a guide to job roles surrounding the Film sector

1. KEY GRIP
FILM SECTOR
Grips have two main functions. The first is to work closely
with the camera department to provide camera support,
especially if the camera is mounted to a dolly, crane, or in an
unusual position, such as the top of a ladder. Some grips
may specialize in operating camera dollies or camera cranes.
The second main function of grips is to work closely with the
electrical department to create lighting set-ups necessary for
a shot under the direction of the director of photography.
RUNNERThe most junior position in any film production department, it's a
runner's job to carry out administrative tasks and aid the smooth
running of film production. As a runner, your work will involve
setting up locations for a shoot, hiring props and transporting
equipment, among other tasks. Runners are resilient, enthusiastic
and work diligently. Many are hired through being in the right
place at the right time or through their contacts rather than their
qualifications and can be in the position for a year or longer
before progressing onto researcher roles.
VIDEO EDITORWorking with raw footage in post-production to compile an end result that's
suitable for release. They'll often work closely with the director to ensure their
work is in line with the director's intentions for the film. It's no simple task -
crucial, 'invisible' aspects of film, such as comedic timing, pacing and suspense,
are what often elevate a production from good to outstanding quality and are
the result of sharp, seamless editing. This may involve changing up the order of
scenes or removing some completely. Successful editors pay close attention to
detail, bring creative flair and a passion for film to the role, and have the
patience and self-motivation to experiment with editing. To become a film
editor, you'll need to build a wealth of experience working in TV and on smaller
productions before progressing to editing feature-length films. You might enter
the industry as a runner, trainee or second assistant, moving up the ranks to
first assistant before becoming an editor in your own right.
CAMERA
OPERATORThe Camera Operator helps the Director of
Photography and Director shot design each take while
operating the camera. They also act as an additional set of
eyes for the Director of Photography regarding lighting and
focus. Typically, their work only takes place during principal
photography. Their day usually begins by getting a shot list
or schedule from the 1st assistant director but sometimes the
Director will communicate directly with the Camera Operator
on how the shot should work. If the take is more complicated
and involves a Steadicam rig there will be a rehearsal period.
Practice can last up to a full day with extensive diagramming
if the shot is complicated. The day ends with the Camera