SlideShare a Scribd company logo
1 of 16
QUESTION1
IN WHAT WAYS DOES YOUR MEDIA
PRODUCT USE, DEVELOP OR
CHALLENGE FORMS AND
CONVENTIONS OF REAL MEDIA
PRODUCTIONS?
1. DIGIPACK
2. MUSIC ADVERT
3. MUSIC VIDEO
1.DIGIPACK
As my chosen genre was HipHop and R&B , I focussed on inspirational
digipacks of artists such as Drake, J Cole and Paigey Cakey whom share
similar target audience then used my favourite aspects of each album cover
and inserted these ideas into my own. I made sure these conventions were
relative to the HipHop and R&B genre such as making it bright and eye
catching with a bold title as well as including the artist’s name and image if
they are new. I was particularly inspired by Paigey Cakey’s album cover as I
felt she, as an upcoming artist, used bright and eye catching colours which
appealed to both genders. However this could also be said for J Cole’s
album cover. I found inspiration for my title from J Cole’s mixtape “The
Come Up” as I believe this represented my artist very well as an upcoming
artist. I chose to place my main image in the centre as my artist needs to be
the focus of her album including a direct gaze to engage her audience. This
essentially creates audience recognitions and is very common convention
used in digipacks. However I subverted fro applying the Mulvey’s theory of
‘The Male Gaze’ and chose not to sexualize the look of my artist as she is
young and does not represent sexual appeal to her fans, conforming to
appropriation of her specific target audience.
In terms of typography I was inspired by Drake’s mixtape as I
found it quite different from the usual bold and plain font. In order
to make my own ‘different’, I used a font named ‘bromello’ for a
youthful and personal look. I also then created a 3D and colourful
look, inspired by Paigey Cakey’s album cover (previous slide). I did
this to create a ‘stand out’ look for my artist, being different yet
conforming to conventions of colour. For my artist’s logo I was
inspired by Drake’s ‘So Far Gone’ album cover, which included a
silhouette of a young boy reaching his dreams which is what I
wanted to portray for my artist’s brand recognition. However, the
concept of power which is displayed through J Cole’s ‘Born Sinner’
logo was also appealing. Therefore, I incorporated both ideas into
my very own, which resulted in being of a young girl with a crown
upon her head to symbolise my artist and the power she holds as a
strong and ambitious female.
Overall, I intended my digipack to look quite simplistic as I did not
want to confuse my audience by excessive text as this may create
disinterest, so I kept the focus on my artist and
her brand.
My artist’s costume was designed by myself and portrayed youthful high-street fashion,
and created a ‘fierce’ yet very ‘in’ look. The high neck sleeveless was top was purchased
from New Look at under £10, the earrings were £2 from a local Afro-Caribbean hair shop
alongside the £2 eyelashes. Make-up and hair were designed to a minimum as I did not
want my artist to look over materialised. The natural look was especially portrayed
through the braided hairstyle embracing youthful Afro-Caribbean looks that are now
iconic due to Kim K; someone again whose ‘followers’ are of the same age as my target
audience. I subverted to over sexualizing my artist which is a common convention
especially in the HipHop industry as I wanted digipack especially to be universal and
appropriate for young ages as it would be distributed publicly.
In terms of the inside of my digipack I chose a low angled mid-shot of my artist which
was an idea I came up with myself for originality, consisting of the same tone of blue as
used for my front section of my digipack. I was inspired by Frank Ocean’s ‘Channel
Orange’ album in which he included 2 paragraphs dedicated to his audience. I was really
fond of this idea and chose to include a smaller yet meaningful message from my artist
to her audience. This would consequently create pleasures for the audience as they will
feel appreciated.
In terms of the inside of my digipack I chose a low angled mid-shot of my artist which
was an idea I came up with myself for originality, consisting of the same tone of blue as
used for my front section of my digipack. The use of a low angle created a look as if to
say my artist was prompting her fans to keep their ‘chin up’ and be ambitious which is
exactly what I wanted her to portray, however this also created a powerful look for my
artist. I was inspired by Ed Sheeran’s ‘+’ album which he included a sad but meaningful
message dedicated to his manager who sadly passed. I was really fond of this idea and
chose to include a smaller yet meaningful message from my artist to her audience. This
would consequently create pleasures for the audience as they will feel appreciated. I then
included my artist’s brand recognition logo as a reminder of her brand for her fans.
Finally for the CD and back of my digipack I was inspired by Drake’s ‘Take Care’ album
especially when planning my production. I liked the simplicity and the consistency of
neutral and plain colours he uses. I then decided to use my consistent shade of blue yet
incorporate black into my CD design as it was simple, meaning the white font would
contrast and stand out. This is a common convention t keep the CD basic as artists such
as Drake, Frank Ocean and even Beyoncé have done.
I also included details of the producers and studios as well as copyright information as
this is done in the majority of digipacks whether it be on the disk or back of album. I kept
the back simple, yet included the album title as this is my artist’s first album; also
including her brand recognition logo.
2.MUSICADVERT
I found inspiration for my music advert from both Rihanna’s ‘ANTI’
and ‘Unapologetic’ adverts, incorporating different aspects into my
own advert. I particularly liked the positioning of Rihanna, being
central and creating focus on her with her name and album title in
bold and a larger font around her; creating focus on these details I
also liked her posture as it created power within her look and this is
what I decided on doing with my artist. I conformed to the
conventions of placing my image in the centre, however my font was
not as bold and harsh as I wanted to keep it youthful for my target
audience of 14 years olds and upwards. I also kept both font and
colour scheme consistent to create recognition for the audience as
they are able to recognise the colours used in my digipack as well. In
terms of font it made sense to add a different font to distinguish the
individual texts in terms of importance and relativeness.
However, on Rihanna’s ‘Unapologetic’ advert I liked the idea of
including a strip of information at the bottom of my advert such as
release date, also including the use of convergence to promote my
artist through social networks such as twitter.
I also incorporated my own ideas as my artist is new to the industry with her album ‘The
Come Up’. I chose to promote my artist on 5 social networks to widen her target market,
also creating choice for the audience as well as easier accessibility, in which would
consequently create pleasure for them. I then included the option to pre order using 2
very common music distributors; this meaning the audience has more option in
purchasing the product, increasing the chances of sales for my upcoming artist.
As a music advert, I created it as though made for a magazine; therefore I included
reviews on my artist to promote her further increasing her target market audience. I
found this particularly pleasuring for the audience as new audience members may find
reviews reassuring and prompt them to listen and give my artist a chance. I made up
these reviews as it would have been impossible to retrieve real ones, yet I made them
sound as realistic as possible.
Another feature I found helpful in creating audience recognition for my artist was to
include a small image of the album to promote the product and to allow the audience to
recognise the product and understand the use of the music advert. This is done in
Rihanna’s ‘Unapologetic’ album but used to reassure customers it has already been
released and distributed. I incorporated this idea as I found t helpful especially as my
artist is upcoming and will need this promotion.
In terms of my artist’s persona in this music advert, I used the same costume design as
my digipack as I felt this would create further audience recognition but conforming to
the dress code conventions of the HipHop genre however also subverting from Mulvey’s
theory of ‘The Male Gaze’, as I chose not to sexualize the look of my artist.
I also chose my text to surround my artist conforming to typical magazine conventions,
yet subverting from the ways in which exemplar artists have chosen to position their text.
It is partly seen in Rihanna’s ‘ANTI’ advert as her name is positioned on 1 side of her
head and ‘World Tour’ on the other which inspired my own idea of surround reviews
around my artist.
My advert appeals to both young males and females, as I’ve used unisex colours and
have not focussed my artist on femininity. My artist wears make-up and costume features
such as hoop earrings to signify her “urban” look. This urban look then allows her to
appeal to boys as they will view her as ‘cool’ and girls as she portrays the idea that you
don’t have to be viewed from the ‘Male Gaze’ to appeal to society.
3.MUSICVIDEO
For the production of my group’s music video, we aimed to conform to the majority of
conventions of the HipHop and R&B genre. After watching music videos such as
Rihanna’s ‘Work’, which was a performance style video in comparison to Drake’s ‘Hold
On We’re going home’, which was then a narrative style video. We decided on creating a
music video, incorporating both ideas to portray emotion and story through
performance based clips. We also wanted to portray the artist as an icon, especially her
personality, confidence and her style. However we’ve chosen to keep costumes as
highstreet fashion looks to encourage younger fans to dress like our artist yet within
their budget.
In terms of mise-en-scene, we aimed to use as many free props as possible as our joint
budget only covered snacks for our group. We used props such as Janna’s laptop and
bedroom lights as well as dogs we were given permission to walk in the park. Other
aspects of mise-en-scene such as costume were all free aswell, as we decided on outfit
designs based on what we owned already which was easy to work with as we all shopped
according tot the same budget as our target audience.
We conformed to the convention of making the artist the centre focus, as seen in various
music artists’ videos such as Beyoncé, Rihanna and Drake. This is effective as it engages
the audience who’ve watched the video to see the artist, but we’ve also decided to
include a variety of shots and scenes to keep up this engagement.
In terms of editing, we took inspiration originally from music videos such as ‘Anaconda’
by Nicki Minaj and ‘Or Nah Remix’ by singer Kehlani and TiaNoMore conforming to
typical convention of the genre in terms of shot lengths and transitions. We incorporated
the fast transitions and 2-3 second shots as we wanted our music video to be fast paced
to an extent as it originally is a slow song. From ‘Anaconda’ we took the idea of changing
scenes through fast paced shots to exaggerate our variety of shots and scenes and
conform to this convention; which is also seen is Beyoncé's 7/11 hectic music video. This
is effective as it consistently engages the audience and is very eye catching.
We incorporated camera shot ideas we found
conformed to the genre well such as close ups of the
lips and a diverse range of mid-shots of the artist in
different scenes such as in a studio and in the bedroom
shot. We also came up with our own ideas such as shots
in different parks to make it more ‘realistic’ as unlike
Miley Cyrus we had no props such as wrecking balls and
only had our natural surroundings to improvise with.
Through research I learnt the meaning behind specific
shots and the impact they have on the music video for
example, close up and extreme close up shots are used
mainly for more emotional and intimate scenes whereas
mid-shots are best in exaggerating direct address
towards the audience and long shots are better for
exaggerating or showing the artist’s body language. We
hardly used establishing shots of our surroundings as
the main focus was our artist and wanted to continue to
engage our audience by focussing on her only.

More Related Content

What's hot

A2 evauation 1 finaaal
A2 evauation 1 finaaalA2 evauation 1 finaaal
A2 evauation 1 finaaalLauren Gilbert
 
Target audiences of indie genre
Target audiences of indie genre Target audiences of indie genre
Target audiences of indie genre tahir369
 
Music video analysis 2
Music video analysis 2Music video analysis 2
Music video analysis 2Alice Bates
 
Evaluation q3
Evaluation q3Evaluation q3
Evaluation q311Jwyatt
 
Analysis of ancillary task
Analysis of ancillary taskAnalysis of ancillary task
Analysis of ancillary taskmohrail
 
Post production features in work
Post production features in workPost production features in work
Post production features in workAminatta21
 
[Task 2] Purpose of A Music Video
[Task 2] Purpose of A Music Video[Task 2] Purpose of A Music Video
[Task 2] Purpose of A Music VideoFinlaysMediaBlog
 
Music video analysis 2
Music video analysis 2Music video analysis 2
Music video analysis 2Alice Bates
 
Journey of Production
Journey of Production Journey of Production
Journey of Production simrankalsixo
 
Kỳ thực tập trong mơ 2 – talent management specialist - Bảo Ngọc
Kỳ thực tập trong mơ 2 – talent management specialist - Bảo NgọcKỳ thực tập trong mơ 2 – talent management specialist - Bảo Ngọc
Kỳ thực tập trong mơ 2 – talent management specialist - Bảo NgọcAnh Hoàng
 
Analysis of Digipaks
Analysis of Digipaks Analysis of Digipaks
Analysis of Digipaks simrankalsixo
 

What's hot (18)

Eval q1
Eval q1Eval q1
Eval q1
 
Music genre
Music genreMusic genre
Music genre
 
A2 evauation 1 finaaal
A2 evauation 1 finaaalA2 evauation 1 finaaal
A2 evauation 1 finaaal
 
Evaluation Q1
Evaluation Q1Evaluation Q1
Evaluation Q1
 
Sam a3
Sam a3Sam a3
Sam a3
 
Target audiences of indie genre
Target audiences of indie genre Target audiences of indie genre
Target audiences of indie genre
 
Music video analysis 2
Music video analysis 2Music video analysis 2
Music video analysis 2
 
Evaluation q3
Evaluation q3Evaluation q3
Evaluation q3
 
Analysis of ancillary task
Analysis of ancillary taskAnalysis of ancillary task
Analysis of ancillary task
 
Post production features in work
Post production features in workPost production features in work
Post production features in work
 
[Task 2] Purpose of A Music Video
[Task 2] Purpose of A Music Video[Task 2] Purpose of A Music Video
[Task 2] Purpose of A Music Video
 
Music video analysis 2
Music video analysis 2Music video analysis 2
Music video analysis 2
 
Journey of Production
Journey of Production Journey of Production
Journey of Production
 
Analise digipak
Analise digipakAnalise digipak
Analise digipak
 
Kỳ thực tập trong mơ 2 – talent management specialist - Bảo Ngọc
Kỳ thực tập trong mơ 2 – talent management specialist - Bảo NgọcKỳ thực tập trong mơ 2 – talent management specialist - Bảo Ngọc
Kỳ thực tập trong mơ 2 – talent management specialist - Bảo Ngọc
 
Amy winehouse replicar
Amy winehouse replicarAmy winehouse replicar
Amy winehouse replicar
 
Analysis of Digipaks
Analysis of Digipaks Analysis of Digipaks
Analysis of Digipaks
 
Star Image - Maria
Star Image - MariaStar Image - Maria
Star Image - Maria
 

Viewers also liked

What have you learnt from your audience feedback
What have you learnt from your audience feedbackWhat have you learnt from your audience feedback
What have you learnt from your audience feedbackazizamrobinsonmedia
 
Questionnaire Feedback
Questionnaire FeedbackQuestionnaire Feedback
Questionnaire FeedbackJasLizMay
 
Shooting Script
Shooting ScriptShooting Script
Shooting ScriptJasLizMay
 
Keungulan Letak Geostrategis
Keungulan Letak GeostrategisKeungulan Letak Geostrategis
Keungulan Letak GeostrategisDebora GP
 
Yorkglobal english for all
Yorkglobal english for allYorkglobal english for all
Yorkglobal english for allmail2yorkglobal
 
Environment BY Ishansh lal
Environment BY Ishansh lalEnvironment BY Ishansh lal
Environment BY Ishansh lalIshansh Lal
 
Proximity to growth hubs draws home buyers: RT Nagar
Proximity to growth hubs draws home buyers: RT NagarProximity to growth hubs draws home buyers: RT Nagar
Proximity to growth hubs draws home buyers: RT NagarVestian
 
Παγκόσμια Ημέρα Αθλητισμού
Παγκόσμια Ημέρα ΑθλητισμούΠαγκόσμια Ημέρα Αθλητισμού
Παγκόσμια Ημέρα Αθλητισμούgymnasio_tilou
 
House style & mode of address
House style & mode of addressHouse style & mode of address
House style & mode of addressbeckytaplin
 
πολυτεχνείο 1973
πολυτεχνείο 1973πολυτεχνείο 1973
πολυτεχνείο 1973gymnasio_tilou
 
Bowel cancer - colorectal surgeon, Australia
Bowel cancer - colorectal surgeon, AustraliaBowel cancer - colorectal surgeon, Australia
Bowel cancer - colorectal surgeon, AustraliaJenelledave
 
Wybory samorządowe na Prezydenta Miasta Nowego Sącza 2014 r.
Wybory samorządowena Prezydenta Miasta Nowego Sącza 2014 r. Wybory samorządowena Prezydenta Miasta Nowego Sącza 2014 r.
Wybory samorządowe na Prezydenta Miasta Nowego Sącza 2014 r. DTS24
 

Viewers also liked (20)

What have you learnt from your audience feedback
What have you learnt from your audience feedbackWhat have you learnt from your audience feedback
What have you learnt from your audience feedback
 
Questionnaire Feedback
Questionnaire FeedbackQuestionnaire Feedback
Questionnaire Feedback
 
Shooting Script
Shooting ScriptShooting Script
Shooting Script
 
Question 2 (1)
Question 2 (1)Question 2 (1)
Question 2 (1)
 
Digipack mock up
Digipack mock upDigipack mock up
Digipack mock up
 
Keungulan Letak Geostrategis
Keungulan Letak GeostrategisKeungulan Letak Geostrategis
Keungulan Letak Geostrategis
 
Yorkglobal english for all
Yorkglobal english for allYorkglobal english for all
Yorkglobal english for all
 
Environment BY Ishansh lal
Environment BY Ishansh lalEnvironment BY Ishansh lal
Environment BY Ishansh lal
 
Proximity to growth hubs draws home buyers: RT Nagar
Proximity to growth hubs draws home buyers: RT NagarProximity to growth hubs draws home buyers: RT Nagar
Proximity to growth hubs draws home buyers: RT Nagar
 
FRONT//CONTENTS PAGE
FRONT//CONTENTS PAGEFRONT//CONTENTS PAGE
FRONT//CONTENTS PAGE
 
tugas ke 3
tugas ke 3tugas ke 3
tugas ke 3
 
Παγκόσμια Ημέρα Αθλητισμού
Παγκόσμια Ημέρα ΑθλητισμούΠαγκόσμια Ημέρα Αθλητισμού
Παγκόσμια Ημέρα Αθλητισμού
 
House style & mode of address
House style & mode of addressHouse style & mode of address
House style & mode of address
 
Drake
Drake Drake
Drake
 
Survey Results
Survey ResultsSurvey Results
Survey Results
 
πολυτεχνείο 1973
πολυτεχνείο 1973πολυτεχνείο 1973
πολυτεχνείο 1973
 
Bowel cancer - colorectal surgeon, Australia
Bowel cancer - colorectal surgeon, AustraliaBowel cancer - colorectal surgeon, Australia
Bowel cancer - colorectal surgeon, Australia
 
Survey results
Survey resultsSurvey results
Survey results
 
Wybory samorządowe na Prezydenta Miasta Nowego Sącza 2014 r.
Wybory samorządowena Prezydenta Miasta Nowego Sącza 2014 r. Wybory samorządowena Prezydenta Miasta Nowego Sącza 2014 r.
Wybory samorządowe na Prezydenta Miasta Nowego Sącza 2014 r.
 
Digipack mock up2
Digipack mock up2Digipack mock up2
Digipack mock up2
 

Similar to Evaluation 1

Evaluation question 1 jhj
Evaluation question 1 jhjEvaluation question 1 jhj
Evaluation question 1 jhjshaniceA
 
Print Products - Evaluation 1 - Yzabelle Celosa A2
Print Products - Evaluation 1 - Yzabelle Celosa A2Print Products - Evaluation 1 - Yzabelle Celosa A2
Print Products - Evaluation 1 - Yzabelle Celosa A2samanthacelosa
 
Evaluation-Question 1
Evaluation-Question 1Evaluation-Question 1
Evaluation-Question 1kelly_alade
 
Evaluation question 1 jhj
Evaluation question 1 jhjEvaluation question 1 jhj
Evaluation question 1 jhjshaniceA
 
Media evautaion a2
Media evautaion a2Media evautaion a2
Media evautaion a2CharLilyMay
 
Question 2- How Effective is the Combination of your Main Product and Ancilla...
Question 2- How Effective is the Combination of your Main Product and Ancilla...Question 2- How Effective is the Combination of your Main Product and Ancilla...
Question 2- How Effective is the Combination of your Main Product and Ancilla...Amelia Gough
 
Question 2 evaluation
Question 2   evaluationQuestion 2   evaluation
Question 2 evaluationDannnnz
 
Question 2
Question 2 Question 2
Question 2 ArianaK1
 
Music video evaluation 1 new
Music video evaluation 1 newMusic video evaluation 1 new
Music video evaluation 1 newkay95carter
 

Similar to Evaluation 1 (20)

Personal Evaluation
Personal EvaluationPersonal Evaluation
Personal Evaluation
 
Personal Evaluation
Personal EvaluationPersonal Evaluation
Personal Evaluation
 
Personal Evaluation
Personal EvaluationPersonal Evaluation
Personal Evaluation
 
Personal Evaluation
Personal EvaluationPersonal Evaluation
Personal Evaluation
 
Evaluation q 2
Evaluation q 2Evaluation q 2
Evaluation q 2
 
Media a2 evaluation
Media a2 evaluationMedia a2 evaluation
Media a2 evaluation
 
Evaluation question 1 jhj
Evaluation question 1 jhjEvaluation question 1 jhj
Evaluation question 1 jhj
 
Personal Evaluation
Personal EvaluationPersonal Evaluation
Personal Evaluation
 
Print Products - Evaluation 1 - Yzabelle Celosa A2
Print Products - Evaluation 1 - Yzabelle Celosa A2Print Products - Evaluation 1 - Yzabelle Celosa A2
Print Products - Evaluation 1 - Yzabelle Celosa A2
 
Evaluation-Question 1
Evaluation-Question 1Evaluation-Question 1
Evaluation-Question 1
 
Question 1
Question 1Question 1
Question 1
 
Evaluation question 1 jhj
Evaluation question 1 jhjEvaluation question 1 jhj
Evaluation question 1 jhj
 
Media evautaion a2
Media evautaion a2Media evautaion a2
Media evautaion a2
 
Question 2- How Effective is the Combination of your Main Product and Ancilla...
Question 2- How Effective is the Combination of your Main Product and Ancilla...Question 2- How Effective is the Combination of your Main Product and Ancilla...
Question 2- How Effective is the Combination of your Main Product and Ancilla...
 
Eval 1 continued
Eval 1 continuedEval 1 continued
Eval 1 continued
 
Q2
Q2Q2
Q2
 
Question 2 evaluation
Question 2   evaluationQuestion 2   evaluation
Question 2 evaluation
 
Q2
Q2Q2
Q2
 
Question 2
Question 2 Question 2
Question 2
 
Music video evaluation 1 new
Music video evaluation 1 newMusic video evaluation 1 new
Music video evaluation 1 new
 

More from azizamrobinsonmedia (20)

Extended project qualification evaluation
Extended project qualification evaluationExtended project qualification evaluation
Extended project qualification evaluation
 
Bibiliography
BibiliographyBibiliography
Bibiliography
 
Extended project qualification plan
Extended project qualification planExtended project qualification plan
Extended project qualification plan
 
Photoshoot scheduling
Photoshoot schedulingPhotoshoot scheduling
Photoshoot scheduling
 
Logo designs
Logo designsLogo designs
Logo designs
 
Equipment used
Equipment usedEquipment used
Equipment used
 
Digipack mock uppppp
Digipack mock upppppDigipack mock uppppp
Digipack mock uppppp
 
Advert mockup2
Advert mockup2Advert mockup2
Advert mockup2
 
Fonts
FontsFonts
Fonts
 
Music video moodboard
Music video moodboardMusic video moodboard
Music video moodboard
 
Music advert moodboard
Music advert moodboardMusic advert moodboard
Music advert moodboard
 
Digipack moodboard
Digipack moodboardDigipack moodboard
Digipack moodboard
 
Drake
DrakeDrake
Drake
 
Target audience
Target audienceTarget audience
Target audience
 
Evaluation part 7
Evaluation part 7Evaluation part 7
Evaluation part 7
 
target audience profile
target audience profiletarget audience profile
target audience profile
 
MOCK UP CONTENTS
MOCK UP CONTENTSMOCK UP CONTENTS
MOCK UP CONTENTS
 
PICTURES TAKEN
PICTURES TAKENPICTURES TAKEN
PICTURES TAKEN
 
FONTS
FONTSFONTS
FONTS
 
FONTS
FONTSFONTS
FONTS
 

Recently uploaded

Top 10 Modern Web Design Trends for 2025
Top 10 Modern Web Design Trends for 2025Top 10 Modern Web Design Trends for 2025
Top 10 Modern Web Design Trends for 2025Rndexperts
 
Call Girls in Okhla Delhi 💯Call Us 🔝8264348440🔝
Call Girls in Okhla Delhi 💯Call Us 🔝8264348440🔝Call Girls in Okhla Delhi 💯Call Us 🔝8264348440🔝
Call Girls in Okhla Delhi 💯Call Us 🔝8264348440🔝soniya singh
 
(办理学位证)埃迪斯科文大学毕业证成绩单原版一比一
(办理学位证)埃迪斯科文大学毕业证成绩单原版一比一(办理学位证)埃迪斯科文大学毕业证成绩单原版一比一
(办理学位证)埃迪斯科文大学毕业证成绩单原版一比一Fi sss
 
Call Us ✡️97111⇛47426⇛Call In girls Vasant Vihar༒(Delhi)
Call Us ✡️97111⇛47426⇛Call In girls Vasant Vihar༒(Delhi)Call Us ✡️97111⇛47426⇛Call In girls Vasant Vihar༒(Delhi)
Call Us ✡️97111⇛47426⇛Call In girls Vasant Vihar༒(Delhi)jennyeacort
 
ARt app | UX Case Study
ARt app | UX Case StudyARt app | UX Case Study
ARt app | UX Case StudySophia Viganò
 
VIP Call Girls Service Mehdipatnam Hyderabad Call +91-8250192130
VIP Call Girls Service Mehdipatnam Hyderabad Call +91-8250192130VIP Call Girls Service Mehdipatnam Hyderabad Call +91-8250192130
VIP Call Girls Service Mehdipatnam Hyderabad Call +91-8250192130Suhani Kapoor
 
SCRIP Lua HTTP PROGRACMACION PLC WECON CA
SCRIP Lua HTTP PROGRACMACION PLC  WECON CASCRIP Lua HTTP PROGRACMACION PLC  WECON CA
SCRIP Lua HTTP PROGRACMACION PLC WECON CANestorGamez6
 
NATA 2024 SYLLABUS, full syllabus explained in detail
NATA 2024 SYLLABUS, full syllabus explained in detailNATA 2024 SYLLABUS, full syllabus explained in detail
NATA 2024 SYLLABUS, full syllabus explained in detailDesigntroIntroducing
 
Housewife Call Girls NRI Layout - Call 7001305949 Rs-3500 with A/C Room Cash ...
Housewife Call Girls NRI Layout - Call 7001305949 Rs-3500 with A/C Room Cash ...Housewife Call Girls NRI Layout - Call 7001305949 Rs-3500 with A/C Room Cash ...
Housewife Call Girls NRI Layout - Call 7001305949 Rs-3500 with A/C Room Cash ...narwatsonia7
 
Design Portfolio - 2024 - William Vickery
Design Portfolio - 2024 - William VickeryDesign Portfolio - 2024 - William Vickery
Design Portfolio - 2024 - William VickeryWilliamVickery6
 
How to Be Famous in your Field just visit our Site
How to Be Famous in your Field just visit our SiteHow to Be Famous in your Field just visit our Site
How to Be Famous in your Field just visit our Sitegalleryaagency
 
VIP Call Girls Service Bhagyanagar Hyderabad Call +91-8250192130
VIP Call Girls Service Bhagyanagar Hyderabad Call +91-8250192130VIP Call Girls Service Bhagyanagar Hyderabad Call +91-8250192130
VIP Call Girls Service Bhagyanagar Hyderabad Call +91-8250192130Suhani Kapoor
 
Dubai Call Girls Pro Domain O525547819 Call Girls Dubai Doux
Dubai Call Girls Pro Domain O525547819 Call Girls Dubai DouxDubai Call Girls Pro Domain O525547819 Call Girls Dubai Doux
Dubai Call Girls Pro Domain O525547819 Call Girls Dubai Douxkojalkojal131
 
Revit Understanding Reference Planes and Reference lines in Revit for Family ...
Revit Understanding Reference Planes and Reference lines in Revit for Family ...Revit Understanding Reference Planes and Reference lines in Revit for Family ...
Revit Understanding Reference Planes and Reference lines in Revit for Family ...Narsimha murthy
 
VIP Call Girl Amravati Aashi 8250192130 Independent Escort Service Amravati
VIP Call Girl Amravati Aashi 8250192130 Independent Escort Service AmravatiVIP Call Girl Amravati Aashi 8250192130 Independent Escort Service Amravati
VIP Call Girl Amravati Aashi 8250192130 Independent Escort Service AmravatiSuhani Kapoor
 

Recently uploaded (20)

Top 10 Modern Web Design Trends for 2025
Top 10 Modern Web Design Trends for 2025Top 10 Modern Web Design Trends for 2025
Top 10 Modern Web Design Trends for 2025
 
Call Girls in Okhla Delhi 💯Call Us 🔝8264348440🔝
Call Girls in Okhla Delhi 💯Call Us 🔝8264348440🔝Call Girls in Okhla Delhi 💯Call Us 🔝8264348440🔝
Call Girls in Okhla Delhi 💯Call Us 🔝8264348440🔝
 
(办理学位证)埃迪斯科文大学毕业证成绩单原版一比一
(办理学位证)埃迪斯科文大学毕业证成绩单原版一比一(办理学位证)埃迪斯科文大学毕业证成绩单原版一比一
(办理学位证)埃迪斯科文大学毕业证成绩单原版一比一
 
Call Us ✡️97111⇛47426⇛Call In girls Vasant Vihar༒(Delhi)
Call Us ✡️97111⇛47426⇛Call In girls Vasant Vihar༒(Delhi)Call Us ✡️97111⇛47426⇛Call In girls Vasant Vihar༒(Delhi)
Call Us ✡️97111⇛47426⇛Call In girls Vasant Vihar༒(Delhi)
 
ARt app | UX Case Study
ARt app | UX Case StudyARt app | UX Case Study
ARt app | UX Case Study
 
VIP Call Girls Service Mehdipatnam Hyderabad Call +91-8250192130
VIP Call Girls Service Mehdipatnam Hyderabad Call +91-8250192130VIP Call Girls Service Mehdipatnam Hyderabad Call +91-8250192130
VIP Call Girls Service Mehdipatnam Hyderabad Call +91-8250192130
 
SCRIP Lua HTTP PROGRACMACION PLC WECON CA
SCRIP Lua HTTP PROGRACMACION PLC  WECON CASCRIP Lua HTTP PROGRACMACION PLC  WECON CA
SCRIP Lua HTTP PROGRACMACION PLC WECON CA
 
Cheap Rate Call girls Kalkaji 9205541914 shot 1500 night
Cheap Rate Call girls Kalkaji 9205541914 shot 1500 nightCheap Rate Call girls Kalkaji 9205541914 shot 1500 night
Cheap Rate Call girls Kalkaji 9205541914 shot 1500 night
 
NATA 2024 SYLLABUS, full syllabus explained in detail
NATA 2024 SYLLABUS, full syllabus explained in detailNATA 2024 SYLLABUS, full syllabus explained in detail
NATA 2024 SYLLABUS, full syllabus explained in detail
 
young call girls in Vivek Vihar🔝 9953056974 🔝 Delhi escort Service
young call girls in Vivek Vihar🔝 9953056974 🔝 Delhi escort Serviceyoung call girls in Vivek Vihar🔝 9953056974 🔝 Delhi escort Service
young call girls in Vivek Vihar🔝 9953056974 🔝 Delhi escort Service
 
Call Girls Service Mukherjee Nagar @9999965857 Delhi 🫦 No Advance VVIP 🍎 SER...
Call Girls Service Mukherjee Nagar @9999965857 Delhi 🫦 No Advance  VVIP 🍎 SER...Call Girls Service Mukherjee Nagar @9999965857 Delhi 🫦 No Advance  VVIP 🍎 SER...
Call Girls Service Mukherjee Nagar @9999965857 Delhi 🫦 No Advance VVIP 🍎 SER...
 
Housewife Call Girls NRI Layout - Call 7001305949 Rs-3500 with A/C Room Cash ...
Housewife Call Girls NRI Layout - Call 7001305949 Rs-3500 with A/C Room Cash ...Housewife Call Girls NRI Layout - Call 7001305949 Rs-3500 with A/C Room Cash ...
Housewife Call Girls NRI Layout - Call 7001305949 Rs-3500 with A/C Room Cash ...
 
Cheap Rate ➥8448380779 ▻Call Girls In Iffco Chowk Gurgaon
Cheap Rate ➥8448380779 ▻Call Girls In Iffco Chowk GurgaonCheap Rate ➥8448380779 ▻Call Girls In Iffco Chowk Gurgaon
Cheap Rate ➥8448380779 ▻Call Girls In Iffco Chowk Gurgaon
 
Design Portfolio - 2024 - William Vickery
Design Portfolio - 2024 - William VickeryDesign Portfolio - 2024 - William Vickery
Design Portfolio - 2024 - William Vickery
 
How to Be Famous in your Field just visit our Site
How to Be Famous in your Field just visit our SiteHow to Be Famous in your Field just visit our Site
How to Be Famous in your Field just visit our Site
 
VIP Call Girls Service Bhagyanagar Hyderabad Call +91-8250192130
VIP Call Girls Service Bhagyanagar Hyderabad Call +91-8250192130VIP Call Girls Service Bhagyanagar Hyderabad Call +91-8250192130
VIP Call Girls Service Bhagyanagar Hyderabad Call +91-8250192130
 
Dubai Call Girls Pro Domain O525547819 Call Girls Dubai Doux
Dubai Call Girls Pro Domain O525547819 Call Girls Dubai DouxDubai Call Girls Pro Domain O525547819 Call Girls Dubai Doux
Dubai Call Girls Pro Domain O525547819 Call Girls Dubai Doux
 
Revit Understanding Reference Planes and Reference lines in Revit for Family ...
Revit Understanding Reference Planes and Reference lines in Revit for Family ...Revit Understanding Reference Planes and Reference lines in Revit for Family ...
Revit Understanding Reference Planes and Reference lines in Revit for Family ...
 
Call Girls in Pratap Nagar, 9953056974 Escort Service
Call Girls in Pratap Nagar,  9953056974 Escort ServiceCall Girls in Pratap Nagar,  9953056974 Escort Service
Call Girls in Pratap Nagar, 9953056974 Escort Service
 
VIP Call Girl Amravati Aashi 8250192130 Independent Escort Service Amravati
VIP Call Girl Amravati Aashi 8250192130 Independent Escort Service AmravatiVIP Call Girl Amravati Aashi 8250192130 Independent Escort Service Amravati
VIP Call Girl Amravati Aashi 8250192130 Independent Escort Service Amravati
 

Evaluation 1

  • 1. QUESTION1 IN WHAT WAYS DOES YOUR MEDIA PRODUCT USE, DEVELOP OR CHALLENGE FORMS AND CONVENTIONS OF REAL MEDIA PRODUCTIONS?
  • 2. 1. DIGIPACK 2. MUSIC ADVERT 3. MUSIC VIDEO
  • 4. As my chosen genre was HipHop and R&B , I focussed on inspirational digipacks of artists such as Drake, J Cole and Paigey Cakey whom share similar target audience then used my favourite aspects of each album cover and inserted these ideas into my own. I made sure these conventions were relative to the HipHop and R&B genre such as making it bright and eye catching with a bold title as well as including the artist’s name and image if they are new. I was particularly inspired by Paigey Cakey’s album cover as I felt she, as an upcoming artist, used bright and eye catching colours which appealed to both genders. However this could also be said for J Cole’s album cover. I found inspiration for my title from J Cole’s mixtape “The Come Up” as I believe this represented my artist very well as an upcoming artist. I chose to place my main image in the centre as my artist needs to be the focus of her album including a direct gaze to engage her audience. This essentially creates audience recognitions and is very common convention used in digipacks. However I subverted fro applying the Mulvey’s theory of ‘The Male Gaze’ and chose not to sexualize the look of my artist as she is young and does not represent sexual appeal to her fans, conforming to appropriation of her specific target audience.
  • 5. In terms of typography I was inspired by Drake’s mixtape as I found it quite different from the usual bold and plain font. In order to make my own ‘different’, I used a font named ‘bromello’ for a youthful and personal look. I also then created a 3D and colourful look, inspired by Paigey Cakey’s album cover (previous slide). I did this to create a ‘stand out’ look for my artist, being different yet conforming to conventions of colour. For my artist’s logo I was inspired by Drake’s ‘So Far Gone’ album cover, which included a silhouette of a young boy reaching his dreams which is what I wanted to portray for my artist’s brand recognition. However, the concept of power which is displayed through J Cole’s ‘Born Sinner’ logo was also appealing. Therefore, I incorporated both ideas into my very own, which resulted in being of a young girl with a crown upon her head to symbolise my artist and the power she holds as a strong and ambitious female. Overall, I intended my digipack to look quite simplistic as I did not want to confuse my audience by excessive text as this may create disinterest, so I kept the focus on my artist and her brand.
  • 6. My artist’s costume was designed by myself and portrayed youthful high-street fashion, and created a ‘fierce’ yet very ‘in’ look. The high neck sleeveless was top was purchased from New Look at under £10, the earrings were £2 from a local Afro-Caribbean hair shop alongside the £2 eyelashes. Make-up and hair were designed to a minimum as I did not want my artist to look over materialised. The natural look was especially portrayed through the braided hairstyle embracing youthful Afro-Caribbean looks that are now iconic due to Kim K; someone again whose ‘followers’ are of the same age as my target audience. I subverted to over sexualizing my artist which is a common convention especially in the HipHop industry as I wanted digipack especially to be universal and appropriate for young ages as it would be distributed publicly. In terms of the inside of my digipack I chose a low angled mid-shot of my artist which was an idea I came up with myself for originality, consisting of the same tone of blue as used for my front section of my digipack. I was inspired by Frank Ocean’s ‘Channel Orange’ album in which he included 2 paragraphs dedicated to his audience. I was really fond of this idea and chose to include a smaller yet meaningful message from my artist to her audience. This would consequently create pleasures for the audience as they will feel appreciated.
  • 7. In terms of the inside of my digipack I chose a low angled mid-shot of my artist which was an idea I came up with myself for originality, consisting of the same tone of blue as used for my front section of my digipack. The use of a low angle created a look as if to say my artist was prompting her fans to keep their ‘chin up’ and be ambitious which is exactly what I wanted her to portray, however this also created a powerful look for my artist. I was inspired by Ed Sheeran’s ‘+’ album which he included a sad but meaningful message dedicated to his manager who sadly passed. I was really fond of this idea and chose to include a smaller yet meaningful message from my artist to her audience. This would consequently create pleasures for the audience as they will feel appreciated. I then included my artist’s brand recognition logo as a reminder of her brand for her fans.
  • 8. Finally for the CD and back of my digipack I was inspired by Drake’s ‘Take Care’ album especially when planning my production. I liked the simplicity and the consistency of neutral and plain colours he uses. I then decided to use my consistent shade of blue yet incorporate black into my CD design as it was simple, meaning the white font would contrast and stand out. This is a common convention t keep the CD basic as artists such as Drake, Frank Ocean and even Beyoncé have done. I also included details of the producers and studios as well as copyright information as this is done in the majority of digipacks whether it be on the disk or back of album. I kept the back simple, yet included the album title as this is my artist’s first album; also including her brand recognition logo.
  • 10. I found inspiration for my music advert from both Rihanna’s ‘ANTI’ and ‘Unapologetic’ adverts, incorporating different aspects into my own advert. I particularly liked the positioning of Rihanna, being central and creating focus on her with her name and album title in bold and a larger font around her; creating focus on these details I also liked her posture as it created power within her look and this is what I decided on doing with my artist. I conformed to the conventions of placing my image in the centre, however my font was not as bold and harsh as I wanted to keep it youthful for my target audience of 14 years olds and upwards. I also kept both font and colour scheme consistent to create recognition for the audience as they are able to recognise the colours used in my digipack as well. In terms of font it made sense to add a different font to distinguish the individual texts in terms of importance and relativeness. However, on Rihanna’s ‘Unapologetic’ advert I liked the idea of including a strip of information at the bottom of my advert such as release date, also including the use of convergence to promote my artist through social networks such as twitter.
  • 11. I also incorporated my own ideas as my artist is new to the industry with her album ‘The Come Up’. I chose to promote my artist on 5 social networks to widen her target market, also creating choice for the audience as well as easier accessibility, in which would consequently create pleasure for them. I then included the option to pre order using 2 very common music distributors; this meaning the audience has more option in purchasing the product, increasing the chances of sales for my upcoming artist. As a music advert, I created it as though made for a magazine; therefore I included reviews on my artist to promote her further increasing her target market audience. I found this particularly pleasuring for the audience as new audience members may find reviews reassuring and prompt them to listen and give my artist a chance. I made up these reviews as it would have been impossible to retrieve real ones, yet I made them sound as realistic as possible. Another feature I found helpful in creating audience recognition for my artist was to include a small image of the album to promote the product and to allow the audience to recognise the product and understand the use of the music advert. This is done in Rihanna’s ‘Unapologetic’ album but used to reassure customers it has already been released and distributed. I incorporated this idea as I found t helpful especially as my artist is upcoming and will need this promotion.
  • 12. In terms of my artist’s persona in this music advert, I used the same costume design as my digipack as I felt this would create further audience recognition but conforming to the dress code conventions of the HipHop genre however also subverting from Mulvey’s theory of ‘The Male Gaze’, as I chose not to sexualize the look of my artist. I also chose my text to surround my artist conforming to typical magazine conventions, yet subverting from the ways in which exemplar artists have chosen to position their text. It is partly seen in Rihanna’s ‘ANTI’ advert as her name is positioned on 1 side of her head and ‘World Tour’ on the other which inspired my own idea of surround reviews around my artist. My advert appeals to both young males and females, as I’ve used unisex colours and have not focussed my artist on femininity. My artist wears make-up and costume features such as hoop earrings to signify her “urban” look. This urban look then allows her to appeal to boys as they will view her as ‘cool’ and girls as she portrays the idea that you don’t have to be viewed from the ‘Male Gaze’ to appeal to society.
  • 14. For the production of my group’s music video, we aimed to conform to the majority of conventions of the HipHop and R&B genre. After watching music videos such as Rihanna’s ‘Work’, which was a performance style video in comparison to Drake’s ‘Hold On We’re going home’, which was then a narrative style video. We decided on creating a music video, incorporating both ideas to portray emotion and story through performance based clips. We also wanted to portray the artist as an icon, especially her personality, confidence and her style. However we’ve chosen to keep costumes as highstreet fashion looks to encourage younger fans to dress like our artist yet within their budget. In terms of mise-en-scene, we aimed to use as many free props as possible as our joint budget only covered snacks for our group. We used props such as Janna’s laptop and bedroom lights as well as dogs we were given permission to walk in the park. Other aspects of mise-en-scene such as costume were all free aswell, as we decided on outfit designs based on what we owned already which was easy to work with as we all shopped according tot the same budget as our target audience.
  • 15. We conformed to the convention of making the artist the centre focus, as seen in various music artists’ videos such as Beyoncé, Rihanna and Drake. This is effective as it engages the audience who’ve watched the video to see the artist, but we’ve also decided to include a variety of shots and scenes to keep up this engagement. In terms of editing, we took inspiration originally from music videos such as ‘Anaconda’ by Nicki Minaj and ‘Or Nah Remix’ by singer Kehlani and TiaNoMore conforming to typical convention of the genre in terms of shot lengths and transitions. We incorporated the fast transitions and 2-3 second shots as we wanted our music video to be fast paced to an extent as it originally is a slow song. From ‘Anaconda’ we took the idea of changing scenes through fast paced shots to exaggerate our variety of shots and scenes and conform to this convention; which is also seen is Beyoncé's 7/11 hectic music video. This is effective as it consistently engages the audience and is very eye catching.
  • 16. We incorporated camera shot ideas we found conformed to the genre well such as close ups of the lips and a diverse range of mid-shots of the artist in different scenes such as in a studio and in the bedroom shot. We also came up with our own ideas such as shots in different parks to make it more ‘realistic’ as unlike Miley Cyrus we had no props such as wrecking balls and only had our natural surroundings to improvise with. Through research I learnt the meaning behind specific shots and the impact they have on the music video for example, close up and extreme close up shots are used mainly for more emotional and intimate scenes whereas mid-shots are best in exaggerating direct address towards the audience and long shots are better for exaggerating or showing the artist’s body language. We hardly used establishing shots of our surroundings as the main focus was our artist and wanted to continue to engage our audience by focussing on her only.