storyboard by me and scott -original version

1. Shot Description and
picture
Type of shot,
angle and
movement
Dialogue,sound,
setting, colour,
lighting and mise
en scene.
1 We see a close up on a puddle. Shot: close up
Angle: straight on
Movement: n/a
No dialogue
Sound: ambient sounds
Colour: natural colours
Lighting: natural lighting
Mise en scene:
 Setting: outside
on the street
 Puddle positioned
in the middle of
the frame
2 We see Sam’s foot run into the
puddle.
Shot: close up
Angle: straight on
Movement: n/a
No dialogue.
Sound: ambient sounds,
we hear Sam’s foot run
through the puddle.
Colour: natural colours
Lighting: natural lighting
Mise en scene:
 Sam will be
wearing casual
clothing and
trainers
 Setting: outside
on the street
3 We see Sam running down the
street.
Shot: mid shot
Angle: straight on
Movement: n/a
No dialogue.
Sound: ambient sounds,
we can hear Sam panting
Colour: natural colours
Lighting: natural lighting
Mise en scene:
 Sam will be
wearing casual
clothing and
trainers
 Setting: outside
on the street
4 We see Sam continue running
down the street.
Shot: wide shot
Angle: straight on
Movement: centre to left
pan
No dialogue.
Sound: ambient sounds,
we can hear Sam panting
Colour: natural colours
Lighting: natural lighting
Mise en scene:
 Sam will be
wearing casual
clothing and
trainers
 Setting: outside
on the street.
5 We see Sam looking over her
shoulder behind her.
Shot: close up
Angle: straight on
Movement: n/a
No dialogue.
Sound: ambient sounds,
we can hear Sam panting
Colour: natural colours
Lighting: natural lighting
Mise en scene:
 Sam will be
wearing casual
clothing and
trainers

2.  Setting: outside
on the street
 Facial
expressions will
be sad and
distraught.
6 We see Sam’s face as she’s
upset.
Shot: ariel
Angle: high
Movement: tilt up to
down.
No dialogue.
Sound: we hear ambient
sounds, we hear Sam
crying
Colour: natural colours
Lighting: natural lighting
Mise en scene:
 Sam will be
wearing casual
clothing and
trainers
 Setting: outside
on the street
7 We see Sam’s eye, she’s crying
and has mascara running down
her face.
Shot: extreme close up
Angle: straight on
Movement: n/a
No dialogue.
Sound: ambient sounds
and the sound of Sam
crying.
Colour: natural colours
Lighting: natural lighting
Mise en scene:
 Sam’s eye will be
placed in the
centre of the
frame to draw
attention to the
fact that she is
upset
 Setting: outside
on the street
8 We see Sam run down the road
from a high angle making her
look weak and vulnerable.
Shot: wide shot
Angle: high
Movement: tracking
No dialogue.
Sound: ambient sounds
and the sound of Sam
panting
Colour: natural colours
Lighting: natural lighting
Mise en scene:
 Setting: outside
on the street
 Sam will be
placed in the
distance making

3. small and
vulnerable.
9 We hear diegetic sound of
arguments going on in Sam’s
head- she’s still running.
Shot: wide shot
Angle: straight on
Movement: n/a
No dialogue.
Sound: imported sounds
of arguments between
Sam and her husband,
Darren and her mom,
Christine.
Colour: natural colours
Lighting: natural lighting
Mise en scene:
 Sam will be
positioned in the
distance making
her look small
 Setting: outside
on the street
10 We see Sam running down an
alley.
Shot: mid shot from
behind
Angle: straight on
Movement: tracking
No dialogue.
Sound: ambient sounds
and the sound of Sam
crying.
Colour: natural colours
Lighting: natural lighting
Mise en scene:
 Sam will have a
rucksack on her
back- it implies to
the audience she
is running away.
 Setting: down an
alley.
11 She’s still running. Shot: mid shot from the
left hand side.
Angle: straight on
Movement: tracking
No dialogue.
Sound: ambient sounds
and the sound of Sam
crying.
Colour: natural colours
Lighting: natural lighting
Mise en scene:
 Setting: down an
alley
 Sam’s facial
expressions will
be seen, she’s
crying

4. 12 She slows down. Shot: mid shot from the
front
Angle: straight on
Movement: n/a
No dialogue.
Sound: ambient sounds
and the sound of Sam
crying.
Colour: natural colours
Lighting: natural lighting
Mise en scene:
 Sam will be
positioned in the
centre of the
frame to draw
attention to her
emotion
 Setting: outside
down an alley.
13 We see Darren being abusive
towards Sam in a flashback
(black and white).
Shot: two shot
Angle: straight on
Movement: n/a
Dialogue:
DARREN: You’re scared?
This isn’tangry! Trust me,
you don’twant to see me get
angry
SAM: Darren.Please.Please
let me go, I’m begging you
DARREN: I hope you know
that you’re pathetic. You’re
lucky to have me, you really
are
Sound: we can hear Sam
and Darren arguing, also
some dramatic mood
music to set a gloomy
tone.
Colour: black and white
Lighting: low key lighting
Mise en scene:
 Sam and Darren
are positioned far
apart from each
other, it’s obvious
that they are not
getting on.
 Setting: in their
home
 Their facial
expressions show
how weak Sam is
and how Darren
has power over
her.
14 Darren hits Sam around the face
in slow motion
Shot: over the shoulder
Angle: high
Movement: n/a
No dialogue.
Sound: we hear Darren
slap Sam.
Colour: black and white
Lighting: low key lighting
Mise en scene:
 Sam is positioned
behind Darren; it

5. shows that she is
insignificant.
 Setting: in their
home.
15 Sam looks small and vulnerable
as she runs through a large field.
Shot: wide shot
Angle: straight on
Movement: n/a
No dialogue.
Sound: ambient sounds
and the sound of Sam
panting.
Colour: natural colours
Lighting: natural lighting
Mise en scene:
 Setting: outside
on the field
 Sam is going to
be positioned in
the distance. She
looks small in
comparison to the
large field, it
shows that she is
weak.
16 Darren enters the kitchen. Shot: master shot
Angle: straight on
Movement: n/a
No dialogue.
Sound: we hear Darren’s
feet walk into the kitchen.
Colour: natural colours
Lighting: natural lighting
Mise en scene:
 Darren will be
positioned far
away from the
camera- makes
him look weaker
than before.
 Setting: in Sam
and Darren’s
home.
17 Close up on the note- note not in
focus but wedding ring is
Shot: close up
Angle: straight on
Movement: n/a
No dialogue.
Sound: mood music to
build tension
Colour: natural colours
Lighting: natural lighting
Mise en scene:
 Note is positioned
in the centre of
the frame, draws
attention to it but

6. it won’t be in
focus.
 Setting: Darren
and Sam’s home.
18 Darren reads the note- the
audience don’t know what it says.
Shot: over the shoulder
Angle: straight on
Movement: n/a
No dialogue.
Sound: mood music to
build tension
Colour: natural colours
Lighting: natural lighting
Mise en scene:
 Note will be
positioned so that
audience cannot
see what it says.
 Setting: in Darren
and Sam’s home.
19 Darren throws the note in anger. Shot: master
Angle: straight on
Movement: n/a
No dialogue.
Sound: we hear the note
drop to the floor.
Colour: natural colours
Lighting: natural lighting
Mise en scene:
 Darren is
positioned in the
centre of the
frame; it draws
attention to his
frustration.
 Setting: in Sam
and Darren’s
home.
20 We see Darren run up the stairs. Shot: wide shot
Angle: low angle
Movement: n/a
No dialogue.
Sound: we can hear
Darren’s footsteps go up
the stairs.
Colour: natural colours
Lighting: low key lighting
Mise en scene:
 Setting: Darren
and Sam’s home

7. 21 We see Darren rummaging
through the wardrobe looking to
see if Sam has taken all of her
belongings.
Shot: over the shoulder
Angle: straight on
Movement: n/a
No dialogue.
Sound: intense mood
music to build tension and
suspense.
Colour: natural colours
Lighting: natural lighting
Mise en scene:
 Darren is
positioned so that
we can see all of
the belongings in
the wardrobe.
 Setting: Sam and
Darren’s
bedroom.
22 We see Sam’s belongings all
over the bedroom.
Shot: wide shot
Angle: straight on
Movement: n/a
No dialogue.
Sound: intense mood
music to build tension
Colour: natural colours
Lighting: natural lighting
Mise en scene:
 Belongings are
scattered all over
the bedroom, it
shows the
audience that
Sam has made a
mess and has
been ruthless.
 Setting: In Sam
and Darren’s
bedroom.
23 We see Darren’s face as he
leaves the bedroom.
Shot: close up
Angle: straight on
Movement: n/a
No dialogue.
Sound: intense mood
music to build suspense.
Colour: natural colours
Lighting: natural lighting
Mise en scene:
 Darren’s face is
placed in the
centre of the
frame to draw
attention to his
anger.
 Setting: Darren
and Sam’s
bedroom.
24 We see Darren walk down the
stairs.
Shot: mid shot
Angle: high angle
Movement: n/a
No dialogue.
Sound: intense mood
music to build tension.
Colour: natural colours
Lighting: natural lighting
Mise en scene:

8.  Setting: Darren
and Sam’s house.
25 Close up on note as Darren
leaves the house in anger.
Shot: close up
Angle: low angle
Movement: n/a
No dialogue.
Sound: intense mood
music to build tension
Colour: natural colours
Lighting: natural lighting
Mise en scene:
 Note will be
placed in the
centre of the
frame to draw
attention the
message that has
been written on it.
 Setting: Sam and
Darren’s house
26 We see Sam still running through
the field still.
Shot: mid shot
Angle: straight on
Movement: n/a
No dialogue.
Sound: we can hear Sam
crying and panting.
Colour: natural colours
Lighting: natural lighting
Mise en scene:
 Sam is
positioned in the
centre of a large
field to make her
look insignificant
and small.
27 We see a flashback of Sam and
her mother in black and white.
Shot: mid shot
Angle: straight on
Movement: n/a
Dialogue:
SAM:But mom, I’m not
like that anymore. I
know I’ve caused
problems in the family
but I’m not like that

9. CHRISTINE: I will never
forgive you, I hope you
know that you have
ruined my life. You’re
the reason that me and
your dad divorced. It’s
all your fault Sam, I
want nothing to do with
you
SAM: Mom, please,
give me a chance, I
don’t know how many
times I have to say
sorry to you
CHRISTINE: Stay away
from me
SAM: But mom I need
you
Sound: mood music
behind the sound of Sam
and Christine arguing
Colour: black and white
Lighting: low key lighting
Mise en scene:
 Sam and
Christine are
positioned far
away from each
other showing
how they have
fallen out and are
on bad terms.
 Setting:
Christine’s home.
28 We see Sam running through
some woods.
Shot: wide shot
Angle: straight on
Movement: tracking
No dialogue.
Sound: the sound of
Sam’s panting/crying and
also leaves rustling.
Colour: natural colours
Lighting: natural lighting
Mise en scene:
 Sam is positioned
to make her look
small and weak
 Setting: woodland
area outside
29 We see Sam stop to catch her
breathe.
Shot: mid shot
Angle: high angle
Movement: n/a
No dialogue.
Sound: we hear Sam
panting and trying to catch
her breathe.
Colour: natural colours
Lighting: natural lighting
Mise en scene:

10.  Setting: outside in
a woodland area
30 We see Sam look in the direction
she hears a twig snap from.
Shot: mid shot
Angle: high angle
Movement: n/a
No dialogue.
Sound: we hear the sound
of twig’s snapping and
leaves rustling.
Colour: natural colours
Lighting: natural lighting
Mise en scene:
 Setting: outside in
a woodland area
31 We See Sam’s point of view as
she hears leaves rustling in the
opposite direction.
Shot: point of view
Angle: straight on
Movement: pan
No dialogue.
Sound: we hear leaves
rustling all around Sam
Colour: natural colours
Lighting: natural lighting
Mise en scene:
 Setting: outside in
a woodland area.
32 We see a figure emerge from
behind the camera, we see it
from their point of view and then
a close up of a knife they’re
holding.
Shot: point of view into
close up
Angle: low angle
Movement: handheld
movement
No dialogue.
Sound: we hear leaves
rustling as the figure
walks towards Sam.
Colour: natural colours
Lighting: natural lighting
Mise en scene:
 Sam is positioned
so that she looks
small and weak.
 Setting: outside in
a woodland area

11. 33 We see the bag that Sam was
holding drop to the floor in slow
motion.
Shot: close up
Angle: high angle
Movement: n/a
No dialogue.
Sound: we hear the bag
drop to the floor against
the ground
Colour: natural colours
Lighting: natural lighting
Mise en scene:
 Bag is centred in
the frame so that
attention is drawn
to it.
 Setting: woodland
area outside.
34 We see Sam’s feet get dragged
across the floor with the name of
the film slide into the shot
following her feet.
Shot: close up
Angle: straight on
Movement: tracking
No dialogue.
Sound: the rustling of
leaves as Sam gets
dragged across the floor.
Colour: natural colours
Lighting: natural lighting
Mise en scene:
 Sam’s feet are
positioned in the
middle of the
frame, draws
attention to the
fact that it is her.
 Setting: in a
woodland area
outside.