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Odilia - Jacob de Haan - Set of Clarinets

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kristal41

Odilia - Jacob de Haan - Set of Clarinets

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ODILIA (Jacob de Haan) Odilia is an up-tempo and joyful ode to Baume-les-Dames, a village in the department of Doubs in Franche-Comté, Eastern France. The title is derived from the legend of Odilia of Alsace (venerated as Saint Odilia, or Odile), the daughter of the Duke of Alsace. She was born blind, and literally saw the light at the age of twelve at the convent of Baume-les-Dames. From this miraculous occurrence, she was dubbed Odilia — child of light. Jacob de Haan was inspired by medieval dance music for the opening of this composition. In the slow movement that follows, a lyrical minor theme builds to a dramatic climax, which is followed by a calm passage featuring the repeated lyrical theme. Finally, the medieval motif returns, this time presented in a festive gospel version.
                      Clarinet in B 1 Clarinet in B 2 Clarinet in B 3 Clarinet in B 4 Clarinet in B 5 Bass Clarinet                       Tempo Moderato ()    Tubular Bells                                                                                                                                              Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 7                                                                                                                                             ODILIA Jacob de Haan ©Gino Gonçals Pop Overture for Band Commissioned by Harmonie Municipale de Baume les Dames (France) on occasión of its 150th anniversary Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI)
            Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 12                                                                                                                                                     Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 17                                                                                                    19                                                                                           2Odilia
            Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 22                                                                                                                                                                                                             Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl.                          27                                                                                                                   3Odilia
            Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 32                                                                                                                                                    35                                                            Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 37                                                                                                                                                                                                                                               4Odilia
                       Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 42                                                                                                         Rit...                      Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl.           47 Andante ()                                                             5Odilia
            Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 52                                                                                     Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 57                                                           59                                            6Odilia
            Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 62                                                                                                                               Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 67                                                                                                                                7Odilia
            Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 72                  3         3          3                                       3         3          3                                                                  3         3          3                                       Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 77                Rit...                             3           3            3    A tempo                          3           3            3                                                               3                  3               8Odilia
                       Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 82                                    3                  3                     3              3               3                                         84                                            Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 87                                                                                    9Odilia
                     Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 92                                                             Rit...                         Rock                                        Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 97                                                                                                                                           10Odilia
            Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 102                                                      103                                                                                                                  Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 107                                                                                                                                                                                                                                   11Odilia
            Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 112                                                                                                                                                                                          Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 117                                                                                                                                                                                                            12Odilia
            Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 122                                                                                                                                                                                                                                             Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 127                                                                                                                                                                               13Odilia
            Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 132                                                                                                                                                                135                                            Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 137                                                                                                                                                                      14Odilia
            Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 142                                                                                                                                                                        Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 147                                                                                                                                                                                 15Odilia
            Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 152                                                                                                                                                               Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 157                                                                                                                                                                                     16Odilia
            Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 162                                                                                                                                     Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl.                           167                                                                                                                          17Odilia
            Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 172                                                                                                                                                                                                                                        Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 177                                                                                                                                                                                                                                                                                                              18Odilia
            Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 182                                                                                                                                                                                                          Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 187                                                                                                                                                                                                                 19Odilia
            Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 192                                                                                                                                                                                                           Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 197                                                                            199                                                          20Odilia
            Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 202                                                                                                                                                                                                                                                                       Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 207                                                                                                                                                                             21Odilia
            Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 212                                                                                                                                                                                                                                                     Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 217                                                                                                                                                                                                                                            22Odilia
            Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 222                                                                                                                                                                                             Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 227                                                                                                                                                                                                                                                               231       23Odilia
            Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 232                                                                                                                                                                                                                    Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 237                                                                                                                                                                                                            24Odilia
            Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 242                                                                                                                                                                                                                        25Odilia
   Tempo Moderato ()                                                                                                            19                                                        27                                                                35                                                                      ODILIA Jacob de Haan ©Gino Gonçals Pop Overture for Band Commissioned by Harmonie Municipale de Baume les Dames (France) on occasión of its 150th anniversary Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI)Clarinet 1ºB
         Rit...  47 Andante ()                                                  59                                                                         3        3        3      Rit...       A tempo                                          3      84                                          Rit...     Rock         103                                                      2Odilia
                                                                                                             135                                                                                                                                                                                                            167                                                                                                                                                              3Odilia
                                                                                     199                                                                                                                                                                                  231                                                                                                                                                                           4Odilia
   Tempo Moderato ()                                                                                      19                                               27                                                      35                                                                Rit...   47 Andante ()         ODILIA Jacob de Haan ©Gino Gonçals Pop Overture for Band Commissioned by Harmonie Municipale de Baume les Dames (France) on occasión of its 150th anniversary Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)Clarinet 2ºB
                            59                                                                          3          3          3       Rit...        A tempo                                          3       84                                          Rit...     Rock          103                                                                 2Odilia
                                                                                                                        135                                                                       167                                                                                                                                                           3Odilia
                                                                                                   199                                                                                                                                                                                                         231                                                                                                                                                                             4Odilia
    Tempo Moderato ()                                                                                                    19                                                       27                                                           35                                                                                                     Rit...   47 Andante ()       ODILIA Jacob de Haan ©Gino Gonçals Pop Overture for Band Commissioned by Harmonie Municipale de Baume les Dames (France) on occasión of its 150th anniversary Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)Clarinet 3ºB
               59                                                   3             3           3     Rit...        A tempo                                                 3   84                         Rit...  Rock            103                                                                                                         2Odilia
                                                                                                      135                                                                                                                                                                                                                           167                                                                                                                                 3Odilia
                              199                                                                                                                                                                                                           231                                     4Odilia
            Tempo Moderato () Tubular Bells                                                                                                         19                                                                 27                                              35                                                                        Rit...     47 Andante ()          ODILIA Jacob de Haan ©Gino Gonçals Pop Overture for Band Commissioned by Harmonie Municipale de Baume les Dames (France) on occasión of its 150th anniversary Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)Clarinet 4ºB
        59                                                                            Rit...       3  A tempo        3                      3                  3        84                     Rit...  Rock           103                                                                   2 Odilia
                    135                                                                                                                                                               167                                                                                                                                                   3Odilia
     199                                                                                                                                                                                            231                                                                  4 Odilia
             Tempo Moderato ()  Tubular Bells                                                                                               19                                                               27                                                35                                                                 Rit...         47 Andante ()                                       ODILIA Jacob de Haan ©Gino Gonçals Pop Overture for Band Commissioned by Harmonie Municipale de Baume les Dames (France) on occasión of its 150th anniversary Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)Clarinet 5ºB
                   59                                                                                                                        Rit... A tempo       3           3                    3                  3              84                                              Rit...           Rock                                                                                         103                                                                                     2Odilia
                                                                                                                                                                                                                                                     135                                                                                                                           167                                                                                         3Odilia
                                                                                                                                                                            199                                                                                                                                                                                                                                                                                                                                          231                                                                                     4Odilia
     Tempo Moderato ()                                                                              19                               27                                              35                                      Rit...     47 Andante ()                            59    ODILIA Jacob de Haan ©Gino Gonçals Pop Overture for Band Commissioned by Harmonie Municipale de Baume les Dames (France) on occasión of its 150th anniversary Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)Clarinet Bass
                                                                   Rit...            3  A tempo            3                              84                       Rit...           Rock                                                                                         103                                                                                                                                                                        2Odilia
                                                                                                                                                                        135                                                                                                                                                                                                                                                                                 167                                                                                                                                           3Odilia
                                                                                                                                            199                                                                                                                                                                                                                                                                                                                                                   231                                                                                                                            4Odilia

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Odilia - Jacob de Haan - Set of Clarinets

  • 1. ODILIA (Jacob de Haan) Odilia is an up-tempo and joyful ode to Baume-les-Dames, a village in the department of Doubs in Franche-Comté, Eastern France. The title is derived from the legend of Odilia of Alsace (venerated as Saint Odilia, or Odile), the daughter of the Duke of Alsace. She was born blind, and literally saw the light at the age of twelve at the convent of Baume-les-Dames. From this miraculous occurrence, she was dubbed Odilia — child of light. Jacob de Haan was inspired by medieval dance music for the opening of this composition. In the slow movement that follows, a lyrical minor theme builds to a dramatic climax, which is followed by a calm passage featuring the repeated lyrical theme. Finally, the medieval motif returns, this time presented in a festive gospel version.
  • 2.                       Clarinet in B 1 Clarinet in B 2 Clarinet in B 3 Clarinet in B 4 Clarinet in B 5 Bass Clarinet                       Tempo Moderato ()    Tubular Bells                                                                                                                                              Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 7                                                                                                                                             ODILIA Jacob de Haan ©Gino Gonçals Pop Overture for Band Commissioned by Harmonie Municipale de Baume les Dames (France) on occasión of its 150th anniversary Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI)
  • 3.             Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 12                                                                                                                                                     Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 17                                                                                                    19                                                                                           2Odilia
  • 4.             Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 22                                                                                                                                                                                                             Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl.                          27                                                                                                                   3Odilia
  • 5.             Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 32                                                                                                                                                    35                                                            Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 37                                                                                                                                                                                                                                               4Odilia
  • 6.                        Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 42                                                                                                         Rit...                      Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl.           47 Andante ()                                                             5Odilia
  • 7.             Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 52                                                                                     Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 57                                                           59                                            6Odilia
  • 8.             Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 62                                                                                                                               Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 67                                                                                                                                7Odilia
  • 9.             Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 72                  3         3          3                                       3         3          3                                                                  3         3          3                                       Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 77                Rit...                             3           3            3    A tempo                          3           3            3                                                               3                  3               8Odilia
  • 10.                        Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 82                                    3                  3                     3              3               3                                         84                                            Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 87                                                                                    9Odilia
  • 11.                      Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 92                                                             Rit...                         Rock                                        Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 97                                                                                                                                           10Odilia
  • 12.             Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 102                                                      103                                                                                                                  Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 107                                                                                                                                                                                                                                   11Odilia
  • 13.             Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 112                                                                                                                                                                                          Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 117                                                                                                                                                                                                            12Odilia
  • 14.             Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 122                                                                                                                                                                                                                                             Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 127                                                                                                                                                                               13Odilia
  • 15.             Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 132                                                                                                                                                                135                                            Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 137                                                                                                                                                                      14Odilia
  • 16.             Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 142                                                                                                                                                                        Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 147                                                                                                                                                                                 15Odilia
  • 17.             Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 152                                                                                                                                                               Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 157                                                                                                                                                                                     16Odilia
  • 18.             Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 162                                                                                                                                     Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl.                           167                                                                                                                          17Odilia
  • 19.             Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 172                                                                                                                                                                                                                                        Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 177                                                                                                                                                                                                                                                                                                              18Odilia
  • 20.             Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 182                                                                                                                                                                                                          Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 187                                                                                                                                                                                                                 19Odilia
  • 21.             Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 192                                                                                                                                                                                                           Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 197                                                                            199                                                          20Odilia
  • 22.             Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 202                                                                                                                                                                                                                                                                       Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 207                                                                                                                                                                             21Odilia
  • 23.             Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 212                                                                                                                                                                                                                                                     Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 217                                                                                                                                                                                                                                            22Odilia
  • 24.             Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 222                                                                                                                                                                                             Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 227                                                                                                                                                                                                                                                               231       23Odilia
  • 25.             Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 232                                                                                                                                                                                                                    Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 237                                                                                                                                                                                                            24Odilia
  • 26.             Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B.Cl. 242                                                                                                                                                                                                                        25Odilia
  • 27.    Tempo Moderato ()                                                                                                            19                                                        27                                                                35                                                                      ODILIA Jacob de Haan ©Gino Gonçals Pop Overture for Band Commissioned by Harmonie Municipale de Baume les Dames (France) on occasión of its 150th anniversary Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI)Clarinet 1ºB
  • 28.          Rit...  47 Andante ()                                                  59                                                                         3        3        3      Rit...       A tempo                                          3      84                                          Rit...     Rock         103                                                      2Odilia
  • 29.                                                                                                              135                                                                                                                                                                                                            167                                                                                                                                                              3Odilia
  • 30.                                                                                      199                                                                                                                                                                                  231                                                                                                                                                                           4Odilia
  • 31.    Tempo Moderato ()                                                                                      19                                               27                                                      35                                                                Rit...   47 Andante ()         ODILIA Jacob de Haan ©Gino Gonçals Pop Overture for Band Commissioned by Harmonie Municipale de Baume les Dames (France) on occasión of its 150th anniversary Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)Clarinet 2ºB
  • 32.                             59                                                                          3          3          3       Rit...        A tempo                                          3       84                                          Rit...     Rock          103                                                                 2Odilia
  • 33.                                                                                                                         135                                                                       167                                                                                                                                                           3Odilia
  • 34.                                                                                                    199                                                                                                                                                                                                         231                                                                                                                                                                             4Odilia
  • 35.     Tempo Moderato ()                                                                                                    19                                                       27                                                           35                                                                                                     Rit...   47 Andante ()       ODILIA Jacob de Haan ©Gino Gonçals Pop Overture for Band Commissioned by Harmonie Municipale de Baume les Dames (France) on occasión of its 150th anniversary Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)Clarinet 3ºB
  • 36.                59                                                   3             3           3     Rit...        A tempo                                                 3   84                         Rit...  Rock            103                                                                                                         2Odilia
  • 37.                                                                                                       135                                                                                                                                                                                                                           167                                                                                                                                 3Odilia
  • 38.                               199                                                                                                                                                                                                           231                                     4Odilia
  • 39.             Tempo Moderato () Tubular Bells                                                                                                         19                                                                 27                                              35                                                                        Rit...     47 Andante ()          ODILIA Jacob de Haan ©Gino Gonçals Pop Overture for Band Commissioned by Harmonie Municipale de Baume les Dames (France) on occasión of its 150th anniversary Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)Clarinet 4ºB
  • 40.         59                                                                            Rit...       3  A tempo        3                      3                  3        84                     Rit...  Rock           103                                                                   2 Odilia
  • 41.                     135                                                                                                                                                               167                                                                                                                                                   3Odilia
  • 42.      199                                                                                                                                                                                            231                                                                  4 Odilia
  • 43.              Tempo Moderato ()  Tubular Bells                                                                                               19                                                               27                                                35                                                                 Rit...         47 Andante ()                                       ODILIA Jacob de Haan ©Gino Gonçals Pop Overture for Band Commissioned by Harmonie Municipale de Baume les Dames (France) on occasión of its 150th anniversary Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)Clarinet 5ºB
  • 44.                    59                                                                                                                        Rit... A tempo       3           3                    3                  3              84                                              Rit...           Rock                                                                                         103                                                                                     2Odilia
  • 45.                                                                                                                                                                                                                                                      135                                                                                                                           167                                                                                         3Odilia
  • 46.                                                                                                                                                                             199                                                                                                                                                                                                                                                                                                                                          231                                                                                     4Odilia
  • 47.      Tempo Moderato ()                                                                              19                               27                                              35                                      Rit...     47 Andante ()                            59    ODILIA Jacob de Haan ©Gino Gonçals Pop Overture for Band Commissioned by Harmonie Municipale de Baume les Dames (France) on occasión of its 150th anniversary Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)Clarinet Bass
  • 48.                                                                    Rit...            3  A tempo            3                              84                       Rit...           Rock                                                                                         103                                                                                                                                                                        2Odilia
  • 49.                                                                                                                                                                         135                                                                                                                                                                                                                                                                                 167                                                                                                                                           3Odilia
  • 50.                                                                                                                                             199                                                                                                                                                                                                                                                                                                                                                   231                                                                                                                            4Odilia