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Rikudim - Jan Van der Roost - Set of Clarinets

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kristal41

Rikudim - Jan Van der Roost - Set of Clarinets

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RIKUDIM (Jan Van der Roost) Composed in 1986 and inspired by Jewish dances, Rikudim is a four-movement suite that is approximately nine minutes in duration. Van der Roost did not draw on authentic folk melodies as source material for Rikudim, but rather composed the piece in the style of Israeli folk dances. These four idiomatic movements capture the both melancholy and optimistically festive characteristics of Jewish dance music.
                               Clarinet in E Clarinet in B 1 Clarinet in B 2 Clarinet in B 3 Clarinet in B 4 Clarinet in B 5 Bass Clarinet                                   Andante Moderado                                                                                                                                                                                          E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                              3 3                            A            3 3                            RIKUDIM Jan Van der Roost Gino Gonçals I four Israeli Folkdances arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
        E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.          3 3                                3 3                                                                                                                                                              E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                             B Poco meno mosso (=112)                                                                                     2Ridukim I (Cover of Clarinets, Aragón, S.XXI)
                      E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                                                                                                                     C                                                          E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                            1.                           3Ridukim I (Cover of Clarinets, Aragón, S.XXI)
                                E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl. 2.                      rit.     3                                         Andante Moderado        D                                                                                            E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                                                                            4Ridukim I (Cover of Clarinets, Aragón, S.XXI)
                      E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.         3 3                           E            3 3                                     3 3                                 3 3                                                                       E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                          3 3                           F            3 3                            5Ridukim I (Cover of Clarinets, Aragón, S.XXI)
        E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.         3 3                                 3 3                                                                                                 rit.                                                      6Ridukim I (Cover of Clarinets, Aragón, S.XXI)
                               Clarinet in E Clarinet in B 1 Clarinet in B 2 Clarinet in B 3 Clarinet in B 4 Clarinet in B 5 Bass Clarinet                             Allegretto con eleganza       A                                                                                                                                            E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                                                                                           RIKUDIM Jan Van der Roost Gino Gonçals II four Israeli Folkdances arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
                            E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                                                                                                                                                                E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                     Allegro con moto ()      B                                             2Ridukim II (Cover of Clarinets, Aragón, S.XXI)
               E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                                    E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                           3Ridukim II (Cover of Clarinets, Aragón, S.XXI)
               E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                                  E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                                          4Ridukim II (Cover of Clarinets, Aragón, S.XXI)
               E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                        E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                        5Ridukim II (Cover of Clarinets, Aragón, S.XXI)
                                                   E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.        1.                2.                    poco meno mosso                                                              E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                            1.                   6Ridukim II (Cover of Clarinets, Aragón, S.XXI)
        E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl. 2.                                                                   7Ridukim II (Cover of Clarinets, Aragón, S.XXI)
                       Clarinet in E Clarinet in B 1 Clarinet in B 2 Clarinet in B 3 Clarinet in B 4 Clarinet in B 5 Bass Clarinet                                                  Andante con dolcezza () (3+2+2) A                                                                                                                                              E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                                                                           RIKUDIM Jan Van der Roost Gino Gonçals III four Israeli Folkdances arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
             E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                                                                                                               E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                                                                                                 2Ridukim III (Cover of Clarinets, Aragón, S.XXI)
                       E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                                       poco con dolore  B                                                E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                           3Ridukim III (Cover of Clarinets, Aragón, S.XXI)
             E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                                 solo              E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                  C                                                                                  4Ridukim III (Cover of Clarinets, Aragón, S.XXI)
                       E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                 E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                             rit.                                        5Ridukim III (Cover of Clarinets, Aragón, S.XXI)
             E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                  D Andante con dolcezza () (3+2+2)                                                                                                                                              E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                                                                           6Ridukim III (Cover of Clarinets, Aragón, S.XXI)
             E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                                                                                                               E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                                                                                                7Ridukim III (Cover of Clarinets, Aragón, S.XXI)
                       E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                                       poco con dolore                                                 E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                           8Ridukim III (Cover of Clarinets, Aragón, S.XXI)
             E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                                              E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                         solo                                                                              9Ridukim III (Cover of Clarinets, Aragón, S.XXI)
                       E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                             E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                     rit.    morendo                                               10Ridukim III (Cover of Clarinets, Aragón, S.XXI)
                                      Clarinet in E Clarinet in B 1 Clarinet in B 2 Clarinet in B 3 Clarinet in B 4 Clarinet in B 5 Bass Clarinet                                     CON MOTO E FOLLEMENTO                                                                                                                                                           A                                                                          E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                                                                                                                                                                                      RIKUDIM Jan Van der Roost Gino Gonçals IV four Israeli Folkdances arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
             E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                      B                                                                                                                                                                                                                             E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                         1.                    2.                                         C poco meno mosso                                                  2Ridukim IV (Cover of Clarinets, Aragón, S.XXI)
                           E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                   3       3              3  1.                  2.                            E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                                                                                                                                                                                                                              3Ridukim IV (Cover of Clarinets, Aragón, S.XXI)
             E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                                                                                                                                                                          E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                                                                                                D   con fuoco e forza                                           4Ridukim IV (Cover of Clarinets, Aragón, S.XXI)
                           E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                                                                       1.                                                       E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl. 2.                                                                                                                                                                                                        5Ridukim IV (Cover of Clarinets, Aragón, S.XXI)
      Andante Moderado                          A                              B Poco meno mosso (=112)                                      C                                   1.      2.       rit.     3        Andante Moderado D                       E                              F                 rit.           RIKUDIM Jan Van der Roost Gino Gonçals I four Israeli Folkdances arr. by Gino Gonçals Clarinete Mi (Cover of Clarinets, Aragón, S.XXI)
      Allegretto con eleganzaA                                                                                                    Allegro con moto ()B                                             C                                           1.    2.     poco meno mosso                                1.   2.             RIKUDIM Jan Van der Roost Gino Gonçals II four Israeli Folkdances arr. by Gino Gonçals Clarinet Mi (Cover of Clarinets, Aragón, S.XXI)
   Andante con dolcezza () (3+2+2) A                                                              poco con dolore  B                          C  solo                           rit.    D Andante con dulzura ()                                                              poco con dolore         solo                                            rit.  morendo     RIKUDIM Jan Van der Roost Gino Gonçals III four Israeli Folkdances arr. by Gino Gonçals Clarinet MI (Cover of Clarinets, Aragón, S.XXI)
     CON MOTO E FOLLEMENTO                A                        B                                 1.     2.         C poco meno mosso                              3 1.    2.                                                                                                           D  con fuoco e forza                                     1.        2.                     RIKUDIM Jan Van der Roost Gino Gonçals IV four Israeli Folkdances arr. by Gino Gonçals Clarinet Mi (Cover of Clarinets, Aragón, S.XXI)
      Andante Moderado                                                        3 3  A         3 3         3 3            3 3                  B Poco meno mosso (=112)                  C                              1.      2.       rit.         Andante Moderado   D                                                       3 3  E          3 3         3 3          3 3                             3 3  F         3 3         3 3           3 3        rit.            RIKUDIM Jan Van der Roost Gino Gonçals I four Israeli Folkdances arr. by Gino Gonçals Clarinet 1º (Cover of Clarinets, Aragón, S.XXI)
      Allegretto con eleganza  A                                                                                                                Allegro con moto ()B                                      C                                                     1.    2.     poco meno mosso                          1.    2.             RIKUDIM Jan Van der Roost Gino Gonçals II four Israeli Folkdances arr. by Gino Gonçals Clarinet 1º (Cover of Clarinets, Aragón, S.XXI)
            Andante con dolcezza () (3+2+2) A                                                                                                                                     poco con dolore B                                                                 rit.            C Andante con dulzura ()                                                                                                                                     poco con dolore                                                      rit.       RIKUDIM Jan Van der Roost Gino Gonçals III four Israeli Folkdances arr. by Gino Gonçals Clarinet 1º (Cover of Clarinets, Aragón, S.XXI)
      CON MOTO E FOLLEMENTO                A                                                     B                             1.        2.        C poco meno mosso                                3 1.    2.                                                                                                           D  con fuoco e forza                                      1.        2.                                RIKUDIM Jan Van der Roost Gino Gonçals IV four Israeli Folkdances arr. by Gino Gonçals Clarinet 1º (Cover of Clarinets, Aragón, S.XXI)
         Andante Moderado                                              A                           B Poco meno mosso (=112)                         C             1.   2.    rit.           Andante Moderado   D                                           E                            F                  rit.      RIKUDIM Jan Van der Roost Gino Gonçals I four Israeli Folkdances arr. by Gino Gonçals Clarinet 2º (Cover of Clarinets, Aragón, S.XXI)
       Allegretto con eleganza  A                                                               Allegro con moto ()  B                                                                 C                                                                    1.      2. poco meno mosso                  1.   2.             RIKUDIM Jan Van der Roost Gino Gonçals II four Israeli Folkdances arr. by Gino Gonçals Clarinet 2º (Cover of Clarinets, Aragón, S.XXI)
       Andante con dolcezza () (3+2+2) A                                                              poco con dolore  B                             C                              rit.             D Andante con dulzura ()                                                                poco con dolore                                                             rit.       RIKUDIM Jan Van der Roost Gino Gonçals III four Israeli Folkdances arr. by Gino Gonçals Clarinet 2º (Cover of Clarinets, Aragón, S.XXI)
      CON MOTO E FOLLEMENTO            A                                            B                                 1.     2.       C poco meno mosso 1.  2.                                                                                                            D con fuoco e forza                                      1.          2.                                 RIKUDIM Jan Van der Roost Gino Gonçals IV four Israeli Folkdances arr. by Gino Gonçals Clarinet 2º (Cover of Clarinets, Aragón, S.XXI)
         Andante Moderado                                             A                         B Poco meno mosso (=112)                                       C              1.   2.    rit.            Andante Moderado   D                                          E                             F                  rit.     RIKUDIM Jan Van der Roost Gino Gonçals I four Israeli Folkdances arr. by Gino Gonçals Clarinet 3º (Cover of Clarinets, Aragón, S.XXI)
          Allegretto con eleganza  A                                                                             Allegro con moto ()  B                                                                     C                                                                       1.  2. poco meno mosso            1.   2.       RIKUDIM Jan Van der Roost Gino Gonçals II four Israeli Folkdances arr. by Gino Gonçals Clarinet 3º (Cover of Clarinets, Aragón, S.XXI)
       Andante con dolcezza () (3+2+2) A                                                             poco con dolore B                        C                              rit.          D Andante con dulzura ()                                                                poco con dolore                                                 rit.       RIKUDIM Jan Van der Roost Gino Gonçals III four Israeli Folkdances arr. by Gino Gonçals Clarinet 3º (Cover of Clarinets, Aragón, S.XXI)
         CON MOTO E FOLLEMENTO                        A                                                            B                                    1.   2.       C poco meno mosso           1.  2.                                                                                                             D con fuoco e forza                         1.   2.                           RIKUDIM Jan Van der Roost Gino Gonçals IV four Israeli Folkdances arr. by Gino Gonçals Clarinet 3º (Cover of Clarinets, Aragón, S.XXI)
         Andante Moderado                                                    A                                                    B Poco meno mosso (=112)                                                                              C                    1.   2.  rit.        Andante Moderado   D                                                 E                                               F                               rit.         RIKUDIM Jan Van der Roost Gino Gonçals I four Israeli Folkdances arr. by Gino Gonçals Clarinet 4º (Cover of Clarinets, Aragón, S.XXI)
            Allegretto con eleganza  A                                                                                                                       Allegro con moto ()  B                                                                  C                                                                    1.  2.  poco meno mosso                1.   2.       RIKUDIM Jan Van der Roost Gino Gonçals II four Israeli Folkdances arr. by Gino Gonçals Clarinet 4º (Cover of Clarinets, Aragón, S.XXI)
       Andante con dolcezza () (3+2+2) A                                                                poco con dolore  B                                                                          C                                    rit.           D Andante con dulzura ()                                                                poco con dolore                                                                                                        rit.     RIKUDIM Jan Van der Roost Gino Gonçals III four Israeli Folkdances Clarinet 4º (Cover of Clarinets, Aragón, S.XXI) arr. by Gino Gonçals
           CON MOTO E FOLLEMENTO                            A                                                               B                                       1.   2.           C poco meno mosso                                   1.      2.                                                                                                                          D con fuoco e forza                               1.   2.                                  RIKUDIM Jan Van der Roost Gino Gonçals IV four Israeli Folkdances arr. by Gino Gonçals Clarinet 4º (Cover of Clarinets, Aragón, S.XXI)
          Andante Moderado                                                 A                                                B Poco meno mosso (=112)                                                     C                        1.      2.  rit.         Andante Moderado   D                                              E                                             F                               rit.         RIKUDIM Jan Van der Roost Gino Gonçals I four Israeli Folkdances arr. by Gino Gonçals Clarinet 5º (Cover of Clarinets, Aragón, S.XXI)
           Allegretto con eleganza  A                                                                                                                          Allegro con moto ()  B                                                                   C                                                                    1.  2.     poco meno mosso                                 1.     2.       RIKUDIM Jan Van der Roost Gino Gonçals II four Israeli Folkdances arr. by Gino Gonçals Clarinet 5º (Cover of Clarinets, Aragón, S.XXI)
              Andante con dolcezza () (3+2+2) A                                                                                                                                                                                                           poco con dolore B                                                                               C                                                                               rit.            D Andante con dulzura ()                                                                                                                                                                                                           poco con dolore                                                                                                                                           rit.               RIKUDIM Jan Van der Roost Gino Gonçals III four Israeli Folkdances arr. by Gino Gonçals Clarinet 5º (Cover of Clarinets, Aragón, S.XXI)
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  • 1. RIKUDIM (Jan Van der Roost) Composed in 1986 and inspired by Jewish dances, Rikudim is a four-movement suite that is approximately nine minutes in duration. Van der Roost did not draw on authentic folk melodies as source material for Rikudim, but rather composed the piece in the style of Israeli folk dances. These four idiomatic movements capture the both melancholy and optimistically festive characteristics of Jewish dance music.
  • 2.                                Clarinet in E Clarinet in B 1 Clarinet in B 2 Clarinet in B 3 Clarinet in B 4 Clarinet in B 5 Bass Clarinet                                   Andante Moderado                                                                                                                                                                                          E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                              3 3                            A            3 3                            RIKUDIM Jan Van der Roost Gino Gonçals I four Israeli Folkdances arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
  • 3.         E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.          3 3                                3 3                                                                                                                                                              E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                             B Poco meno mosso (=112)                                                                                     2Ridukim I (Cover of Clarinets, Aragón, S.XXI)
  • 4.                       E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                                                                                                                     C                                                          E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                            1.                           3Ridukim I (Cover of Clarinets, Aragón, S.XXI)
  • 5.                                 E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl. 2.                      rit.     3                                         Andante Moderado        D                                                                                            E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                                                                            4Ridukim I (Cover of Clarinets, Aragón, S.XXI)
  • 6.                       E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.         3 3                           E            3 3                                     3 3                                 3 3                                                                       E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                          3 3                           F            3 3                            5Ridukim I (Cover of Clarinets, Aragón, S.XXI)
  • 7.         E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.         3 3                                 3 3                                                                                                 rit.                                                      6Ridukim I (Cover of Clarinets, Aragón, S.XXI)
  • 8.                                Clarinet in E Clarinet in B 1 Clarinet in B 2 Clarinet in B 3 Clarinet in B 4 Clarinet in B 5 Bass Clarinet                             Allegretto con eleganza       A                                                                                                                                            E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                                                                                           RIKUDIM Jan Van der Roost Gino Gonçals II four Israeli Folkdances arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
  • 9.                             E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                                                                                                                                                                E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                     Allegro con moto ()      B                                             2Ridukim II (Cover of Clarinets, Aragón, S.XXI)
  • 10.                E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                                    E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                           3Ridukim II (Cover of Clarinets, Aragón, S.XXI)
  • 11.                E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                                  E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                                          4Ridukim II (Cover of Clarinets, Aragón, S.XXI)
  • 12.                E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                        E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                        5Ridukim II (Cover of Clarinets, Aragón, S.XXI)
  • 13.                                                    E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.        1.                2.                    poco meno mosso                                                              E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                            1.                   6Ridukim II (Cover of Clarinets, Aragón, S.XXI)
  • 14.         E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl. 2.                                                                   7Ridukim II (Cover of Clarinets, Aragón, S.XXI)
  • 15.                        Clarinet in E Clarinet in B 1 Clarinet in B 2 Clarinet in B 3 Clarinet in B 4 Clarinet in B 5 Bass Clarinet                                                  Andante con dolcezza () (3+2+2) A                                                                                                                                              E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                                                                           RIKUDIM Jan Van der Roost Gino Gonçals III four Israeli Folkdances arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
  • 16.              E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                                                                                                               E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                                                                                                 2Ridukim III (Cover of Clarinets, Aragón, S.XXI)
  • 17.                        E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                                       poco con dolore  B                                                E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                           3Ridukim III (Cover of Clarinets, Aragón, S.XXI)
  • 18.              E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                                 solo              E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                  C                                                                                  4Ridukim III (Cover of Clarinets, Aragón, S.XXI)
  • 19.                        E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                 E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                             rit.                                        5Ridukim III (Cover of Clarinets, Aragón, S.XXI)
  • 20.              E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                  D Andante con dolcezza () (3+2+2)                                                                                                                                              E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                                                                           6Ridukim III (Cover of Clarinets, Aragón, S.XXI)
  • 21.              E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                                                                                                               E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                                                                                                7Ridukim III (Cover of Clarinets, Aragón, S.XXI)
  • 22.                        E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                                       poco con dolore                                                 E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                           8Ridukim III (Cover of Clarinets, Aragón, S.XXI)
  • 23.              E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                                              E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                         solo                                                                              9Ridukim III (Cover of Clarinets, Aragón, S.XXI)
  • 24.                        E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                             E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                     rit.    morendo                                               10Ridukim III (Cover of Clarinets, Aragón, S.XXI)
  • 25.                                       Clarinet in E Clarinet in B 1 Clarinet in B 2 Clarinet in B 3 Clarinet in B 4 Clarinet in B 5 Bass Clarinet                                     CON MOTO E FOLLEMENTO                                                                                                                                                           A                                                                          E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                                                                                                                                                                                      RIKUDIM Jan Van der Roost Gino Gonçals IV four Israeli Folkdances arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
  • 26.              E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                      B                                                                                                                                                                                                                             E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                         1.                    2.                                         C poco meno mosso                                                  2Ridukim IV (Cover of Clarinets, Aragón, S.XXI)
  • 27.                            E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                   3       3              3  1.                  2.                            E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                                                                                                                                                                                                                              3Ridukim IV (Cover of Clarinets, Aragón, S.XXI)
  • 28.              E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                                                                                                                                                                          E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                                                                                                D   con fuoco e forza                                           4Ridukim IV (Cover of Clarinets, Aragón, S.XXI)
  • 29.                            E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                                                                       1.                                                       E Cl. Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl. 2.                                                                                                                                                                                                        5Ridukim IV (Cover of Clarinets, Aragón, S.XXI)
  • 30.       Andante Moderado                          A                              B Poco meno mosso (=112)                                      C                                   1.      2.       rit.     3        Andante Moderado D                       E                              F                 rit.           RIKUDIM Jan Van der Roost Gino Gonçals I four Israeli Folkdances arr. by Gino Gonçals Clarinete Mi (Cover of Clarinets, Aragón, S.XXI)
  • 31.       Allegretto con eleganzaA                                                                                                    Allegro con moto ()B                                             C                                           1.    2.     poco meno mosso                                1.   2.             RIKUDIM Jan Van der Roost Gino Gonçals II four Israeli Folkdances arr. by Gino Gonçals Clarinet Mi (Cover of Clarinets, Aragón, S.XXI)
  • 32.    Andante con dolcezza () (3+2+2) A                                                              poco con dolore  B                          C  solo                           rit.    D Andante con dulzura ()                                                              poco con dolore         solo                                            rit.  morendo     RIKUDIM Jan Van der Roost Gino Gonçals III four Israeli Folkdances arr. by Gino Gonçals Clarinet MI (Cover of Clarinets, Aragón, S.XXI)
  • 33.      CON MOTO E FOLLEMENTO                A                        B                                 1.     2.         C poco meno mosso                              3 1.    2.                                                                                                           D  con fuoco e forza                                     1.        2.                     RIKUDIM Jan Van der Roost Gino Gonçals IV four Israeli Folkdances arr. by Gino Gonçals Clarinet Mi (Cover of Clarinets, Aragón, S.XXI)
  • 34.       Andante Moderado                                                        3 3  A         3 3         3 3            3 3                  B Poco meno mosso (=112)                  C                              1.      2.       rit.         Andante Moderado   D                                                       3 3  E          3 3         3 3          3 3                             3 3  F         3 3         3 3           3 3        rit.            RIKUDIM Jan Van der Roost Gino Gonçals I four Israeli Folkdances arr. by Gino Gonçals Clarinet 1º (Cover of Clarinets, Aragón, S.XXI)
  • 35.       Allegretto con eleganza  A                                                                                                                Allegro con moto ()B                                      C                                                     1.    2.     poco meno mosso                          1.    2.             RIKUDIM Jan Van der Roost Gino Gonçals II four Israeli Folkdances arr. by Gino Gonçals Clarinet 1º (Cover of Clarinets, Aragón, S.XXI)
  • 36.             Andante con dolcezza () (3+2+2) A                                                                                                                                     poco con dolore B                                                                 rit.            C Andante con dulzura ()                                                                                                                                     poco con dolore                                                      rit.       RIKUDIM Jan Van der Roost Gino Gonçals III four Israeli Folkdances arr. by Gino Gonçals Clarinet 1º (Cover of Clarinets, Aragón, S.XXI)
  • 37.       CON MOTO E FOLLEMENTO                A                                                     B                             1.        2.        C poco meno mosso                                3 1.    2.                                                                                                           D  con fuoco e forza                                      1.        2.                                RIKUDIM Jan Van der Roost Gino Gonçals IV four Israeli Folkdances arr. by Gino Gonçals Clarinet 1º (Cover of Clarinets, Aragón, S.XXI)
  • 38.          Andante Moderado                                              A                           B Poco meno mosso (=112)                         C             1.   2.    rit.           Andante Moderado   D                                           E                            F                  rit.      RIKUDIM Jan Van der Roost Gino Gonçals I four Israeli Folkdances arr. by Gino Gonçals Clarinet 2º (Cover of Clarinets, Aragón, S.XXI)
  • 39.        Allegretto con eleganza  A                                                               Allegro con moto ()  B                                                                 C                                                                    1.      2. poco meno mosso                  1.   2.             RIKUDIM Jan Van der Roost Gino Gonçals II four Israeli Folkdances arr. by Gino Gonçals Clarinet 2º (Cover of Clarinets, Aragón, S.XXI)
  • 40.        Andante con dolcezza () (3+2+2) A                                                              poco con dolore  B                             C                              rit.             D Andante con dulzura ()                                                                poco con dolore                                                             rit.       RIKUDIM Jan Van der Roost Gino Gonçals III four Israeli Folkdances arr. by Gino Gonçals Clarinet 2º (Cover of Clarinets, Aragón, S.XXI)
  • 41.       CON MOTO E FOLLEMENTO            A                                            B                                 1.     2.       C poco meno mosso 1.  2.                                                                                                            D con fuoco e forza                                      1.          2.                                 RIKUDIM Jan Van der Roost Gino Gonçals IV four Israeli Folkdances arr. by Gino Gonçals Clarinet 2º (Cover of Clarinets, Aragón, S.XXI)
  • 42.          Andante Moderado                                             A                         B Poco meno mosso (=112)                                       C              1.   2.    rit.            Andante Moderado   D                                          E                             F                  rit.     RIKUDIM Jan Van der Roost Gino Gonçals I four Israeli Folkdances arr. by Gino Gonçals Clarinet 3º (Cover of Clarinets, Aragón, S.XXI)
  • 43.           Allegretto con eleganza  A                                                                             Allegro con moto ()  B                                                                     C                                                                       1.  2. poco meno mosso            1.   2.       RIKUDIM Jan Van der Roost Gino Gonçals II four Israeli Folkdances arr. by Gino Gonçals Clarinet 3º (Cover of Clarinets, Aragón, S.XXI)
  • 44.        Andante con dolcezza () (3+2+2) A                                                             poco con dolore B                        C                              rit.          D Andante con dulzura ()                                                                poco con dolore                                                 rit.       RIKUDIM Jan Van der Roost Gino Gonçals III four Israeli Folkdances arr. by Gino Gonçals Clarinet 3º (Cover of Clarinets, Aragón, S.XXI)
  • 45.          CON MOTO E FOLLEMENTO                        A                                                            B                                    1.   2.       C poco meno mosso           1.  2.                                                                                                             D con fuoco e forza                         1.   2.                           RIKUDIM Jan Van der Roost Gino Gonçals IV four Israeli Folkdances arr. by Gino Gonçals Clarinet 3º (Cover of Clarinets, Aragón, S.XXI)
  • 46.          Andante Moderado                                                    A                                                    B Poco meno mosso (=112)                                                                              C                    1.   2.  rit.        Andante Moderado   D                                                 E                                               F                               rit.         RIKUDIM Jan Van der Roost Gino Gonçals I four Israeli Folkdances arr. by Gino Gonçals Clarinet 4º (Cover of Clarinets, Aragón, S.XXI)
  • 47.             Allegretto con eleganza  A                                                                                                                       Allegro con moto ()  B                                                                  C                                                                    1.  2.  poco meno mosso                1.   2.       RIKUDIM Jan Van der Roost Gino Gonçals II four Israeli Folkdances arr. by Gino Gonçals Clarinet 4º (Cover of Clarinets, Aragón, S.XXI)
  • 48.        Andante con dolcezza () (3+2+2) A                                                                poco con dolore  B                                                                          C                                    rit.           D Andante con dulzura ()                                                                poco con dolore                                                                                                        rit.     RIKUDIM Jan Van der Roost Gino Gonçals III four Israeli Folkdances Clarinet 4º (Cover of Clarinets, Aragón, S.XXI) arr. by Gino Gonçals
  • 49.            CON MOTO E FOLLEMENTO                            A                                                               B                                       1.   2.           C poco meno mosso                                   1.      2.                                                                                                                          D con fuoco e forza                               1.   2.                                  RIKUDIM Jan Van der Roost Gino Gonçals IV four Israeli Folkdances arr. by Gino Gonçals Clarinet 4º (Cover of Clarinets, Aragón, S.XXI)
  • 50.           Andante Moderado                                                 A                                                B Poco meno mosso (=112)                                                     C                        1.      2.  rit.         Andante Moderado   D                                              E                                             F                               rit.         RIKUDIM Jan Van der Roost Gino Gonçals I four Israeli Folkdances arr. by Gino Gonçals Clarinet 5º (Cover of Clarinets, Aragón, S.XXI)
  • 51.            Allegretto con eleganza  A                                                                                                                          Allegro con moto ()  B                                                                   C                                                                    1.  2.     poco meno mosso                                 1.     2.       RIKUDIM Jan Van der Roost Gino Gonçals II four Israeli Folkdances arr. by Gino Gonçals Clarinet 5º (Cover of Clarinets, Aragón, S.XXI)
  • 52.               Andante con dolcezza () (3+2+2) A                                                                                                                                                                                                           poco con dolore B                                                                               C                                                                               rit.            D Andante con dulzura ()                                                                                                                                                                                                           poco con dolore                                                                                                                                           rit.               RIKUDIM Jan Van der Roost Gino Gonçals III four Israeli Folkdances arr. by Gino Gonçals Clarinet 5º (Cover of Clarinets, Aragón, S.XXI)