SlideShare a Scribd company logo
1 of 21
Download to read offline
CO_Q3_Music8_Module 1
Music
Quarter 3 – Module 1:
Music of South Asia and
the Middle East
8
Music – Grade 8
Alternative Delivery Mode
Quarter 3 – Module 1: Music of South Asia and the Middle East
First Edition, 2020
Republic Act 8293, section 176 states that: No copyright shall subsist in any work of
the Government of the Philippines. However, prior approval of the government agency or office
wherein the work is created shall be necessary for exploitation of such work for profit. Such
agency or office may, among other things, impose as a condition the payment of royalties.
Borrowed materials (i.e., songs, stories, poems, pictures, photos, brand names,
trademarks, etc.) included in this module are owned by their respective copyright holders.
Every effort has been exerted to locate and seek permission to use these materials from their
respective copyright owners. The publisher and authors do not represent nor claim ownership
over them.
Published by the Department of Education
Secretary: Leonor Magtolis Briones
Undersecretary: Diosdado M. San Antonio
Printed in the Philippines by ________________________
Department of Education – Caraga Region
Learning Resource Management Section (LRMS)
Office Address: J.P. Rosales Avenue, Butuan City, Philippines 8600
Tel. No.: (085) 342-8207
Telefax No.: (085) 342-5969
E-mail Address: caraga@deped.gov.ph
Development Team of the Module
Writers: Lilibeth L. De Francisca, Maricelle C. Bonilla
Editors: Paulita L. Vernal, Abel N. Galido, Hilarion A. Galido
Reviewers: Laila F. Danaque, Cecilia M. Saclolo, Janette Lagari, Stella Felias,
Angelie Albezo
Illustrator: Stephany Bryan D. Itao
Layout Artists: Ivan Paul V. Damalerio, Ransel E. Burgos
Management Team: Francis Cesar B. Bringas
Isidro M. Biol, Jr.
Maripaz F. Magno
Josephine Chonie M. Obseñares
Bernard C. Abellana
Ma. Teresa M. Real
Dominico P. Larong, Jr.
Gemma C. Pullos
7
Music
Quarter 3 – Module 1:
Music of South Asia and the
Middle East
ii
Introductory Message
This Self-Learning Module (SLM) is prepared so that you, our dear learners,
can continue your studies and learn while at home. Activities, questions, directions,
exercises, and discussions are carefully stated for you to understand each lesson.
Each SLM is composed of different parts. Each part shall guide you step-by-
step as you discover and understand the lesson prepared for you.
Pre-tests are provided to measure your prior knowledge on lessons in each
SLM. This will tell you if you need to proceed on completing this module or if you
need to ask your facilitator or your teacher’s assistance for better understanding of
the lesson. At the end of each module, you need to answer the post-test to self-check
your learning. Answer keys are provided for each activity and test. We trust that you
will be honest in using these.
In addition to the material in the main text, Notes to the Teacher are also
provided to our facilitators and parents for strategies and reminders on how they can
best help you on your home-based learning.
Please use this module with care. Do not put unnecessary marks on any part
of this SLM. Use a separate sheet of paper in answering the exercises and tests. And
read the instructions carefully before performing each task.
If you have any questions in using this SLM or any difficulty in answering the
tasks in this module, do not hesitate to consult your teacher or facilitator.
Thank you.
1
CO_Q3_Music8_Module1
What I Need to Know
This module was designed and written with you in mind. It is here to help you
master the nature of Music. The scope of this module permits it to be used in many
different learning situations. The language used recognizes the diverse vocabulary
level of students. The lessons are arranged to follow the standard sequence of the
course. But the order in which you read them can be changed to correspond with
the textbook you are now using.
After going through this module, you are expected to:
 Listen perceptively to music of South Asia and the Middle East.
(MU8WS-Illa-h-2)
 Analyze musical elements of selected songs and instrumental pieces
heard and performed. (MU8WS-Illc-h-4)
2
CO_Q3_Music8_Module1
What I Know
Directions: Choose the letter of the correct answer. Write your answer on a separate
sheet of paper.
1. What music in South India is more thoroughly oriented to the voice and was
also called “temple music”?
A. Arabic Music
B. Carnatic Music
C. Hindustani Music
D. Punjabi Music
2. Which among the ancient Indian collection of hymns considered to be the
oldest known Vedic Sanskrit text?
A. Hinduism
B. Rig Veda
C. Samagana
D. Samaveda
3. Which vocal style in Pakistan is considered by many to be one of the principal
poetic forms in the Persian civilization?
A. Dholak
B. Ghazal
C. Qawwali
D. Rubab
4. Which of the following vocal styles in Pakistan is considered as a vibrant
musical tradition that is known for 700 years?
A. Dholak
B. Ghazal
C. Qawwali
D. Rubab
5. What kind of music strengthens the importance of musical instruments in
Pakistan?
A. Arabic Music
B. Carnatic Music
C. Hindustani Music
D. Punjabi Music
6. What is the term for special call to prayer and repentance on high holidays in
Israel?
A. Devotional
B. Hazan
C. Secular
D. Yom Kippur
7. What kind of music is commonly used during communal worship in
mosques and life passage events in Israel?
A. Central Asian Music
B. East Asian Music
C. Middle East Music
D. Western Music
8. Which of the following is a metric cycle with a specific number of beats that
recur in the same pattern?
A. Tala
B. Mridingam
C. Tabla
D. Theka
3
CO_Q3_Music8_Module1
9. What made India known to be the largest country in South Asia?
A. Their songs are purely spiritual in nature.
B. Indian music is only vocal and instrumental.
C. Where people are focusing more on their music.
D. Their music is as vast as its geographic location and as large as its
demographic population.
10.In North India, which of the following music goes back to Vedic period at
around 1000 B.C.?
A. Arabic Music
B. Carnatic Music
C. Hindustani Music
D. Punjabi Music
11.Which of the following is a style in vocal music of India which moves in several
different notes in a single syllable of text?
A. Melismatic
B. Rig Veda
C. Samagana
D. Samaveda
12.What is the most common style of singing in North India?
A. Khyal
B. Mridangam
C. Tala
D. Theka
13.What division of vocal music in Israel which context lies outside the religious
domain?
A. Devotional
B. Melismatic
C. Secular
D. Tala
14.What do you call a musician who helps lead the congregation in a songful
prayer?
A. Devotional
B. Hazzan
C. Secular
D. Shofar
15. Which country in Central Asia is known for its unique vocal styles known
as Ghazal and Qawwali?
A. India C. Pakistan
B. Israel D. Philippines
4
CO_Q3_Music8_Module1
Lesson
1
Music of South Asia and the
Middle East
In Quarter 2, you learned about the music of East Asia wherein most of the
countries have a lot of similarities in their musical instruments and types of music
performed. Their musical influences are similar to one another as well. Songs from
East Asia commonly use pentatonic (5-tone) scales.
Through this lesson, you will also learn and discover the different traditional
music of South Asia and the Middle East through their vocal and instrumental
music. You will be able to listen and identify the similarities and differences of their
music, analyze and appreciate the uniqueness and functions of their traditions.
What’s In
Directions: Identify from the table below which vocal style belongs to Japan, China,
and Korea. Write your answer in each corresponding column below.
CHINA JAPAN KOREA
 Dispelling unrest
and lust
 Based on the
human breathing
 Show their spiritual
self-mastery
 As a means of
calming the passion
 More energetic and
capricious contrast
 Generous use of
bright rhythm and
melodies
5
CO_Q3_Music8_Module1
What’s New
Listen attentively to the different vocal music of South Asia and the Middle East.
• India
https://www.youtube.com/watch?v=s5a3pthL_tU
• Pakistan
https://www.youtube.com/watch?v=ntcBPIEmeUU
• Israel
https://www.youtube.com/watch?v=UNdXqxoclXU
Directions: After you have successfully watched the videos, analyze the following
songs in terms of pitch, tempo, and meter. Write your answer on a separate sheet
of paper.
Analysis of Musical Elements
A. Pitch Low Medium High
B. Tempo Slow Moderate Fast
C. Meter Duple Triple No Meter
Example:
Title of the song: Arirang
Analysis of Musical Elements
A. Pitch Low Medium High
B. Tempo Slow Moderate Fast
C. Meter Duple Triple No Meter
A Lady Playing the Tanpura
6
CO_Q3_Music8_Module1
Title of the songs:
1. Sudha Ragunathan
Analysis of Musical Elements
A. Pitch Low Medium High
B. Tempo Slow Moderate Fast
C. Meter Duple Triple No Meter
2. Ghodi
Analysis of Musical Elements
A. Pitch Low Medium High
B. Tempo Slow Moderate Fast
C. Meter Duple Triple No Meter
3. They say this is a land
Analysis of Musical Elements
A. Pitch Low Moderate High
B. Tempo Slow Moderate Fast
C. Meter Duple Triple No Meter
7
CO_Q3_Music8_Module1
What is It
Experience how music in South Asia and the Middle East countries are being
performed and reflected in the different aspects of Asian culture that influenced the
lives of the people. Music has always been viewed as a universal language. In the
vast regions of Asia, music has been a common ground in uniting people with
different languages, cultures and norms.
India
India is the largest country in South Asia where music is as vast as its
geographic location. The music of India reflects different aspects of South Asian
culture exhibited through musical performances utilizing distinctive musical
elements.
Indian music remains
fundamental to the lives of its people.
It serves as a source of spiritual
inspiration, cultural expression, and
entertainment.
India's classical music
tradition includes Carnatic and
Hindustani music which have been
developed over many centuries.
Traditional Music of India:
1. Carnatic Music
 Music of Southern India
 It is directed to a Hindu god, which is why it is called “temple music”
 In contrast to northern styles, Carnatic music is more thoroughly
oriented to the voice
2. Hindustani Music
 Music of Northern India
 It goes back to Vedic period around 1000 BC
 Rigveda is considered to be the oldest known Vedic Sanskrit text that
exhibits the ancient Indian collection of hymns.
An Indian classical music performance
8
CO_Q3_Music8_Module1
The following terms are used in Indian music:
 Raga – combination of musical notes
 Shruti – smallest interval of sound
 Tala – a metric cycle with a specific number of beats that recur in the
same pattern
 Laya – tempo
 Melisma – a group of notes sung to one syllable of text
Pakistan
Pakistan is known for its unique
vocals. The distinctive Pakistani sound was
formed with multiple influences not only from
various parts of South Asia but also from
diverse elements of other countries in Central
Asia and the Middle East.
Two Traditional Music of Pakistan
1. Ghazal
 It is an essential ingredient of worship as practiced by Sufis
 It is used for the design, creation, and cultivation of techniques that
provoke emotion
2. Qawwali
 It refers to a way of rendering or Singing Sufi verses
 It is a vibrant musical tradition that stretches back more than 700 years.
Israel
Music of Israel
In general, the music of the Middle East is modal. Harmony is not emphasized
but rather includes salient features such as melodic complexity and ornamentation,
and rigorous rhythmic development.
The Middle East music is commonly used during:
 Communal worship in mosques, synagogues and churches
 Mystic rituals like Sufi
 Life passage events
 Entertainment like belly dancing, folk dancing
Musical culture
9
CO_Q3_Music8_Module1
Vocal Music of Israel
1. Devotional
 featured during Sabbath and other holy days
 Hazzan is a musician who helps lead the
congregation in a songful prayer.
 “Yom Kippur” is a special call to prayer and
repentance sounded on the High Holidays
(Jewish New Year and Day of Atonement)
2. Secular
 context lies outside the religious domain
 played during life passage events
 very rhythmic and have popular and
romantic texts
After listening and watching videos of traditional vocal music of India,
Pakistan, and Israel, we can easily say that the different cultural and musical
practices of South Asia and the Middle East are shown through their unique
musical styles.
Maurycy Gottlieb - Jews
Praying in the Synagogue on
Yom Kippur
10
CO_Q3_Music8_Module1
What’s More
Activity 1: Tell Me!
Directions: Listen to the Folk song of Israel “Zum Gali Gali”
https://www.youtube.com/watch?v=NUzY76tELj8 and answer the questions that
follow. Write your answer in a separate sheet of paper.
1. Analyze the song by assessing its musical element in terms of pitch, tempo,
and meter.
Analysis of Musical Elements
A. Pitch Low High
B. Tempo Moderate Fast
C. Meter Duple No Meter
2. What do you feel when you listen to the song?
___________________________________________________________________________
___________________________________________________________________________
___________________________________________________________________________
What I Have Learned
Activity 2: Show Me!
Directions: With the use of a Venn diagram, compare and contrast the vocal styles
of India & Israel.
INDIA ISRAEL
Differences Differences
Similarities
11
CO_Q3_Music8_Module1
What I Can Do
Activity 3: Fill Me!
Directions: Fill in the table the appropriate answers in each column.
Country Vocal Music Characteristics
India
Pakistan
Israel
Assessment
Multiple Choice. Choose the letter of the correct answer. Write the chosen letter on
a separate sheet of paper.
1. What is the term for special call to prayer and repentance on high holidays in
Israel?
A. Devotional
B. Hazan
C. Secular
D. Yom Kippur
2. What kind of music is commonly used during communal worship in mosques
and life passage events in Israel?
A. Central Asian Music
B. East Asian Music
C. Middle East Music
D. Western Music
3. Which of the following is a metric cycle with a specific number of beats that
recur in the same pattern?
A. Tala
B. Mridangam
C. Tabla
D. Theka
12 CO_Q3_Music8_Module1
4. What made India known to be the largest country in South Asia.
A. Their songs are purely spiritual in nature.
B. Indian music is only vocal and instrumental.
C. Where people are focusing more on their music.
D. Their music is as vast as its geographic location and as large as its
demographic population.
5. In North India, which of the following music goes back to Vedic period at
around 1000BC?
A. Arabic Music
B. Carnatic Music
C. Hindustani Music
D. Punjabi Music
6. Which of the following is a style in vocal music of India which moves in several
different notes in a single syllable of text?
A. Melismatic
B. Rig Veda
C. Samagana
D. Samaveda
7. What is the most common style of singing in North India?
A. Khyat
B. Mridangam
C. Tala
D. Theka
8. What division of vocal music in Israel which context lies outside the religious
domain?
A. Devotional
B. Melismatic
C. Secular
D. Tala
9. What do you call a musician who helps lead the congregation in a songful
prayer?
A. Devotional
B. Hazzan
C. Secular
D. Shofar
10.Which country in Central Asia is known for its unique vocal styles known as
Ghazal and Qawwali?
A. India
B. Israel
C. Pakistan
D. Philippines
11.What kind of music strengthens the importance of musical instruments in
Pakistan?
A. Arabic Music
B. Carnatic Music
C. Hindustani Music
D. Punjab Music
12.Which of the following vocal styles in Pakistan is considered as a vibrant
musical tradition that is known for 700 years?
A. Dholak
B. Ghazal
C. Qawwali
D. Rubab
13 CO_Q3_Music8_Module1
13.Which vocal style in Pakistan is considered by many to be one of the principal
poetic forms in the Persian civilization?
A. Dholak
B. Ghazal
C. Qawwali
D. Rubab
14.Which among the ancient Indian collection of hymns considered to be the
oldest known Vedic Sanskrit text?
A. Hinduism
B. Rig Veda
C. Samagana
D. Samaveda
15. What music in South India is more thoroughly oriented to the voice and was
also called “temple music”?
A. Arabic Music C. Hindustan Music
B. Carnatic Music D. Punjabi Music
14 CO_Q3_Music8_Module1
Additional Activities
Directions: Analyze the statements for each number then rearrange the letters to
form the correct answer. Write it on a separate sheet of paper.
1. A musician who helps lead the congregation in a songful prayer.
N Z A Z A H
2. It is sung in the samagana because of its liturgical importance.
AD EV G I R
3. It is a traditional vocal music of Pakistan that can be sung by men and women.
ZA L G H A
4. It is a devotional music of the Christi Order.
IL AWW A Q
5. It is a special call to prayer and repentance during of high holidays in Israel.
O M Y P U R P K I
6. It is a combination of musical notes.
A G R A
7. It is a vocal instrument of Israel played during life passage event.
RA L S E CU
8. It is one of the traditional music of South India.
C I T AN R A C C I S U M
9. A group of notes sung to one syllable of text.
M L I M S E A M
10.It is the music of North India.
I N A T S U D N I H C I S U M
15 CO_Q3_Music8_Module1
Answer Key
WHAT
I
HAVE
LEARNED
Similarities
of
vocal
music
in
India
and
Israel

Music
commonly
used
for
religious
functions,
ceremonies,
and
occasions.
Differences
of
vocal
music
in
India
and
Israel
India
Israel
•
Carnatic
•
Devotional
•
Secular
•
Hindustani
WHAT
I
KNOW
1.
B
2.
B
3.
B
4.
C
5.
D
6.
D
7.
C
8.
A
9.
D
10.C
11.A
12.A
13.C
14.B
15.C
ASSESS
MENT
1.
D
2.
C
3.
A
4.
D
5.
C
6.
A
7.
A
8.
B
9.
C
10.C
11.D
12.C
13.B
14.B
15.B
WHAT’S
IN
CHINA
JAPAN
KOREA
Dispelling
unrest
and
lust
Based
on
the
human
breathing
More
energetic
and
capricious
contrast
As
a
means
of
calming
the
passion
Show
their
spiritual
self-
mastery
Generous
use
of
bright
rhythm
and
melodies
Additional
Activity
1.
Hazzan
2.
Rig
Veda
3.
Ghazal
4.
Qawwali
5.
Yom
Kippur
6.
Raga
7.
Secular
8.
Carnatic
Music
9.
Melisma
10.Hindustani
Music
WHAT’S
NEW
1.
Sudha
Ragunathan
A.
Pitch:
Medium
B.
Tempo:
Moderate
C.
Meter:
No
Meter
2.
Ghodi
A.
Pitch:
Medium
B.
Tempo:
Moderate
C.
Meter:
Duple
3.
They
Say
There
Is
A
Land
A.
Pitch:
Low
B.
Tempo:
Moderate
C.
Meter:
Duple
WHAT
I
CAN
DO
Country
Vocal
Music
Characteristics
India
Carnatic
It
is
called
“temple
music”
Pakistan
Qawwali
It
refers
to
a
way
of
singing
Sufi
verses
Israel
Yom
Kippur
A
special
call
to
prayer
and
repentance
16 CO_Q3_Music8_Module1
References
Book:
Belind R.Anido et.al. Music and Arts of Asia, Learner’s Module for Grade 8. (Pasig
City. Department of Education, 2013)
Image:
metmuseum.org, A Lady Playing the Tanpura,
https://commons.wikimedia.org/wiki/File:A_Lady_Playing_the_Tanpura,_ca._1735
.jpg. Public domain
Karen Blaha, An Indian classical music performance,
https://en.wikipedia.org/wiki/File:An_Indian_classical_music_performance.jpg.
Creative Commons Attribution-Share Alike 2.0 Generic
Beatrix11freedom, Musical Culture,
https://commons.wikimedia.org/wiki/File:Musical_culture.jpg. Creative Commons
Attribution-Share Alike 4.0 International
Maurycy Gottlieb, Jews Praying in the Synagogue on Yom Kippur,
https://commons.wikimedia.org/wiki/File:Maurycy_Gottlieb_-
_Jews_Praying_in_the_Synagogue_on_Yom_Kippur.jpg. Public domain
Website:
“History of Asia,” Wikipedia.org. last modified April 1, 2021,
https://en.wikipedia.org/wiki/History_of_Asia
darbarfestival. “Sudha Ragunathan | Raga Abheri | Carnatic Melody | Music of
India” Accessed April 14, 2021. https://www.youtube.com/watch?v=s5a3pthL_tU
USP TV. “Ghodi | Punjabi Folk Music | Punjabi Wedding Songs | Jasleen Aulakh”
Accessed April 14, 2021. https://www.youtube.com/watch?v=ntcBPIEmeUU
zig123ize. “'They say there is a land' | Traditional Israeli Folk song | Hebrew songs
in Israel | Jewish music” Accessed April 14, 2021.
https://www.youtube.com/watch?v=UNdXqxoclXU
Teacher Ave, “Zum Gali Gali Lyrics - Israeli Folksong” Accessed April 14, 2021.
https://www.youtube.com/watch?v=NUzY76tELj8
For inquiries or feedback, please write or call:
Department of Education - Bureau of Learning Resources (DepEd-BLR)
Ground Floor, Bonifacio Bldg., DepEd Complex
Meralco Avenue, Pasig City, Philippines 1600
Telefax: (632) 8634-1072; 8634-1054; 8631-4985
Email Address: blr.lrqad@deped.gov.ph * blr.lrpd@deped.gov.ph

More Related Content

What's hot

Music of Malaysia - MAPEH 8 (Music 1st Quarter)
Music of Malaysia - MAPEH 8 (Music 1st Quarter)Music of Malaysia - MAPEH 8 (Music 1st Quarter)
Music of Malaysia - MAPEH 8 (Music 1st Quarter)Carlo Luna
 
Music of Pakistan Grade 8
Music of Pakistan Grade 8Music of Pakistan Grade 8
Music of Pakistan Grade 8Meg Grado
 
unang yugto ng imperyalismong kanluranin
unang yugto ng imperyalismong kanluraninunang yugto ng imperyalismong kanluranin
unang yugto ng imperyalismong kanluraninMary Grace Ambrocio
 
Araling Panlipunan Grade-8 - Learning Module - Quarter 1 - Module 1
Araling Panlipunan Grade-8 - Learning Module - Quarter 1 - Module 1Araling Panlipunan Grade-8 - Learning Module - Quarter 1 - Module 1
Araling Panlipunan Grade-8 - Learning Module - Quarter 1 - Module 1JoeHapz
 
Music of Indonesia - MAPEH 8 (Music 1st Quarter)
Music of Indonesia - MAPEH 8 (Music 1st Quarter)Music of Indonesia - MAPEH 8 (Music 1st Quarter)
Music of Indonesia - MAPEH 8 (Music 1st Quarter)Carlo Luna
 
MGA AMBAG NG RENAISSANCE SA IBA-IBANG LARANGAN
MGA AMBAG NG RENAISSANCE SA IBA-IBANG LARANGANMGA AMBAG NG RENAISSANCE SA IBA-IBANG LARANGAN
MGA AMBAG NG RENAISSANCE SA IBA-IBANG LARANGANGrace Mendoza
 
Mga emperador ng roma
Mga emperador ng romaMga emperador ng roma
Mga emperador ng romacampollo2des
 
Fil tanikalang lagot_copy
Fil tanikalang lagot_copyFil tanikalang lagot_copy
Fil tanikalang lagot_copyJanna Naypes
 
Gr 8 music q2 page 64 120 <iframe src="http://www.slideshare.net/slides...
Gr 8 music q2 page 64   120  <iframe src="http://www.slideshare.net/slides...Gr 8 music q2 page 64   120  <iframe src="http://www.slideshare.net/slides...
Gr 8 music q2 page 64 120 <iframe src="http://www.slideshare.net/slides...S Marley
 
Araling Panlipunan Grade-7 - Learning Module - Quarter 1 - Module 1
Araling Panlipunan Grade-7 - Learning Module - Quarter 1 - Module 1Araling Panlipunan Grade-7 - Learning Module - Quarter 1 - Module 1
Araling Panlipunan Grade-7 - Learning Module - Quarter 1 - Module 1JoeHapz
 
Grade 8 - Arts of East Asia (2nd Quarter)
Grade 8 - Arts of East Asia (2nd Quarter)Grade 8 - Arts of East Asia (2nd Quarter)
Grade 8 - Arts of East Asia (2nd Quarter)Christine R
 
Ap III - Ang Katangiang pisikal ng Daigdig
Ap III - Ang Katangiang pisikal ng DaigdigAp III - Ang Katangiang pisikal ng Daigdig
Ap III - Ang Katangiang pisikal ng DaigdigDanz Magdaraog
 
Grade 8 filipino module Q3
Grade 8 filipino module Q3Grade 8 filipino module Q3
Grade 8 filipino module Q309362523730
 
Araling Panlipunan Grade 8 Fourth Quarter Module
Araling Panlipunan Grade 8 Fourth Quarter ModuleAraling Panlipunan Grade 8 Fourth Quarter Module
Araling Panlipunan Grade 8 Fourth Quarter ModuleJhing Pantaleon
 
Implikasyon ng kapaligirang pisikal at yamang likas ng mga rehiyon sa asya
Implikasyon ng kapaligirang pisikal at yamang likas ng mga rehiyon sa asyaImplikasyon ng kapaligirang pisikal at yamang likas ng mga rehiyon sa asya
Implikasyon ng kapaligirang pisikal at yamang likas ng mga rehiyon sa asyaMaybel Din
 

What's hot (20)

Music Of Israel
Music Of IsraelMusic Of Israel
Music Of Israel
 
MUSIC GRADE 8 3RD QUARTER.pptx
MUSIC GRADE 8 3RD QUARTER.pptxMUSIC GRADE 8 3RD QUARTER.pptx
MUSIC GRADE 8 3RD QUARTER.pptx
 
Music of Malaysia - MAPEH 8 (Music 1st Quarter)
Music of Malaysia - MAPEH 8 (Music 1st Quarter)Music of Malaysia - MAPEH 8 (Music 1st Quarter)
Music of Malaysia - MAPEH 8 (Music 1st Quarter)
 
Music of Pakistan Grade 8
Music of Pakistan Grade 8Music of Pakistan Grade 8
Music of Pakistan Grade 8
 
unang yugto ng imperyalismong kanluranin
unang yugto ng imperyalismong kanluraninunang yugto ng imperyalismong kanluranin
unang yugto ng imperyalismong kanluranin
 
Araling Panlipunan Grade-8 - Learning Module - Quarter 1 - Module 1
Araling Panlipunan Grade-8 - Learning Module - Quarter 1 - Module 1Araling Panlipunan Grade-8 - Learning Module - Quarter 1 - Module 1
Araling Panlipunan Grade-8 - Learning Module - Quarter 1 - Module 1
 
Music of Indonesia - MAPEH 8 (Music 1st Quarter)
Music of Indonesia - MAPEH 8 (Music 1st Quarter)Music of Indonesia - MAPEH 8 (Music 1st Quarter)
Music of Indonesia - MAPEH 8 (Music 1st Quarter)
 
Panahon ng Enlightenment
Panahon ng EnlightenmentPanahon ng Enlightenment
Panahon ng Enlightenment
 
MGA AMBAG NG RENAISSANCE SA IBA-IBANG LARANGAN
MGA AMBAG NG RENAISSANCE SA IBA-IBANG LARANGANMGA AMBAG NG RENAISSANCE SA IBA-IBANG LARANGAN
MGA AMBAG NG RENAISSANCE SA IBA-IBANG LARANGAN
 
East Asian Music-Grade 8
East Asian Music-Grade 8East Asian Music-Grade 8
East Asian Music-Grade 8
 
Mga emperador ng roma
Mga emperador ng romaMga emperador ng roma
Mga emperador ng roma
 
Fil tanikalang lagot_copy
Fil tanikalang lagot_copyFil tanikalang lagot_copy
Fil tanikalang lagot_copy
 
Gr 8 music q2 page 64 120 <iframe src="http://www.slideshare.net/slides...
Gr 8 music q2 page 64   120  <iframe src="http://www.slideshare.net/slides...Gr 8 music q2 page 64   120  <iframe src="http://www.slideshare.net/slides...
Gr 8 music q2 page 64 120 <iframe src="http://www.slideshare.net/slides...
 
Music 8 lesson #2 music of japan
Music 8 lesson #2 music of japanMusic 8 lesson #2 music of japan
Music 8 lesson #2 music of japan
 
Araling Panlipunan Grade-7 - Learning Module - Quarter 1 - Module 1
Araling Panlipunan Grade-7 - Learning Module - Quarter 1 - Module 1Araling Panlipunan Grade-7 - Learning Module - Quarter 1 - Module 1
Araling Panlipunan Grade-7 - Learning Module - Quarter 1 - Module 1
 
Grade 8 - Arts of East Asia (2nd Quarter)
Grade 8 - Arts of East Asia (2nd Quarter)Grade 8 - Arts of East Asia (2nd Quarter)
Grade 8 - Arts of East Asia (2nd Quarter)
 
Ap III - Ang Katangiang pisikal ng Daigdig
Ap III - Ang Katangiang pisikal ng DaigdigAp III - Ang Katangiang pisikal ng Daigdig
Ap III - Ang Katangiang pisikal ng Daigdig
 
Grade 8 filipino module Q3
Grade 8 filipino module Q3Grade 8 filipino module Q3
Grade 8 filipino module Q3
 
Araling Panlipunan Grade 8 Fourth Quarter Module
Araling Panlipunan Grade 8 Fourth Quarter ModuleAraling Panlipunan Grade 8 Fourth Quarter Module
Araling Panlipunan Grade 8 Fourth Quarter Module
 
Implikasyon ng kapaligirang pisikal at yamang likas ng mga rehiyon sa asya
Implikasyon ng kapaligirang pisikal at yamang likas ng mga rehiyon sa asyaImplikasyon ng kapaligirang pisikal at yamang likas ng mga rehiyon sa asya
Implikasyon ng kapaligirang pisikal at yamang likas ng mga rehiyon sa asya
 

Similar to MUSIC8-Q3-MODULE1.pdf

Grade 8 Learning Module in Music - Complete
Grade 8 Learning Module in Music - CompleteGrade 8 Learning Module in Music - Complete
Grade 8 Learning Module in Music - CompleteR Borres
 
Gr8 music and arts lm as of 06 april 2013
Gr8 music and arts lm as of 06 april 2013Gr8 music and arts lm as of 06 april 2013
Gr8 music and arts lm as of 06 april 2013Nestor Idra
 
Grade 8 Music and Arts Module
Grade 8 Music and Arts ModuleGrade 8 Music and Arts Module
Grade 8 Music and Arts ModuleAndrew Cabugason
 
Gr8musicandartslmasof06april2013 130908005056-
Gr8musicandartslmasof06april2013 130908005056-Gr8musicandartslmasof06april2013 130908005056-
Gr8musicandartslmasof06april2013 130908005056-Jessie Papaya
 
DLL- MAPEH- 8 - 1ST QUARTER- WEEK 2 (MUSIC).docx
DLL- MAPEH- 8 - 1ST QUARTER- WEEK 2 (MUSIC).docxDLL- MAPEH- 8 - 1ST QUARTER- WEEK 2 (MUSIC).docx
DLL- MAPEH- 8 - 1ST QUARTER- WEEK 2 (MUSIC).docxJoshP13
 
Gr 8 music q1 page 1 63
Gr 8 music q1 page 1   63Gr 8 music q1 page 1   63
Gr 8 music q1 page 1 63S Marley
 
Music6 q1 mod1_rhythm-notes-and-rests_version3
Music6 q1 mod1_rhythm-notes-and-rests_version3Music6 q1 mod1_rhythm-notes-and-rests_version3
Music6 q1 mod1_rhythm-notes-and-rests_version3BryLe2
 
Gr8 music and arts tg as of 06 april 2013
Gr8 music and arts tg as of 06 april 2013Gr8 music and arts tg as of 06 april 2013
Gr8 music and arts tg as of 06 april 2013Ariehmar Bardoquillo
 
Gr8 music and arts tg as of 06 april 2013
Gr8 music and arts tg as of 06 april 2013Gr8 music and arts tg as of 06 april 2013
Gr8 music and arts tg as of 06 april 2013Josephus "Pem2" Janea
 
Copy of LAS-MAPEH-MUSIC-G10-MELC2-3.pdf
Copy of LAS-MAPEH-MUSIC-G10-MELC2-3.pdfCopy of LAS-MAPEH-MUSIC-G10-MELC2-3.pdf
Copy of LAS-MAPEH-MUSIC-G10-MELC2-3.pdfAlNioTarusan
 
Music education ii module 1.the world of musical sounds
Music education ii module 1.the world of musical soundsMusic education ii module 1.the world of musical sounds
Music education ii module 1.the world of musical soundsS Marley
 
CM_LP MUSIC.docx curriculum map for mapeh
CM_LP MUSIC.docx curriculum map for mapehCM_LP MUSIC.docx curriculum map for mapeh
CM_LP MUSIC.docx curriculum map for mapehInaKarlaCervantes2
 
DLL- MAPEH- 8 - 1ST QUARTER- WEEK 3 (MUSIC).docx
DLL- MAPEH- 8 - 1ST QUARTER- WEEK 3 (MUSIC).docxDLL- MAPEH- 8 - 1ST QUARTER- WEEK 3 (MUSIC).docx
DLL- MAPEH- 8 - 1ST QUARTER- WEEK 3 (MUSIC).docxJoshP13
 
MUSIC6-Q1-MODULE3ndbhehdhdhdhdhhdhdhd.pdf
MUSIC6-Q1-MODULE3ndbhehdhdhdhdhhdhdhd.pdfMUSIC6-Q1-MODULE3ndbhehdhdhdhdhhdhdhd.pdf
MUSIC6-Q1-MODULE3ndbhehdhdhdhdhhdhdhd.pdfAlmieBrosoto1
 
DLL- MAPEH- 8 - 1ST QUARTER- WEEK 3 (MUSIC).docx
DLL- MAPEH- 8 - 1ST QUARTER- WEEK 3 (MUSIC).docxDLL- MAPEH- 8 - 1ST QUARTER- WEEK 3 (MUSIC).docx
DLL- MAPEH- 8 - 1ST QUARTER- WEEK 3 (MUSIC).docxJoshP13
 

Similar to MUSIC8-Q3-MODULE1.pdf (20)

Grade 8 Learning Module in Music - Complete
Grade 8 Learning Module in Music - CompleteGrade 8 Learning Module in Music - Complete
Grade 8 Learning Module in Music - Complete
 
Module ARsic
Module ARsicModule ARsic
Module ARsic
 
Gr8 music and arts lm as of 06 april 2013
Gr8 music and arts lm as of 06 april 2013Gr8 music and arts lm as of 06 april 2013
Gr8 music and arts lm as of 06 april 2013
 
Grade 8 Music and Arts Module
Grade 8 Music and Arts ModuleGrade 8 Music and Arts Module
Grade 8 Music and Arts Module
 
Gr8musicandartslmasof06april2013 130908005056-
Gr8musicandartslmasof06april2013 130908005056-Gr8musicandartslmasof06april2013 130908005056-
Gr8musicandartslmasof06april2013 130908005056-
 
DLL- MAPEH- 8 - 1ST QUARTER- WEEK 2 (MUSIC).docx
DLL- MAPEH- 8 - 1ST QUARTER- WEEK 2 (MUSIC).docxDLL- MAPEH- 8 - 1ST QUARTER- WEEK 2 (MUSIC).docx
DLL- MAPEH- 8 - 1ST QUARTER- WEEK 2 (MUSIC).docx
 
Gr 8 music q1 page 1 63
Gr 8 music q1 page 1   63Gr 8 music q1 page 1   63
Gr 8 music q1 page 1 63
 
Music6 q1 mod1_rhythm-notes-and-rests_version3
Music6 q1 mod1_rhythm-notes-and-rests_version3Music6 q1 mod1_rhythm-notes-and-rests_version3
Music6 q1 mod1_rhythm-notes-and-rests_version3
 
Gr8 music and arts tg as of 06 april 2013
Gr8 music and arts tg as of 06 april 2013Gr8 music and arts tg as of 06 april 2013
Gr8 music and arts tg as of 06 april 2013
 
Gr8 music and arts tg as of 06 april 2013
Gr8 music and arts tg as of 06 april 2013Gr8 music and arts tg as of 06 april 2013
Gr8 music and arts tg as of 06 april 2013
 
MUSIC DLL WEEK 1.docx
MUSIC DLL WEEK 1.docxMUSIC DLL WEEK 1.docx
MUSIC DLL WEEK 1.docx
 
Copy of LAS-MAPEH-MUSIC-G10-MELC2-3.pdf
Copy of LAS-MAPEH-MUSIC-G10-MELC2-3.pdfCopy of LAS-MAPEH-MUSIC-G10-MELC2-3.pdf
Copy of LAS-MAPEH-MUSIC-G10-MELC2-3.pdf
 
Music education ii module 1.the world of musical sounds
Music education ii module 1.the world of musical soundsMusic education ii module 1.the world of musical sounds
Music education ii module 1.the world of musical sounds
 
M- W1- D3.docx
M- W1- D3.docxM- W1- D3.docx
M- W1- D3.docx
 
M- W1- D2.docx
M- W1- D2.docxM- W1- D2.docx
M- W1- D2.docx
 
CM_LP MUSIC.docx curriculum map for mapeh
CM_LP MUSIC.docx curriculum map for mapehCM_LP MUSIC.docx curriculum map for mapeh
CM_LP MUSIC.docx curriculum map for mapeh
 
DLL- MAPEH- 8 - 1ST QUARTER- WEEK 3 (MUSIC).docx
DLL- MAPEH- 8 - 1ST QUARTER- WEEK 3 (MUSIC).docxDLL- MAPEH- 8 - 1ST QUARTER- WEEK 3 (MUSIC).docx
DLL- MAPEH- 8 - 1ST QUARTER- WEEK 3 (MUSIC).docx
 
Tg music g8_q1
Tg music g8_q1Tg music g8_q1
Tg music g8_q1
 
MUSIC6-Q1-MODULE3ndbhehdhdhdhdhhdhdhd.pdf
MUSIC6-Q1-MODULE3ndbhehdhdhdhdhhdhdhd.pdfMUSIC6-Q1-MODULE3ndbhehdhdhdhdhhdhdhd.pdf
MUSIC6-Q1-MODULE3ndbhehdhdhdhdhhdhdhd.pdf
 
DLL- MAPEH- 8 - 1ST QUARTER- WEEK 3 (MUSIC).docx
DLL- MAPEH- 8 - 1ST QUARTER- WEEK 3 (MUSIC).docxDLL- MAPEH- 8 - 1ST QUARTER- WEEK 3 (MUSIC).docx
DLL- MAPEH- 8 - 1ST QUARTER- WEEK 3 (MUSIC).docx
 

More from VhannieAcquiatan

More from VhannieAcquiatan (7)

2 Subject-Verb Agreement - TS.pptx
2 Subject-Verb Agreement - TS.pptx2 Subject-Verb Agreement - TS.pptx
2 Subject-Verb Agreement - TS.pptx
 
WHLP Grade 8 Q3_Week 3.pdf
WHLP Grade 8 Q3_Week 3.pdfWHLP Grade 8 Q3_Week 3.pdf
WHLP Grade 8 Q3_Week 3.pdf
 
WHLP_Grade 8_Q3_Week 1.pdf
WHLP_Grade 8_Q3_Week 1.pdfWHLP_Grade 8_Q3_Week 1.pdf
WHLP_Grade 8_Q3_Week 1.pdf
 
WHLP_Grade 8_Q2_Week 1.pdf
WHLP_Grade 8_Q2_Week 1.pdfWHLP_Grade 8_Q2_Week 1.pdf
WHLP_Grade 8_Q2_Week 1.pdf
 
WHLP_Grade 8_Q2_Week 2.pdf
WHLP_Grade 8_Q2_Week 2.pdfWHLP_Grade 8_Q2_Week 2.pdf
WHLP_Grade 8_Q2_Week 2.pdf
 
WHLP_Grade 8_Q2_Week 3.pdf
WHLP_Grade 8_Q2_Week 3.pdfWHLP_Grade 8_Q2_Week 3.pdf
WHLP_Grade 8_Q2_Week 3.pdf
 
DO_s2021_029.pdf
DO_s2021_029.pdfDO_s2021_029.pdf
DO_s2021_029.pdf
 

Recently uploaded

Call Girls in Dwarka Mor Delhi Contact Us 9654467111
Call Girls in Dwarka Mor Delhi Contact Us 9654467111Call Girls in Dwarka Mor Delhi Contact Us 9654467111
Call Girls in Dwarka Mor Delhi Contact Us 9654467111Sapana Sha
 
URLs and Routing in the Odoo 17 Website App
URLs and Routing in the Odoo 17 Website AppURLs and Routing in the Odoo 17 Website App
URLs and Routing in the Odoo 17 Website AppCeline George
 
POINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptx
POINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptxPOINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptx
POINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptxSayali Powar
 
Alper Gobel In Media Res Media Component
Alper Gobel In Media Res Media ComponentAlper Gobel In Media Res Media Component
Alper Gobel In Media Res Media ComponentInMediaRes1
 
Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...
Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...
Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...Krashi Coaching
 
microwave assisted reaction. General introduction
microwave assisted reaction. General introductionmicrowave assisted reaction. General introduction
microwave assisted reaction. General introductionMaksud Ahmed
 
Accessible design: Minimum effort, maximum impact
Accessible design: Minimum effort, maximum impactAccessible design: Minimum effort, maximum impact
Accessible design: Minimum effort, maximum impactdawncurless
 
Grant Readiness 101 TechSoup and Remy Consulting
Grant Readiness 101 TechSoup and Remy ConsultingGrant Readiness 101 TechSoup and Remy Consulting
Grant Readiness 101 TechSoup and Remy ConsultingTechSoup
 
18-04-UA_REPORT_MEDIALITERAСY_INDEX-DM_23-1-final-eng.pdf
18-04-UA_REPORT_MEDIALITERAСY_INDEX-DM_23-1-final-eng.pdf18-04-UA_REPORT_MEDIALITERAСY_INDEX-DM_23-1-final-eng.pdf
18-04-UA_REPORT_MEDIALITERAСY_INDEX-DM_23-1-final-eng.pdfssuser54595a
 
Presiding Officer Training module 2024 lok sabha elections
Presiding Officer Training module 2024 lok sabha electionsPresiding Officer Training module 2024 lok sabha elections
Presiding Officer Training module 2024 lok sabha electionsanshu789521
 
Employee wellbeing at the workplace.pptx
Employee wellbeing at the workplace.pptxEmployee wellbeing at the workplace.pptx
Employee wellbeing at the workplace.pptxNirmalaLoungPoorunde1
 
Micromeritics - Fundamental and Derived Properties of Powders
Micromeritics - Fundamental and Derived Properties of PowdersMicromeritics - Fundamental and Derived Properties of Powders
Micromeritics - Fundamental and Derived Properties of PowdersChitralekhaTherkar
 
Paris 2024 Olympic Geographies - an activity
Paris 2024 Olympic Geographies - an activityParis 2024 Olympic Geographies - an activity
Paris 2024 Olympic Geographies - an activityGeoBlogs
 
Mastering the Unannounced Regulatory Inspection
Mastering the Unannounced Regulatory InspectionMastering the Unannounced Regulatory Inspection
Mastering the Unannounced Regulatory InspectionSafetyChain Software
 
“Oh GOSH! Reflecting on Hackteria's Collaborative Practices in a Global Do-It...
“Oh GOSH! Reflecting on Hackteria's Collaborative Practices in a Global Do-It...“Oh GOSH! Reflecting on Hackteria's Collaborative Practices in a Global Do-It...
“Oh GOSH! Reflecting on Hackteria's Collaborative Practices in a Global Do-It...Marc Dusseiller Dusjagr
 
Organic Name Reactions for the students and aspirants of Chemistry12th.pptx
Organic Name Reactions  for the students and aspirants of Chemistry12th.pptxOrganic Name Reactions  for the students and aspirants of Chemistry12th.pptx
Organic Name Reactions for the students and aspirants of Chemistry12th.pptxVS Mahajan Coaching Centre
 
BASLIQ CURRENT LOOKBOOK LOOKBOOK(1) (1).pdf
BASLIQ CURRENT LOOKBOOK  LOOKBOOK(1) (1).pdfBASLIQ CURRENT LOOKBOOK  LOOKBOOK(1) (1).pdf
BASLIQ CURRENT LOOKBOOK LOOKBOOK(1) (1).pdfSoniaTolstoy
 
Incoming and Outgoing Shipments in 1 STEP Using Odoo 17
Incoming and Outgoing Shipments in 1 STEP Using Odoo 17Incoming and Outgoing Shipments in 1 STEP Using Odoo 17
Incoming and Outgoing Shipments in 1 STEP Using Odoo 17Celine George
 

Recently uploaded (20)

Call Girls in Dwarka Mor Delhi Contact Us 9654467111
Call Girls in Dwarka Mor Delhi Contact Us 9654467111Call Girls in Dwarka Mor Delhi Contact Us 9654467111
Call Girls in Dwarka Mor Delhi Contact Us 9654467111
 
URLs and Routing in the Odoo 17 Website App
URLs and Routing in the Odoo 17 Website AppURLs and Routing in the Odoo 17 Website App
URLs and Routing in the Odoo 17 Website App
 
Model Call Girl in Bikash Puri Delhi reach out to us at 🔝9953056974🔝
Model Call Girl in Bikash Puri  Delhi reach out to us at 🔝9953056974🔝Model Call Girl in Bikash Puri  Delhi reach out to us at 🔝9953056974🔝
Model Call Girl in Bikash Puri Delhi reach out to us at 🔝9953056974🔝
 
POINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptx
POINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptxPOINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptx
POINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptx
 
Alper Gobel In Media Res Media Component
Alper Gobel In Media Res Media ComponentAlper Gobel In Media Res Media Component
Alper Gobel In Media Res Media Component
 
Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...
Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...
Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...
 
microwave assisted reaction. General introduction
microwave assisted reaction. General introductionmicrowave assisted reaction. General introduction
microwave assisted reaction. General introduction
 
Código Creativo y Arte de Software | Unidad 1
Código Creativo y Arte de Software | Unidad 1Código Creativo y Arte de Software | Unidad 1
Código Creativo y Arte de Software | Unidad 1
 
Accessible design: Minimum effort, maximum impact
Accessible design: Minimum effort, maximum impactAccessible design: Minimum effort, maximum impact
Accessible design: Minimum effort, maximum impact
 
Grant Readiness 101 TechSoup and Remy Consulting
Grant Readiness 101 TechSoup and Remy ConsultingGrant Readiness 101 TechSoup and Remy Consulting
Grant Readiness 101 TechSoup and Remy Consulting
 
18-04-UA_REPORT_MEDIALITERAСY_INDEX-DM_23-1-final-eng.pdf
18-04-UA_REPORT_MEDIALITERAСY_INDEX-DM_23-1-final-eng.pdf18-04-UA_REPORT_MEDIALITERAСY_INDEX-DM_23-1-final-eng.pdf
18-04-UA_REPORT_MEDIALITERAСY_INDEX-DM_23-1-final-eng.pdf
 
Presiding Officer Training module 2024 lok sabha elections
Presiding Officer Training module 2024 lok sabha electionsPresiding Officer Training module 2024 lok sabha elections
Presiding Officer Training module 2024 lok sabha elections
 
Employee wellbeing at the workplace.pptx
Employee wellbeing at the workplace.pptxEmployee wellbeing at the workplace.pptx
Employee wellbeing at the workplace.pptx
 
Micromeritics - Fundamental and Derived Properties of Powders
Micromeritics - Fundamental and Derived Properties of PowdersMicromeritics - Fundamental and Derived Properties of Powders
Micromeritics - Fundamental and Derived Properties of Powders
 
Paris 2024 Olympic Geographies - an activity
Paris 2024 Olympic Geographies - an activityParis 2024 Olympic Geographies - an activity
Paris 2024 Olympic Geographies - an activity
 
Mastering the Unannounced Regulatory Inspection
Mastering the Unannounced Regulatory InspectionMastering the Unannounced Regulatory Inspection
Mastering the Unannounced Regulatory Inspection
 
“Oh GOSH! Reflecting on Hackteria's Collaborative Practices in a Global Do-It...
“Oh GOSH! Reflecting on Hackteria's Collaborative Practices in a Global Do-It...“Oh GOSH! Reflecting on Hackteria's Collaborative Practices in a Global Do-It...
“Oh GOSH! Reflecting on Hackteria's Collaborative Practices in a Global Do-It...
 
Organic Name Reactions for the students and aspirants of Chemistry12th.pptx
Organic Name Reactions  for the students and aspirants of Chemistry12th.pptxOrganic Name Reactions  for the students and aspirants of Chemistry12th.pptx
Organic Name Reactions for the students and aspirants of Chemistry12th.pptx
 
BASLIQ CURRENT LOOKBOOK LOOKBOOK(1) (1).pdf
BASLIQ CURRENT LOOKBOOK  LOOKBOOK(1) (1).pdfBASLIQ CURRENT LOOKBOOK  LOOKBOOK(1) (1).pdf
BASLIQ CURRENT LOOKBOOK LOOKBOOK(1) (1).pdf
 
Incoming and Outgoing Shipments in 1 STEP Using Odoo 17
Incoming and Outgoing Shipments in 1 STEP Using Odoo 17Incoming and Outgoing Shipments in 1 STEP Using Odoo 17
Incoming and Outgoing Shipments in 1 STEP Using Odoo 17
 

MUSIC8-Q3-MODULE1.pdf

  • 1. CO_Q3_Music8_Module 1 Music Quarter 3 – Module 1: Music of South Asia and the Middle East 8
  • 2. Music – Grade 8 Alternative Delivery Mode Quarter 3 – Module 1: Music of South Asia and the Middle East First Edition, 2020 Republic Act 8293, section 176 states that: No copyright shall subsist in any work of the Government of the Philippines. However, prior approval of the government agency or office wherein the work is created shall be necessary for exploitation of such work for profit. Such agency or office may, among other things, impose as a condition the payment of royalties. Borrowed materials (i.e., songs, stories, poems, pictures, photos, brand names, trademarks, etc.) included in this module are owned by their respective copyright holders. Every effort has been exerted to locate and seek permission to use these materials from their respective copyright owners. The publisher and authors do not represent nor claim ownership over them. Published by the Department of Education Secretary: Leonor Magtolis Briones Undersecretary: Diosdado M. San Antonio Printed in the Philippines by ________________________ Department of Education – Caraga Region Learning Resource Management Section (LRMS) Office Address: J.P. Rosales Avenue, Butuan City, Philippines 8600 Tel. No.: (085) 342-8207 Telefax No.: (085) 342-5969 E-mail Address: caraga@deped.gov.ph Development Team of the Module Writers: Lilibeth L. De Francisca, Maricelle C. Bonilla Editors: Paulita L. Vernal, Abel N. Galido, Hilarion A. Galido Reviewers: Laila F. Danaque, Cecilia M. Saclolo, Janette Lagari, Stella Felias, Angelie Albezo Illustrator: Stephany Bryan D. Itao Layout Artists: Ivan Paul V. Damalerio, Ransel E. Burgos Management Team: Francis Cesar B. Bringas Isidro M. Biol, Jr. Maripaz F. Magno Josephine Chonie M. Obseñares Bernard C. Abellana Ma. Teresa M. Real Dominico P. Larong, Jr. Gemma C. Pullos
  • 3. 7 Music Quarter 3 – Module 1: Music of South Asia and the Middle East
  • 4. ii Introductory Message This Self-Learning Module (SLM) is prepared so that you, our dear learners, can continue your studies and learn while at home. Activities, questions, directions, exercises, and discussions are carefully stated for you to understand each lesson. Each SLM is composed of different parts. Each part shall guide you step-by- step as you discover and understand the lesson prepared for you. Pre-tests are provided to measure your prior knowledge on lessons in each SLM. This will tell you if you need to proceed on completing this module or if you need to ask your facilitator or your teacher’s assistance for better understanding of the lesson. At the end of each module, you need to answer the post-test to self-check your learning. Answer keys are provided for each activity and test. We trust that you will be honest in using these. In addition to the material in the main text, Notes to the Teacher are also provided to our facilitators and parents for strategies and reminders on how they can best help you on your home-based learning. Please use this module with care. Do not put unnecessary marks on any part of this SLM. Use a separate sheet of paper in answering the exercises and tests. And read the instructions carefully before performing each task. If you have any questions in using this SLM or any difficulty in answering the tasks in this module, do not hesitate to consult your teacher or facilitator. Thank you.
  • 5. 1 CO_Q3_Music8_Module1 What I Need to Know This module was designed and written with you in mind. It is here to help you master the nature of Music. The scope of this module permits it to be used in many different learning situations. The language used recognizes the diverse vocabulary level of students. The lessons are arranged to follow the standard sequence of the course. But the order in which you read them can be changed to correspond with the textbook you are now using. After going through this module, you are expected to:  Listen perceptively to music of South Asia and the Middle East. (MU8WS-Illa-h-2)  Analyze musical elements of selected songs and instrumental pieces heard and performed. (MU8WS-Illc-h-4)
  • 6. 2 CO_Q3_Music8_Module1 What I Know Directions: Choose the letter of the correct answer. Write your answer on a separate sheet of paper. 1. What music in South India is more thoroughly oriented to the voice and was also called “temple music”? A. Arabic Music B. Carnatic Music C. Hindustani Music D. Punjabi Music 2. Which among the ancient Indian collection of hymns considered to be the oldest known Vedic Sanskrit text? A. Hinduism B. Rig Veda C. Samagana D. Samaveda 3. Which vocal style in Pakistan is considered by many to be one of the principal poetic forms in the Persian civilization? A. Dholak B. Ghazal C. Qawwali D. Rubab 4. Which of the following vocal styles in Pakistan is considered as a vibrant musical tradition that is known for 700 years? A. Dholak B. Ghazal C. Qawwali D. Rubab 5. What kind of music strengthens the importance of musical instruments in Pakistan? A. Arabic Music B. Carnatic Music C. Hindustani Music D. Punjabi Music 6. What is the term for special call to prayer and repentance on high holidays in Israel? A. Devotional B. Hazan C. Secular D. Yom Kippur 7. What kind of music is commonly used during communal worship in mosques and life passage events in Israel? A. Central Asian Music B. East Asian Music C. Middle East Music D. Western Music 8. Which of the following is a metric cycle with a specific number of beats that recur in the same pattern? A. Tala B. Mridingam C. Tabla D. Theka
  • 7. 3 CO_Q3_Music8_Module1 9. What made India known to be the largest country in South Asia? A. Their songs are purely spiritual in nature. B. Indian music is only vocal and instrumental. C. Where people are focusing more on their music. D. Their music is as vast as its geographic location and as large as its demographic population. 10.In North India, which of the following music goes back to Vedic period at around 1000 B.C.? A. Arabic Music B. Carnatic Music C. Hindustani Music D. Punjabi Music 11.Which of the following is a style in vocal music of India which moves in several different notes in a single syllable of text? A. Melismatic B. Rig Veda C. Samagana D. Samaveda 12.What is the most common style of singing in North India? A. Khyal B. Mridangam C. Tala D. Theka 13.What division of vocal music in Israel which context lies outside the religious domain? A. Devotional B. Melismatic C. Secular D. Tala 14.What do you call a musician who helps lead the congregation in a songful prayer? A. Devotional B. Hazzan C. Secular D. Shofar 15. Which country in Central Asia is known for its unique vocal styles known as Ghazal and Qawwali? A. India C. Pakistan B. Israel D. Philippines
  • 8. 4 CO_Q3_Music8_Module1 Lesson 1 Music of South Asia and the Middle East In Quarter 2, you learned about the music of East Asia wherein most of the countries have a lot of similarities in their musical instruments and types of music performed. Their musical influences are similar to one another as well. Songs from East Asia commonly use pentatonic (5-tone) scales. Through this lesson, you will also learn and discover the different traditional music of South Asia and the Middle East through their vocal and instrumental music. You will be able to listen and identify the similarities and differences of their music, analyze and appreciate the uniqueness and functions of their traditions. What’s In Directions: Identify from the table below which vocal style belongs to Japan, China, and Korea. Write your answer in each corresponding column below. CHINA JAPAN KOREA  Dispelling unrest and lust  Based on the human breathing  Show their spiritual self-mastery  As a means of calming the passion  More energetic and capricious contrast  Generous use of bright rhythm and melodies
  • 9. 5 CO_Q3_Music8_Module1 What’s New Listen attentively to the different vocal music of South Asia and the Middle East. • India https://www.youtube.com/watch?v=s5a3pthL_tU • Pakistan https://www.youtube.com/watch?v=ntcBPIEmeUU • Israel https://www.youtube.com/watch?v=UNdXqxoclXU Directions: After you have successfully watched the videos, analyze the following songs in terms of pitch, tempo, and meter. Write your answer on a separate sheet of paper. Analysis of Musical Elements A. Pitch Low Medium High B. Tempo Slow Moderate Fast C. Meter Duple Triple No Meter Example: Title of the song: Arirang Analysis of Musical Elements A. Pitch Low Medium High B. Tempo Slow Moderate Fast C. Meter Duple Triple No Meter A Lady Playing the Tanpura
  • 10. 6 CO_Q3_Music8_Module1 Title of the songs: 1. Sudha Ragunathan Analysis of Musical Elements A. Pitch Low Medium High B. Tempo Slow Moderate Fast C. Meter Duple Triple No Meter 2. Ghodi Analysis of Musical Elements A. Pitch Low Medium High B. Tempo Slow Moderate Fast C. Meter Duple Triple No Meter 3. They say this is a land Analysis of Musical Elements A. Pitch Low Moderate High B. Tempo Slow Moderate Fast C. Meter Duple Triple No Meter
  • 11. 7 CO_Q3_Music8_Module1 What is It Experience how music in South Asia and the Middle East countries are being performed and reflected in the different aspects of Asian culture that influenced the lives of the people. Music has always been viewed as a universal language. In the vast regions of Asia, music has been a common ground in uniting people with different languages, cultures and norms. India India is the largest country in South Asia where music is as vast as its geographic location. The music of India reflects different aspects of South Asian culture exhibited through musical performances utilizing distinctive musical elements. Indian music remains fundamental to the lives of its people. It serves as a source of spiritual inspiration, cultural expression, and entertainment. India's classical music tradition includes Carnatic and Hindustani music which have been developed over many centuries. Traditional Music of India: 1. Carnatic Music  Music of Southern India  It is directed to a Hindu god, which is why it is called “temple music”  In contrast to northern styles, Carnatic music is more thoroughly oriented to the voice 2. Hindustani Music  Music of Northern India  It goes back to Vedic period around 1000 BC  Rigveda is considered to be the oldest known Vedic Sanskrit text that exhibits the ancient Indian collection of hymns. An Indian classical music performance
  • 12. 8 CO_Q3_Music8_Module1 The following terms are used in Indian music:  Raga – combination of musical notes  Shruti – smallest interval of sound  Tala – a metric cycle with a specific number of beats that recur in the same pattern  Laya – tempo  Melisma – a group of notes sung to one syllable of text Pakistan Pakistan is known for its unique vocals. The distinctive Pakistani sound was formed with multiple influences not only from various parts of South Asia but also from diverse elements of other countries in Central Asia and the Middle East. Two Traditional Music of Pakistan 1. Ghazal  It is an essential ingredient of worship as practiced by Sufis  It is used for the design, creation, and cultivation of techniques that provoke emotion 2. Qawwali  It refers to a way of rendering or Singing Sufi verses  It is a vibrant musical tradition that stretches back more than 700 years. Israel Music of Israel In general, the music of the Middle East is modal. Harmony is not emphasized but rather includes salient features such as melodic complexity and ornamentation, and rigorous rhythmic development. The Middle East music is commonly used during:  Communal worship in mosques, synagogues and churches  Mystic rituals like Sufi  Life passage events  Entertainment like belly dancing, folk dancing Musical culture
  • 13. 9 CO_Q3_Music8_Module1 Vocal Music of Israel 1. Devotional  featured during Sabbath and other holy days  Hazzan is a musician who helps lead the congregation in a songful prayer.  “Yom Kippur” is a special call to prayer and repentance sounded on the High Holidays (Jewish New Year and Day of Atonement) 2. Secular  context lies outside the religious domain  played during life passage events  very rhythmic and have popular and romantic texts After listening and watching videos of traditional vocal music of India, Pakistan, and Israel, we can easily say that the different cultural and musical practices of South Asia and the Middle East are shown through their unique musical styles. Maurycy Gottlieb - Jews Praying in the Synagogue on Yom Kippur
  • 14. 10 CO_Q3_Music8_Module1 What’s More Activity 1: Tell Me! Directions: Listen to the Folk song of Israel “Zum Gali Gali” https://www.youtube.com/watch?v=NUzY76tELj8 and answer the questions that follow. Write your answer in a separate sheet of paper. 1. Analyze the song by assessing its musical element in terms of pitch, tempo, and meter. Analysis of Musical Elements A. Pitch Low High B. Tempo Moderate Fast C. Meter Duple No Meter 2. What do you feel when you listen to the song? ___________________________________________________________________________ ___________________________________________________________________________ ___________________________________________________________________________ What I Have Learned Activity 2: Show Me! Directions: With the use of a Venn diagram, compare and contrast the vocal styles of India & Israel. INDIA ISRAEL Differences Differences Similarities
  • 15. 11 CO_Q3_Music8_Module1 What I Can Do Activity 3: Fill Me! Directions: Fill in the table the appropriate answers in each column. Country Vocal Music Characteristics India Pakistan Israel Assessment Multiple Choice. Choose the letter of the correct answer. Write the chosen letter on a separate sheet of paper. 1. What is the term for special call to prayer and repentance on high holidays in Israel? A. Devotional B. Hazan C. Secular D. Yom Kippur 2. What kind of music is commonly used during communal worship in mosques and life passage events in Israel? A. Central Asian Music B. East Asian Music C. Middle East Music D. Western Music 3. Which of the following is a metric cycle with a specific number of beats that recur in the same pattern? A. Tala B. Mridangam C. Tabla D. Theka
  • 16. 12 CO_Q3_Music8_Module1 4. What made India known to be the largest country in South Asia. A. Their songs are purely spiritual in nature. B. Indian music is only vocal and instrumental. C. Where people are focusing more on their music. D. Their music is as vast as its geographic location and as large as its demographic population. 5. In North India, which of the following music goes back to Vedic period at around 1000BC? A. Arabic Music B. Carnatic Music C. Hindustani Music D. Punjabi Music 6. Which of the following is a style in vocal music of India which moves in several different notes in a single syllable of text? A. Melismatic B. Rig Veda C. Samagana D. Samaveda 7. What is the most common style of singing in North India? A. Khyat B. Mridangam C. Tala D. Theka 8. What division of vocal music in Israel which context lies outside the religious domain? A. Devotional B. Melismatic C. Secular D. Tala 9. What do you call a musician who helps lead the congregation in a songful prayer? A. Devotional B. Hazzan C. Secular D. Shofar 10.Which country in Central Asia is known for its unique vocal styles known as Ghazal and Qawwali? A. India B. Israel C. Pakistan D. Philippines 11.What kind of music strengthens the importance of musical instruments in Pakistan? A. Arabic Music B. Carnatic Music C. Hindustani Music D. Punjab Music 12.Which of the following vocal styles in Pakistan is considered as a vibrant musical tradition that is known for 700 years? A. Dholak B. Ghazal C. Qawwali D. Rubab
  • 17. 13 CO_Q3_Music8_Module1 13.Which vocal style in Pakistan is considered by many to be one of the principal poetic forms in the Persian civilization? A. Dholak B. Ghazal C. Qawwali D. Rubab 14.Which among the ancient Indian collection of hymns considered to be the oldest known Vedic Sanskrit text? A. Hinduism B. Rig Veda C. Samagana D. Samaveda 15. What music in South India is more thoroughly oriented to the voice and was also called “temple music”? A. Arabic Music C. Hindustan Music B. Carnatic Music D. Punjabi Music
  • 18. 14 CO_Q3_Music8_Module1 Additional Activities Directions: Analyze the statements for each number then rearrange the letters to form the correct answer. Write it on a separate sheet of paper. 1. A musician who helps lead the congregation in a songful prayer. N Z A Z A H 2. It is sung in the samagana because of its liturgical importance. AD EV G I R 3. It is a traditional vocal music of Pakistan that can be sung by men and women. ZA L G H A 4. It is a devotional music of the Christi Order. IL AWW A Q 5. It is a special call to prayer and repentance during of high holidays in Israel. O M Y P U R P K I 6. It is a combination of musical notes. A G R A 7. It is a vocal instrument of Israel played during life passage event. RA L S E CU 8. It is one of the traditional music of South India. C I T AN R A C C I S U M 9. A group of notes sung to one syllable of text. M L I M S E A M 10.It is the music of North India. I N A T S U D N I H C I S U M
  • 19. 15 CO_Q3_Music8_Module1 Answer Key WHAT I HAVE LEARNED Similarities of vocal music in India and Israel  Music commonly used for religious functions, ceremonies, and occasions. Differences of vocal music in India and Israel India Israel • Carnatic • Devotional • Secular • Hindustani WHAT I KNOW 1. B 2. B 3. B 4. C 5. D 6. D 7. C 8. A 9. D 10.C 11.A 12.A 13.C 14.B 15.C ASSESS MENT 1. D 2. C 3. A 4. D 5. C 6. A 7. A 8. B 9. C 10.C 11.D 12.C 13.B 14.B 15.B WHAT’S IN CHINA JAPAN KOREA Dispelling unrest and lust Based on the human breathing More energetic and capricious contrast As a means of calming the passion Show their spiritual self- mastery Generous use of bright rhythm and melodies Additional Activity 1. Hazzan 2. Rig Veda 3. Ghazal 4. Qawwali 5. Yom Kippur 6. Raga 7. Secular 8. Carnatic Music 9. Melisma 10.Hindustani Music WHAT’S NEW 1. Sudha Ragunathan A. Pitch: Medium B. Tempo: Moderate C. Meter: No Meter 2. Ghodi A. Pitch: Medium B. Tempo: Moderate C. Meter: Duple 3. They Say There Is A Land A. Pitch: Low B. Tempo: Moderate C. Meter: Duple WHAT I CAN DO Country Vocal Music Characteristics India Carnatic It is called “temple music” Pakistan Qawwali It refers to a way of singing Sufi verses Israel Yom Kippur A special call to prayer and repentance
  • 20. 16 CO_Q3_Music8_Module1 References Book: Belind R.Anido et.al. Music and Arts of Asia, Learner’s Module for Grade 8. (Pasig City. Department of Education, 2013) Image: metmuseum.org, A Lady Playing the Tanpura, https://commons.wikimedia.org/wiki/File:A_Lady_Playing_the_Tanpura,_ca._1735 .jpg. Public domain Karen Blaha, An Indian classical music performance, https://en.wikipedia.org/wiki/File:An_Indian_classical_music_performance.jpg. Creative Commons Attribution-Share Alike 2.0 Generic Beatrix11freedom, Musical Culture, https://commons.wikimedia.org/wiki/File:Musical_culture.jpg. Creative Commons Attribution-Share Alike 4.0 International Maurycy Gottlieb, Jews Praying in the Synagogue on Yom Kippur, https://commons.wikimedia.org/wiki/File:Maurycy_Gottlieb_- _Jews_Praying_in_the_Synagogue_on_Yom_Kippur.jpg. Public domain Website: “History of Asia,” Wikipedia.org. last modified April 1, 2021, https://en.wikipedia.org/wiki/History_of_Asia darbarfestival. “Sudha Ragunathan | Raga Abheri | Carnatic Melody | Music of India” Accessed April 14, 2021. https://www.youtube.com/watch?v=s5a3pthL_tU USP TV. “Ghodi | Punjabi Folk Music | Punjabi Wedding Songs | Jasleen Aulakh” Accessed April 14, 2021. https://www.youtube.com/watch?v=ntcBPIEmeUU zig123ize. “'They say there is a land' | Traditional Israeli Folk song | Hebrew songs in Israel | Jewish music” Accessed April 14, 2021. https://www.youtube.com/watch?v=UNdXqxoclXU Teacher Ave, “Zum Gali Gali Lyrics - Israeli Folksong” Accessed April 14, 2021. https://www.youtube.com/watch?v=NUzY76tELj8
  • 21. For inquiries or feedback, please write or call: Department of Education - Bureau of Learning Resources (DepEd-BLR) Ground Floor, Bonifacio Bldg., DepEd Complex Meralco Avenue, Pasig City, Philippines 1600 Telefax: (632) 8634-1072; 8634-1054; 8631-4985 Email Address: blr.lrqad@deped.gov.ph * blr.lrpd@deped.gov.ph