Hiroshige Plum Garden

Hiroshige Plum Garden
When I first look at Hiroshige's Plum Garden at Kameido, 1857, I see a grove of flowering trees, with a fence in the background to keep visitors
off the lush green grass. The main focal point of this photo is the large tree branch in the foreground. This branch has several offshoots from it with
dainty white flowers. Looking past this I see several other trees in the background, all with flowers blooming on them, but none with leaves. In the
farthest background, there is a metal fence that is separating several people from the garden of trees. There is also a partial shack in the background on
the far most right–hand side of the picture. I also see what appears to be the back of a sign, mostly hidden, in the upper left corner of the foreground.
It appears to be sunset during the painting, with the horizon lighter and the higher sky a red color. There are several blocks of oriental writings, a red
rectangle in the lower left corner over the body of the tree branch; then two in the top right corner in the sky, one green square and ... Show more
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Several of the tree branches are curved at one point or another, but some in the foreground are straight. Each branch is a different width and texture
in this work of art, even if just a slight difference. The branch in the foreground is the largest and most detailed, while the ones in the background
are less detailed. The artist did include knots on the tree trunks and knobs on the tree branches to add to the detail. Also, there is the metal fence in
the background, that creates a line across the horizon. The fence has both horizontal and vertical lines on it to form the pattern of the fence. There are
more vertical lines in the foreground, but the boldness of the curved tree branch causes it to be dominant. There is a cool color scheme present in this
photo with the use of greens and yellows that fade into a red color at the very top of the
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Under The Wave Off Kanagaw Hokusai
The art of South and East Asia provided new forms for traditional ideas. Japan is one of a multiplicity of countries where the ideas of artists were
rooted in the artistic traditions of previous eras or of other countries. These artists would then place their own spin on the art, in regards to both subject
and style. Tradition and innovation are complementary qualities of the arts of South and East Asia, as the artists of South and East Asia both inspired
other artists and took inspiration from other artists. In the eighteenth century in Japan, landscape painting emerged as an incredibly popular subject,
coinciding with an increase in access to inexpensive multicolor woodblock prints. Previously, landscape painting was long regarded as a major subject
of Chinese and Korean painting. Japanese landscape artists also took inspiration from Dutch landscape engravings imported into Japan when the ruling
Tokugawa government was attempting to enforce its isolationist policy. However, Japanese printmakers drastically transformed the compositions and
coloration of these Western models of landscape painting. Katsushika Hokusai is regarded as one of the most famous Japanese landscape artists of the
time. Under the Wave off Kanagawa... Show more content on Helpwriting.net ...
The men in the trading boats are bending down low as to gain more control over their oars and thus the direction of their boats in the dangerous and
rough sea, as well as to drive their elongated and low vessels through the vicious waves. While Hokusai's print takes inspiration from Western painting
techniques and incorporates the distinctive European color named Prussian blue, it also highlights Japanese pictorial tradition. While adopting the low
horizon line typical of Western painting, the master woodblock printmaker used in the foreground the traditionally flat and powerfully graphic forms of
Japanese art to depict the threatening wave, mainly using curved

Ukiyo Greek Culture
The word ukiyo stemmed from Buddhist origins meaning floating world. It was used to describe the impermanence of the human world, and the belief
that all thing are short lived. During the Edo period (1600–1868) the word ukiyo changed, the fleeting nature of life was to be enjoyed to the fullest
because of it ephemeral nature. The word became synonymous with the pleasure and theater districts of Edo that were constantly changing. Ukiyo–e
literally translates floating world pictures. Woodblock prints are the most representative art form of ukiyo–e and the Edo period. Without the
urbanization of Edo and the raise of the financial power of the chЕЌnin (merchant class) ukiyo–e may not have gained as much popularity as it did
during the Edo period. The chЕЌnin class could not physically express their wealth because of law created by the samurai class to keep up the illusions
of the social system. The Japanese social structure was of a Confucian design (Samurai–Farmers–Artisans– Merchants), but many samurai family were
going bankrupt while the chЕЌnin class, who ... Show more content on Helpwriting.net ...
Traditional ukiyo–e prints showed images from the pleasure districts of the urban cities like Edo. The images were of the beautiful courtesan (bijinga)
and famous kabuki actors of the theater district. Similar to magazine of today, ukiyo–e prints during the Edo period provide fashion and culture tips to
the wives of wealthy merchant and samurai families. They were also used for advertising and commerce. During the late Edo period a successful
effort to bring landscape woodblock print into the world of ukiyo–e was made by Hokusai and Hiroshige. The Luther W. Brady Art Gallery is hosting
an exhibit of first edition woodblock prints designed by Ando Hiroshige (1797–1858). The exhibit, Along the Eastern Road: Hiroshige's Fifty–Three
Stations of the Tokaido was organized by the Reading Public Museum and will be at the Brady Gallery until December

Art Shaque : The Art Of The Art Nouveau
When considering Art nouveau, it is more appropriate to label it as a movement as opposed to a style, with the purpose of breaking the previous rules
of fine arts, and establishing a new order, in which the new technology of mass production is dismissed, and instead, there is focus on creating
decadent, and fine craftmanship. It would be almost impossible to link all the styles within art nouveau and all their separate influences, as each artist
had a different interpretation of "new art" and what that really meant. However, looking at the period in context, we can identify a source of great
impact: "Japonisme". [1] Following the treaty between the united states and Japan in 1854, Japanese trade became sought after as highly fashionable
as it flowed into western Europe. Inspiration became available to the designers of the time, and many techniques were adopted into Western art. For
example, Japanese artworks such as Ukiyo–e prints contained devices such as a flat, two dimensional compositions, and block colours created by
woodblocks. Masters such as Hokusai, and Hiroshige drew their inspiration from nature, and it was no coincidence that typical Japanese symbols of
nature crept into the works of the Art Nouveau, such as carp, bamboo reeds, cherry blossoms and bodies of water which can all be identified in the
works of Rene Lalique, Alphonse Mucha, and influencer William Morris, within his arts and crafts fabric designs and furnishings.
From the erotic subject matter, to

Ikko Jenj Research Paper
Graphic designer, Ikko Tanaka was born and raised in Nara, Japan in 1930. Upon his move to study in Kyoto, Tanaka was introduced to and took
interest in modern Japanese theatre, particularly Noh and Kabuki, which is the subject of his most popular designs. After graduating in 1950, Tanaka
worked for notable people and organizations such as fashion designer Issey Miyake, Mazda Corporation, and later in his career, the Tokyo Olympics.
One of the major influences on Tanaka was Ando Hiroshige, who created ukiyo–e art, which means pictures of the floating world. Tanaka's works tend
to contain a lot of floating space, however, he utilizes the spaces to give designs more imagination by using colors or geometric themes. Additionally,
Tanaka adapted

Sudden Shower With Shin- ЕЊ Hashi Bridge And Atake
The title of this artwork is Sudden Shower over Shin–ЕЊhashi Bridge and Atake by the Japenese artist, Utagawa Hiroshige. This art piece was created
in 1856, and it's medium is a polychrome woodblock print, and created by ink and color on paper. The size of Sudden Shower over Shin–ЕЊhashi
Bridge is 34 x 24.1 cm. Hiroshige used the art style of realism when creating this artwork. By using realism as the art style, Hiroshige created the
objects in the piece to represent things as they really are in real life. Utagawa Hiroshige was born in 1797 in Edo, which is now known as Tokyo, and
passed away in October of 1858. Hiroshige is most commonly known for his color woodblock prints. His biggest achievement is Fifty–three Stations
of the TЕЌkaidЕЌ. This artist went through many different stages in his artistic life, which include, landscape art pieces and figure–with–landscape
designs. Hiroshige created an estimated number of 5,000 prints in his lifetime. This image contains multiple realistic objects. The objects that are
seen by looking at this artwork objectively include a bridge, six people holding umbrellas on the bridge, and someone rowing or paddling on a board in
the water. Two of the umbrellas are yellow, two other umbrellas are grey, and one individual is attempting to cover their head by a jacket or a coat. The
bridge is over a large body of water which is lighter blue is one area and dark blue in the bottom corner; also by looking in the background I see white
objects that

19th Century: Close Visual Analysis
Thesis
This paper will employ close visual analysis of two Japanese woodblock print pieces from different periods of the 19th century and how they differ in
Western ideals. This paper will compare Katsushika Hokusai's The Great Wave off Kanagawa to Ando Hiroshige's Plum Estate, Kameido by their
differing landscapes, colors, and acceptance of Western methods. I chose these two pieces due to both pieces being so different, although they are both
woodblock prints. Further, I found it interesting that one piece, The Great Wave off Kanagawa, is known so widely while Plum Estate, Kameido is not.
The goals of my paper are to cover the differences in methods of Western culture as well as how the appearance of each piece differ due to different
time periods.
The Great Wave off Kanagawa by KatsushikaHokusai
In 1826, Katsushika Hokusai created The Great Wave off Kanagawa which was one of his most notable pieces specifically in Japanese art. Further,
this piece was among Hokusai's art series Thirty–Six Views ... Show more content on Helpwriting.net ...
During his teen years while attending the Shijo School, he was the apprentice of Utagawa Toyohiro a well known printmaker. Due to Hiroshige's
experience with traditional artwork and learning the basics to woodblock print he later began creating his own artwork. Several of his earlier works
consisted of prints of actors and courtesans; however, after viewing Hokusai's Thirty–Six Views of Mount Fuji, he was inspired to change his creative
flow and overall style. In 1856, Hiroshige created one of his most well known series the One Hundred Famous Views of Edo, which depicted various
landscapes in Japan which included rivers, mountains, and trees. During the late 19th century, artworks began depicting the Nihonga art movement.
This movement was led by many artists who believes that the heritage of traditional Japanese painting needed to be preserved while still incorporating
western methods in order to modernise Japanese

How Did Kasushika Hokusai Influence Japanese Culture
Japanese artist Katsushika Hokusai helped expose the Western world to Japanese customs and beliefs. His crucial impact on culture and art can be
attributed to his notable and familiar depictions of Japan's geography, architecture, and people that surrounded him. Hokusai's unique blend of
traditional Japanese methods and Western mediums made his work a source of inspiration for many European artists during the Impressionism era
such as Van Gogh, Monet, and Degas. Katsushika Hokusai, best known for his print of a large wave gracefully swallowing a fishing boat called "The
Great Wave Off Kanagawa", is arguably one of the most influential artists of the 19th century. His work can be viewed in prestigious museums like The
Metropolitan Museum of... Show more content on Helpwriting.net ...
However, throughout the 19th century, the influence of artists like Hokusai, Utamaro, and Hiroshige helped transform the former taboo into an
appreciation for this cornerstone of Japanese culture. While ukiyo–e was a strength of Hokusai's, it wasn't the only style of art he was trained in. While
studying under Shunsho, he also attended lessons from Yusen, an artist from the Kano school who taught him about Western style art and the use
of perspective. These experiences shaped Hokusai into an exceptional artist and woodworker, but probably would not have been possible if he had
been born in another country, showing the significant impact relative location can have. Relative location, defined as "a point or place in relation
to another point or place", played a significant role in Hokusai's career throughout his life. For example, because of the large distance between
where Japan is located relative to where Europe is located, it was hard for Hokusai to share his artistic ideas outside of his home country. In addition
to the issue of physical distance, during the early 1800's Japan was under a foreign policy called sakoku, which allowed no foreigner or Japanese
person to enter or leave the country on penalty of death. This

Chapter 9-Japanese Woodblock Prints-Japan
Chapter 9 –Japanese Woodblock Prints– Japan is one the oldest country and has been an isolated nation for a while until the united states navy
expedition that made a deal after being force for trade with them. Which soon they adapt to westernize themselves to imperialism until after the second
world war. Beside all that, they were very gift in creating arts that were very inspiring, woodblock. As it had begun inchina when buddhist missionaries
brought it them. It features illustrating image and text, even when it's black and white. But it can have colors that artist made in separate block. take
an example how they made it, from the image that feature figures in a gesture, with a few colors of black and white, but the clothes that have more
colors (9.2).
They did also done painting that ... Show more content on Helpwriting.net ...
Hokusai knows such series of scene in different view of the same place at different time and season which it's interesting to find these dimensions
of reality in a painting. The most famous painting from Hokusai is the great wave (9.7) given well linear perspective and foreshortening, reflect
influenced by the west. Giving the wave a naturalism movement and rhythmic power of swelling wave, even its flat, that gave it some effect.
Hokusai the horsetail gatherer (9.8) is another great art piece from woodblock painting. Setting the atmosphere of stillness from the bird view.
Putting a scene set for an emotion, where a man is looking for his child in the wood and mountain as the setting described it. from the setting of the
scene, as looking at it, the moon is behind the tree from distant, as the light to the man way. Sharp contrast wave of the stream and the smooth clear
as glass water which the duck is set on in peaceful. You can see there is a moment in this that hokusai made to tell a narrative in one scene, like others
art piece from other artist had made from theirs (9.9)

What factors lead to the rise of the pictorial poster
What factors lead to the rise of the pictorial poster? When looking at what factors lead to the rise of the pictorial poster, it is clear to see that the
majority of them occurred in late nineteenth century Paris and that perhaps one man, Jules ChГ©ret, can be thanked for exploiting and mastering the
techniques which made these posters reach the levels of respect previously reserved for the fine arts. As well as Jules ChГ©ret and his mastery of
lithography I will be exploring the influence of Japan and their printing techniques upon Toulouse Lautrec as well as Baron Georges–Eugene
Haussmann's renovation of Paris during its Second empire, the impacts of the rising middle class, and the effects that tax had upon the walls of Paris....
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However, this image is missing the simplicity of the previous poster and the skill in which ChГ©ret prints La Loi fuller's dress in movement cannot
be overlooked, it is what carries the whole poster with ease. As stated by Jane Abdy in 'The French Poster' what makes a great ChГ©ret is "the
personification of gaiety in his posters .... the laughing, twirling, sparkling girl whom he uses as a model; the Parisians adored her , and called her 'La
Cherette' (abdy, 1969, p.31) In 'Les affiches illustr'ees' Maindron– a section from "The French Poster" by Jane Abdy, Ernest Maindron talks about that
when posters were very successful, it was often reproduced in a small version so that collectors could have them. A daily newspaper 'Le courriere
francias' made special printings of ChГ©ret posters in a convenient size (22"x14") as presents to their subscribers" (Abdy, 1969, p.171) However,
the size of posters not only affected legibility and who could own them, it also affected the amount of tax placed upon them. All posters which were
to be placed in the streets would be subjected to a government tax. "This was varied according to size; the rate was 6 centimes for the Вј colombier, 12
centimes for the ВЅ colombier, 18 for the jesus and the colombier and 24 centimes for all large posters." (Abdy, 1969, p.171) when this levy was
paid, the poster was stamped and approved to be hung in the streets. Figure 3 Hiroshige Plum estate, Kamedio.

Aesthetic Features And Influence Of Figure Paintings By...
Aesthetic Features and Influence of the Figure Paintings by Chen Hongshou Cao Jing Xu Guangtong Abstract: Chen Hongshou was a comprehensive
and proficient painter in late Ming and Qing Dynasty, who was creative and unique in his own style. He made attempts to get rid of the "fashion of
resplendent" by "traditional style" and was refereed to as the representative of artists with unique style and an influential figure in the 17th century. Key
words: figure painting; grotesque style; influence Chen Hongshou (1598–1652), Zhanghou as as his style name and "Old Lotus"as esteemed name, was
a prominent painter, who inherited the tradition and created new style in painting. With the unique aesthetic values, his paintings, especially figure
paintings occupied a very important position in Chinese figure painting. His style in painting has a far reaching effect on both Chinese and the
world's art. Figure painting played a dominant position since Tang Dynasty and declined in Song Dynasty. Chen Hongshou is not only a great figure
painter in Ming Dynasty but also revitalized figure painting which had declined for 600 years. In his paintings, we can see the giant bodies of the
characters with clear and fine... Show more content on Helpwriting.net ...
In his paintings, the characters have strange appearance: big head and short body. As we know, the methods selected by artists usually have something
too do with their experiences, opinions and philosophies. Their life perspective are shaped by their special time and environment and determines the
way they view the world–––– It is what they feel. So life is not simple records of the objective world, but a mental world. From the above analysis we
can see that the grotesque figures in Chen Hongshou's paintings reflect his mentality and wild emotion. There is a unique beauty in the characters of
his paintings and this style is the formed with the change and maturity of the

Kitagawa Utamaro And Paul Gauguin's Use Of Color Techniques
Describe specifically what the term "arbitrary color" means, a color used at random for objects that have a common color, such as, a tree has green
leaves, but we choose to make the leave purple or making the sun black, the clouds green, or the sky yellow, etc.
Who was the first artist to employ the technique? I would have to say Katsushika Hokusai, Kitagawa Utamaro, and AndВЇo Hiroshige had a role in the
technique. The technique was used in AndВЇo Hiroshige color woodcut print, ("Moon Pine at Ueno from One Hundred Views of Famous Places in
Edo"), (Pg. 27), because of the color use. The colors seem to be out of place, such as, the sky's appearance being that of black, blue, and green, also the
tree appears to have a redder tent than what we would normally see in nature. Hiroshige and other Japanese artists had gotten young artist thinking
about color, arbitrary color, and pure color. One of the artist that took the color techniques from color woodcut prints and Japanese prints was Paul
Gauguin. Gauguin was truly the first to employ arbitrary color techniques, which can be seen in his (Vision after the Sermon), (Pg. 60), with vivid red
paint in the back ground, splashes of green and blue tenting on the nuns faces, these colors are not known in nature, and they are non–descriptive. It just
isn't natural to see these colors placed this way. Thus, Gauguin's paintings influenced younger artist and affected their ideas in the Nabis and Fauve
periods. Later movements adopted this

Van Gogh And Starry Night
While researching Vincent Van Gogh, I found out several interesting facts about him that I previously didn't know. I also found out information on one
of his famous paintings, Starry Night . My goal for this essay is to provide information and insight into both van Gogh and Starry Night. Vincent
Willem van Gogh was a post impressionist painter. He was born in Zundert, Netherlands on March 30, 1853 and died in Auvers–sur–Oise, France on
July 29, 1890. As a child, van Gogh had a bad temperament that stopped his pursuits in their tracks, and by the age of 27 he was, or had been, a
french tutor and a salesman in an art gallery among other things. Many of his first paintings, such as Potato Eaters (1885, Van Gogh Museum,
Amsterdam), reflected his experiences as a preacher. Some would say that his early work was dark and somber, sometimes even crude, providing
evidence of his desire to express the misery and poverty of humanity though his eyes. In 1886, van Gogh went to Paris, France to live with his brother
Theo van Gogh, who was an art dealer, and became well known with the new art movements being developed at the time. During that period, van Gogh
began to experiment with current techniques after being influenced by the impressionists work and that of such Japanese printmakers as Hiroshige and
Hokusai, and

Ukiyo-E Research Paper
The name of the art form, ukiyo–e, translates to "paintings of the floating world". They are Japanese woodblock prints that flourished during the Edo
Period (1603 – 1867) and depicted subjects associated with impermanence and detachment from ordinary life. Among these subjects were the popular
geisha, sumo, and kabuki actors set in this after–hours world. Later, painted scenes from nature became a subject matter for artists.
The themes in ukiyo–e focused on fleeting beauty and evanescent worlds; it was an escape from the boring and mundane world of responsibilities in
everyday life. At first, Ukiyo–e artworks were all monochromatic and printed in black ink only. However, Suzuki Harunobu developed polychrome
printing by the 18th century.
Ukiyo–e art was originally intended for the lower class as it was very ... Show more content on Helpwriting.net ...
At the same time, it expanded to reflect modern tastes and innovations over its development. The result was an art that was both populist and highly
sophisticated. Ukiyo–e presented both the historical and all that was current, elegant, contemporary, and popular. The ordinary was transformed into the
extraordinary in the hands of the artist.
Each image was created through a collaboration of four skilled individuals: the artist who designed the works and drew them in ink, the carver who
carved the designs into a woodblock, the printer who applied pigments to the woodblock and printed each color on handmade paper, and the publisher
who coordinated the efforts of the artists and marketed the artworks. In spite of this collaborative effort, only the artist and publisher were almost
always accredited.
Midway through the 18th century, new techniques were created to allow the full color printing and ukiyo–e we see today on calendars and postcards.
Some of the most famous artists during this period were Utamaro, Hokusai, Sharaku, and

Hiroshige Ando
The Life of Hiroshige Ando Hiroshige Ando was born in 1797 in the Yayosu Quay section of the Yaesu area in Edo, now modern day Tokyo. He
came from samurai background where his grandfather held a position of power under the Tsugaru clan while his father was the fire warden for the
Yayosu Quay area. His mother died in early 1809 with Hiroshige's father soon following. He became in charge of the fire prevention at Edo Castle at
the age of twelve. At around fourteen Hiroshige began painting. In 1823 he resigned his position as fire warden to progress his career as an ukiyo–e
painter. In 1829 Hiroshige produced his first landscape ukiyo–e which became known as part of the Eight Views of Omi series. After the first series he
began focusing many of

Plum Estate Kameido Analysis
Worksheet 1:
Title: Plum Estate, Kameido by Ando Hiroshige
Form: two–dimensional painting
Medium: woodblock print, ink and color on paper
Size: 1' 1 Вј " x 8 в…ќ "
Original location and date: Japan, 1857
Line
There are contour lines used in the painting on the tree trunks and branches. There are lines in the background of the painting implying trees with
branches, but the trunks of these trees do not reach the ground. There are horizontal and vertical lines being combined in the background to form a
fence. 2. Shape
There are natural shapes being used in the artwork, such as the tree branches, which are somewhat rectangular and linear. The flowers on the tree are
circular and some of the petals have oval shapes. 3. Forms
The roof of ... Show more content on Helpwriting.net ...
Nature both in art and in real life has been shown to make people feel more relaxed. As the piece is of a nature scene, it induces these feelings of
relaxation and serenity in the viewer. The sign in the upper left of the painting can lead the viewer to interpret the scene as taking place in a public
attraction or landmark, as it shows that there would be strangers learning information about the trees from the sign. The Japanese calligraphy can
cause the viewers of the artwork to interpret the piece as taking place in a Japanese setting or of being created by someone with a Japanese

Analysis Of Bridge Over A Pond Of Water Lilries
Claude Monet's 1899 painting, Bridge over a Pond of Water Lilies depicts his cherished garden in Giverny, France. In the paintings, an arched wooden
footbridge extends over a pond abundant with water lilies. The lush, dense vegetation surrounding the pond is reflected on the surface of the water.
Monet was one of the founders of the Impressionist movement and Bridge over a Pond of Water Lilies is emblematic of an Impressionist painting as it
depicts a nature scene using visible brushstrokes and unblended colors.
Monet is known foremost as an Impressionist, but he was also involved in the late 19th century art movement known as Japonisme. Japonisme
describes a period at the end of the nineteenth century in Paris during which "all things Japanese were very much in vogue, particularly among the arts"
(metmuseum.org). In "Japonisme: East–West Renaissance in the Late 19th Century", Yoko Chiba describes how "a taste for things Japanese swept
throughout Europe", its influence covering "a wide area from pictorial to decorative art, from literature to theater" (3).
One can consider both Bridge Over a Pond of Water Lilies, and Monet's water garden as appreciative and subtle homages to Japanese art. Monet
"collected Japanese ukiyo–e woodblock prints with images of bridges...since the 1860s" (metmuseum.org). He was similarly fond of Japanese
gardening and design. Monet's water garden featured a Japanese style footbridge and pond surrounded by Japanese flora: bamboo, cherry trees, lotus

The Importance Of Asian Art
Art is a way for the Asian artist to express their feelings with the viewers. The Asian culture uses art to convey the connection between people and
nature in the form of brush painting and Japanese wood block printing. For instances, the Japanese wood block printing, The Great Wave created by
Hokusai shows a large wave heading towards two boats. The artist leaves the art frozen, allowing the viewer to depict their own ending to the scenario.
Art in the Asian–American culture incorporates nature, but not in the same ideal as art in Asia. Asian–American artists constructs based upon the
nature of a community that consistently feels as an intruder in America. Asian. The Asian artists in America shows the world a new generation of
Asian art.... Show more content on Helpwriting.net ...
For example, the artwork Bare Willows painted by Ma Yuan embodies the essences of Taoism by integrating natures Yin and Yang. In result, Yuan
creates a spacious and mysterious painting in a timely manner. Yuan represents Yin as the mountain and Yang as the water. The message Yuan conveys
in this painting is that the mountain is unmoving and the water is easily disruptive. The artistry in China begins to evolve once the Han reclaim the
throne. With the start of the Ming dynasty, the Chinese community becomes fill with joy and prosperity, leading to the introduction of color and
mythology. Asian artists paint the images of nature to convey the lessons of eloquence, fragmentation, and precision.
Japanese wood block printing became the most popular form of art during the Edo period. Japanese wood block printing is most commonly used by
artist to connect people and nature. One of the most popular wood block printing is Great Wave Off Kanagawa Point created by KatsushikaHokusai is
described to be, "A large threatening wave that is about to destroy fishermen in boats." Hokusai commonly constructs the nature frozen to be in action,
leaving the viewer wondering about the outcome in their mind. Utagawa Hiroshige also known as the last great master of the ukiyo–e tradition paints a
different picture then Hokusai by engaging the viewers five senses. Hiroshige displays nature in a calm manner, and

Light Rain At Shono Essay
Utagawa Hiroshige. Shono hakuu (Light Rain at Shono), number 46. 1832–1833. This piece of artwork is known as a woodblock printing, the style of
this is both representational and realistic. It is representational and realistic since it displays Shono during a rainy day while it also displays the
people hiding underneath their umbrellas or straw hats from the shower of rain passing through. The materials that were used by Utagawa to
create this printing were woodblocks, ink, and color on paper. When Utagawa created this piece of work he had to be careful and precise with the
details on the wood blocks. Woodblocks were especially difficult when made with different types of colors. When making colored woodblock
printings you were required to use one wood block for each desired color, you would also be required to have accurate precision printing and
intricate carving skills. This type of artwork is considered 3D, it was made of woodblocks and it could have been touched or seen physically. This
style of artwork flourished immensely in Japan during the 17th–19th century, it was especially sought by the middle class in Edo which is now known
as Tokyo. These woodblock prints were also very... Show more content on Helpwriting.net ...
It is expressing a story about various stops on the road of Edo to Kyoto. In this specific piece it is expressing people on the road of Edo being
caught up in a rainstorm. They're quick to go under the umbrellas or to cover themselves with their straw hats as well as straw mats. It also shows
that they are close to a village nearby and are most likely to find shelter from the rain there as well. The subject and the content do not differ much in
my opinion they are very much alike. Both the content and subject are heavily being based on the shower that is happening on the road to Edo. It
depicts the people that are hurrying away to find shelter from the

Tom Killian Essay
There are many artist's who can make an impact with how they convey their work. An artist who conveys his work with elegance, is Tom Killian.
He is a local artist from California, and went to the University of Santa Cruz California. Living in California was going to shape his perspective on the
world forever, specifically on how he depicted his work. In a work of art of his itled, Monterey Bay from Santa Cruz Pogonip. The work of arts creation
came to be in 2002. The process in creating this piece was intricate, it was created from a wooden stamp press, the presses used are hand carved into
wood and linoleum blocks. For each of the colors used in the piece, a new block has to be created to ensure that the colors doesn't blend in ways the...
Santa Cruz is home to a big art community, from a wide array of different mediums; on the Santa Cruz County Website for the Arts, it says, "Santa
Cruz County serves as the inspiration for a vibrant arts and culture scene, so it's no wonder there's an eclectic array of choices for art lovers."
While we have a big community, the MAH is a small art and history museum, there mission statement on their website states the following, "Our
mission is to ignite shared experiences and unexpected connections. We accomplish this mission when we bring people together around art and
history through dynamic exhibitions, events, partnerships, and programs." They do this by holding a wide array of community events, and
something called First Friday. First Friday is where there is a elaborate art walk in downtown and around the Museum of Art and History. The art
walk is where local artists from all different mediums can showcase their art or craft, try to sell it and network with other artists. This helps to bring
together the community of Santa Cruz. This piece is not the only work of art in the gallery at the MAH, Killian has a very large gallery in the
museum all dedicated to his works, his work techniques and lifestyle. All these pieces are of various parts of California, however, their is many done
of Santa Cruz county, and I feel he choose to have the whole collection in this

The Film Mulan
Disney Film: Mulan
This one of a kind Disney film "Mulan" (Bancrofty and Cook, 1998) draws an innovative path for Disney's animation studio. It mixes the traditional
elements such as with a brave heroine and those cute animal sidekicks. The material appears to be more adventuresome and grown up. Similar to
Fox's "Anastasia," Mulan is known as a film from which not just children but also adults can enjoy on their own, devoid of feeling an obligation in
taking along with their children.
In terms of the story, it tells the time as not a retread of a recognizable Western children's classic, however on the basis of a Chinese folk fiction
concerning a brave Chinese teenage girl who covers up herself as a boy to have fought by the assaulting Huns. By the time the invaders along with
their pitiless leader named Shan–Yu, who then was looking like Karl Malone in an alarming way sweep down on the Chinese Wall, capable men were
called by the Emperor in order to combat for a defense for the kingdom.
The father of Mulan in this film emphasizes being old and weak. However, he throws away his crutch to make a voluntary effort. In order for his
father be granted of his personal desire, Mulan on its best has stolen the family sword, summons the family ancestors for aid, and clandestinely went to
his place. As a matter of fact, Mulan defies not merely for get–together, nevertheless on the desire of her family to let him stand for by the plans of a
matchmaker and marrying whomever Mulan

Compare And Contrast Okitsu And Kakegawa
Japan discovered their identity through borrowing and adapting ideas from other countries. From China to the West, Japan has always been flexible
and open to a borrowing a wide diversity of things, ranging from politics, architecture, and even woodblock prints. Adapted from China, woodblock
prints, or ukiyo–e, use location, color, content, subject, proportions, and perspectives to depict a scenery. The art from a time or country can be used
to infer many things about its culture and people. The two woodblock prints featured in this essay are "Okitsu" and "Kakegawa" by Ando Hiroshige.
These prints represent how the Tokugawa period changed the course of Japan and how Tokugawa Japan was a peaceful time of stability.
The Tokugawa period was a... Show more content on Helpwriting.net ...
Two figures walking up the bridge seem to be a man and an elder, as indicated by how one is extremely hunched over and holding his back while
the other is turning as if to check on the elder's condition. A playful looking boy follows them, his arms waving energetically as he trots behind
them barefooted. And coming down from the bridge, there is a man adorned in a bright red cloak followed by another man, both with big hats
covering their bald heads. All of the people range in age, outfits, and personas, which suggests that they all are from different places and have
different destinations and purposes to get there. It can be inferred that because the Tokugawa period was a time of peace, that people were more
inclined to travel due to the stability of the period. Instead of just traveling for trade and goods, people started to venture out more casually and for
personal gain, exemplified by how the boy is barefooted, suggesting that he is only traveling a small distance, and the monk and disciple are likely
traveling for religious means. The bridge in the foreground also indicates that the Tokugawa period was a time of stability. Built with thick wooden
beams, the bridge appears sturdy enough to be able to bear the many travelers passing over it. This shows that there was

How Did Ando Hokusai Impact Art
To what extent did Katsushika Hokusai's art influence the works of Ando Hiroshige and what was its significance on Japanese art?
Introduction:
The raw power of nature has always been inspirational to artists all around the world. Art is associated to what we experience on a daily basis, however
it represents some kind of transformation to the everyday, to something that is not actually entirely real, it can't be found by simply locating it, it
requires human intervention. Art maybe seen as the fingerprint of our existence in the world that has its impact on things we transform through the use
of our imagination.
For centuries, humans, cultures and civilizations have been portraying daily aspects of life through the use of art. Art does not only include painting, as
it ranges from filming, sketching and ... Show more content on Helpwriting.net ...
Artists from the early Japanese civilizations had a great impact on art, specifically artists such as Katsushika Hokusai and Ando Hiroshige, many of
these artists' pieces had a great impact on each other, and this impact is also significant in Japanese art. This leads to the essay question, "To what
extent did Katsushika Hokusai's art influence the works of Ando Hiroshige and what was its significance on Japanese art?" which will analyze the
impact these artists had on each other and how was that impact prominent in the field of Japanese art.
The purposes of this essay is to inspect and analyze some of the works of some of Japan's most famous artists, and compare the artworks with each
other in order to find out the extent of which Hokusai's arts were influential on Ando Hiroshige. An artwork by each artists is analyzed in terms of
structural and conceptual

Plum Garden At Kameido Analysis
The Plum Garden at Kameido, is a woodblock print that focuses on the branch of a plum tree with a background consisting of varying washes of color.
A reddish–pink sky gradually fades into white, in turn transferring once more into the green hue of the ground. The middle ground of the piece
shows twelve people on the other side of a fence and it appears as if they are going about their daily business. The middle ground also possesses
several other plum trees, all of which seem in the beginnings of their bloom. Closest to the viewer, the focal point of the piece, stands the main Plum tree
with its branches swinging from the left at sharp angles and moving to the right. Although most of the shapes appear flat, with limited shadows, the
estate contains greater depth through an incorporation of proper scale, perspective, and overlapping qualities. Near the top of the piece small green
and red rectangles add to the design, their locations in the upper right and lower left corners playing upon one another in a pleasing manner. The
scroll–like shapes contain Japanese script, said to contain the artist's name and other information.
The image is captured in Spring. The image of the plum ... Show more content on Helpwriting.net ...
The bright–white double–blossoms of the plum tree are believed to keep darkness away and their domination within the space give the scene a sense
of life. In Japanese culture, blooming gardens become the focus of many traditions and cultural practices. In the Heian Period, the Japanese were
greatly influenced by China, including the practice of flower viewing in the spring, while fruit trees were in full blossom. The plum tree, with its large
white blossoms, was originally one of the most highly acclaimed trees in China. This idea made its way to Japan and symbolized early spring, while
the cherry blossom found association with late

Analysis Of Katsushika Hokusai 's Influence On Art
To what extent should an artist go to to draw in a crowd? Katsushika Hokusai painted hanging upside down, painted with his mouth, painted with his
toes and painted sometimes with a broom instead of a paintbrush. Hokusai grew in fame because of his art, but also because of how he could promote
himself. Katsushika Hokusai was a very different type of artist during his time. He did not conform to Japan's typical style of painting and branched
off into a unique style that expressed his beliefs and creativity. He ultimately transformed art in a way that moved the focus from portraiture focused on
actors to a style that focused on landscapes, plants, and animals. Katsushika Hokusai was not afraid to be different and change things and that is why ...
Hokusai, in total, had two sons and three daughters with these two wives. His youngest daughter, Oyei, became an artist like her father. During this
period, he created multiple brush paintings, called surimono, and drawings for KyЕЌka Ehon. When his master, Shunsho, died, Hokusai started to
dabble in European styles of art. This lead him to be expelled from the studio and that inspired him to branch away from traditional ukiyo–e subjects to
the daily Japanese life and landscapes. In 1798, Hokusai passed on his name to his pupil and set out as an independent artist with the name Hokusai
Tomisa.To make money after he left the workshop he sold red peppers. He also drew comics, banners, greeting cards, artwork for novels, and just
drawings in general to make money. By 1800, Hokusai had developed his use of ukiyo–e for more than just portraiture. He had also adopted the name
Katsushika Hokusai, which he is best known by and the name itself refers to the part of Edo he was born in. In 1807, Hokusai collaborated with the
popular novelist at the time, Takizawa Bakin. They worked on a series of illustrated books together. They did not get along due to their artistic
differences and ended their collaboration on their fourth book. The publisher of the books had to choose whether he wanted to keep Hokusai or Bakin.
The publisher chose Hokusai because of the importance of illustrations in printed works at the time. By 1811, Hokusai was fifty–one and changed his
name to

Yabukoji At The Foot Of Atago Analysis
Visual Analysis of Yabukoji at The Foot of Atago The polychrome woodblock print Yabukoji at the Foot of Atago by Japanese artist Utagawa
Hiroshige illustrates a peaceful winter living scene of Edo. Hiroshige's calligraphy in the top right hand corner clearly suggests the purpose of the
woodblock print – to present hundred views of places in Edo. The woodblock print is currently own by in Rhode Island School of Design Museum
and exhibited in the 6th floor of the museum. Created in relatively small scale (about the size of A4 paper), the print remains fine lien mark and
vivid small details that require one to appreciated the work in a close distance. Based on personal observation, the color, composition, brush strokes,
paper texture, and movement all serve as a whole, creating a form that brings a sense of depth to the snow view of Edo in a delicate way. The unique
Japanese blue color plays an important role in the print. Blue appears to be the color of both sky and river, which surround the... Show more content on
Helpwriting.net ...
If standing far from the print, it will be difficult to distinguish the light line strokes on some parts of the print. When taking a close look at the print,
however, a variety of lines and dots will vividly show up. Line quality alters with the three–dimensional setting of the print. To depict the trees and
woods that are far from the viewer perspective, Hiroshige made heavy lines and ink–like dots to convey the style of freehand drawing, often making
the viewers forget they are looking a woodblock print instead of drawing. Furthermore, the paper seems to have small round wrinkles, which are either
deliberately made from the woodblock marks or the marks left by the afterwards preservation process. No matter how did the marks remain, they
successfully suggesting the direction of the winter wind, making the wind from invisible to

vincent van gogh Essay examples
Vincent van Gogh was a Dutch post–impressionist painter, whose work represents the archetype of expressionism, the idea of emotional spontaneity in
painting. Van Gogh was born March 30, 1853, in Groot–Zundert, son of a Dutch Protestant pastor. Van Gogh's birth came one year to the day after his
mother gave birth to a first, stillborn child; also named Vincent. There has been much speculation about Vincent van Gogh suffering later psychological
trauma as a result of being a "replacement child" and having a deceased brother with the same name and same birth date. Early in life, he
displayed a moody, restless character that was to spoil his every pursuit. This theory remains unproven, however, and there is no actual historical...
Despite Vincent's noble intentions, representatives of the Church strongly disapproved of van Gogh's somberness and dismissed him from his post
in July. Refusing to leave the area, van Gogh moved to an adjacent village, Cuesmes, and remained there in abject poverty. For the next year, Vincent
struggled to live from day to day and, though not able to help the village people in any official capacity as a clergyman, he nonetheless chose to
remain a member of their community. One day Vincent felt obligated to visit the home of Jules Breton, a French painter he greatly admired, so with
only ten francs in his pocket he walked the entire 70 kilometers to CourriГЁres, France, to see Breton. After arriving, however, Vincent was too afraid
to knock and returned to Cuesmes absolutely discouraged.
All the years of hard work, of continually refining his technique and learning to work in new media, all served as stepping stones toward the
production of Vincent van Gogh's first great painting: Potato Eaters (1885, Rijksmuseum Vincent van Gogh, Amsterdam). His experiences as a
preacher are reflected in this painting. Vincent worked on The Potato Eaters throughout April of 1885. He had produced various drafts in preparation
of the final, large oil on canvas version. The Potato Eaters is acknowledged to be Vincent van Gogh's first true masterpiece and he was encouraged by
the outcome. Although angered and upset by any criticism of the work (Vincent's friend and fellow artist,

The Art Museum When I Was At The Asian Museum
I was at the Asian Art Museum when I was facing in front of me Maternal Caress (Caresse Maternelle) by Mary Stevenson Cassatt. Though displayed
in the special exhibit Looking East В How Japan Inspired Monet, Van Gogh, And Other Western Artists, the artwork was originally made in Paris and
decades later found itself as a collection for the Museum of Fine Arts in Boston. Mary Stevenson Cassatt (1844 В 1926) was an American
impressionist painter who, similarly to the most privileged artists of her generation (Henry James condescendingly called them the "White Marmorean
Flock"), traveled to Europe in the late 1860s to pursue artistic training. She eventually moved permanently with her sister, Lydia and her parents to
Paris where there were less institutional modes of oppression and more access to the contemporary world at the time of painting. With time, her oeuvre
В now famously known for her portrayals of mothers and children В was recognized by her contemporaries, and she started to partake in the
Impressionists' Parisian exhibition from 1876 onwards. It is important to recognize, however, that this was fathomable for Cassatt because she was a
white woman of upperВmiddle class and as Chadwick blatantly states, "Impressionism was equally an expression of the bourgeois family as a defense
against the threat of rapid urbanization and rapid industrialization..." (232). Caresse Maternelle was made in 1902, which is to say, at the turn of the
century. To place this artwork in

Vincent Van Gogh Essay example
Vincent van Gogh was a Dutch post–impressionist painter, whose work represents the archetype of expressionism, the idea of emotional spontaneity in
painting. Van Gogh was born March 30, 1853, in Groot–Zundert, son of a Dutch Protestant pastor. Van Gogh's birth came one year to the day after his
mother gave birth to a first, stillborn child; also named Vincent. There has been much speculation about Vincent van Gogh suffering later
psychological trauma as a result of being a "replacement child" and having a deceased brother with the same name and same birth date. Early in life,
he displayed a moody, restless character that was to spoil his every pursuit. This theory remains unproven, however, and there is no actual historical
evidence to ... Show more content on Helpwriting.net ...
These early works evidence were dark and serious, sometimes crude. Unfortunately, this unselfish desire would reach somewhat obsessive proportions
when Vincent began to give away most of his food and clothing to the poverty–stricken people under his care. Despite Vincent's noble intentions,
representatives of the Church strongly disapproved of van Gogh's somberness and dismissed him from his post in July. Refusing to leave the area,
van Gogh moved to an adjacent village, Cuesmes, and remained there in abject poverty. For the next year, Vincent struggled to live from day to day
and, though not able to help the village people in any official capacity as a clergyman, he nonetheless chose to remain a member of their community.
One day Vincent felt obligated to visit the home of Jules Breton, a French painter he greatly admired, so with only ten francs in his pocket he walked
the entire 70 kilometers to CourriГЁres, France, to see Breton. After arriving, however, Vincent was too afraid to knock and returned to Cuesmes
absolutely discouraged.
All the years of hard work, of continually refining his technique and learning to work in new media, all served as stepping stones toward the production
of Vincent van Gogh's first great painting: Potato Eaters (1885, Rijksmuseum Vincent van Gogh, Amsterdam). His experiences as a preacher are
reflected in this painting.

The Physics Of Natural Space
"Time–Sensitive Architecture "
IN RESEARCH OF NATURAL SPACE
I could only hear my heart beating; the time seemed to stop when I was riding in the wave tube. Furthermore, I experienced the dynamic space when
my body was being enclosed by the wave. I began noticing the dynamic relationship between my body, the wave, space, and time after I started surfing
and interacted with nature.
The wave changed every second with the ocean's perpetual motion. My consciousness of time was piqued, the sunlight reflecting and penetrating the
ripples in the water's surface (Figure 1), as I rode through the tube. The enclosing space of the tube merged with the different dimensions of light and
dynamic movement. Pure nature (water and sunlight) and the movement of wave fabricated Time–Sensitive Space. In architecture, natural building
materials continue to deteriorate and change every second by environment, as I observed the wave changing with sunlight and dynamic movement. The
rate of deterioration is decided by the material characteristics, the regional environment and the division of building materials. Firstly, the rate of
deterioration is mostly decided by the material characteristics, especially organic natural material. Secondly, the materials were influenced by the
regional climate such as, oxidation, fading and corruption. Thirdly, the division of building materials affects the deterioration rate in the architecture by
more contact area reacting with oxygen and moisture.

Summary: Steamboat Leaving Boulogne
Steamboat Leaving Boulogne
History
Eduard Manet (1832–1883) was a notorious French, painter with a lot of controversial work of art that shocked the world. Steamboat Leaving
Boulogne is a 1864 painting measuring 29 by 36 1/2 in. or (73.6 by 92.6 cm). Eduard painted 'Steamboat Leaving Boulogne' and others at a time when
he was under heavy criticism and probably seeking consolation. He left Paris for the coastal city of Boulogne–sur–Mer, where he got inspiration started
painting marine sceneries like 'Steamboat Leaving Boulogne' but didn't finish it until he got back to Paris.
Features
This is one of the earliest sea painting which depicts numerous wind powered and steam sailing boats cruising on the sea. In this painting probably
influenced ... Show more content on Helpwriting.net ...
Manet was also under pressure from his controversial painting and was seeking to address another topic. This painting was inspired by Japanese print
painting whose black hulls, the sails painting were so impressive they made a viewer sea sick.
Technology
Oil on canvas was the medium used on 'Steamboat Leaving Boulogne'. Traditional oil paints used oil, or charcoal. The painting used different thinned
paints which were mixed with either linseed oil or other solvents. To make the boats to stand out, he used several layers of thicker paints so as to get
the texture and appearance he desired. The painting is valiantly brushed, and the boats remains uniquely identifiable.
Related work
Manet painted a host of still life marine paintings, he also painted the 'Battle of Kearsage and Alabama 1864' which was inspired by American civil
war in the battle Union's U.S.S. Kearsarge and the C.S.S. Alabama a Confederate raider. In addition he also painted 'Fishing boat coming in before the
wind 1864' which is also known as (The Kearsarge in Boulogne), it one of the paintings that depicts boats–and–ships, seas–and–oceans. Later works of
art from the Boulogne–sur–Mer coast include 'Jetty at Boulogne 1868', 'Moonlight on Boulogne Harbour 1868', and 'The Jetty at Boulogne

Mary Cassatt Influence
Mary Steven Cassatt was an American painter and printmaker. A woman who entered the international art world where male dominated and women
settled down with getting married, being a house wife, and being a mother during the nineteenth century. On the other hand not so much with Mary, she
was a strong and stubborn woman who was passion for arts. Many of her influence during her career life were from focusing on women's daily life, and
even from public's opinion. (Buettner 15). She is the greatest female artist in her time, not only that but the greatest artist in America and contribute
much to the world.
Mary Cassatt was born on May 13, 1844 in Pittsburgh, Pennsylvania. Cassatt was only and first American who became a member of the French
Impressionists. After traveling throughout Europe during her teens with her family, Cassatt went to studied at the Pennsylvania Academy ... Show more
content on Helpwriting.net ...
Even though prints are different from painting, it is still captivate with its beautiful unique texture of the prints. Her techniques became a big part of
her art work and a very important part of her development as a printmaker. They did not need to draw in every detail, or line because any printers
knew what could be done once the art work was created. When print making I would agree that many artists knew that they could achieve in wood
block printing whether the detail had significant effect on the art work and sometime it doesn't matter so much. Without Cassatt's influence on the
Ukiyo–e's print, she wouldn't be will known or be satisfied if she had not been introduced to printmaking because woodblock print is her most
impressive well known work. Not only that, Cassatt's movtivation for making prints was to make her art work accessible to everyone regardless of the
person's

Museum Szymborska Analysis
Time is a permanent fixture in our world. It is with us the moment we take our first breath and when we close our eyes for the last time. We use it to
arrange events, change our appearance to look as if time has had no effect on us, and attach it to special moments in our lives . Szymborska explores
our relationship with time, and our aspiration to rebel against it, in her works "Museum" (30), "Landscape" (70–71), and "The People On The Bridge"
(218–219) found in Poems New and Collected (Szymborska, 1998) by portraying time as an antagonist, showing how humans fight time, as well as
their attempts to achieve immortality through detritus objects and art. In both poems, "Museum" (30) and "The People on The Bridge" (218–219),
time is antagonized ... Show more content on Helpwriting.net ...
/ They have their own ways of expressing protest." (3) A museum is a place where works of art and various objects of cultural and historical
significance are collected and displayed to help give a better understanding of the past. The poem "Museum" (30) speaks of various objects and their
relationship to humans, and how they have "outlived" their human counterparts. "The crown has outlasted the head. / The hand has lost out to the
glove. / The right shoe has defeated the foot." (16) Although we ultimately accept that humans cannot defeat time, we can use these items as a means
of achieving immortality. Szymborska offers a different perspective on how we try to influence and organize these detritus items through rhyme. "Ire"
(5) and "hour" (6), "celebrate," (11) and "date" (12) – are all an emotion or a reference to time. These contrasts highlights the fact that time is out of
our control. The specific references to numbers, a way we place emphasis on the significance of objects through time, are arbitrary. There are "some
three hundred years" (3) or the ellipsis and line break emphasises the fact that "Eight" (11) is irrelevant, this human attempt at order is proven futile.
Szymborska acknowledges that humans know we cannot physically preserve ourselves, we can't defeat time, so instead humans have preserved
themselves through different objects, from plates, wedding rings, fans, swords, and lutes. In Museum, Szymborska defamiliarizes how we perceive the
objects found in a museum, instead describe a place that preserves a collection of detritus items. "The People On the Bridge" (218–219) is an allusion
to a painting drawn by Hiroshige Utagawa with the same name. He has successfully preserved his memory, described as a rebel; "time has tripped and
fallen down." (30) He has

Japan Western Influence
Japan's isolation policy during the seventeenth century up until the nineteenth century left its people and government to simply rely on the influence of
the Chinese, Koreans and the Dutch. The only exposure Japan attained during the Tokugawa Shogunate from Western influences came from Dutch
missionaries as artists such as Maruyama Okyo. Eighteenth century Japanese art saw its fist integration of Western style as observational art pieces
became prominent. Coming along with observational, the naturalistic approach became noticeably apparent when looking at Japanese prints.
Furthermore, as some Japanese scholars managed to get a hand of oil paints and engraving techniques, mild Western influences were able to shape
Japanese ukiyo–e art. Ukiyo–eВ¬ art was the child of the social restlessness as people continued to ... Show more content on Helpwriting.net ...
Nonetheless, Japan saw an emergence of the ukiyo–e woodblock printing style once again during the twentieth century as shin hanga art. Shin–Hanga
art or "new prints" corresponded with the demands of Western technologies and style that emerged during the rapid modernization. While, shin hanga
prints did emerge during the early twentieth century as a new type of Japanese art, shin–hanga maintained ukiyo–e principles like the study of focus.
Shin–hanga artists such as Yoshida Hiroshi, Kawase Hasui, and Itou Shinsui closely compare to the ukiyo–e focus on beauty and nature. Furthermore,
both ukiyo–e and shin–hanga prints were able to capture the essence of the time period both movements were active. While ukiyo–e captures the
traditional yet lonely world of Japan, shin–hanga was able to portray the tumultuous period of Japanese traditions mixing with the West (LaLonde).
Two works created by Hiroshige (Vesper Bell at the Mill Temple, Lake Biwa and Plum Garden at Kamata) and the shin
–hanga movement will be the
focus of the

How The Edo Period Affected Western Art
Kento Kariya
Art 204
Paper 2
11/30/14
Japanese art in the Edo period and the effects on western art
In this essay I will talk about Japanese art mainly in the Edo period and it's development and what influenced it and how these art pieces affected the
western art.
Before we start talking about the edo period let's look at the period before it, the Azuchi–Momoyama Period. Azuchi–Momoyama period started Oda
Nobunaga captures the capture Kyoto and kicks out the previous rules the Ashikaga shogunate in 1573. Using his power and new technology of the
Arquebus which is early muzzle–loaded firearms that came in from portugal he can very close to complete rule over Japan when he was attack by one
of his own generals, ... Show more content on Helpwriting.net ...
The chonin were more educated the the people from prior periods because of peace and economic stability made parents to focus on education their
children. The increase in education made it so that they can enjoy art better and helped art become more popular.
Ukiyo–e (woodblock painting) became popular in the late 17th century because the increase in demand do to the chonin class and with the
technology to paint they were able to mass produce art pieces. One of the most famous one of these that many people have probably seen before is
"The Great Wave off Kanagawa" by Katsushika Hokusai. This piece is the first of Hokusai's series Thirty–six Views of Mount Fuji and his most well
known and recognized art work in the world. It is a picture of boats going up against a huge wave with Mount Fuji in the

Katsushika Hokusai
Katsushika Hokusai was born in October 31, 1760 in Edo (now Tokyo) and he die on May 10, 1849, was a Japanese painter and engraver. Coming
from an artisan family, his father was a mirror maker that used to produce mirrors for shogun court. Since child he was prominent artist, at age of 6
he started his passion for drawing and painting. As teen Kusai started working at the bookstore was he learns engrave in a workshop, this was an
involvement for Kusai as printer. Kusai became one of most of the important artist of the ukiyo–e school, Katsukawa Shunsho, with whom Kusai learn
the technique of woodblock engraving, kusai used to portrayed kabuki actors. His first famous work was an invitation for the theater under the name of
Shunro, but by that ... Show more content on Helpwriting.net ...
(Rodino). He continues doing surimono cards, book illustrated, erotic books, and sketches, on several times he compete with Utamaro, one of the best
engraving voluptuous women. Hokusai tries to focus on landscapes, historical scenes and human figures, Hokusai. Continues with books illustration,
but this time in a high level his work have a better finish, but now he start to pay more attention to samurais and warriors and Chinese by this time
Hokusai start move from ukyio–e. Hokusai got fame for his impressions and illustration; Hokusai got a success on his paintings on public exhibitions
such as he did a painting of 600 feet also he gave a demonstration for the imperator's helper.
The thirty views of Mount fuji was one of the most known pieces of art of Hokusai. Mount Fuji wasn't just part of Hokusai but also about Japanese
culture, the mountain has been taken as symbol of beauty eternal life. Since then Hokusai have seen this mountain as secret of the immortality. The
Mount Fuji was a sacred mountain since Heian Period. There is a tale that explain that a imperator send people to destroy a part of the mountain Fuji
to get immortality, another tale said that is a home of the goddess Fuji–hime and

Analysis Of Sudden Shower Over Shin-Ohashi Bridge And Atake
Japan is often recognized as a land of peace, beauty, and diverse landscapes and climates that cannot be witnessed anywhere else on the planet. A
majority of Japanese citizens practice Shintoism, a polytheistic religion whose gods exist within plants and animals. Because of this, an appreciation
for nature is ingrained deep into the foundation of Japan's values. This can be seen throughout the country's entire history; much of its art and poetry
has been focused solely on its natural beauty. Sudden Shower Over Shin–Ohashi Bridge and Atake is a famous Japanese woodblock print by Utagawa
Hiroshige published in 1857, one of many that shows an appreciation for Japan's beautiful landscapes. The print belongs the ukiyo–e genre that emerged
between the 17th and 19th century. Ukiyo–e literally translates to "pictures of the floating world" and the style dominated the art of Japan's Edo
Period. What began as a reflection of Japan's indulgent and hedonistic culture, portraying subjects like beautiful women and extravagant scenes from
the Kabuki theater, gradually transitioned into capturing landscapes and the lives of average people. Hiroshige was one of the pioneers of this
transition with his famed One Hundred Famous Views of Edo, a 119–piece series that features celebrated landscapes in his hometown of Edo, known as
Tokyo today, and his last great success before his death. Sudden Shower Over Shin–Ohashi Bridge and Atake is one of the pieces that belong to his
series.
It is

The Tokugawa Period
The Tokugawa era: A country of tranquility With all the struggle the Japanese went though, they finally were grasping a sense of themselves. This
age of curiosity and exploration of a country, that the world would later know as Japan, was called the Tokugawa period. As a result of their
newfound self, came art and more specifically, woodblock prints. These woodblock prints are significant to the Tokugawa era because they reflected
what was going on during that period, including: what was currently happening, how the people viewed the world, and what new discoveries were
made. During the Tokugawa era, the woodblock prints show that this was a time of peace because of the often travel, economic growth and
significance of nature. The beautiful... Show more content on Helpwriting.net ...
There is also travel, if not, more than the woodblock Okitsu shows. The boats show that great masses of people travel on those boats and are
fishing. These clues tell a story of a country that is curious to find answers, without having to worry about any threats or dangers. They are
comfortable. Furthermore, Tsukudajima displays a time of peace because of the economic growth and beauty nature held over the people. These
boats suggest that there are goods being imported and exported and Japan is earning money, therefore an economy is growing. Moreover, the beauty
of Tsukudajima's starry night, almond eye moon, and colorful sky sitting on the horizon indicates that nature holds a power over the artists. Since the
moon looks like the shape of an almond eye, the artist probably sees the moon as a guardian, which suggests that the people praised nature. Likewise,
the starry night adds a feeling of comfort and happiness. A tiny village is resting upon the water and there are no flames or fighting. Finally, the
colorful gradient end of a sunset contains warm colors like: orange, pink, yellow, and beige, which give off a majestic and pleasant

Compare And Contrast The Use Of Lines In The Works Of...
3–1: Compare and contrast the use of lines in the works of Vincent van Gogh and Sol LeWitt. Lines can express many things. Like Vincent Van Gogh
artwork lines can express emotion, and feelings of the artist at that time. Vincent Van Gogh "The Starry Night" is example of that. He used loose and
free drawing lines. The lines looked as they were out of control and free. Vincent Van Goghused thick, bold strokes of the paint brushes to show a
certain "body" of their own which is known as impasto. It was consistent through he's artwork so it was like a signature he used. Since Van Gogh was
placed at a mental facility. He painted "The starry night". The swirls in the paint seem anger and full of emotion properly from being placed in this
place. ... Show more content on Helpwriting.net ...
3–2: Implied Line– a line where no continues mark connects one point to another, but where the connections is nonetheless visually suggested. Lines
that create a sense of movement and direction.
Line of Sight–one important kinds of implied line is a function of line of sigh, the direction the figures in a given composition are looking. Titian
artwork together the three separate horizontal area of the piece; God the father above, the Virgin Mary in the middle and the Apostles below. The lines
that are create are simple, interlocking, symmetrical triangles. The lines are to serve to unify the worlds of the divine and the mortal.
4–1: Why does Duccio 's painting "Annunciation of the Death of the Virgin" lack linear perspective? The right side of the bench appears too placed
awkwardly to the right and crawling up and into the wall. The angel arm appear to be reaching though the wall. Duccio Maesta uses foreshortening in
the beams to give the depth in the artwork though. In one point linear perspective lines are drawn on the picture plane in a way that parallel lines
receding to a single point on the viewer's horizon which are consider vanishing points. Two point linear perspective a more dynamic ccomposition. The
two point linear perspective is where two or more vanishing point are in the composition. So the biggest difference is that two points have more than
two vanishing points and creates a complex composition.
An example of one point

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