arguably more impactful. Dante has many ideas on what art should be like,
and most of them tie into punishments that exist inside the work that he has created. Most notably,
he starts off the canticle with one of his own poems sung by one of his best friends. Casella was
found in Canto II, on the shores of Purgatory. He arises just about the same time Dante does on the
angelic ferry. In addition to being a very loving encounter, So Casella sings a song that Dante
recognizes, as his own work! Many may look at this as a negative ... Show more content on
Helpwriting.net ...
He puts Oderisi in Purgatory for these exact reasons, as he was trying to overshadow his work with
his own pride. But there are other things to be learned with Dante's fixation on art. Remember that
there are many poets and artists that have been put in Purgatory instead of Inferno. All of these souls
are in the good grace of God. Dante very well could be saying that artists have a more admirable
position in religion and life than politicians do. Remember, there are more politicians in Inferno than
there are politicians in Purgatory. This is also a good commentary on Dante himself, who considers
himself a poet first, then a

Dante Alighieri must have been an extremely strict and lecture–loving parent. In the first part of his
collection, The Inferno, Alighieri filled his story with subliminal messages within the text to teach a
greater lesson to the reader. Dante Alighieri purposefully chooses specific moments to express
humankind's weakness and how human reason can positively influence people to react in the correct
manner in the eyes of God. Through the interaction of two of his main characters, Dante, who
represents mortality; and Virgil, who symbolizes sensibility; Alighieri is able to provide insight and
guidance to the character of Dante in the story and more significantly, to the people reading it.
Within this passage, Dante projects a common human quality of wanting to give up in the face of
struggle. As Dante becomes too tired from escaping from his journey into the 7th Bolgia and begs
Virgil to stop and rest for a minute, Virgil strictly chastises Dante that if he ever wants to achieve
fame in his life, he must never give up his goals. In such a simple situation lies a grander message.
Here, Dante represents the limitations of humans in the form of his exhaustion and Virgil's response
of both sternness and compassion reflects the logic and the understanding qualities of human reason.
In The Inferno, Dante Alighieri uses the physical relationship between Dante and Virgil to illustrate
the allegorical connection showing how human reason directly guides the decisions of the flawed
human

The Inferno Of Dante Alighieri
"The Inferno of Dante Alighieri" translated by Ciaran Carson, originally written by Dante himself is
a classical piece of literature. It is the first part of Dante's three part epic poem entitled, "The Divine
Comedy". "The Inferno of Dante Alighieri" transports the reader into a gradual ride, going from an
familiar and earthly land, to descending the depths of Hell in the search of salvation. The imagery
conjured up while reading this book is plentiful as Dante's writing is impeccable. Naturally, with
such narrative content, later artists would look at this great work and become inspired themselves. A
work I would like to discuss is one by the Italian painter, Sandro Botticelli entitled, "Dante and
Beatrice in the Stars". With support of "Reading Dante's Stars" a work by Alison Cornish, I feel that
the stars as a motif not in the Inferno played a significant role in establishing the setting and the ego
of the self. I feel like this Botticelli's work alters the meaning of Dante by giving us a visual
mechanism to help us understand Dante's experience in this world, which is dictated by the
decisions made of these individuals that are based upon the perversions of love or manifestations of
God's love.
Dante in real life is caught in a tricky situation in his hometown of Florence. It is a time where there
are opposing political parties that cause great strife in his city which consequently banished him out.
The time where he wanders in real life is an obvious parallel to the

Inferno by Dante Alighieri is beautifully woven to reflect the realities or unrealities of the time. The
various circles of hell are used by the Florentine writer Dante, to tell the tale in a structured and
elaborate manner, with the use of nine circles of the Inferno (Havely, 374). Interesting, however, is
the manner in which Dante describes the characters, as they are seen to be facing tragedies in their
life in hell. The author of this medieval text categorizes the different types of sins that people can
commit and subjects the characters to various punishments; each is in a separate circle in hell.
Lawall opines that the writer uses a style that makes the reader envision themselves in the poem
(Lawall, 17). The infamous guide of Dante the character is none other than Virgil the poet, and being
born before the time of Christ, places him in the category of a "virtuous pagan", who is in a matter
of speaking, lost and without hope in Inferno, but not without safety that the author bestows as
homage to Virgil (Alighieri, 1028). With the various messages of political strife and religious
tension seeping throughout the text of the Inferno, it is clear to see that a couple who faces a tragic
situation that has no ending is Paolo and Francesca. In so doing, the author subjects this adulterous
couple to relatively tragic states even though they appear to possess incredible beauty in character,
personality and intellect. The journey through hell is as a result of Dante

Allegories In Dante Alighieri
About everything in life has a deeper meaning and it can be found with just a touch of creativity. But
the ability to construct the meaning into literature takes so much more talent. That's where the
average authors get weeded out from the great. Dante Alighieri is one of these great authors and it
shows in his writing. He uses an abundance of allegories throughout his books making the reader
overthink every word. In his book Inferno, Dante Alighieri descriptively crafts three allegories of
Francesca, the city of Florence, and Dante's journey to incorporate hidden symbolism and meaning
submerged underneath the cover story of Dante's version of Hell.
Every once in a while it's necessary to take a step back, evaluate your life, and look at the bigger
picture, which is what Dante did when he toured Hell. Dante Alighieri makes it obvious that
Florence is Dante's Hell on earth by the way he incorporates all the negativity. Dante Alighieri's
description of Florence leaves the readers to believe the city is in political ruins. There are so many
sinners living there and Dante shows this when he says, "But tell me, if you can, where they'll all
end,/ the citizens of that divided town?/ Is there amongst them any honest man?" (Alighieri 51) to
paint a picture of how he views Florence. The beginning of the quote allows the readers to interpret
that Dante doesn't have much confidence that they will go to heaven, rather he suggests that because
of this indecisiveness that they will later be found in Hell. He used the word "divided" to show that
there is a big controversy, which split the city of Florence, as he explains in the quote. The second
sentence flat out states that he doesn't believe that there is a single honest man left and this is shown
because of how he punctuates the end of the sentence with a question mark. This proves that Dante
considers Florence as Hell because of all the sinners there. If he doesn't think he could find a single
innocent person there, then it is basically equivalent to Hell, which Dante doesn't want to live in. All
the depreciation of Florence shows that Dante doesn't want to live there and considers the city the
trail that's directly feeding sinners to Hell. Everyone commits sins

Dante 's Inferno, By Dante
Dante's Inferno
Throughout the story Dante's Inferno, Dante takes a trip through hell to reach what he calls paradise.
During Dante's journey to hell he goes through the nine circles called: limbo, lust, gluttony, greed,
anger, heresy, violence, fraud, and treachery. With each of the circles in hell, there is a punishment
that resembles each of sins committed. Based on the reactions that the pilgrims give through textual
conversations between Virgil and Dante. It can be concluded that the pilgrim has acquired
knowledge throughout his journey. Dante notifies the readers by saying "strayed, leaving the path of
truth"(Dante 67), which helps the reader comprehend the purpose of his journey throughout the
book. Agreeing to the text, Dante tried to climb a hill that would lead him to paradise, but could not
be obtained anything because the book state's "the beast was there blocking his way"(Dante 68)
meaning Dante. Since the beast would not allow Dante to pass, it was understood that in order to
move higher, one must achieve the understanding of the process. In this case, Dante would have to
go "through an external place"(Dante 71) to achieve getting to his paradise. Dante gives some types
of hints, giving away that the pilgrims has also committed sins, but does not go in depth on what it is
he has committed to actually go to hell and redeem himself so he can go to paradise or in other
words heaven. This journey is just so Dante would get some type of

Power : A Search For Power In Dante And Dante
There are two types of power– spiritual and Earthly. Earthly power includes political power, wealth,
tangible items, and worldly desires. Spiritual power includes free will, religious alignment, and
spiritual desires. Many nouns define power, and power defines many nouns. Whatever the
circumstance, some form of power is always present.
Desire strikes a search for power. Dante writes "we live on in desire" implying that we live through
desire (20). Each one of us chases a desire during our journey through life. Small children desire
toys to entertain them, and the more toys a child has the more powerful they feel. I do not remember
the time when I was an infant, but from watching children and observing my cousins, I see this
feeling of power every day. Dante shows us a consequence of searching for power through desire
when we meet Francesca and Paulo, and he says "oh, how much desiring brought these two down
into this agony" (30). Sometimes the worldly desires we wish for do not end with what we expect.
Francesca did not think about what would happen to her or Paulo for following their passion. She
never expected to be thrown into Hell and be haunted by her desire for eternity. Dante has a desire
for love with Beatrice until she dies and Dante is left without the true flame in his heart. Dante
yearns for Beatrice every day and desires the love they once shared. Later on Dante's journey, the
love for Beatrice grows as Dante realizes she will be waiting to guide him once he

Contrapasso Dantes Inferno
Begun in 1308 and completed in 1320, Dante Alighieri's Divine Comedy is widely known as a
classic piece of literature. Initially published in 1555, the Divine Comedy consists of an
organizational structure composed of three sections: Inferno, Purgatory, and Paradise. This paper
will examine the first section, Inferno. Dante the Poet, the author, begins his poem by introducing
the main character, Dante. Written in the first person, the poem is narrated by none other than Dante
the Pilgrim. Dante's unexpected use of himself as the main character allows him to be extremely
biased when assigning historical figures to specific punishments, or contrapasso, in the depths of
Hell. Although some may say that Dante Alighieri's use of contrapasso throughout ... Show more
content on Helpwriting.net ...
Virgil explains to Dante that the purpose of two groups of sinners is because "In their first life all
you see here ... could not judge ... when it came to spending ... the opposing guilts divide them into
two." Put into contemporary terms, the punishment in the Fourth Circle is comparable to a speed
dating activity in which every time a sinner passes a new partner, they scream "Why Hoard" or
"Why Waste" (Inferno 7, 30). Concealed within the text, Dante delineates that the sinners'
punishment is eternal, which mirrors their sin. Furthermore, no side in the endless battle, Hoarders
versus Wasters, will ever win, which alludes to the fact that during their life, the sinners were not
able to be successful because of their flaw. Additionally, the Spendthrifts and Hoarders are also
punished in the imaginative way of being unrecognizable (Inferno 7, 51 – 54). Moreover, because
they were only concentrating on their own needs in life, they each only work towards their own
respective weight even though every sinner shares the same goal. Thus, their physical features are
wiped so they are undistinguishable from each

Treachery In Dantes Inferno
"Through me you go into a city of weeping; through me you go into eternal pain; through me you go
amongst the lost people" T he Inferno, b y Dante Alighieri is a divine comedy written in the style of
a poem. The story was written in the 1300's all in Italian and later translated into English. Dante
lived a tough life, even as a young child when he lost his mother and became exiled from his own
hometown, Florence. He was a part of the White Guelphs who always disagreed with the Black
Guelphs. Dante had a gift for writing, and was inspired to create a story where he explores the evil
in humans in a place called Hell. So it starts off with Dante wandering through a forest and
encountering the spirit of Virgil, a great ancient poet. Virgil gives ... Show more content on
Helpwriting.net ...
As a society, we look at this model of Hell and question the placement of some of his sins. Why was
treachery the worst sin of the time? As stated earlier, we would most likely have anticipated violence
at the worst part of Hell. There was a reason why he ranked the sins in the order that he did but I do
not entirely agree with the order myself. I would make a few tweaks, like remove lust because even
Dante said that lust is a natural part of life that cannot be avoided. Also having a level for limbo
seems unfair to me, mostly because there was no way to prevent it or escape it. Gluttony and greed
makes sense to be put together because they are both relatively similar in terms of having too much
of a certain thing. The other circles could be tweaked to fit the standards expected by today, but is
overall in an order that I would place it in. But that is just my perspective and there are plenty of
ways to fix the order of the

Dantes Revenge
Dantes' Revenge
Tears, bloodshed, death, sorrow... all dreadful aspects of an unfortunate life, the very mention of
which can cause the faint–hearted to tremble in fear. However, one man, Edmond
Dantes, grins devilishly at the idea of such tragedies striking those who wronged him. Dantes is the
main character in the novel The Count of Monte Cristo by Alexandre Dumas. Edmond started out as
a happy young man that never missed an opportunity to help uplift others, but as the story
progressed and Edmond fell victim to his devious peers he became much more sinister. So it's not
surprising that at one point he snapped and swore to seek vengeance on the people who had ruined
his life, but will doing so actually make him happy? Or will it make it worse? ... Show more content
on Helpwriting.net ...
One social psychologist by the name of Kevin Carlsmith set out to settle this debate once and for all
and in doing so he found that when you do finally exact revenge you can "no longer trivialize [a]
situation" and that you may end up "think[ing] about it. A lot" (Hall 34). This fixation on vengeance
can very easily consume a person, even to the point of uncontrollable obsession. The reader can
easily see this unhealthy dedication to revenge in Edmond Dantes, but the question that remains is
whether or not, upon the completion of his devious plan, Dantes will be satisfied and able to return
to living a comfortable life. Mario Gollwitzer thinks that it is in fact possible for Edmond to be
content
2
with himself after being so cruel, but it would depend on a few things. Gollwitzer says that "the
offender must know the connection between the original insult and the retaliation" (Hall 38).
This means that as Edmond goes about secretly sewing destruction into the lives of those whom he
despises, he will have to find a way to get the people such as Villefort, Danglars, and

Dantes
August 20, 2015 3.2.13 Practice: Revision Strategies The tempest one of the most difficult
Shakespearean works in my opion to stage, from its stormy, chaotic first scene to its sureality to its
ambiguous resolution, with Prospero facing his silent, treacherous brother and renouncing the power
that has made every action in the story possible. Potent language remains the central force and
mystery of this fathomless play. Prospero speaks almost a third of the lines in The Tempest, and
controls the amount of speech every other character on the island has through manipulation and
magic. Prospero's narrative of how he came to the island, what he did once there, and what he is
owed for this history, goes largely unchallenged in the text. Yet ... Show more content on
Helpwriting.net ...
I think that what Prospero is doing here has much to do with the process of the Othering as a method
to make a binary opposition so that he can justify all his brutal and inhuman actions towards
Caliban. Bartolomé de Las Casas– 16th–century Spanish historian– talks about this process of
Othering or let's say considering the Others to be barbarous just because they cannot speak fluently
the language of the Colonizer's, just like what Prospero does towards Caliban, and he argues that it
is not just, because the Others can also consider us as barbarous for not knowing our language:
Prospero teaches Caliban to speak his language, but never gives him access to his books. There is no
indication that Miranda ever sets her hands on these fabled tomes, either: Prospero controls the
reality of both Caliban and Miranda through language and stories, giving them no other means of
education or perspective. Caliban, forced to use the language of his oppressor, resorts to curses, and
knows that the way to destroy Prospero is through his books, telling Stefano and Trinculo to burn
them before they kill him. These books have an

The Inferno And What Dante
Introduction
This paper critically analyzes the character Dante in the Comedia. The paper analyzes the nature of
the journey in the Inferno and what Dante needed to learn from it. The changes that were
experienced have been analyzed in addition to the important parts of the text that are related to the
changes. Moreover, the discussion has been keen to provide relevant illustrations as the case may be
in order to emphasize on the character and the changes that are being addressed.
Discussion
The Inferno within the context of this discussion refers to the first part of Dante Alighieri's poem.
This is a chronicle of a journey to God by the leading character in the form of Dante. It is worth
noting that the journey has been split into three classical parts, each depicting the changes that are
being portrayed throughout the journey of Dante. The first part is the inferno, which is a loose
interpretation of hell and with it comes the changes that are being portrayed in the character's story
journey. The second part is the purgatorio, which can be interpreted to refer to the purgatory of the
story and the changes that occur at this point are characterized by the ever present notion of a sense
of undertaking. In this part, Dante is confronted by a series of situations in which he has to reach a
mental decision ,while at the same time taking a purge of his internal thoughts. The last and final
part of the change is depicted in Paradiso, a reference to paradise. Here, Dante has

Odysseus and Dante
The two stories or myths, The Inferno written by Durante Alighieri published in 1314 and the
Odyssey by Homer in 800 B.C.E. are about true love, great journeys that are different but in some
ways parallel and end with them back with their true love. Both Dante and Odysseus have a woman
who waits for them and in their travels must search themselves and make the right choices to get
back to them. Odysseus longs to be with his wife Penelope and Dante to be with the woman he
wants to marry Beatrice. Both men are very much love the woman in their lives, go to their own hell
and back and can think of nothing other than finding their way back to them. Beatrice even after
death has a spirit that is very much in love with Dante. She has faith in ... Show more content on
Helpwriting.net ...
There are at least three rings in the seventh circle of hell, guarded by centaurs. Here people spend
eternity as trees because they did not appreciate the bodies they were given. The first ring is where
people who were violent to other people spend eternity in a pool of boiling blood, the second is
where the suicides go, and further down those that were violent toward God. In the eighth circle
there are pouches each with different punishments according to the level of scandals and lies they
were involved in (Inferno). There is more to this journey before Dante can return to his beloved.
Calypso keeps Odysseus prisoner because she loves him and wants to keep him for herself.
"Odysseus had spent seven years with Calypso "withdrawing into the cavern's deep recesses, long in
each other's arms . . . [losing themselves] in love" (V.250–251)" (Howell, E. N., & Fink, L. S.,
R.W.T., 2012). Odysseus wants nothing more than to get back home to his home and wife. He wants
to leave her island Ogygia but has no ship. Finally, after Zeus sends Hermes to rescue him, he
convinces her to let Odysseus build a ship and lets him leave.
Then Poseidon God of the sea, who is mad at Odysseus for blinding his son the Cyclops
Polyphemus, sends a wind to blow them off course (Homer, 800 B.C.E.). As Dante's journey
continues, Virgil guides him through the ninth circle of hell where they find Satan frozen up to the
waist in a

Malebolge : 10 Pouches Of Evil In Dante And Dante
In Canto 18, Dante and Virgil enter into the eighth circle of the fraudulent. This is the place in hell
known as Malebolge which contains 10 "pouches of evil (line 2)." The sinners at the bottom of the
first ditch are all nude, running in different directions. At each end, " horned devils" whip the sinners
backs. Amongst the crowd Dante recognizes Venedico Caccianemico and wonders how he ended up
in here. Venedico admits that he forced his sister Ghisolabella to " the bed of the Marchese (line
56)." A demon whips Venedico and Dante returns to Virgils side. Virgil points out a sinner named
Jason who was punished for fooling Hypsipyle and Medea. They cross the bridge to the second
trench. The bottom of the trench is so hallow that they "had no vantage point to see a soul." Dante
stares at Alessio Interminli from Lucca who has been punished because he was a flatterer. Before
they exit, they come upon Thais who " claws herself with shit beneath her nails (line 131)," she
compares her sexual encounters as miraculous. Dante and Virgil enter the third ditch of Malebolge
where those who have profited from religious icons or institutions, known as simonists. They are
punishment is having their feet and legs stuck in holes. Instead of pitying them, Dante seems
satisfied with their punishment. Dante sets his eyes on a sinner who seems to have been burned
more than the rest. The sinner is Pope Nicholas III and Dante feels like "a friar who hears the sins of
a faithless assassin (line

, Dante, Inferno And The Inferno

Recommended

Recommended

More Related Content

More from Crystal Alvarez

More from Crystal Alvarez (20)

Recently uploaded

Recently uploaded (20)

, Dante, Inferno And The Inferno