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ART & CRAFTS MOVEMENT 
The Arts and Crafts Movement was an international design movement that developed 
between 1860 and 1910. It was mostly a reaction against the perceived impoverished state 
of the decorative arts at the time. It stood for traditional craftsmanship using simple forms 
and often applied medieval, romantic or folk styles of decoration. 
Art and Crafts began in England. Arts and Crafts Movement was first 
developed in the 1850s by Birmingham Set (William Morris, Edward 
Burne-Jones). They had first-hand experience of industrial society. 
There they wrote articles on the politics of art for The Oxford and 
Cambridge Magazine with other members of the Birmingham Set, 
and Morris began to design furniture and interiors. The Red House, 
in Bexleyheath, London, designed for Morris in 1859 by architect 
Philip Webb, exemplifies the early Arts and Crafts style, with its well - 
proportioned solid forms, wide porches, steep roof, pointed window 
arches, brick fireplaces and wooden fittings. 
Arts and Crafts objects were simple in form. They often had 
patterns inspired by British flora and fauna and used the 
vernacular, or domestic, traditions of the British countryside. For 
example "Artichoke" wallpaper, by John Henry Dearle. Arts and 
Crafts ideals had influenced architecture, 
painting, sculpture, graphics, illustration, 
book making and photography, domestic 
design and the decorative arts, including 
furniture and woodwork, stained glass, 
leatherwork, lacemaking, embroidery, rug 
making and weaving, jewellery and 
metalwork, enamelling and ceramics. 
The Arts and Crafts ideology was influenced by Ruskin's social criticism. Ruskin thought 
machinery was to blame for many social ills and that a healthy society depended on skilled 
and creative workers. They claimed to be concerned about the 
decrease of rural handicrafts, which accompanied the 
development of industry, and they regretted the loss of 
traditional skills and creativity. There was some disagreement as 
to whether machinery should be 
rejected completely and opinions 
changed. Morris was not entirely 
consistent. He thought machinery 
could be improved and used to 
reduce the hours of labour.

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Art and crafts movement

  • 1. ART & CRAFTS MOVEMENT The Arts and Crafts Movement was an international design movement that developed between 1860 and 1910. It was mostly a reaction against the perceived impoverished state of the decorative arts at the time. It stood for traditional craftsmanship using simple forms and often applied medieval, romantic or folk styles of decoration. Art and Crafts began in England. Arts and Crafts Movement was first developed in the 1850s by Birmingham Set (William Morris, Edward Burne-Jones). They had first-hand experience of industrial society. There they wrote articles on the politics of art for The Oxford and Cambridge Magazine with other members of the Birmingham Set, and Morris began to design furniture and interiors. The Red House, in Bexleyheath, London, designed for Morris in 1859 by architect Philip Webb, exemplifies the early Arts and Crafts style, with its well - proportioned solid forms, wide porches, steep roof, pointed window arches, brick fireplaces and wooden fittings. Arts and Crafts objects were simple in form. They often had patterns inspired by British flora and fauna and used the vernacular, or domestic, traditions of the British countryside. For example "Artichoke" wallpaper, by John Henry Dearle. Arts and Crafts ideals had influenced architecture, painting, sculpture, graphics, illustration, book making and photography, domestic design and the decorative arts, including furniture and woodwork, stained glass, leatherwork, lacemaking, embroidery, rug making and weaving, jewellery and metalwork, enamelling and ceramics. The Arts and Crafts ideology was influenced by Ruskin's social criticism. Ruskin thought machinery was to blame for many social ills and that a healthy society depended on skilled and creative workers. They claimed to be concerned about the decrease of rural handicrafts, which accompanied the development of industry, and they regretted the loss of traditional skills and creativity. There was some disagreement as to whether machinery should be rejected completely and opinions changed. Morris was not entirely consistent. He thought machinery could be improved and used to reduce the hours of labour.