A2 Media amended storyboard

1. Shot
No.
1
Type of shot.Long shot
Movement.Slowzoom
Angle. Straighton
Dialogue. N/A
Sound. Diegeticwindandbeginningof song
Setting. Onlarge hill
Colour. Mutedcolours
Lighting. Natural/HighKey
Mise-en-scene. White clothing,messyhair,natural makeup.
Long Shotof herback as the musicbegins.
Frame
duration
0.00-0.05
Editingnotes
Fade in,add inmutedcolours.
Shot
No.
2
Type of shot. Mid shot
Movement. Tilt
upwards
Angle. Lowangle
Dialogue.N/A
Sound.Diegeticwindandbeginningof song
Setting.Onlarge hill
Colour.Mutedcolours
Lighting.Natural/HighKey
Mise-en-scene.White clothing,messyhair,natural makeup.
Low angle midshotof her face of herlookingoverthe cliff.
Frame
Duration
0.05-0.09
Editingnotes
mute colours,filmsoshe isn’tasclose to the
edge of the hill as itlooks.

2. Shot
No.
3
Type of shot,twoshot
movementN/A
angle. Eye line match
Dialogue:N/A Mimingargument
Sound. Songbeginning
Setting. Inthe back of a car
Colour. Blackand White
Lighting. LowKey
Mise-en-scene. Tiacrying,Boyfriendclothingisdark,Tiain light
clothing,night-time.
Two shotin a car of the couple arrivinghome angryat each
other.
Frame
duration
0.09-0.12
Editingnotes
Addblack and white colouring,slowmoeffect
Shot
No.
4
Type of shot:Over
shouldershot
Movement:shaky
handheldcamera
tracking
Angle:Highangle
Dialogue. N/A-Mimingargument
Sound. Song,singerbegins
Setting. Ina house
Colour. Blackand white
Lighting. Lowkey
Mise-en-scene. Tiacrying,Boyfriendclothingisdark,Tiain light
clothing,night-time.
Close upshotof Tia slammingdoorinbf face.
Frame
duration
0.12-0.14
Editingnotes
Addon blackand white colouring.

3. Shot
No.
5
Type of shot.Close up
of hand
Movement.Tracking
angle. Highangle
Dialogue:N/A
Sound. Singerbegins
Setting. Inhouse kitchen
Colour. Blackand White
Lighting. LowKey
Mise-en-scene. Shakyhand,full bottle of alcohol
Highangle of hergrabbingbottle.
Frame
duration
0.14-0.17
Editingnotes
Slowmoand blackand white
Shot
No.
6
Type of shot:Mid Shot
Movement:Pan
Angle:Eye line match
Dialogue.N/A-Mimingargument
Sound. Songbeginning
Setting.In kitchen
Colour.Blackand white
Lighting.Lowkey
Mise-en-scene. Tiadrinkingfrombottle,boyfriendinblack
arguing,tiaupset.
Frame
duration
0.17-0.20
Editingnotes
Addon blackand white colour

4. Shot
No.
7
Type of shot:twoshot
Movement:small
amountof movement.
Angle:eye line Match
Dialogue:N/A
Sound:songbeginning
Setting:inthe kitchen
Colour:Blackand white
Lighting:lowkey
Mise-en-scene:Boyfriendgrabsbottle off herangrily,tiagets
angry too.
0.20-0.22
Editingnotes
Addin blackand white.
Shot
No.
8
Type of shot:POV
movementHandheld
tracking
angle. Low
Dialogue:N/A- Mimingargument
Sound. Echoedsound- cameramovesintime to that- showsshe
istipsy
Setting. Inthe kitchen
Colour. Blackand white
Lighting. LowKey
Mise-en-scene. Boyfriendangry,shoutinginblack.
Cut to the boyfriendarguinginthe kitchen
Frame
duration
0.22-0.24
Editingnotes
Deepfocuson boyfriend,showingargument.Tia
throwingarmsaround

5. Shot
No.
9
Type of shot:Close up
Movement;Tracking
angle. Eye line match
Dialogue:N/A
Sound. Songbuildingup
Setting. Inthe woods
Colour. Mutedcolours
Lighting. LowKey
Mise-en-scene. Tiacrying,woodsinbackground
Tia lookingdepressedandconfusedinwhite outfit.
Frame
duration
0.24
0.26
Editingnotes
Addin mutedcolour
Shot
No.
10
Type of shot:Long shot
Movement:Tracking
angle. Eye line match
Dialogue:N/A
Sound. Keybeatthat we will cuton
Setting. Woods
Colour. Muted
Lighting. LowKey
Mise-en-scene. Inthislongshot,Tiastumblesoveraroot to the
beat,showingshe isdrunkas she walksacrossthe frame.
Cut to woods,longshot.
Frame
duration
0.27-0.28
Editingnotes

6. Shot
No.
11
Type of shot:Side angle
Movement:track/pan
angle. eye line
Dialogue:N/A
Sound. Noticeable beatthatwe will cuton
Setting. Inthe house,framedbydoorframe
Colour. Blackand white
Lighting. Lowkey
Mise-en-scene. Tiainwhite clothing,stormingout,the camera
movesacrossthe screenseenfromthe side andcontinuesin
nextframe as if she has walkedtothe woodsinstantly.
Tia walkspasta doorframe onsignificantbeat.
Frame
duration
0.29-0.30
Editingnotes
Quickcut and add blackand white
Shot
No.
12
Type of shot:Side Angle
Movement:track/pan
angle. eye line
Dialogue:N/A
Sound. Secondkeybeat,followedonfromprevioustrack
Setting:Inthe woods
Colour. Muted
Lighting. Natural
Mise-en-scene. White clothing,natural hair.
Tia appearsinwoodsand walksinthe same directionacrossthe
screen,linkingthe twoshots.
Frame
duration
0.30-
0.31
Editingnotes
Addmutedcolours

7. Shot
No.
13
Type of shot:Mid/wide
shot
Movement:pan
Angle:Eye line
Dialogue:N/A
Sound:Build-upof song
Setting. Incorridorof the house
Colour. Blackand white
Lighting. LowKey
Mise-en-scene. Tiainnatural makeup,cryinglookingbackatthe
house,standinginnearthe centre of the frame.
Frame
duration
0.31-0.34
Editingnotes
Addblack andwhite
Shot
No.
14
Type of shot:Close up
movementN/A
angle. Low
Dialogue:N/A
Sound. Keybeat
Setting. Inthe house
Colour. Blackand white
Lighting. Lowkey
Mise-en-scene. Elliotinblacklookingangry. He slamshisfistinto
the wall outof anger.
Frame
duration
0.34-0.35

8. Editingnotes
Addblack andwhite
Shot
No.
15
Type of shot:Long shot
movementPan
angle. Eye line
Dialogue:N/A
Sound. Buildupto the bridge
Setting. Inthe house
Colour. Blackand white
Lighting. Lowkey
Mise-en-scene. Tiainnatural makeupcryingbutangry,
Tia takesbottle off herboyfriendandwalksawaywiththe
camera followingheracrossthe screen.
Frame
duration
0.35-0.40
Editingnotes
Addslowmo andblack andwhite
Shot
No.
16
Type of shot:Mid Shot
movementtracking
angle. Lowangle
Dialogue:Mimingsaymyname
Sound. Bridge begins
Setting. Inthe street
Colour. Blackand white
Lighting. Low key
Mise-en-scene. Tialookingdistressed.
Runsout of herhouse holdingabottle miming“saymyname”
withcamera infrontof her,trackingas she walks.
Frame
duration
0.40-0.44

9. Editingnotes
Addblack andwhite
Shot
No.
17
Type of shot:Long shot
movement:Still
angle.eye line
Dialogue:N/A
Sound. “Andeverycolourilluminates”
Setting. Inthe street
Colour. Blackand white fade off.
Lighting. HighKey
Mise-en-scene. Silhouette of Tiaswiggingfrombottle.
Stoodin frontof car withthe camera behind,silhouettedbythe
car lights,Tiainthe centre of the frame.(foreshadowingending)
Frame
duration
0.44-0.48
Editingnotes
Fade inthe colour
Shot
No.
18
Type of shot:Overthe
shoulder
movementZoom
upwards
angle. Lowangle
Dialogue:N/A
Sound. “We are shining”sunsshinesovershoulder
Setting. Inthe woods
Colour. Mutedcolours
Lighting. HighKey
Mise-en-scene. Tialooksconfused,natural makeup,wildhair.
Tia inwoodswithsunovershoulderorwiththe sky overher
shoulder.
Frame
duration
0.48-0.51
Editingnotes
Addmutedcolour

10. Shot
No.
19
Type of shot:Close up
Movement:N/A
angle. Eye line
Dialogue:N/A
Sound.“We will neverbe afraidagain”
Setting.Infrontof the car
Colour.Mutedcolours
Lighting.HighKey
Mise-en-scene. Tialooksserious,natural makeup,wildhair.
Mimesto words inthe chorusstandinginfrontof the car seen
earlier.
Frame
duration
0.51-0.56
Editingnotes
Addmutedcolour
Shot
No.
20
Type of shot:Long
movementN/A
angle. Eye line
Dialogue:N/A
Sound:”Say”
Setting. Frontdoorof the house
Colour. Muted
Lighting. Highkey
Mise-en-scene. Elliotinblack,lookingangry,he throwsthe front
door openwhen“say”isheard at the beginningof the chorus.
Frame
duration
0.56-0.57
Editingnotes
Addmutedcolour

11. Shot
No.
21
Type of shot:Close up
movementN/A
angle. HighAngle
Dialogue:N/A
Sound.“My”
Setting. Instreet
Colour.Mutedcolours
Lighting.HighKey
Mise-en-scene.Tialookingserious. He isstandinginthe roadin
frontof the house.Elliot’sseenbehindherinthe backof the
frame.She isfacingside onand thenturns awayfromElliot
towardsthe camera.
Frame
duration
0.57
Editingnotes
Addmutedcolour
Shot
No.
22
Type of shot:
Wide/Long
movementN/A
angle. Highangle
Dialogue:N/A
Sound.“Name”
Setting. Inthe streettothe woods
Colour.Mutedcolours
Lighting.HighKey
Mise-en-scene.Tiaturnsto the face the woods/cameraand
beginstorun to the woods withthe car andElliotinthe back of
the frame,dressedinwhite clothing.
Frame
duration
0.58-1.00
Editingnotes
Addmutedcolour

12. Shot
No.
23
Type of shot:
Wide/Long
movementtracking
angle. Eye line
Dialogue:N/A
Sound. Chorus
Setting. Inthe woods
Colour. Bright
Lighting. Natural
Mise-en-scene. Tiainwhite,runningwildhairnatural makeup.
Tia isjoinedbythe colourredwhenshe entersthe woods. Amy
dressedinred and joinsfromthe side of the shotand beginsto
run behindher.
Frame
duration
1.00-1.04
Editingnotes
Shot
No.
24
Type of shot:Side
Shot/mid
Movement:tracking
angle. Eye line
Dialogue:N/A
Sound. Chorus
Setting. Inthe woods
Colour. Bright
LightingNatural.
Mise-en-scene. Tiainwhite,red,orange andyellowhave joined
(Hannahand ellie)
Tia withRedbehindherwalksina trackingshotand walkpast
the two girls,thenthe cameramovesto orange andyellowand
Tia and Amyleave the frame.
Frame
duration
1.04-1.06
Editingnotes

13. Shot
No.
25
Type of shot:Two shot
Movement:zoom
Angle:Eye line
Dialogue:N/A
Sound. Chorus
Setting. Inthe woods
Colour. Bright
Lighting. Natural
Mise-en-scene. Shotof orange andyellowstandingtogether,
graphicmatch from previousshot.
Frame
duration
1.06-1.08
Editingnotes
Addextraslowmo
Shot
No.
26
Type of shot:Two shot
movement:Slightzoom
out
angle. Eye line
Dialogue:N/A
Sound. Chorus
Setting. Ina bar
Colour. Muted
Lighting. LowKey
Mise-en-scene. Inaflashbackof the nightbefore wearing
smarterclothingbutstill incolours,Ellie andHannahlaughingin
a bar withTia,insame positionsaspreviousshot.
Frame
duration
1.08-1.11
Editingnotes
Back to normal time

14. Shot
No.
27
Type of shot:Wide shot
movement:tracking
angle.:eye line
Dialogue:N/A
Sound. Chorus- tiamimessaymy name
Setting. Inthe woods
Colour. bright
Lighting. natural
Mise-en-scene. Orange,yellow,redandtiainwhite natural
looking.
Cut back to the colourswalkingtothe beatmimingsaymy
name.The coloursare walkingbehindTiainhorizontal line.
Frame
duration
1.11-1.16
Editingnotes
Shot
No.
28
Type of shot:Overthe
shoulder
Movement:Panfrom
boyfriendandaffairto
tia
angle. Lowangle
Dialogue:N/A
Sound. Chorus
Setting. Inthe bar
Colour.Muted
Lighting. Lowkey
Mise-en-scene. Waitressputtingdrink infrontof Tia, she sees
Elliotovershoulderwithaffairastheyenteraffairisfading away
so we can’t see whoshe is,pansto tia fuming.
Frame
duration
1.16-1.19
Editingnotes
Addmutedcolour

15. Shot
No.
29
Type of shot:Wide long
shot
movementtracking
angle. Eye line
Dialogue:N/A
Sound. Chorus
Setting. Inthe woods
Colour. Bright
Lighting. Natural
Mise-en-scene. Tiainwhite,amyinred,ellieinyellow,Hannah
inorange,charlie ingreen.The camera isinfront of the colours
walkingthroughapath inthe woods,greenjoinsatthe side of
the coloursand theyall flickhands tothe beat.
Frame
duration
1.19-1.24
Editingnotes
Cut to the beat
Shot
No.
30
Type of shot:Mid shot
movement:Tracking
angle. Eye line
Dialogue:N/A
Sound.Chorus
Setting.Inthe woods
Colour.Bright
Lighting.Natural
Mise-en-scene.Tiainwhite, amyinred,ellieinyellow,Hannah
inorange,charlie ingreen.
All of the colourswalkbehindTiawhile doingsmall dance moves
to showthat thisisn’tan ordinarysituationandthatthe colours
are a figmentof Tia’simagination.
Frame
duration
1.24-1.26
Editingnotes

16. Shot
No.
31
Type of shot:close up
movementtracking.
angle. Lowangle
Dialogue:N/A
Sound.We’ll neverbe afraidagain- tiamime’swords
Setting.Inthe woods
Colour.Bright
Lighting.Natural
Mise-en-scene.Tiainwhite,amyinred,ellieinyellow,Hannah
inorange,charlie ingreen.
Tia mimes“and we will neverbe afraidagain”ina close-upin
the woods.
Frame
duration
1.26-1.28
Editingnotes
Shot
No.
32
Type of shot:Overthe
shoulder
movementN/A
angle. Highangle
Dialogue:N/A
Sound. Buzzinginmusic(phone ringing)
Setting. Inthe woods
Colour. Bright
Lighting. Natural
Mise-en-scene. Tiainwhite holdingphone onthe buzzingnoises
inthe chorusshe looksdown(cameralookingovershoulder)
and seesmessagesandcallsfromherboyfriend.
Frame
duration
1.28-1.29
Editingnotes

17. Shot
No.
33
Type of shot:Mid wide
shot
movementslighttrack
angle. Eye line
Dialogue:N/A
Sound.Buzzinginmusic(phone ringing)
Setting.Inthe woods
Colour.Bright
Lighting.Natural
Mise-en-scene.Tiathrowsphone,colourswatchitas itflies.
Frame
duration
1.29-1.31
Editingnotes
Slowmoadded – mutedcolours
Shot
No.
34
Type of shot:Birdseye
to overthe shoulderto
midshot of Tia
movementzoomfrom
highangle
angle. Birdseye toeye
line
Dialogue:N/A
Sound. “Dressedupall in blue”
Setting. Inthe woods
Colour. Bright
Lighting. Natural
Mise-en-scene. See abirds-eye (usingadrone) of Tiaand the
colourswalkingforwardapproaching the twoblues,camera
zoomsdownto eye line shotof the twonewcolours.
Frame
duration
1.31-1.34

18. Editingnotes
Use drone to filmthis.
Shot
No.
35
Type of shot:Side shot
MovementN/A
angle. Eye line
Dialogue:N/A
Sound. Verse 2
Setting. Inthe street,comingoutof the bar
Colour. Muted
Lighting. Lowkey
Mise-en-scene. Elliotinblack,Tiainwhite, bothangry,Orlagh
and Georgia(lightanddarkblue) Inthe flashback,Georgia and
Orlagh(blues) leavethe barjustbefore TiaandElliotThe camera
followsthemtothe streetwhere theyare havingaconversation
and turn to see Tiaand Elliotwhoare arguing.
Frame
duration
1.34-1.39
Editingnotes
Addmutedcolour

19. Shot
No.
36
Type of shot:Long shot
Movement:Tilt
upwards
angle. Lowto high
Dialogue:N/A
Sound. “Kissingeyesandkissingpalms”
Setting. Inthe woods
Colour. Bright
Lighting. Natural
Mise-en-scene. Tiainwhite inthe centre of the frame covering
hereyes,tiltupto showthe coloursreachingtheirhandsand
arms out whoare directlybehindTia.
Frame
duration
1.39-1.43
Editingnotes
Cut
Shot
No.
37
Type of shot:Mid shot
movementN/A
angle. Low angle
Dialogue:N/A
Sound. Verse 2
Setting. Inback seatof car
Colour. muted
Lighting. Lowkey
Mise-en-scene. TiaandElliotarguing,gettingintothe backof a
taxi whichwe see earlierinthe video.
Frame
duration
1.43-1.45
Editingnotes
Addmutedcolour

20. Shot
No.
38
Type of shot:Close-up
movementN/A
angle. Eye line
Dialogue:Taxi driver“Where to?”
Sound. “Time to pray”
Setting. Intaxi
Colour. Muted
Lighting. Lowkey
Mise-en-scene. Inaclose-upwithshallowfocuswe see the Taxi
driverseyesshownthrough the rearview mirror,crosshanging
aroundthe mirror.
Frame
duration
1.45-1.47
Editingnotes
Addmutedcolour
Shot
No.
39
Type of shot:Close up
to longshot
movementzoomout
angle. Eye line
Dialogue:N/A
Sound. “dressedupall ingrey”
Setting. Inthe woods
Colour. Bright
Lighting. Natural
Mise-en-scene. Coloursinaline behindTia,greyjoinsthem.
Frame
duration
1.48-1.51

21. Editingnotes
Mutedcolours
Shot
No.
40
Type of shot:Close up
movementN/A
angle. Eye line
Dialogue:N/A
Sound. Verse 2
Setting. Inthe woods
Colour. Bright
Lighting. Natural
Mise-en-scene. Close-upof Tia(white) mimingthe wordsand
fallsdownoutof the viewof the camerathrowingheadback as
she falls.
Frame
duration
1.52-1.54
Editingnotes

22. Shot
No.
41
Type of shot:Long shot
Movement:N/A
angle. Highangle
Dialogue:N/A
Sound. Verse 2
Setting. Inthe woods
Colour. Bright
Lighting. Natural
Mise-en-scene.
Long shotof Tia incentre of frame crumpledupon floorby
herself,movingslightlytothe beat.
Frame
duration
1.54-1.56
Editingnotes
Shot
No.
42
Type of shot:Long shot
Movement:N/A
angle. Highangle
Dialogue:N/A
Sound. Verse 2
Setting. Inthe woods
Colour. Bright
Lighting.Natural
Mise-en-scene. Colourscome fromthe edgedof the frame,
surroundingTiaonthe floorinlongshot
Frame
duration
1.56-1.58
Editingnotes
PossiblycutsoTia Is alone andthencut so the
coloursappearin the scene unnaturally.

23. Shot
No.
43
Type of shot:Long shot
Movement:Handheld
angle. Eye line
Dialogue:N/A
Sound. Bridge
Setting.Inthe woods
Colour.Bright
Lighting. Natural
Mise-en-scene. Tiainwhite,coloursbehindherinspectrum.
Showsthe coloursforminga line behindTia.
Frame
duration
1.58-2.03
Editingnotes
Shot
No.
44
Type of shot:Long shot
movementN/A
angle. Eye line
Dialogue:N/A
Sound.Bridge
Setting.Inthe woods
Colour.Bright
Lighting.Natural
Mise-en-scene. The coloursspreadtheirarmsoutinrelay
behindTiato forma sun shape (Tiaincentre of frame)
Frame
duration
2.03-2.06
Editingnotes

24. Shot
No.
45
Type of shot:Mid shot
movementN/A
angle. Eyeline
Dialogue:N/A
Sound.Bridge
Setting.Inthe woods
Colour.Bright
Lighting.Natural
Mise-en-scene. The coloursbegintoshake theirhandsandthen
bringtheirarms back ininrelay.
Frame
duration
2.06-2.10
Editingnotes
Shot
No.
46
Type of shot:Close up
movementN/A
angle. Eye line
Dialogue:N/A
Sound. Miming- “andwe’ll neverbe afraidagain”
Setting.Inthe woods
Colour.Bright
Lighting.Natural
Mise-en-scene. Tianatural makeup, passionatelymimeslyricsin
close-upinthe woodswiththe coloursinthe backof hershot.
Frame
duration
2.11-2.14
Editingnotes

25. Shot
No.
47
Type of shot:Close up
to Birdseye
Movement:zoomaway
angle. Highangle
Dialogue:N/A
Sound. Chorus
Setting.Inthe woods
Colour.Bright
Lighting.Natural
Mise-en-scene. The cameramovesoutfromTia’sface as the
coloursrush pasther,the camerazoomingoutto a highangle.
Frame
duration
2.14-2.18
Editingnotes

26. Shot
No.
48
Type of shot:Two shot
movementN/A
angle. Eye line
Dialogue:N/A
Sound. Chorus
Setting. Inthe taxi
Colour. Blackand white
Lighting. Lowkey
Mise-en-scene. Elliotinblack,tiainwhite,angryargument inthe
back of the taxi.
Frame
duration
2.18-2.22
Editingnotes
Addblack andwhite andslowmo?
Shot
No.
49
Type of shot:Mid shot
to a wide shot
Movement:360 pan
Angle:Eye line
Dialogue:N/A
Sound. Chorus
Setting. Inthe woods
Colour.Bright
Lighting.Natural
Mise-en-scene. Tiaisinthe middle of a circle of colours,the
camera spinsasshe spinsinthe opposite directiontoshow
confusion.
Frame
duration
2.22-2.26
Editingnotes

27. Shot
No.
50
Type of shot:Mid/wide
shot
Movement:Cameratilts
downveryquickly
angle. Eye line tolow
Dialogue:
Sound. Obviouscrashinmusic
Setting.Inthe woods
Colour.Blackand white
Lighting.Lowkey
Mise-en-scene. Cameradropsquickly down,while filmingTiain
the centre, as everyone snapsintoaposition.
Frame
duration
2.27
Editingnotes
Shot
No.
51
Type of shot:Wide shot
movementN/A
angle. Lowangle
Dialogue:N/A
Sound. Miming“and we will neverbe afraidagain”
Setting.Inthe woods
Colour.Blackand white
Lighting.Lowkey
Mise-en-scene.
Tia mimesinthe centre of the frame.coloursholdpositionasTia
doesdancesto the music.
Frame
duration
2.27-2.30
Editingnotes

28. Shot
No.
52
Type of shot:Over
shoulder
movementTrack
angle. Eye line
Dialogue:N/A
Sound. “Say myname” Elliotcallstia’snames
Setting. Inthe street
Colour. Muted
Lighting. Lowkey
Mise-en-scene. Elliotinblack,tiainwhite,angryargument on
streetinflashback.
ElliotshoutsTiasname inthe flash back, filmedovertias
shoulderwiththe camerainfrontof her.She walksawayfrom
him,cameratracks.
Frame
duration
2.30-2.31
Editingnotes
Addmutedcolour
Shot
No.
53
Type of shot:POV
movementHandheld
angle. Highangle
Dialogue:N/A
Sound. Chorus2
Setting. Inthe street
Colour. Muted
Lighting. Lowkey
Mise-en-scene. Elliotinblack,tiainwhite,angryargument,
ElliotsPOV:he reachesoutto grab Tia’sarm and turn hers
around.
Frame
duration
2.31-2.33
Editingnotes

29. Addmutedcolour
Shot
No.
54
Type of shot:Side two
shot
movementN/A
angle. Eye line
Dialogue:N/A
Sound. Chorus2
Setting. Inthe street
Colour. Muted
Lighting. Lowkey
Mise-en-scene. Elliotinblack,tiainwhite,angryargument,tia
spinsoutof Elliotsgrasp.
Tia spinsoutof Elliot’sgraspwithpubbehindthem andshoves
himintopink whois walkingbyinthe frame.
Frame
duration
2.33-2.35
Editingnotes
Addmutedcolour
Shot
No.
55
Type of shot:Over
shoulder
Movement: N/A
angle. Lowangle
Dialogue:N/A
Sound. Chorus
Setting. Inthe street
Colour. Muted
Lighting. Lowkey
Mise-en-scene. Elliotinblack,apologisingto bryonywhohe has
walkedintooverhershoulder, Elliotapologisestopink.
Frame
duration
2.36-2.37
Editingnotes
Addmutedcolour

30. Shot
No.
56
Type of shot:
Wide/Long
Movement:Tracking
angle. Eye line
Dialogue:N/A
Sound. Chorus
Setting.Inthe street
Colour.Muted
Lighting.Lowkey
Mise-en-scene. TiawalkingawayfromElliotinwhite,angry.
Elliotinblack. Tiawalksaway andElliotchasesaftercomesinto
shotas she spinsaround.
Frame
duration
2.37-2.42
Editingnotes
Addmutedcolour
Shot
No.
57
Type of shot:Mid shot
movementTracking
angle. Eye line
Dialogue:N/A
Sound:chorus
Setting.In the street
Colour.Muted
Lighting.Lowkey
Mise-en-scene. Tiawalksintopurple (Ashleigh) backwardsgets
flusteredandbeginstocall forthe taxi that we sawthemin
previously.
Frame
duration
2.42-2.43
Editingnotes
Addmutedcolour

31. Shot
No.
58
Type of shot:Side shot
fromleftto right/mid
shot
movementPan
angle. Eye line
Dialogue:N/A
Sound. Chorus2
Setting. Inthe woods
Colour. Bright
Lighting. Natural
Mise-en-scene. Pinkandpurple atthe backof the line of colours.
Pan frompinkto purple atthe back of the line withthe other
coloursin front.
Frame
duration
2.43-2.45
Editingnotes
Shot
No.
59
Type of shot:Mid shot
movementN/A
angle. Lowangle
Dialogue:N/A
Sound. “Andwhenwe come back” tia miming.
Setting. Onthe cliff (hill)
Colour. muted
Lighting. Dull
Mise-en-scene. Hairmessy,makeuprunning. Tiamiming“and
whenwe come back” standingnearthe edge of the cliff.
Frame
duration
2.45-2.47
Editingnotes
Addmutedcolour

32. Shot
No.
60
Type of shot:Long shot
MovementN/A
angle. Eye line
Dialogue:N/A
Sound. “dressedinblack”- Elliotappearsdressedinblack
Setting.Onthe cliff (hill)
Colour.muted
Lighting.Dull
Mise-en-scene. Elliotappearsinblack. Emergesfromthe woods
inthe back of Tia’sshot-deepfocus?
Frame
duration
2.47-2.49
Editingnotes
Addmutedcolour
Shot
No.
61
Type of shot:Over
shoulder
Movement:Fromdeep
focusto shallowfocus
on Elliotsface
angle. Eye line
Dialogue:N/A
Sound. Verse 2
Setting. Inthe bar
Colour.muted
Lighting. Lowkey
Mise-en-scene. Cutbackto bar. Overthe shoulderElliot
showingtialookingangry,shallowfocusontoElliotlaughing
withthe affair.
Frame
duration
2.49-2.53
Editingnotes
Addmutedcolour

33. Shot
No.
62
Type of shot:Close up
MovementPan
angle. Eye line
Dialogue:N/A
Sound.Verse 2
Setting. Inthe bar
Colour.muted
Lighting. Lowkey
Mise-en-scene. Amyisrevealedasthe girl whoishavingan
affairwithElliotshe isred. Camerapansto Amylaughing
Frame
duration
2.53-2.56
Editingnotes
Addmutedcolour
Shot
No.
63
Type of shot:Close up
MovementN/A
angle. Eye line
Dialogue:N/A
Sound. Verse 2
Setting. Inthe bar
Colour.muted
Lighting. Lowkey
Mise-en-scene. Tiamade up,lookingangry. Inthe pubwith
lightsfromthe pubin the back of her shot.
Graphic match fromTia’sface
Frame
duration
2.56-2.58
Editingnotes
Addmutedcolour

34. Shot
No.
64
Type of shot:Close up
MovementN/A
angle. Eye line
Dialogue:N/A
Sound.Verse 2
Setting.Onthe hill.
Colour.muted
Lighting.Dull
Mise-en-scene.Tialookingdistraught,wildhairandmakeup on
the hill.
Graphic match fromtia at the time to tianow.
Frame
duration
2.58-3.00
Editingnotes
Shot
No.
65
Type of shot:Long shot
MovementN/A
angle. Highangle
Dialogue:N/A
Sound. Verse 2
Setting.Onthe cliff (hill)
Colour.muted
Lighting. Dull
Mise-en-scene. Show’sredapproachingElliotatthe bottomof
the cliff tojointhemas a couple. Longshot of amy joiningElliot
at the bottomof the hill.
Frame
duration
3.00-3.02
Editingnotes

35. Shot
No.
66
Type of shot:Long shot
MovementN/A
angle. Eye line
Dialogue:N/A
Sound. Instrumental
Setting. Inthe dark
Colour. Blackwithjustthe lightfromthe costume
Lighting. Lightfromthe costume
Mise-en-scene. Redlightcostume
Cut to redlightcostume holdingposition1
Frame
duration
3.02-3.03
Editingnotes Dance scene
Shot
No.
67
Type of shot:Long shot
MovementN/A
angle. Eye line
Dialogue:N/A
Sound.Instrumental
Setting.Inthe dark
Colour.Blackwithjustthe lightfromthe costume
Lighting.Lightfromthe costume
Mise-en-scene. Orange lightcostume
Cut to orange lightcostume holdingposition2
Frame
duration
3.03-3.04
Editingnotes
Addmutedcolour
Dance scene

36. Shot
No.
68
Type of shot:Long shot
MovementN/A
angle. Eye line
Dialogue:N/A
Sound.Instrumental
Setting.Inthe dark
Colour.Blackwithjustthe lightfromthe costume
Lighting.Lightfromthe costume
Mise-en-scene. Pinklightcostume
Cut to pinklightcostume holdingposition3
Frame
duration
3.04-3.05
Editingnotes
Addmutedcolour
Dance scene
Shot
No.
69
Type of shot:Long shot
MovementN/A
angle. Eye line
Dialogue:N/A
Sound.Instrumental
Setting.Inthe dark
Colour.Blackwithjustthe lightfromthe costume
Lighting.Lightfromthe costume
Mise-en-scene. Purplelightcostume
Cut to purple lightcostume holdingposition4
Frame
duration
3.05-3.06
Editingnotes
Addmutedcolour
Dance scene

37. Shot
No.
70
Type of shot:Long shot
MovementN/A
angle. Eye line
Dialogue:N/A
Sound.Instrumental
Setting.Inthe dark
Colour.Blackwithjustthe lightfromthe costume
Lighting.Lightfromthe costume
Mise-en-scene. Blue lightcostume
Cut to blue lightcostume holdingposition5
Frame
duration
3.06-3.07
Editingnotes
Addmutedcolour
Dance scene
Shot
No.
71
Type of shot:Long shot
MovementN/A
angle. Eye line
Dialogue:N/A
Sound.Instrumental
Setting.Inthe dark
Colour.Blackwithjustthe lightfromthe costume
Lighting.Lightfromthe costume
Mise-en-scene. Greenlightcostume
Cut to greenlightcostume holdingposition6
Frame
duration
3.07-3.08
Editingnotes
Addmutedcolour
Dance scene

38. Shot
No.
72
Type of shot:Long shot
MovementN/A
angle. Eye line
Dialogue:N/A
Sound. “so say myname” -mimestowords
Setting.Inthe dark
Colour.Black
Lighting. Dull spotlighton Tia’sface
Mise-en-scene. Lightcostumesbringarmsdowninrelaybehind
her.
Tia stoodwitharms above head,coloursdorelaybehindher.
Frame
duration
3.09-3.13
Editingnotes
Addmutedcolour
Dance scene
Shot
No.
73
Type of shot:Close up
Movement:N/A
Angle eye line
Dialogue:N/A
Sound. “Andeverycolourilluminates”- mimes
Setting. Inthe dark (house)
Colour. Black
Lighting.Dull spotlightontiasface
Mise-en-scene. Tiainwhite,mimingtolyrics.
Frame
duration
3.13-3.16
Editingnotes
Addmutedcolour
Dance scene

39. Shot
No.
74
Type of shot:Long
Movement:N/A
Angle eye line
Dialogue:N/A
Sound. 3 keybeatswhere eachlightbringoutan alternate arm.
Setting.Inthe dark (house)
Colour.Black
Lighting.Dull spotlightontiasface
Mise-en-scene. Lightsbringoutarmon each beatintwos.Final
beattheydrop theirarms.
Coloursbringoutarms in alternate patterntothe beat.
Dance routine
Frame
duration
3.16-3.21
Shot
No.
75
Type of shot:Long shot
MovementN/A
Angle eye line
Dialogue:N/A
Sound. “and we will neverbe the same again”
mime to lyrics
Setting.Inthe dark (house)
Colour.Black
Lighting.Dull spotlightontiasface
Mise-en-scene.The lightsholdapositionbehindtiaasshe
mimestothe lyrics.
Coloursholdarmsas tia mimestolyrics.
Dance Routine
Frame
duration
3.21-3.24

40. Shot
No.
76
Type of shot:Mid shot
MovementZoomin
Angle eye line
Dialogue:N/A
Sound. Bridge 2
Setting.Inthe dark (house)
Colour.Black
Lighting.Dull spotlightontiasface
Mise-enscene:Lightssurroundtia
colourssurroundtiain a circle and she disappearsfromshot.
Dance routine
Frame
duration
3.24-3.26
Shot
No.
77
Type of shot:Close up
Movementslowmotion
Angle eye line
Dialogue:N/A
Sound. Bridge 2
Setting. onhill
Colour. Muted
Lighting. Bright
Mise-en-scene. Tiawithmessywildhairandmessymakeup.
Frame
duration
3.26-3.31
Editing
notes.
Addslowmo effect
Addmutedcolours

41. Shot
No.
78
Type of shot:Mid shot
MovementCamerarises
up
Slightangle lowangle to
highangled
Dialogue:N/A
Sound. Chorusbeginsexplosively
Setting. Onthe hill
Colour. Muted
Lighting. Bright
Mise-en-scene. Shotof tiasbackas she jumpsoff cliff.
Tia jumpsfromthe cliff she isstandingon.Shotfrom behind.
She will runforwardwiththe camera behindseeingthe view
fromthe hill- she willfall outof the shot.
Frame
duration
3.32-3.34
Editingnotes
Addmutedcolour
Shot
No.
79
Type of shot:Long shot
MovementPan/zoom
Angle highangle
Dialogue:N/A
Sound. Chorus3
Setting. Onthe hill
Colour.Muted
Lighting.Dull
Mise-en-scene. Elliotshoutstiasname andrunsto her from
where he wasseenina previousshot.
Frame
duration
3.35-3.37
Shot
No.
79.5
Type of shotClose-up
MovementN/A
Angle eye line
Dialogue:N/A
Sound.Chorus3
Setting.Onthe hill?
Colour.Muted
Lighting.Dull
Mise en scene Tiainwhite hasa colouredpowder/paintthrown
on herstartingwithorange to showthat she’snotin reality
anymore.Withslowmo.
Frame
duration
3.37.3.38

42. Shot
No.
80
Type of shot:Long shot
MovementN/A
Angle- eye line
Dialogue:N/A
Sound. Crash inmusic
Setting. Inthe woods?
Colour. Orange tint
Lighting. Lowkey
Mise-en-scene. Orange showninorange costume theninnormal
clothestoshowwho theyare in reality.
Cut to orange inreality.Overlapthe imagesof orange andthem
inreality
Frame
duration
3.38-3.39
Editingnotes
Addan orange tint to the shot
Shot
No.
81
Type of shot:Pov
Movement:panfrom
tia to elliot
Angle:eyeline
Dialogue:N/A
Sound. Chorus3
Setting. Inthe bar
Colour. Muted
Lighting. Lowkey
Mise-en-scene. Tialaughingandchattingthenshe seesElliotat
the bar, Elliotoblivioustotiainthe bar laughingwiththe affair
aftertheyhave enteredandtakena seat. (amy)
Cut back to bar and tiaseeingElliotfromorangespov
Frame
duration
3.39-3.46
Editingnotes
Addslowmotion

43. Shot
No.
82
Type of shot:Long shot
MovementN/A
Angle- eye line
Dialogue:N/A
Sound.Crash inmusic
Setting.Inthe woods?
Colour.Yellowtint
Lighting.Lowkey
Mise-en-scene.Yellowshowninyellowcostume theninnormal
clothestoshowwho theyare in reality.
Cut to yellowinreality.Overlapthe imagesof yellowandthem
inreality
Frame
duration
3.46-3.47
Editingnotes
Addyellowtint
Shot
No.
83
Type of shot:Close up
Movement:Handheld
Angle:eye line
Dialogue:N/A
Sound. Chorus3
Setting. Inthe bar
Colour. Muted
Lighting. Lowkey
Mise-en-scene. Amyheavilymade upasshe smilesflirtatiously
inthe bar withElliotinthe backof hershot.
Frame
duration
3.47-3.51

44. Shot
No.
84
Type of shot:Close up
but wide.
Movement:handheld
Angle eye line
Dialogue:N/A
Sound.Chorus3
Setting.Inthe bar
Colour.Muted
Lighting.Lowkey
Mise-en-scene.Elliotturninglaughingbutthenturning around
as he realiseshe hasbeencaught.
POV fromAmyseeingElliottalking,Tiaapproachingangrilyover
hisshoulder,slowmotionashe turnsto see her.
Frame
duration
3.51-3.54

45. Shot
No.
85
Type of shot:Long shot
MovementN/A
Angle- eye line
Dialogue:N/A
Sound.Crash inmusic
Setting.Inthe woods?
Colour.Greentint
Lighting.Lowkey
Mise-en-scene.GreenshowninGreencostume theninnormal
clothestoshowwho theyare in reality.
Cut to greeninreality.Overlapthe imagesof green andthemin
reality
Frame
duration
3.54-3.55
Shot
No.
86
Type of shot:POV
Movement:Tracking
Angle:Eye line
Dialogue:N/A
Sound. Chorusafterthe crash
Setting. Onthe street
Colour. Muted
Lighting. Lowkey
Mise-en-scene. Tiainwhite andElliotinblackleave the pubin
Greenspointof viewfrominside the pubastheyheadtowards
the door.
Frame
duration
3.55-3.59

46. Shot
No.
87
Type of shot:Mid shot
Movement:N/A
Angle:Low
Dialogue:N/A
Sound. Chorus
Setting. Onthe hill
Colour. Bright
Lighting. Highkey
Mise-en-scene. Elliotinblacktriestopushaway fromthe
colourssurroundinghimtryingtogetto Tia.
Cut back to bottomof cliff showElliotstrugglingwithcoloursto
getto Tia
Frame
duration
3.59-4.02
Shot
No.
88
Type of shot:Close up
of themincolour/Long
shotof theminreality
(overlap)
MovementN/A
Angle- eye line
Dialogue:N/A
Sound.Crash inmusic
Setting.Inthe woods?
Colour.LightBlue tint
Lighting.Lowkey
Mise-en-scene.LBshowninLB costume theninnormal clothes
to showwhotheyare inreality.
Cut to LB in reality.Overlapthe imagesof LBand theminreality
Frame
duration
4.02-4.03

47. Shot
No.
89
Type of shot:Long shot
MovementTracking
Angle Eye line
Dialogue:N/A
Sound. Chorus
Setting. Onthe street
Colour. Dark
Lighting. Lowkey
Mise-en-scene. Tia– white andElliot–black leave the pubseen
by dark blue fromthe street.
Frame
duration
4.03-4.05

48. Shot
No.
90
Type of shot:
Long/close-up
MovementPan
Angle Eye line
Dialogue:N/A
Sound. Chorus
Setting. Onthe street
Colour. Dark
Lighting. Lowkey
Mise-en-scene. Tiainwhite andElliotinblackleave the pub,we
thensee lightblue fromdarkbluesperspective.
Slowmoas headturnsback to friendswhoiswatchingandgets
splitupby Tia andElliotas theybarge past them
Frame
duration
4.05-4.06
Shot
No.
90.5
Type of shot:Close-up
Movement:N/A
Angle:Eye line
Dialogue:N/A
Sound.Chorus
Setting.Onthe hill
Colour.Bright
Lighting.Highkey
Mise-en-scene.Close-upof Tiawithshallowfocus.Coloursare
thrownon Tia withslightslowmousedtoshowimpactof
colourson herface.
Frame
duration
4.06-4.10

49. Shot
No.
91
Type of shot:Close-up
overthe shoulder
MovementTrack
Angle Eye line
Dialogue:N/A
Sound.Crash inmusic
Setting.Inthe woods?
Colour.Dark blue tint
Lighting.Lowkey
Mise-en-scene. Close-upof darkbluesface inthe street,editon
half a shot of blue inforest/onhill ontothe close-up
Frame
duration
4.10-4.11
Shot
No.
92
Type of shot:MID
MovementTrack
Angle Eye line
Dialogue:N/A
Sound.Chorus
Setting.Onthe street
Colour.Dark
Lighting.Lowkey
Mise-en-scene. We see shotfromwhere blueshave beenfrom
behindtiaandElliotandthen themarguing andher beginning
to getviolent
Frame
duration
4.11-4.13
Shot
No.
93
Type of shot:Overthe
shoulder
MovementTrack
Angle Lowangle
Dialogue:N/A
Sound. Chorus
Setting.Onthe street
Colour.Dark
Lighting.Lowkey
Mise-en-scene. Elliotinblack,pinkinnormal clothes. Elliot
pushedintopinkbyTia.
Frame
duration
4.13-4.15

50. Shot
No.
94
Type of shot:Two/side
shot
MovementSlighttrack
Angle Lowangle
Dialogue:Miming“I’msosorry”
Sound.Chorus
Setting.Onthe street
Colour.Dark
Lighting.Lowkey
Mise-en-scene. Elliotapologisestopinkwithlightsfrompub
silhouettinghimandherslightly.We see tiawalkoutof the
shot.
Frame
duration
4.15-4.17
Shot
No.
94.5
Type of shotClose-up
MovementN/A
Angle Eye line
Blue colourscouldappearon screenfora secondwhencrash
and leave anafterimage of blue – blue powder
OR
Tia standingonhill,blue thrownather.
Frame
duration
4.17-4.18

51. Shot
No.
95
Type of shot:Long
MovementTrack behind
Angle Eye line
Dialogue:N/A
Sound.Chorus
Setting.Onthe street
Colour.Dark
Lighting.Lowkey
Mise-en-scene. Tiastormsoff andhitspurple whichwe see
followingtiafrombehindherascars pass her.
Frame
duration
4.18-4.21
Shot
No.
96
Type of shot:Close-up
Movementhandheld
pan
Angle Lowangle
Dialogue:N/A
Sound.Chorus
Setting.Onthe street
Colour.Dark
Lighting.Lowkey
Mise-en-scene. Shallow focusonpurple asshe looks shocked,
see tiawalkingoutof frame,the camera followsherwithstreet
and cars on road nearher as she callsa taxi
Frame
duration
4.21-4.25

52. Shot
No.
97
Type of shot:Close up
of themincolour/Long
shotof theminreality
(overlap)
MovementN/A
Angle- eye line
Dialogue:N/A
Sound.Crash inmusic
Setting.Inthe woods?
Colour.Purple tint
Lighting.Lowkey
Mise-en-scene.Purpleshowninpurple costumetheninnormal
clothestoshowwho theyare in reality.
Frame
duration
4.25-4.26
Shot
No.
98
Type of shot:Mid shot
MovementTrack
Angle Lowangle
Dialogue:N/A
Sound.Chorus
Setting.Onthe street
Colour.Dark
Lighting.Lowkey
Mise-en-scene. Camerainside carof Tia gettinginand pushing
Elliotoutbut he getsinanyway
Frame
duration
4.26-4.29

53. Shot
No.
99
Type of shot:close up
MovementN/A
Angle Eye line
Dialogue:“where to”
Sound.Chorus
Setting. Inthe taxi
Colour.Dark
Lighting.Lowkey
Mise-en-scene. Close-upof the rearviewmirrorwithtaxi drivers
eyesdiageticallysaying“where to”
Frame
duration
4.29-4.32
Shot
No.
100
Type of shot:side mid
shot
MovementN/A
Angle Eye line
Dialogue:N/A
Sound.Chorus
Setting. Inthe taxi
Colour.Dark
Lighting.Lowkey
Mise-en-scene. Cardrivesawayinside shotandwe see grey
throughthe window
Frame
duration
4.33-4.34
Shot
No.
101
Type of shot:Mid
MovementSlighttrack
Angle Highangle
Dialogue:N/A
Sound.Chorus
Setting. Gettingoutof the taxi.
Colour.Dark
Lighting.Lowkey
Mise-en-scene.Highangle toshownearingthe endandtiaand
Elliotgettingoutbutshotof Tia
Frame
duration
4.34-4.35

54. Shot
No.
102
Type of shot:Long shot
MovementN/A
Angle Eye line
Dialogue:N/A
Sound.Chorus
Setting. The house
Colour.Dark
Lighting.Lowkey
Mise-en-scene. Doorincentre of shotand we see the dull light
fromthe house.
Frame
duration
4.35-4.36
102.5 Type:Close-up
Movement:N/A
Angle Eye line
Dialogue:N/A
Sound:Crash at the endof the choruses
Setting:Onthe cliff
Colour:Bright
Lighting:High-key
Mise-en-scene:Tiainwhite ina close-upwithshallowfocus with
redand coloured powderbeingthrownonher.
Frame
duration:
4.36-4.37

55. Shot
No.
103
Type of shot:Long shot
- side
MovementTracking
Angle Eye line
Dialogue:N/A
Sound.Chorus
Setting. Inthe street
Colour.Dark
Lighting.Lowkey
Mise-en-scene. ContrastTiaismade up lookingsada confused
walkinginthe streetinlongshotside angle
Frame
duration
4.41-4.42
Shot
No.
104
Type of shot:Mid shot
(showsnocolours
behindher)
MovementTracking
Angle- eyeline
Dialogue:N/A
Sound. End of song
Setting. Inthe wood
Colour.Muted
Lighting.Dull
Mise-en-scene. Tialookingdistraught,hairwildandmakeup
messywalkingalone inthe woods.
Frame
duration
4.42-4.43
Shot
No.
105
Type of shot:Close up
MovementN/A
Angle Low
Dialogue:N/A
Sound.End of song
Setting.Onthe hill
Colour.Muted
Lighting.Dull
Mise-en-scene.Tialookingdistraught,hairwildandmakeup
messyat the top of the cliff.
Frame
duration
4.43-4.44

56. Shot
No.
106
Type of shot:Mid
MovementN/A
Angle Low
Dialogue:N/A
Sound. End of song
Setting.Onthe hill
Colour.Muted
Lighting.Dull
Mise-en-scene. Silhouette of tiaasshe jumps slowmo.
Frame
duration
4.45-4.48
Shot
No.
107
Type of shot:Birdseye
MovementN/A
Angle High
Dialogue:N/A
Sound.Endof song
Setting. Onthe hill
Colour. Muted
Lighting. Dull
Mise-en-scene. Tiainwhite,natural make up,lookingfreshand
alive (contradictiontoherdeath)
Birdseye of tialyingatthe bottom of cliff lookingbeautiful inher
death?
Frame
duration
4.48-4.52

57. Shot
No.
108
Type of shot:Long shot
MovementN/A
Angle lowangle
Dialogue:N/A
Sound.End of song
Setting.Bottomof the cliff
Colour.Muted
Lighting.Dull
Mise-en-scene. Elliotlookingdistressedashe runsto Tia ina
longshottime expanded.
Frame
duration
4.52-4.56
Shot
No.
109
[BLACKSCREEN FADES IN FROMLAST SHOT]
Type of shot:
Movement
angle
Dialogue:Elliotscreamingtiasname nondiagetically,sirens
heardin back ground
Sound.Music fades
Setting.Bottomof the hill
Colour.Black
Lighting.N/A
Mise-en-scene.N/A
Frame
duration
4.56-5.00