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Connotations of
Ancillary Drafts
By Tim loe
Draft 1 - Poster
• The direct address of the protagonist is conventional, used in
  many film posters of the horror genre, such as Insidious.
• The shadow of the antagonist is behind the protagonist, and
  using the rule of thirds, the audience’s attention will be
  brought to it.
• The mise ene scene of the shot (pyjamas and teddy bear)
  connote that the boy is vulnerable, emphasising the sinister
  atmosphere of the poster.
Draft 2 - Poster
• The second poster draft is similar to the first, however
  composition of the shot is different.
• The boy is closer to the camera, and again there is direct
  address, this presents a menacing tone, and implies that the
  boy is possessed (a similar concept to the poster of Insidious).
• The background features the bed, and the shadow of the
  antagonist, presenting a similar sinister atmosphere to the
  first draft.
Draft 3 - Poster
• The final poster draft is a medium close up of the boy in his
  bed with his teddy connoting he is young, and potentially
  vulnerable.
• Again there is direct address for reasons already mentioned.
• The background is a wood, with the antagonist lurking in the
  distance. This unreal environment has connotations of the
  supernatural, and also implies that the boy is in a nightmare.
• The wood connotes isolation and presents a conventional
  location to the audience.
Draft 1 - Magazine Cover
• The image of the boy is a medium shot, that will be masked
  out and put on a picture of the wood. The image as a whole
  (wood and antagonist) will be masked out on the edges onto a
  black solid (similar to a vignette) connoting entrapment.
• There will be direct address (protagonist), a conventional
  feature of horror, and an uncanny gesture emphasising the
  sinister atmosphere.
• The wood will not only prove as aesthetically pleasing, making
  the cover more eye catching but it will also portray a feeling of
  isolation.
Draft 2 - Magazine Cover
• There will be direct address again for mentioned reasons, and
  the mise on scene will be similar to the posters, connoting
  vulnerability.
• The shadow of the antagonist will be featured in the
  background (similar to Paranormal 3 poster), and applying the
  rule of thirds the antagonist will be placed in the top left
  corner, bringing the audience’s attention to it.
• There image will be masked out to black (similar effect to
  vignette) to connote entrapment, and compliment the colour
  scheme of the text.

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Connotations of ancillary drafts

  • 2. Draft 1 - Poster • The direct address of the protagonist is conventional, used in many film posters of the horror genre, such as Insidious. • The shadow of the antagonist is behind the protagonist, and using the rule of thirds, the audience’s attention will be brought to it. • The mise ene scene of the shot (pyjamas and teddy bear) connote that the boy is vulnerable, emphasising the sinister atmosphere of the poster.
  • 3. Draft 2 - Poster • The second poster draft is similar to the first, however composition of the shot is different. • The boy is closer to the camera, and again there is direct address, this presents a menacing tone, and implies that the boy is possessed (a similar concept to the poster of Insidious). • The background features the bed, and the shadow of the antagonist, presenting a similar sinister atmosphere to the first draft.
  • 4. Draft 3 - Poster • The final poster draft is a medium close up of the boy in his bed with his teddy connoting he is young, and potentially vulnerable. • Again there is direct address for reasons already mentioned. • The background is a wood, with the antagonist lurking in the distance. This unreal environment has connotations of the supernatural, and also implies that the boy is in a nightmare. • The wood connotes isolation and presents a conventional location to the audience.
  • 5. Draft 1 - Magazine Cover • The image of the boy is a medium shot, that will be masked out and put on a picture of the wood. The image as a whole (wood and antagonist) will be masked out on the edges onto a black solid (similar to a vignette) connoting entrapment. • There will be direct address (protagonist), a conventional feature of horror, and an uncanny gesture emphasising the sinister atmosphere. • The wood will not only prove as aesthetically pleasing, making the cover more eye catching but it will also portray a feeling of isolation.
  • 6. Draft 2 - Magazine Cover • There will be direct address again for mentioned reasons, and the mise on scene will be similar to the posters, connoting vulnerability. • The shadow of the antagonist will be featured in the background (similar to Paranormal 3 poster), and applying the rule of thirds the antagonist will be placed in the top left corner, bringing the audience’s attention to it. • There image will be masked out to black (similar effect to vignette) to connote entrapment, and compliment the colour scheme of the text.