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THE ENJOYMENT OF MUSIC
ESSENTIAL LISTENING
EDITION
by
Kristine Forney
Andrew Dell’Antonio
Joseph Machlis
THIRD EDITION
Lecture Slides – Chapters 25, 26, 28
Joseph Haydn
(1732 - 1809)
 Born in Rohrau, Austria, and
studied in Vienna.
 Background consisted of folk music
 Went to Vienna at age 8, served as
choirboy in Cathedral of St.
Stephen
 Turned out when voice changed
 Gave music lessons
 Played violin in street bands
 Successful trips to England
 Died 1809, while Napoleon’s army
was occupying Vienna
Joseph Haydn (1732 - 1809)
• Music Director for Prince Nicholas Esterhazy for almost 3 decades
– Composing--whatever Prince wanted
– Conducting--in charge of one of the best orchestras in Europe
– Keeping order among musicians
• Established the symphony and the string quartet as major
instrumental forms.
• After death of Prince, Haydn made 2 long trips to England (1790).
– Composed symphonies, songs, and piano works
• Returned to Vienna in 1795--produced oratorios, Masses, and more
string quartets.
• Taught Beethoven
Haydn’s Music
• Wrote every kind of music
• Optimistic, sense of humor
• “Papa Haydn”-very influential to other
musicians
• Master at developing themes
The String Quartet
• Musical Instruments
– 1st violin
– 2nd violin
– viola
– cello
Joseph Haydn:
The String Quartet
• Common Movements
– Sonata form--fast
– Sonata, theme and variations, or ABA--slow
(contrasting key)
– Minuet and Trio--ABA--triple meter
– Finale-sonata or rondo--very fast
Haydn: String Quartet, Op. 76, No. 3
(Emperor)
(Listening Guide )
• Op. 76 string quartets
• Second movement: theme and variations
Theme and Variations Form
• Very popular in Classical Era
• Theme presented and then altered in several ways
• Examples of variation techniques:
– Change of key
– Change of mode (major to minor/minor to major)
– Change of tempo or meter
– Change of timbre (i.e., instrumentation)
– Change in texture (homophony/polyphony)
Theme & Variations
• Can be independent piece or movement of
symphony, sonata, or string quartet
• Outline of form: A A΄(A prime, variation 1),
A΄΄(variation 2), etc.; each prime mark
indicates variation of basic theme
• Connected or separated by pauses
• Composer may borrow melody or invent
own
• Usually no more than 4 variations of a
tune
Joseph Haydn: String Quartet in C
Major--2nd Movement
• Theme: hymn-like, resembling 4-part
harmony (homophonic)
• Variation 1: violin 2 has melody with violin 1
accompaniment (2-part homophony)
• Variation 2: cello has theme with other 3
voices accompanying
• Variation 3: viola has melody; only 3 voices
play most of variation
• Variation 4: 4-part polyphony throughout
String Quartet in C Major
2nd Movement
• Movement 2
Important Symphonies Composed
by Haydn
• Symphony #8--G Major (“Evening”)
– One of a series (“Morning,” “Noon,” and “Evening”)
• Symphony #45--F Minor (“Farewell”)
– Musicians left the stage one-by-one in protest for having
to be away from their families too long
• Symphony #94--G Major (“Surprise”)
– Loud chord near beginning of slow movement
• Symphony #101--D major (“Clock”)
– Tick-tock rhythm of slow movement
Haydn and the Symphony
• No. 94, Movement II
• No. 45, Movement IV
The Last Movement:
Haydn’s Concerto for Trumpet and Rondo Form
• Thirty-five concertos by Haydn
• Trumpet concerto: experimental instrument,
keyed trumpet
– highly lyrical melodies, virtuosic passages
– 1800 first performance; manuscript lost until 1929
– Haydn’s last orchestral work
Concerto for Trumpet in E-flat
Third Movement-Rondo(1796)
• Composed in 1796 for keyed trumpet
• Virtuoso-Anton Weidinger
• Exciting to listen to
– Brilliant trumpet sound
– Happy quality
– Rondo form
– Rondo contains both old and new ideas
• Rondo: recurring musical idea, refrain (A)
• (A-B-A-C-A) symmetrical, balanced
• (A-B-A-C-A-B-A) sonata-rondo
– combines sonata-allegro form and rondo
The Last Movement:
Haydn’s Concerto for Trumpet and Rondo Form
Trumpet Concerto in Eb Major
Movement III
• Movement III
by
Kristine Forney
Andrew Dell’Antonio
Joseph Machlis
Lecture Slides
THIRD EDITION
THE ENJOYMENT OF MUSIC
ESSENTIAL LISTENING EDITION
http://wwnorton.com/web/enjoyess2

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HAYDN PowerPoint Presentation - Chapters 25, 26, and 28

  • 1. THE ENJOYMENT OF MUSIC ESSENTIAL LISTENING EDITION by Kristine Forney Andrew Dell’Antonio Joseph Machlis THIRD EDITION Lecture Slides – Chapters 25, 26, 28
  • 2. Joseph Haydn (1732 - 1809)  Born in Rohrau, Austria, and studied in Vienna.  Background consisted of folk music  Went to Vienna at age 8, served as choirboy in Cathedral of St. Stephen  Turned out when voice changed  Gave music lessons  Played violin in street bands  Successful trips to England  Died 1809, while Napoleon’s army was occupying Vienna
  • 3. Joseph Haydn (1732 - 1809) • Music Director for Prince Nicholas Esterhazy for almost 3 decades – Composing--whatever Prince wanted – Conducting--in charge of one of the best orchestras in Europe – Keeping order among musicians • Established the symphony and the string quartet as major instrumental forms. • After death of Prince, Haydn made 2 long trips to England (1790). – Composed symphonies, songs, and piano works • Returned to Vienna in 1795--produced oratorios, Masses, and more string quartets. • Taught Beethoven
  • 4. Haydn’s Music • Wrote every kind of music • Optimistic, sense of humor • “Papa Haydn”-very influential to other musicians • Master at developing themes
  • 5. The String Quartet • Musical Instruments – 1st violin – 2nd violin – viola – cello
  • 6. Joseph Haydn: The String Quartet • Common Movements – Sonata form--fast – Sonata, theme and variations, or ABA--slow (contrasting key) – Minuet and Trio--ABA--triple meter – Finale-sonata or rondo--very fast
  • 7. Haydn: String Quartet, Op. 76, No. 3 (Emperor) (Listening Guide ) • Op. 76 string quartets • Second movement: theme and variations
  • 8. Theme and Variations Form • Very popular in Classical Era • Theme presented and then altered in several ways • Examples of variation techniques: – Change of key – Change of mode (major to minor/minor to major) – Change of tempo or meter – Change of timbre (i.e., instrumentation) – Change in texture (homophony/polyphony)
  • 9. Theme & Variations • Can be independent piece or movement of symphony, sonata, or string quartet • Outline of form: A A΄(A prime, variation 1), A΄΄(variation 2), etc.; each prime mark indicates variation of basic theme • Connected or separated by pauses • Composer may borrow melody or invent own • Usually no more than 4 variations of a tune
  • 10. Joseph Haydn: String Quartet in C Major--2nd Movement • Theme: hymn-like, resembling 4-part harmony (homophonic) • Variation 1: violin 2 has melody with violin 1 accompaniment (2-part homophony) • Variation 2: cello has theme with other 3 voices accompanying • Variation 3: viola has melody; only 3 voices play most of variation • Variation 4: 4-part polyphony throughout
  • 11. String Quartet in C Major 2nd Movement • Movement 2
  • 12.
  • 13. Important Symphonies Composed by Haydn • Symphony #8--G Major (“Evening”) – One of a series (“Morning,” “Noon,” and “Evening”) • Symphony #45--F Minor (“Farewell”) – Musicians left the stage one-by-one in protest for having to be away from their families too long • Symphony #94--G Major (“Surprise”) – Loud chord near beginning of slow movement • Symphony #101--D major (“Clock”) – Tick-tock rhythm of slow movement
  • 14. Haydn and the Symphony • No. 94, Movement II • No. 45, Movement IV
  • 15. The Last Movement: Haydn’s Concerto for Trumpet and Rondo Form • Thirty-five concertos by Haydn • Trumpet concerto: experimental instrument, keyed trumpet – highly lyrical melodies, virtuosic passages – 1800 first performance; manuscript lost until 1929 – Haydn’s last orchestral work
  • 16. Concerto for Trumpet in E-flat Third Movement-Rondo(1796) • Composed in 1796 for keyed trumpet • Virtuoso-Anton Weidinger • Exciting to listen to – Brilliant trumpet sound – Happy quality – Rondo form – Rondo contains both old and new ideas
  • 17. • Rondo: recurring musical idea, refrain (A) • (A-B-A-C-A) symmetrical, balanced • (A-B-A-C-A-B-A) sonata-rondo – combines sonata-allegro form and rondo The Last Movement: Haydn’s Concerto for Trumpet and Rondo Form
  • 18. Trumpet Concerto in Eb Major Movement III • Movement III
  • 19.
  • 20. by Kristine Forney Andrew Dell’Antonio Joseph Machlis Lecture Slides THIRD EDITION THE ENJOYMENT OF MUSIC ESSENTIAL LISTENING EDITION http://wwnorton.com/web/enjoyess2