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l'entra de la murta- s. giner - set of clarinets

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L'entrá de la murta- S. Giner - Set of Clarinets

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L'Entrà de la Murta (Salvador Giner) L'entrà de la Murta' es conocida hoy, principalmente, por el pasodoble que tituló así el maestro Salvador Giner. Pero el músico se inspiró en una costumbre muy valenciana, entre religiosa y social, que consiste en esparcir por las calles de una población en fiestas ramas troceadas de hierbas aromáticas -sobre todo mirto (murta en valenciano)- que previamente se han recogido en el monte. La tradición se mantiene en muchas localidades de la Huerta de Valencia, extendiendo esta alfombra vegetal por donde ha de discurrir la procesión en honor del patrón o la patrona, y en algunos casos la fiesta se acompaña de bailes, o, con las “obreras” y “mayorales” en Bétera. Los caballos, por su gran porte, son los que verdaderamente lucen con borlas y diversos adornos con los que les engalanan para la ocasión. Perfectamente limpios y esquilados, etc.
                                Clarinet in B 1 Clarinet in B 2 Clarinet in B 3 Clarinet in B 4 Clarinet in B 5 Clarinet in B 6 Clarinet in B 7 Bass Clarinet                                                                                               3      Pasodoble                                                                                      Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                              3                                                                                                              L'entrá de la murta S. Giner Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.         3         3                                                                                                                                                                                                                                                                                          Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                                                                                                    3         3                                                                               2 L'entrá de la murta
                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                               cresc.                                                                                                                                                                                                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                                                                                                                                                                                                                                                                  3 L'entrá de la murta
                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                                                                                                                                                                                                                                                                                                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                                                                                                                                                                                4 L'entrá de la murta
                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.         3         3                                                                                                                                                      cresc. cresc. cresc. cresc. cresc. cresc. cresc. cresc.                                                                                                                                               Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                                                                                                                                                                   5 L'entrá de la murta
                                                                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                                                                                                                                                                                                                                                                                     Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                   3                                                                                  1.           1.          1.         1.         1.             1.             1.         1.           2.                                                                                                                                                        6 L'entrá de la murta
                                                        Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                           cresc. cresc. cresc. cresc. cresc. cresc. cresc. cresc.                                                                                    1.                                                                          2.                 2.                 2.                 2.        2.                 2.                 2.      2.                                                                                  Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                                                                                                                                                                                                                                                                                               7 L'entrá de la murta
                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                                                                                                                                                                                                                                                                                                    Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                                                                                                                                                                                                                                                                                            8 L'entrá de la murta
                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                                                                                                                                                                                                                           3                                            Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                                                                                                                                                                                                                                                     rit..        9 L'entrá de la murta
                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                                 A Tempo                                                                                                                                                                              Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                                                                                                                                                                     10 L'entrá de la murta
                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                                                                                                                                                     Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                                     11 L'entrá de la murta Al
                        Pasodoble         3                                                           3                   cresc.                                                                                                                                                                                             3              cresc.                                                                                                                      3 1.           2.                                           L'entrá de la murta S. Giner Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 1º B
                      cresc.                  1.                 2.                                                                                                                                                                                                                                                                                                                         rit..                   A Tempo                                                                                        2 L'entrá de la murta a la
                         Pasodoble          3                                                         3                                                                                                                                                                                                           3              cresc.                                                                                                         1.          2.                                          cresc.                      1.                 2.                                                      L'entrá de la murta S. Giner Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 2º B
                                                                                                                                                                                                                                                                     rit..                   A Tempo                                                                                    2 L'entrá de la murta a la
                    Pasodoble                                                                                                                                                                                                                                                                                                                                      1.         2.                       cresc.             1.        2.                                               L'entrá de la murta S. Giner Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 3º B
                                                                                                                                                                                                                                                           rit..                    A Tempo                                                                                                        2 L'entrá de la murta a la
                       Pasodoble                                                                                                                                                                                                                                                                                                                             1.         2.           cresc.      1.    2.         L'entrá de la murta S. Giner Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 4º B
                                                                                         3                                                  rit..              A Tempo                                           L'entrá de la murta a la 2
                       Pasodoble                                                                                                                                                                                                                                                                                                                                             1.             2.         L'entrá de la murta S. Giner Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 5º B
                  cresc.        1.        2.                                                                                                                                                                                                 rit..                                    A Tempo                                            2 L'entrá de la murta a la
                                 Pasodoble                                                                                                                                                                                                                                                                                                                                  cresc.                                                                                                                                    1.             2.                                 cresc.          1.         2.                                                                                           L'entrá de la murta S. Giner Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 6º B
                                                                                                                                                      rit..                     A Tempo                                                                                                                                                                               2 L'entrá de la murta a la
                         Pasodoble                                                                                                                                                                                                                                                                                                                                                                                       1.         2.                    cresc.                1.         2.                                                                                           L'entrá de la murta S. Giner Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 7º B
                                                                                                                               rit..                   A Tempo                                                                                                                                2 L'entrá de la murta a la
        3                    Pasodoble   3                                                                                                                                                                                                                                                                                                                                                                                                                                                                      1.         2.                          cresc.            1.         2.                                                                    L'entrá de la murta S. Giner Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet Bass
                                                                                                                                                                       rit..         A Tempo                                                                                                            2 L'entrá de la murta a la

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l'entra de la murta- s. giner - set of clarinets

  • 1. L'Entrà de la Murta (Salvador Giner) L'entrà de la Murta' es conocida hoy, principalmente, por el pasodoble que tituló así el maestro Salvador Giner. Pero el músico se inspiró en una costumbre muy valenciana, entre religiosa y social, que consiste en esparcir por las calles de una población en fiestas ramas troceadas de hierbas aromáticas -sobre todo mirto (murta en valenciano)- que previamente se han recogido en el monte. La tradición se mantiene en muchas localidades de la Huerta de Valencia, extendiendo esta alfombra vegetal por donde ha de discurrir la procesión en honor del patrón o la patrona, y en algunos casos la fiesta se acompaña de bailes, o, con las “obreras” y “mayorales” en Bétera. Los caballos, por su gran porte, son los que verdaderamente lucen con borlas y diversos adornos con los que les engalanan para la ocasión. Perfectamente limpios y esquilados, etc.
  • 2.                                 Clarinet in B 1 Clarinet in B 2 Clarinet in B 3 Clarinet in B 4 Clarinet in B 5 Clarinet in B 6 Clarinet in B 7 Bass Clarinet                                                                                               3      Pasodoble                                                                                      Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                              3                                                                                                              L'entrá de la murta S. Giner Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
  • 3.                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.         3         3                                                                                                                                                                                                                                                                                          Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                                                                                                    3         3                                                                               2 L'entrá de la murta
  • 4.                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                               cresc.                                                                                                                                                                                                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                                                                                                                                                                                                                                                                  3 L'entrá de la murta
  • 5.                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                                                                                                                                                                                                                                                                                                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                                                                                                                                                                                4 L'entrá de la murta
  • 6.                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.         3         3                                                                                                                                                      cresc. cresc. cresc. cresc. cresc. cresc. cresc. cresc.                                                                                                                                               Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                                                                                                                                                                   5 L'entrá de la murta
  • 7.                                                                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                                                                                                                                                                                                                                                                                     Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                   3                                                                                  1.           1.          1.         1.         1.             1.             1.         1.           2.                                                                                                                                                        6 L'entrá de la murta
  • 8.                                                         Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                           cresc. cresc. cresc. cresc. cresc. cresc. cresc. cresc.                                                                                    1.                                                                          2.                 2.                 2.                 2.        2.                 2.                 2.      2.                                                                                  Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                                                                                                                                                                                                                                                                                               7 L'entrá de la murta
  • 9.                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                                                                                                                                                                                                                                                                                                    Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                                                                                                                                                                                                                                                                                            8 L'entrá de la murta
  • 10.                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                                                                                                                                                                                                                           3                                            Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                                                                                                                                                                                                                                                     rit..        9 L'entrá de la murta
  • 11.                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                                 A Tempo                                                                                                                                                                              Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                                                                                                                                                                     10 L'entrá de la murta
  • 12.                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                                                                                                                                                     Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                                     11 L'entrá de la murta Al
  • 13.                         Pasodoble         3                                                           3                   cresc.                                                                                                                                                                                             3              cresc.                                                                                                                      3 1.           2.                                           L'entrá de la murta S. Giner Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 1º B
  • 14.                       cresc.                  1.                 2.                                                                                                                                                                                                                                                                                                                         rit..                   A Tempo                                                                                        2 L'entrá de la murta a la
  • 15.                          Pasodoble          3                                                         3                                                                                                                                                                                                           3              cresc.                                                                                                         1.          2.                                          cresc.                      1.                 2.                                                      L'entrá de la murta S. Giner Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 2º B
  • 16.                                                                                                                                                                                                                                                                      rit..                   A Tempo                                                                                    2 L'entrá de la murta a la
  • 17.                     Pasodoble                                                                                                                                                                                                                                                                                                                                      1.         2.                       cresc.             1.        2.                                               L'entrá de la murta S. Giner Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 3º B
  • 18.                                                                                                                                                                                                                                                            rit..                    A Tempo                                                                                                        2 L'entrá de la murta a la
  • 19.                        Pasodoble                                                                                                                                                                                                                                                                                                                             1.         2.           cresc.      1.    2.         L'entrá de la murta S. Giner Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 4º B
  • 20.                                                                                          3                                                  rit..              A Tempo                                           L'entrá de la murta a la 2
  • 21.                        Pasodoble                                                                                                                                                                                                                                                                                                                                             1.             2.         L'entrá de la murta S. Giner Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 5º B
  • 22.                   cresc.        1.        2.                                                                                                                                                                                                 rit..                                    A Tempo                                            2 L'entrá de la murta a la
  • 23.                                  Pasodoble                                                                                                                                                                                                                                                                                                                                  cresc.                                                                                                                                    1.             2.                                 cresc.          1.         2.                                                                                           L'entrá de la murta S. Giner Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 6º B
  • 24.                                                                                                                                                       rit..                     A Tempo                                                                                                                                                                               2 L'entrá de la murta a la
  • 25.                          Pasodoble                                                                                                                                                                                                                                                                                                                                                                                       1.         2.                    cresc.                1.         2.                                                                                           L'entrá de la murta S. Giner Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 7º B
  • 26.                                                                                                                                rit..                   A Tempo                                                                                                                                2 L'entrá de la murta a la
  • 27.         3                    Pasodoble   3                                                                                                                                                                                                                                                                                                                                                                                                                                                                      1.         2.                          cresc.            1.         2.                                                                    L'entrá de la murta S. Giner Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet Bass
  • 28.                                                                                                                                                                        rit..         A Tempo                                                                                                            2 L'entrá de la murta a la