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MULTI CAMERA
  DIRECTOR
WHAT THEY DO

 During pre-production the multi camera director will plan camera
positions and shots. During the shoot the director leads the team and
is in charge of the personnel on the studio floor and in the gallery.
This includes the floor managers, camera and sound teams,
production assistant and vision mixer.
WHEN THEY ARE USED

 Multi-camera shoots are commonly used for sports and news
programmes, soap operas, talk shows, game shows, some sitcoms and
live events where action cannot be repeated or replicated. These may
be studio or location based.
SKILLS YOU MAY NEED

 The main requirements for a multi-camera director are patience,
enthusiasm and good spatial awareness. The director is often sitting in a
gallery a long way from the cameras, so must be able to envisage how
each camera is positioned in relation to others, and what shots each is able
to get. Good communication skills are also crucial. The team in the studio
can only hear the director’s voice over talkback. So the director must be
able to communicate quickly and clearly what is needed, while also
encouraging all of them to work together as a team.
H OW T O B E A M U LT I C A M E R A
            DIRECTOR

 Camera directors are usually trained at film schools and universities
in media studies with specialization in camera operations or film
directing. This usually is followed by work experience in the television
industry. Depending on skill, experience and talent, they have to work
from a few months to several years within the television industry to
reach the position of camera director.
ABOUT 75% OF THE WORK
IS DONE BEFORE YOU SIT
    INFRONT OF THE
       MONITORS

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Multi-Camera Director Responsibilities

  • 1. MULTI CAMERA DIRECTOR
  • 2. WHAT THEY DO  During pre-production the multi camera director will plan camera positions and shots. During the shoot the director leads the team and is in charge of the personnel on the studio floor and in the gallery. This includes the floor managers, camera and sound teams, production assistant and vision mixer.
  • 3. WHEN THEY ARE USED  Multi-camera shoots are commonly used for sports and news programmes, soap operas, talk shows, game shows, some sitcoms and live events where action cannot be repeated or replicated. These may be studio or location based.
  • 4. SKILLS YOU MAY NEED  The main requirements for a multi-camera director are patience, enthusiasm and good spatial awareness. The director is often sitting in a gallery a long way from the cameras, so must be able to envisage how each camera is positioned in relation to others, and what shots each is able to get. Good communication skills are also crucial. The team in the studio can only hear the director’s voice over talkback. So the director must be able to communicate quickly and clearly what is needed, while also encouraging all of them to work together as a team.
  • 5. H OW T O B E A M U LT I C A M E R A DIRECTOR  Camera directors are usually trained at film schools and universities in media studies with specialization in camera operations or film directing. This usually is followed by work experience in the television industry. Depending on skill, experience and talent, they have to work from a few months to several years within the television industry to reach the position of camera director.
  • 6. ABOUT 75% OF THE WORK IS DONE BEFORE YOU SIT INFRONT OF THE MONITORS