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Impact 
The Bauhaus had a major impact on art and 
architecture trends in Western Europe, the United 
States, Canada and Israel in the decades following its 
demise, as many of the artists involved fled, or were 
exiled by, the Nazi regime. Tel Aviv in 2004 was named 
to the list of world heritage sites by the UN due to its 
abundance of Bauhaus architecture; it had some 4,000 
Bauhaus buildings erected from 1933 on. 
In 1928, the Hungarian painter Alexander Bortnyik 
founded a school of design in Budapest called Miihely (also "Muhely" or "Mugely"), which means "the 
studio". Located on the seventh floor of a house on Nagymezo Street, it was meant to be the Hungarian 
equivalent to the Bauhaus. The literature sometimes refers to it—in an oversimplified manner—as "the 
Budapest Bauhaus". Bortnyik was a great admirer of Moholy-Nagy and had met Walter Gropius in 
Weimar between 1923 and 1925.Moholy-Nagy himself taught at the Miihely.Victor Vasarely, a pioneer 
of Op Art, studied at this school before establishing in Paris in 1930. 
Walter Gropius, Marcel Breuer, and László Moholy-Nagy re-assembled in Britain during the mid 1930s 
to live and work in the Isokon project before the war caught up with them. Both Gropius and Breuer went 
to teach at the Harvard Graduate School of Design and worked together before their professional split. 
Their collaboration produced The Aluminum City Terrace in New Kensington, Pennsylvania and theAlan 
I W Frank House in Pittsburgh, among other projects. The Harvard School was enormously influential in 
America in the late 1920s and early 1930s , producing such students as Philip Johnson, I.M. 
Pei, Lawrence Halprin and Paul Rudolph, among many others. 
In the late 1930s, Mies van der Rohe re-settled in Chicago, enjoyed the sponsorship of the 
influential Philip Johnson, and became one of the pre-eminent architects in the world. Moholy-Nagy also 
went to Chicago and founded the New Bauhaus school under the sponsorship of industrialist and 
philanthropist Walter Paepcke. This school became 
the Institute of Design, part of the Illinois Institute of 
Technology. Printmaker and painter Werner Drewes was 
also largely responsible for bringing the Bauhaus aestheti c 
to America and taught at bothColumbia 
University and Washington University in St. Louis . Herbert 
Bayer, sponsored by Paepcke, moved to Aspen, Colorado 
in support of Paepcke's Aspen projects at the Aspen 
Institute. 
8 September 2014

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15. bauhaus 1930's

  • 1. Impact The Bauhaus had a major impact on art and architecture trends in Western Europe, the United States, Canada and Israel in the decades following its demise, as many of the artists involved fled, or were exiled by, the Nazi regime. Tel Aviv in 2004 was named to the list of world heritage sites by the UN due to its abundance of Bauhaus architecture; it had some 4,000 Bauhaus buildings erected from 1933 on. In 1928, the Hungarian painter Alexander Bortnyik founded a school of design in Budapest called Miihely (also "Muhely" or "Mugely"), which means "the studio". Located on the seventh floor of a house on Nagymezo Street, it was meant to be the Hungarian equivalent to the Bauhaus. The literature sometimes refers to it—in an oversimplified manner—as "the Budapest Bauhaus". Bortnyik was a great admirer of Moholy-Nagy and had met Walter Gropius in Weimar between 1923 and 1925.Moholy-Nagy himself taught at the Miihely.Victor Vasarely, a pioneer of Op Art, studied at this school before establishing in Paris in 1930. Walter Gropius, Marcel Breuer, and László Moholy-Nagy re-assembled in Britain during the mid 1930s to live and work in the Isokon project before the war caught up with them. Both Gropius and Breuer went to teach at the Harvard Graduate School of Design and worked together before their professional split. Their collaboration produced The Aluminum City Terrace in New Kensington, Pennsylvania and theAlan I W Frank House in Pittsburgh, among other projects. The Harvard School was enormously influential in America in the late 1920s and early 1930s , producing such students as Philip Johnson, I.M. Pei, Lawrence Halprin and Paul Rudolph, among many others. In the late 1930s, Mies van der Rohe re-settled in Chicago, enjoyed the sponsorship of the influential Philip Johnson, and became one of the pre-eminent architects in the world. Moholy-Nagy also went to Chicago and founded the New Bauhaus school under the sponsorship of industrialist and philanthropist Walter Paepcke. This school became the Institute of Design, part of the Illinois Institute of Technology. Printmaker and painter Werner Drewes was also largely responsible for bringing the Bauhaus aestheti c to America and taught at bothColumbia University and Washington University in St. Louis . Herbert Bayer, sponsored by Paepcke, moved to Aspen, Colorado in support of Paepcke's Aspen projects at the Aspen Institute. 8 September 2014