1. University of Sulaimani
College of Engineering
Architectural Department
4th stage
Bauhaus / international movement
Preparedby: Supervised by:
Shanyar Awat L.Handreen Hamid
Shnay shamal L. Raz Kamaran
Barzi Wrya
9/28/2021 1
2. Contents :
Introduction 3
The history of Bauhaus periods 5
The teachers of Bauhaus 13
Characteristics and highlights of Bauhaus movement 16
Use of color 27
Lighting atthe Bauhaus 29
Outdoor and indoor connections 33
Stripand linear windows 37
Furniture design concept 45
Materials used 76
Analyzed example 104
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3. Introduction :
The Bauhaus was founded bythe architect Walter Gropius .
Gropius combined two schools, the Weimar Academyof Artsand the Weimar School of Arts and Crafts.
Gropius called the Bauhaus, or house of building
Gropius , who combined nineteenth -century idealism with twentieth - century realism
Reference: the Bauhaus book by Gillian Naylor &The new architecture and Bauhaus book by Walter Gropius
Walter Gropius office in Dessau Bauhaus interior design
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4. Introduction :
In 1914when it was firstsuggested that Gropius might take over the arts and craftsschool in Weimar .
Bauhaus This idea of the fundamental unity under lying all branches of design was Walter Gropius
guiding in founding the original Bauhaus .
In the spring of 1919Gropius ' specialized ' classes under the name of Das Staatliche Bauhaus Weimar .
Reference: the Bauhaus book by Gillian Naylor & The new architecture and Bauhaus book by Walter Gropius
Bauhaus interior design
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5. The history ofBauhaus periods
Bauhaus, in full Staatliches Bauhaus, school of design, architecture, and applied arts that existed
in Germany from1919to1933.
Weimar until Dessau through Berlin in its final months
1925 1932 1933
Reference:https://biblus.accasoftware.com/
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6. Weimar Bauhaus 1919 -1925
• The contractfor thedirection of theBauhauswascon colluded at WeimarApril I, 1919.
• BetweenthearchitectWalterGropius of Berlinandthe office of the Hofmarschallof Weimar.
Staatliche Bauhaus Weimar
BAUHAUS1919-1928editedby HerbertBayer, IseGropius,WalterGropius
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8. The Dessau period 1925 -1929
• The Bauhaus moved fromWeimar toDessau, where Gropius had designed the new building tohost the
school. The main building elements.
• Dessau From 1925until Gropius left the school in 1929, the Bauhaus was building on the foundations
that had been laid down in Weimar .
Reference: https://biblus.accasoftware.com & the Bauhaus book by Gillian Naylor
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9. The Dessau period 1925 -1929
• Accordingto thesame philosophy,the architect’s job isto carefullyanalyzethefunctionsof
thebuilding thatwill bekey to designits shape.
• Theprinciples ofthe Bauhauswere againclarified: TheBauhausisanadvancedschoolfor
creative work.
Reference: https://biblus.accasoftware.com & the Bauhaus book by Gillian Naylor
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11. The Berlin period
• Meyer resigned in 1930and was replaced byLudwig Mies Van der Rohe, famous for his saying “lessis
more”.
• Mies Van der Rohe impressedthe school with a strictlydisciplinarycharacter, more focused on
architecture.
• Mies transfer the school toBerlin in 1930,operating on a smaller scale. Ultimately, the Bauhaus closed
down in 1933.
Reference: https://biblus.accasoftware.com/
Bauhaus archive – museum of design
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12. Bauhaus archive – museum of design
Reference: https://biblus.accasoftware.com/
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13. The teachers of Bauhaus
• During the war some vacancies
occurred on the staffs of the two
schools (the Academy of Pictorial Art
and the Academy of Artsand Crafts)
which Gropius later united in the
Bauhaus.
• This enabled him tohave three
masters appointed atthe very
beginning:
1. Johannes Itten
2. Lyonel Feininger
3. Gerhard Marcks in May, 1919.
BAUHAUS1919-1928editedby HerbertBayer, IseGropius,WalterGropius(Chairmanof the Departmentof Architecture, HarvardUniversity)
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14. The teachers of Bauhaus
• Adolf Meyer, 1919,, 1920,
• Paul Klee, January, 1921,
• Oskar Schlemmer, April, 1921,
• Wassily Kandinsky, June, 1922,
• Laszlo Moholy-Nagy,1923.
BAUHAUS1919-1928editedby HerbertBayer, IseGropius,WalterGropius(Chairmanof the Departmentof Architecture, HarvardUniversity)
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15. Bauhaus movementseal
the Bauhaus in education An organization basedon new
principles easily becomesisolated ifit doesnot constantly The
later Bauhaus seal, designed byOskar Schlemmer, 1922
Thefirst Bauhaus seal , LyonelFeininger: Woodcut
from the first proclamation, 1919
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16. Characteristics and highlights ofBauhaus
movement
Simplicityand Effectiveness :There is no need for additionalornamenting and making things more and more
‘beautiful’. Theyare just fine as they are.
Minimalism : Bauhaus artists favored linear and geometrical forms, avoiding floral or curvilinear shapes (lines, smooth
gentle lines andshapes)
Form follows function : According tothis idea,simplebutelegant geometric shapes were designed basedon the
intended function or purposeof a building or an object
Reference:https://art.art/blog/
fransworth house byle Corbusier
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17. Characteristics and highlights ofBauhaus
movement
Flat surface
Asymmetricalbalance
Monochromatic
Reference:https://art.art/blog/
fransworth house byle Corbusier
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18. Characteristics and highlights ofBauhaus
movement
Open plan
makes use of large, openspaces andminimizes the use of
small, enclosed rooms such as private offices.
combining the kitchen, living room, and dining room into a
single great room.
Reference:https://art.art/blog/
fransworth house byle Corbusier
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19. Characteristics and highlights ofBauhaus
movement
Open plan
Reference:https://art.art/blog/
Open plan examples
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20. Characteristics and highlights ofBauhaus
movement
Smart use of resources (economy) Therepresentatives of the Bauhaus movement wanted to achieve a controlled
finance, productive time-consuming projects
Constant development (modern ) Bauhaus is allabout new techniques, new materials, new ways of construction, new
attitude , Bauhaus also ledtothe emergence of new forms of interior design.
Emphasis's on technology (mass production ) Bauhaus workshops were used for developing prototypes of products
for mass production. The artists embracedthe new possibilities of modern technologies .
Reference:https://art.art/blog/
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21. Characteristics and highlights of Bauhaus
movement
Angularity
Abstraction
Unity
Continuity
Reference:https://art.art/blog/
Regularity
Anti-ornament
Modern materials
(plastic, chrome and other metals)
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22. Bauhaus school – Dessau
characters
1. Openplan
2. Simple
3. Geometrical shape
Reference: https://biblus.accasoftware.com & the Bauhaus book by Gillian Naylor
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23. Bauhaus schoolin Dessau elevation
1. steel frame construction
2. a glass curtain wall wrapping around the corners and an
asymmetricpinwheel plan.
3. It has a symmetricalfaçade also have a typicalsmooth,
white plaster also have a base of rough plaster in grey
Reference: https://biblus.accasoftware.com & the Bauhaus book by Gillian Naylor
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24. Bauhaus schoolinterior
• Marianne Brandt: Lighting fixture. Frosted and
plain glass globe.. 1925
• Symmetrical use of light
• Using The Wassily Chair By marcel
bruer
• Clear line
https://www.dezeen.com/2018/11/05/bauhaus-dessau-school-building-walter-gropius-germany-architecture/
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25. Bauhaus school– Dessau interior
such asreinforcedconcrete,
rolled steel
large-scaleglasspanels.
https://www.dezeen.com/2018/11/05/bauhaus-dessau-school-building-walter-gropius-germany-architecture/
Brno chair
Designer : mies
van der rohe
Steel legged baseof rough plaster in grey
whiteplaster.
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26. Bauhaus archive – museum of design
Reference: https://biblus.accasoftware.com/
characters
1.Openplan
2.Simple
3.Geometricalshape
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27. Use of color
Reference:Primarycolorsand shapesattheBauhaus
color sphere comprised of twelve colors (three
primary,three secondary, and six tertiary)that
shows the relationship among colors.
Bauhaus Color According To:
Johannes Itten
methodsofcontrast:
light and dark
complementary contrast
contrast of hue
contrast between warm
and cool colors
Using black and whitecontrast
colors and geometricshapes
complementary contrast
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28. Bauhaus Color According To:
Paul Klee
Klee tended to think of color in musical
terms,making the connection between
harmonious sounds and complementary
colors
Use of color
Reference:Primarycolorsand shapesattheBauhaus
Using purple
and yellow
complementar
y And
harmonyof
purple and
blue shades
BauhausColor AccordingTo:
Josef Albers
All colors have twokeyelements–brightness(which
canbe understoodasthecolor intensity)and lightness
(a light’sintensity).
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29. Lighting at the Bauhaus
Bauhaus bring together all the artistic disciplines tocreate buildings focused on functionality and
design.
Walter Gropius lighting in Bauhaus school Dessau spot lights
https://www.lamp.es/en/news/lighting-at-the-bauhaus-rationalism-at-the-service-of-design_388511
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30. Lighting at the Bauhaus
lighting is one of the points of greatest interest within the architectural approaches of the school.
Tablelamp byChristian dell
https://www.lamp.es/en/news/lighting-at-the-bauhaus-rationalism-at-the-service-of-design_388511
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31. Natural Lighting at the Bauhaus
using large glass panels for more natural lighting
Large glass panelsin Bauhaus interiors
https://www.pinterest.com/search/pins/?q=bauhaus&rs=typed&term_meta[]=bauhaus%7Ctyped
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32. Natural Lighting at the Bauhaus
using skylights
Large glass panelsin Bauhaus school –berlin Bauhaus museum
https://www.pinterest.com/search/pins/?q=bauhaus&rs=typed&term_meta[]=bauhaus%7Ctyped
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33. 9/28/2021
Outdoor and indoors connection
Reference:Importanceofbalancing indoorand outdoorspaces
connectionbetween outdoorandindoor
The way of converting the transitional spaces into an open
environment
exterior staircases
Walter Gropiushouse Walter Gropiushouse
33
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34. 9/28/2021
Outdoor and indoors connection
Reference:Importanceofbalancing indoorand outdoorspaces
Walter Gropiushouse Bauhausuniversity
outdoor pathways
34
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35. Visual connection is alsoanother way
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Outdoor and indoors connection
Reference:Importanceofbalancing indoorand outdoorspaces 35
The Bauhaus shifted perspectives further afield. Modernism turned familiar perforatedfaçades into
glass envelopes – thereby providing an unobstructed view
Mie'svan der Rohe'sFarnsworthHouse Mie'svan der Rohe'sFarnsworthHouse
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36. 9/28/2021
Outdoor and indoors connection
Reference:Importanceofbalancingindoorandoutdoorspaces 36
9/28/2021 Reference:Importanceofbalancingindoorandoutdoorspaces 36
Materials andcolors usedfor outsidecanbeused forinterior placesto connectinside to
outside.
Concrete,steel
Gray, white color
Bauhausuniversity
Bauhausuniversity
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37. streamline strip windowsarea commondesign patterninthe 1930s Bauhaus/International
Style.
Itwas used widely inBauhausdesigns
https://www.jerudesign.org/item/strip-windows-i-2/
Bauhaus strip windows
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38. Bauhaus strip windows
http://gropius.house/location/furniture-and-art/
Someof thekey elements of Bauhausarchitecture had tobe adaptedtothe localenvironment,
primarily becauseofthe climate.One ofthe keyelements ofthe InternationalStyleinEurope was a
large window.However, ina hotclimate –large windows thatlet great amountsof light shine into
therooms – donot makesense. Locally,glass wasused sparinglyandlong,narrow, horizontal
windows are visibleon manyofthe Bauhausbuildings
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41. Bauhaus strip windows
Weissenhof museum
Strip windows
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https://www.pinterest.com/search/pins/?q=bauhaus&rs=typed&term_meta[]=bauhaus%7Ctyped
42. Bauhaus strip windows
Frank House,byMarcel Breue
Strip windows
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https://www.pinterest.com/search/pins/?q=bauhaus&rs=typed&term_meta[]=bauhaus%7Ctyped
43. Bauhaus linear windows
These types ofwindows are similar to strip
windows but windows
are separate from oneanother
Italso was used a lot inBauhausdesigns
Farnsworth house
bymies vander rohe
9/28/2021 43
https://www.pinterest.com/search/pins/?q=bauhaus&rs=typed&term_meta[]=bauhaus%7Ctyped
45. Bauhaus furniture
Reference: the Bauhaus book by Gillian Naylor &The new architecture and Bauhaus book by Walter Gropius
• Bauhaus furniture was designed tobe functional above all other qualities.
• Bauhaus designers wanted tocreate aesthetically pleasing objects, but also wanted
their products tobe available toa mass public
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46. • They used steel and leather widely in their furnitures
• Most of the furnitures lines are clearly straight or curve line
• The furnitures are without any decoration
• For furnitures they used geometrical shapes,,,and some times they combined those geometrical shapes
with main colors
Bauhaus furniture
Reference: the Bauhaus book by Gillian Naylor &The new architecture and Bauhaus book by Walter Gropius
9/28/2021 46
47. The Wassily Chair (Model B3 Chair)
• Designer : Marcel Breur
Year :1925
• Materials :tubularsteel and
leather were combinedto create
this Bauhausiconchair
• Dimensions:79-80cmW
70-73cmD
71-74cmH
42cmseatH
Reference: the Bauhaus book by Gillian Naylor &The new architecture and Bauhaus book by Walter Gropius
9/28/2021 47
48. The Wassily Chair (Model B3 Chair)
79-80cm
70-74cm
42cm
70-73cm
Reference: the Bauhaus book by Gillian Naylor &The new architecture and Bauhaus book by Walter Gropius
9/28/2021 48
49. Concept
While teaching at the Bauhaus, Breuer
often rode a bicycle, a pastime that led him
towhat is perhaps the single most
important innovation in furniture design
in the twentieth century: the use of tubular
steel. The tubular steel of his bicycle’s
handlebars was strong and lightweight,
and lent itself tomass-production. Breuer
reasoned that if it could be bent into
handlebars, it could be bent into furniture
forms.
The Wassily Chair (Model B3 Chair)
Reference: the Bauhaus book by Gillian Naylor &The new architecture and Bauhaus book by Walter Gropius
Marcel bruer sitting on his designed chair
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50. The Wassily Chair (Model B3 Chair)
Wassily chairs examples in bed rooms Wassily chairs examples in office rooms
ReferencePinterest
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51. The Wassily Chair (Model B3 Chair)
Wassily chairs examples in living rooms
ReferencePinterest
9/28/2021 51
52. The Barcelona chair
• Designer : Mies van der Rohe
Lilly Reich
• Year : 1929
• Materials : leather and steel The
leather cushion is divided into
squares with buttons
• Dimensions :74-76cm H
75-78cm W
75-78cm D
flyingarchitecture.com • Bayer_Herbert_Gropius_Walter_Gropius_Ise_eds_Bauhaus_1919-1928.
9/28/2021 52
54. The Barcelona chair
Concept
An icon of modernism, the
Barcelona chair's design was
inspired bythe campaign and
folding chairs of ancient times.
was designed for the German
Pavilion
Bayer_Herbert_Gropius_Walter_Gropius_Ise_eds_Bauhaus_1919-1928.
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55. Designer : mies van der roh , lily Reich
Year : 1929
Material :Chrome on steel frame.Leather cushions
filled with foam
Dimensions : 42cm H-97cm D-196cm L
• Bayer_Herbert_Gropius_Walter_Gropius_Ise_eds_Bauhaus_1919-1928.
Barcelona daybed
mies van der rohe
lily Reich
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57. The Barcelona set
The Barcelona chair in living room The Barcelona chair in bedroom
ReferencePinterest
9/28/2021 57
58. Designer : mies van der roh
Year : 1930
Material :tubular stained steel , leather
Dimensions : 80cmH-58cmW-58cmD
Concept : The design is based on the idea that it is
not necessary for a chair tohave four legs when it can
be built in a cantilever-style, using a single C-shaped
bartosupport the entire seat.
• Bayer_Herbert_Gropius_Walter_Gropius_Ise_eds_Bauhaus_1919-1928.
Brnochair
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59. Brno chair
The brno chair in dining room The brno chair in office room
ReferencePinterest
9/28/2021 59
61. Designer : Josef albers
Material : a chair made of four curved strips of
laminated wood connected bytwo steel tubes
Year : 1926
Dimensions : 69x 61x 71cm
Josef albers
• Bayer_Herbert_Gropius_Walter_Gropius_Ise_eds_Bauhaus_1919-1928.
Armchair by albers
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62. Bauhaus lamp
• Designer : Wilhelm Wagenfeld
• Year : 1924
• Materials : glass and metal
• Dimensions :36cm (height),
15.2 cm (Øbase),
18cm (Øhead)
• Bayer_Herbert_Gropius_Walter_Gropius_Ise_eds_Bauhaus_1919-1928.
Wilhelm Wagenfeld
9/28/2021 62
63. Bauhaus lamp
The glass shade and metal parts
create an interesting contrast,
but they go together very well.
Every partof the lamp has a
purpose and is functional and
not just decorative. It produces a
very pleasing light that creates a
wonderful light ambiance
glass
metal
• Bayer_Herbert_Gropius_Walter_Gropius_Ise_eds_Bauhaus_1919-1928.
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65. Nesting tables
• Designer : Josef albert
Year : 1927
• Materials : black lacquer and painted glass , Oak
• Dimensions : 39.7Hx 41.6Wx40Dcm
47.3Hx47.9Wx 40Dcm
55.2Hx53.3Wx40Dcm
62.5Hx 60Wx40.3Dcm
Josef Albers: minimal means, maximum effect
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66. Nesting tables
yellow table 55.2Hx53.3Wx 40Dcm
green table 62.5Hx60Wx40.3Dcm
39.7cm
41.6cm
40cm
47.3cm
47.9cm
40cm
Painted glass
black lacquer
Oak
Josef Albers: minimal means, maximum effect
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67. Nesting tables
Albers conceived the Nesting
Tables forthe private Berlin
apartment of his and his wife
Annie's closest friends.
alters is known forhis
compositions that explore the
relationship of color through
simple forms, such as the square.
and his logic and passion for
color are applied to these tables.
Josef Albers: minimal means, maximum effect
9/28/2021 67
68. Baby Cradle
• Designer : Peter Keler
Year : 1922
• Materials : Steel tube painted, natural
wicker work . MDF lacquered
• Dimensions : 98Lx 91DIAMETER cm
Bayer_Herbert_Gropius_Walter_Gropius_Ise_eds_Bauhaus_1919-192
Peter Keler
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69. 91cm
98cm
His design reflects a Bauhaus trademark:
the primarycolors red,yellow and blue assigned
toa square, triangle and circle as elementary shapes.
Bayer_Herbert_Gropius_Walter_Gropius_Ise_eds_Bauhaus_1919-192 https://www.dezeen.com/
9/28/2021 69
79. wall
Plasticwall panel
neo-plasticworks ofart asdirect transformations oftheoptical impression ofnature.
Thearchitectural designs depictedare composed sculptures
Using circles andstraight and diagonal line hatches
Reference;BAUHAUS|TRUTHTOMATERIALS ASACENTRALPRINCIPLE
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80. wall
Plastic wall panel
Bauhaus, Dessau
Reference;BAUHAUS|TRUTHTOMATERIALS ASACENTRALPRINCIPLE
Worked as a partition wall
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81. wall
Tile
Using wall tiles because it is easy to clean’ hygiene material and also protective , most of the time they
came in simple and plain colors .
Reference;BAUHAUS|TRUTHTO MATERIALSAS A CENTRALPRINCIPLE
Bauhaus interior design Bauhaus interior design
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82. wall
Reference;BAUHAUS |TRUTH TO MATERIALSAS A CENTRAL PRINCIPLE
Bauhaus interior design
Tile
Using white
tiles as main
color for the
bathroom
Using dark
color tobalance
the white
wall,ceiling
The haus amhorn (Bauhaus)
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83. wall
Reference:theinteriorsvila tugendhat
Marble tile wall
Marbletileis crafted from highly durablestone that exists in almost every color due tothe variability of component minerals.
Vila tugendha
9/28/2021 83
87. Window and door
Reference:Bayer_Herbert_Gropius_Walter_Gropius_Ise_eds_Bauhaus_1919-1928.pdf
Stained glass
1920–1925
stained glass window, using a mixof
colors abstractshapes.
josef Albers, who entered the Bauhaus
in 1920as a student, he created the best-
known artworks of the glass painting
workshop. Due toa lack of commissions.
Glass and Mural Painting Workshop atthe Bauhaus in Weimar, around 1923
9/28/2021 87
88. The SommerfeldHouse
Window and door
Reference:Bayer_Herbert_Gropius_Walter_Gropius_Ise_eds_Bauhaus_1919-1928.pdf
Stainedglass
1920–1925
9/28/2021 88
89. the doors, and the joists on the interior of
the house with crystalline geometries
triangles
Entrance hall door of the Somerfield House
with wood carvings, door
The SomerfieldHouse
Using geometries triangles
Window and door
Reference:Bayer_Herbert_Gropius_Walter_Gropius_Ise_eds_Bauhaus_1919-1928.pdf
wood
Wood door
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90. Flooring
Reference:GrandTourderModerne|Orte
Tile
1923
The colors and graphics are influenced
byBauhaus style.The goal of this
flooring tile was tocreate a decorative
design element from something that is
usually discarded after use
The hausamhorn (Bauhaus)
Kitchen
9/28/2021 90
91. Flooring
Wood
Gropius affordedan explicitly spiritual quality
tothe material, arguing that “wood is the
building material of the present
quickly and economically were the reasons to
use wooden roof in this house
advanced thermal insulation
Reference:Bayer_Herbert_Gropius_Walter_Gropius_Ise_eds_Bauhaus_1919-1928.pdf
Usingwoodforfloor
The SommerfeldHouse
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92. Flooring
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Concrete
Minimalism
Less is more
Bauhaus interior design
Using concretefor
wall
Using concretefor
floor
Using concretefor
floor
Using simple white
color wall
Reference;BAUHAUS|TRUTHTOMATERIALS ASA CENTRALPRINCIPLE
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93. Ceiling (roof , beam)
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Beamceiling
Beam ceilings are typically found in hallways and
corridors forcommercial settings and living and dining
rooms for residential settings.
Reference:Bayer_Herbert_Gropius_Walter_Gropius_Ise_eds_Bauhaus_1919-1928.pdf
Bauhaus school Bauhaus school
Using concretefor
ceiling andbeams
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94. Ceiling (roof , beam)
9/28/2021
Aconventionalceiling
constructiontype is commonlyfoundin homes.
These ceilings havea standarddrywall finish
madeof lower-cost materials
requiring easy installation.
Reference:https://www.9wood.com/blog/eight-different-types-of-ceilings
flatroof system
Concrete ceiling painted
with yellow
Bauhaus interior design
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95. staircase
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• Oskar Schlemmer
German, 1888–1943
Bauhaus Stairwaydepicts these interactions in
the contrast between static architectural forms and
dynamically shifting figures, epitomized by the dancer
balancing in point.
Schlemmer’s bodies are spheres, and cylinders—simplified
into almost modular geometric units rather than rendered
as individual identities
Reference:https://www.moma.org/collection/works/80049?artist_id=5219&page=1&sov
static elements
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98. 9/28/2021
Furniture material
Leather
Leather doesn't stain like cloth does, cleans more easily, and it doesn't hold
odors like cloth. That being said, leather is a good option tobe used for
furniture materials design
Reference:Bayer_Herbert_Gropius_Walter_Gropius_Ise_eds_Bauhaus_1919-1928.pdf
Vila tugendhat
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101. 9/28/2021
Furniture material
Wallhangings
Made of Mercerized cotton, silk
In the sketches forher wall hangings, Albers
reveals this combination of weaving technique
and modernist design. Her limiteduse ofcolor
Using a frequency as a planfor the weaving
andusing limited colors
Reference:Bayer_Herbert_Gropius_Walter_Gropius_Ise_eds_Bauhaus_1919-1928.pdf
Using different textures and
designs
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102. 9/28/2021
Furniture material
tubularsteel
Tubular steel chair, inspired bybicycle frames and made
with the latest in steel-bending technology
Tubular steel was the starof the Bauhaus design movement.
http://bauhausinteriors.com/blog/the-bauhaus-movement/
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103. 9/28/2021
Furniture material
Metal
ebony heat resistant handle
Steel tea pot
simple shapes circles, semi-circles and
built a sculptural yet very functional
object. The functionality of the piece is
the in built tea strainer non drip nozzle
and ebony heat resistant handle.
Steeland nickeledbrassfloor lamp.
Reference:Bayer_Herbert_Gropius_Walter_Gropius_Ise_eds_Bauhaus_1919-1928.pdf
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104. Analyzed example (Gropius House)
Designed byfirstdirector of Bauhaus ( Walter Gropius) .
Located at68 Baker Bridge Road in Lincoln , Massachusetts , United States.
5.51acres (22,300m2)
https://en.wikipedia.org/wiki/Gropius_House
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105. Introduction (Gropius House)
• Gropius House is a historic house museum owned
byhistoric new England located in united states .
• Gropius was concerned with combining modern
technologies with consumer needs.
• placing equal emphasis on architectural integrity
and decorative arts.
https://en.wikipedia.org/wiki/Gropius_House
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106. Plan (Gropius House)
characters
1. Open plan
2. Simple
3. Geometrical shape
4.Regularity
https://en.wikipedia.org/wiki/Gropius_House
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109. Study – room(Gropius House)
furniture
http://gropius.house/location/furniture-and-art/
DoubleDesk
In 1921, MarcelBreuer
enrolled as a student in the
Bauhaus. Gropius
immediately recognized
Breuer's talent and quickly
promoted him tothe headof
the carpentryshop.
TheGropius's specifically
requested a tandem and
equitablydivideddesk
layout so that Walter andIse
could work side byside.
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111. Study – room(Gropius House)
study- furniture
http://gropius.house/location/furniture-and-art/
TaskLamps
Marianne Brandt designedthis pair of task lamps for the Gropius
house
Created specificallyfor the doubledesk, these task lamps are
designed for usewith a typewriter.
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112. Study –room (Gropius House)
• Material
.
Moquette(textile)
Wooden
Fabric chair
Large glass pannel
Concrete wall
Minimalism, simplicity , true material
http://gropius.house/location/furniture-and-art/
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113. Living – room(Gropius House)
furniture
http://gropius.house/location/furniture-and-art/
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115. Living – room(Gropius House)
furniture
Womb Chair
Finnish architect Eero Saarinen designed this “womb chair” in 1946. IseGropius said that it was given toWalter Gropius on his
seventieth birthday..
http://gropius.house/location/furniture-and-art/
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116. Living – room(Gropius House)
furniture
ButterflyStools
http://gropius.house/location/furniture-and-art/
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117. Living – room(Gropius House)
furniture
Long Chair
There were always two of these chairs in the house. Onein the living room andone in the study
http://gropius.house/location/furniture-and-art/
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118. Living – room(Gropius House)
furniture
Day bed
Gropius’ preferred this evening sitting area which heoccupiedevery
evening, together with mountains of architecture magazines andbooks
http://gropius.house/location/furniture-and-art/
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119. Living –room (Gropius House)
• Material
Concrete ceiling
Minimalism, simplicity , true
material
Concrete wall
Unity of material
Glass
Wood
Dark brown moquette
contrast to the wall,roof’s
light color
http://gropius.house/location/furniture-and-art/
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121. Dining – room(Gropius House)
furniture
SideChairs
Theset of dining room chairs,
builtfor the Director’s House at
the Dessau Bauhaus, consists of
three sections of continuous
chrome platedtubular steel
with a “sleigh” basewhich
facilitates mobility andcanvas
covers.
The circular dining tablewas
also part of the original
furnishings of the Directors’
House.
http://gropius.house/location/furniture-and-art/
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122. dinning –room (Gropius House)
• Material
Mdfwood circular table
Steel andcanvas chair
Glass
Using white color
Using glass panel as partition
wall between two spaces
http://gropius.house/location/furniture-and-art/
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124. Kitchen –room (Gropius House)
• Material
Exposedfloor It’s one flat surface Cleanablewith no grooves
Anty bacterial for kitchen
White cabinet
Using white andblackcolor contrast .
http://gropius.house/location/furniture-and-art/
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126. Master bedroom– room(Gropius House)
masterbedroom and dressingroom-furniture
Night Stands
MarcelBreuer, (Plywood, Glass, Chromed steel, Paint) 1925
http://gropius.house/location/furniture-and-art/
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127. Master bedroom– room(Gropius House)
masterbedroom and dressingroom-furniture
TableLamps
From 1923 to 1925 Wilhelm Wagenfeld studied at Bauhaus in Weimar.
During this timehe designedsome of his famous works, such as the
Bauhaus WA24 'Wagenfeld lamp' in 1924.
http://gropius.house/location/furniture-and-art/
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128. Master bedroom– room(Gropius House)
• Material
Using white tilefor wall
Using blacktile for floor
Contrast
Semisymmetrical balancebyvision andin
terms of quantity
http://gropius.house/location/furniture-and-art/
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129. Master bedroom– room(Gropius House)
• Material
Simplicity
Contrast between the greycolor anda touch of orange color
of the table andthe wall hanging
Greywall painting
http://gropius.house/location/furniture-and-art/
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130. guest– room(Gropius House)
Guest room-furniture
DeskandBed Table
This desk was designedfor this room andinstalled when the
house was built.
http://gropius.house/location/furniture-and-art/
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131. guest– room(Gropius House)
Guest room-furniture
Guest RoomBeds
These bedswere originally madefor the Director’s House in Dessau. The Gropius's always
covered them with redHungarian woven bedspreads..
http://gropius.house/location/furniture-and-art/
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132. guest– room(Gropius House)
• Material
Greywall painting
Using steel for the table,chair , lamp
Greymoquette
http://gropius.house/location/furniture-and-art/
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133. Single bed– room (Gropius House)
His daughterroom-furniture
Desk
Designed byWalter Gropius for his officein theWeimar Bauhaus,
this piece of furniture isthe oldest in the house. It was handcrafted in
the woodwork shop of the Bauhaus school in 1923.
http://gropius.house/location/furniture-and-art/
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134. Single bed– room (Gropius House)
His daughterroom-furniture
Chair,MarcelBreuer
Chromed Steel, Caneand Pine,
1928
http://gropius.house/location/furniture-and-art/
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135. Single bed– room (Gropius House)
His daughterroom-furniture
Nesting table
MarcelBreuer
Tubular steel, linoleum, wood,
1927
http://gropius.house/location/furniture-and-art/
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136. Single bed– room (Gropius House)
His daughterroom-furniture
Table
This low table is from Alvar Aalto’s Nesting Table
http://gropius.house/location/furniture-and-art/
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137. Single bed– room (Gropius House)
• Material
greyPlaster wall
Natural wood
steel
Brown moquette
Minimalism of colors andmaterials
http://gropius.house/location/furniture-and-art/
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140. Conclusion:
1. The Bauhaus was founded bythe architect Walter Gropius
2. Bauhaus, in full Staatliches Bauhaus, school of design, architecture, and applied arts that existed
in Germany from1919to1933.
Weimar until Dessau through Berlin in its final months
1925 1932 1933
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141. Conclusion:
3.Form follows function : According tothis idea,simple but elegant geometric shapes were designed based
on the intended function or purpose of a building or an object
4.Open plan : makes use of large, open spaces and minimizes the use of small, enclosed rooms such as
private offices.
5. Using Flat surface.
6.Asymmetrical balance is very clear in the simple elevations and plans .
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142. Conclusion:
7.Emphasis's on technology ( mass production ) Bauhaus workshops were used fordeveloping prototypes
of productsfor mass production.
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143. Conclusion:
8.Using geometrical shapesfor planbecauseofthe functionandit wassimple andopenplan
Reference: https://biblus.accasoftware.com & the Bauhaus book by Gillian Naylor
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144. Conclusion:
9.Bauhaus Color According To Johannes Itten methods of contrast:
o light and dark
o complementary contrast
o contrast of hue
o contrast between warm and cool colors
10.Bauhaus bring together all the artistic disciplines to create
buildings focused on functionality and design.
complementary contrast
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145. 11. using large glass panels for more natural lighting .
12.The connection of the indoor and outdoor spaces doesn’t
only mean that they need tobe connected physicallythey
can be connected by Visual connection
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Conclusion:
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146. Conclusion:
13.Material for furniture : mostlysteel , leather and wood
14.Shapes of furniture : geometrical shapes like rectangle , circle and triangle
15.Most famous furniture : wassily chair , Barcelona set ,nesting table …
16.All Bauhaus furniture followed a slogan : form follows function
( simple and comfortable touse)
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147. 9/28/2021
Conclusion:
17.Materials used for wall are: concrete ,wall paper ,paint,wood , tile,plastic
18.Materials used for flooring are :tile , wood , concrete
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148. 9/28/2021
Conclusion:
19.Beam ceilings are typically found in hallways and corridors for commercial settings and
living
20.A conventional ceiling this construction typeis commonly found in homes.
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