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Textual Analysis #3
          “Blitz”
By Tim Loe & John Wallace
Here the institutions are
shown at the
start, “Lionsgate” is the
bigger company (but not a
conglomerate), and
originated in
Vancouver, Canada, but
based in California. “Davis
Films” are a much smaller
filming company.
Lionsgate have been
involved in many similar
films, such as; Crank, The
Bank Job and The
Expendables.
•   The opening shot is a birds eye
    view (long shot) of a man lying
    on his couch, establishing
    location. This shows him to be
    an average man as he is not in
    a bed, also, as he is fully
    dressed, it connotes he may
    have had a rough night and is
    attempting to catch up on his
    sleep.

•   The next shot is a medium-long
    shot which displays more of
    the living room, and the man
    now sitting up, looking rather
    tired, gaining more credibility
    to the connotation of “a rough
    night’s sleep”.
The XLS of the street, taken
                                                        from an over the shoulder
                                                        shot (OSS), shows three men
                                                        towards the top right of the
                                                        street shot, approaching a car,
                                                        the OSS connotes that we are
                                                        on the man in the apartments
                                                        side, and the men in the
                                                        street are against us. The low
                                                        amount of lighting in this
                                                        circumstance represents the
                                                        mystery of the men.
The amount of sound shows that the men are
approaching the car with no expertise they are easily
spotted. The loudness of their voices also connotes
that they are arrogant, and expect the presumed car
theft, to be a walk in the park.
This next shot shows all four men in the one shot, the now obvious main protagonist
approaching, and the 3 car thieves. This accompanied with the pitch of orchestral music
heightening, builds anticipation for something intense to happen, most likely a fight.

The dark lighting connotes mystery and darkness. I found some irony in the midst here, the
thieves do not want to be seen, but are shrouded in light, whereas the man we are
following, has more of a shadow over him, and he isn’t bothered whether he is seen or not.
We see a long shot of the now labelled “hero” walking away with his
back turned to the first group of “villains”. The film has now begun to
identify the archetypes. He is the hero because he has protected the
persons car by fighting these men, and defeating them.
In the background we see a London style “red double decker bus”, now
confirming the location of England, more specifically, London.
The newly branded hero is now being accused of being a “Hurley maniac”. The screenshot
of a newspaper headline enforces the viewer to see the previous scene as a small matter of
protecting a fellow persons belongings, being blown out of proportion by the media. The
fact that there are three featured articles in the opening credits, implies that the films plot
may contain many of these scenarios.

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Textual analysis #3

  • 1. Textual Analysis #3 “Blitz” By Tim Loe & John Wallace
  • 2. Here the institutions are shown at the start, “Lionsgate” is the bigger company (but not a conglomerate), and originated in Vancouver, Canada, but based in California. “Davis Films” are a much smaller filming company. Lionsgate have been involved in many similar films, such as; Crank, The Bank Job and The Expendables.
  • 3. The opening shot is a birds eye view (long shot) of a man lying on his couch, establishing location. This shows him to be an average man as he is not in a bed, also, as he is fully dressed, it connotes he may have had a rough night and is attempting to catch up on his sleep. • The next shot is a medium-long shot which displays more of the living room, and the man now sitting up, looking rather tired, gaining more credibility to the connotation of “a rough night’s sleep”.
  • 4. The XLS of the street, taken from an over the shoulder shot (OSS), shows three men towards the top right of the street shot, approaching a car, the OSS connotes that we are on the man in the apartments side, and the men in the street are against us. The low amount of lighting in this circumstance represents the mystery of the men. The amount of sound shows that the men are approaching the car with no expertise they are easily spotted. The loudness of their voices also connotes that they are arrogant, and expect the presumed car theft, to be a walk in the park.
  • 5. This next shot shows all four men in the one shot, the now obvious main protagonist approaching, and the 3 car thieves. This accompanied with the pitch of orchestral music heightening, builds anticipation for something intense to happen, most likely a fight. The dark lighting connotes mystery and darkness. I found some irony in the midst here, the thieves do not want to be seen, but are shrouded in light, whereas the man we are following, has more of a shadow over him, and he isn’t bothered whether he is seen or not.
  • 6. We see a long shot of the now labelled “hero” walking away with his back turned to the first group of “villains”. The film has now begun to identify the archetypes. He is the hero because he has protected the persons car by fighting these men, and defeating them. In the background we see a London style “red double decker bus”, now confirming the location of England, more specifically, London.
  • 7. The newly branded hero is now being accused of being a “Hurley maniac”. The screenshot of a newspaper headline enforces the viewer to see the previous scene as a small matter of protecting a fellow persons belongings, being blown out of proportion by the media. The fact that there are three featured articles in the opening credits, implies that the films plot may contain many of these scenarios.