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The Legend of the Amber Room - Michael Geisler - Set of Clarinets

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kristal41

The Legend of the Amber Room - Michael Geisler - Set of Clarinets

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The Legend Amber Room ( Michael Geisler ) Symphonic Poem In the Berlin City Palace in 1701 a room was constructed with walls decorated with amber, at the command of the first Prussian King, Friedrich I. In 1716 Friedrich gave the room to the Russian Tsar, Peter the Great, who displayed it in the Catharina Palace in St Petersburg. During the Second World War it was looted by the Germans and brought to Konigsberg. Since then the Amber Room has vanished from the face of the earth, and there are many speculations and theories over what may have happened to it… of the
                              Clarinet 1 Clarinet 2 Clarinet 3 Clarinet 4 Clarinet 5 Clarinet 6 Clarinet 7 Bass Clarinet                   Adagio impensierito - "St. Petersburg"  Bells Bells                     solo  Bells Bells                                                                 Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                      solo  solo                                                                          solo   The Legend of the Amber Room Michael Geisler ©Gino Gonçals Symphonic Poem Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
                   Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                             A                                                              solo                                            Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                    solo                                                                   2The Legend of the Amber Room
                                                                                Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                          B Allegro con brio - " Escape to Königsberg"  = 132 (in 2)                                                                                                                                                                                                                                                       Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                                                                                                                                         6        6        6                                                                                                                               C         3 The Legend of the Amber Room
                                                                    Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.      6       6                  7                                                                                                                         6       6                                                                                                                                             6       6                                                                          Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                                                                                          D                                                                                                          4The Legend of the Amber Room
        Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                                            E                                                                                                                                                                                                            Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                                                                                                                                                                                                             F   5 The Legend of the Amber Room
        Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                                                                                                                                                                                                                                         Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                                                                                                                                                                                                       6              6The Legend of the Amber Room
        Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                                                                                                                                                                                      Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                  G                                                                                                                                                                                                                        7 The Legend of the Amber Room
                                      Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                         6            6               6                                                                                                                             H               6        6                                                                                                        Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                        6        6                                                                                                                                            6        6                                                                                                                                            8The Legend of the Amber Room
                                                                    Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.       6       6       6                                                                                                          I              6       6                  7                                                                                                                       6       6                                                                                                                   Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                         6         6                                                                                                                                           solo                                                                               9 The Legend of the Amber Room
                          Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.               J Adagio Amoroso - " The Amber Room"   solo solo                                                                                          Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                      K                                       solo                                                                                                  10The Legend of the Amber Room
                Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                                                                                                                Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                               L                                           11 The Legend of the Amber Room
                Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                    Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                    M "Königsberg Castle" - Fanfare!                                          3        3         3            3            3            3                                                   attacca 12The Legend of the Amber Room
        Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                               N Tempo di Marcha ()                                                                                                                                          3       3         3         3         3                        Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                                                                                                                                                    13 The Legend of the Amber Room
        Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                    3       3         3         3         3                                            3       3                                                                    Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                                                                                                   O 14The Legend of the Amber Room
        Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                           3         3         3      3      3        3         3                                         3           3                                                                                  Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                                                                        3       3         3     3      3        3         3                     15 The Legend of the Amber Room
        Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.           3   3   3              3 3              3 3                                                                              3       3       3                                                                                          Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                       3       3       3       3       3                                      3          3          3          3         blow in your Instrument (No Tone!) blow in your Instrument (No Tone!) blow in your Instrument (No Tone!) pp Sing: Shh... pp Sing: Shh... Lento Misterioso - "Bomb Attack"P              16The Legend of the Amber Room
                  Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.              molto Cresc....                          cresc. cresc. cresc. cresc. cresc. cresc. cresc. cresc.                     dramatically!                                                                              Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                 Silence                            Maestoso Sostenuto - "Dream of Treasure"                                       Q                                                                    17 The Legend of the Amber Room
        Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                                                                                                                                                      Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                          solo                               3 3 3 3 Feroce! Molto rit.                                                            18The Legend of the Amber Room
   Adagio impensierito - "St. Petersburg"      solo                A   solo                                   B Allegro con brio - " Escape to Königsberg"  = 132 (in 2)                                                                           6      C        6                   6             6                D       E                               F                                                                                                      G                                 The Legend of the Amber Room Michael Geisler ©Gino Gonçals Symphonic Poem Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI) Clarinet 1ºB
                               6      H        6                   6             6                          6      I        6            6                   6                         J Adagio Amoroso - " The Amber Room"  solo                  K        solo                                          L  M "Königsberg Castle" - Fanfare!      3     attacca  N Tempo di Marcha ()                                                                                                               O      3   2The Legend of the Amber Room
                3                             blow in your Instrument (No Tone!) Lento Misterioso - "Bomb Attack"P    molto Cresc....  dramatically!      Silence                     Q Maestoso Sostenuto - "Dream of Treasure"                                          Feroce! Molto rit.         3The Legend of the Amber Room
    Adagio impensierito - "St. Petersburg"      solo                                           A                                                                     B Allegro con brio - " Escape to Königsberg"  = 132 (in 2)                                                                          6            C             6                  6                  6                 D     E                  F                                                                                                 G The Legend of the Amber Room Michael Geisler ©Gino Gonçals Symphonic Poem Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI) Clarinet 2ºB
                                                                  6            H       6                  6                          6                  6            I             6                  6                  6                          J Adagio Amoroso - " The Amber Room"  solo                      K                                            L                         M "Königsberg Castle" - Fanfare!      3      N Tempo di Marcha ()                                                                                    2 The Legend of the Amber Room
                           O          3                    3                         blow in your Instrument (No Tone!) Lento Misterioso - "Bomb Attack"P     molto Cresc....  dramatically!         Silence         Q Maestoso Sostenuto - "Dream of Treasure"                                  Feroce! Molto rit.        3 The Legend of the Amber Room
     Adagio impensierito - "St. Petersburg"                   solo      A                                                           B Allegro con brio - " Escape to Königsberg"  = 132 (in 2)                                                                                   6              C                                                                  D    E                   F                                                                                                                            G                                                                                       6              H                                       The Legend of the Amber Room Michael Geisler ©Gino Gonçals Symphonic Poem Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 3ºB
                                 6              I                                                                          J Adagio Amoroso - " The Amber Room"           K                                            L                     M "Königsberg Castle" - Fanfare!       3    N Tempo di Marcha ()        3                  3                 O           3                               3    3             3           3     blow in your Instrument (No Tone!) Lento Misterioso - "Bomb Attack"P            molto Cresc....  dramatically!      Silence           Q Maestoso Sostenuto - "Dream of Treasure"                                            Feroce! Molto rit.          2The Legend of the Amber Room
      Adagio impensierito - "St. Petersburg"                   A     solo                            B Allegro con brio - " Escape to Königsberg"  = 132 (in 2)                                                                                   C                                                                         D                  E                                                F                                                          G                                            H                                                                                    I                                                                                The Legend of the Amber Room Michael Geisler ©Gino Gonçals Symphonic Poem Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI) Clarinet 4ºB
      J Adagio Amoroso - " The Amber Room"         K                                            L                              M "Königsberg Castle" - Fanfare!                 3    N Tempo di Marcha ()        3                    3                            O          3                          3   3             3               3    pp Sing: Shh... Lento Misterioso - "Bomb Attack"P                  molto Cresc....        dramatically!            Silence          Q  Maestoso Sostenuto - "Dream of Treasure"                                                  Feroce! Molto rit.      2 The Legend of the Amber Room
    Adagio impensierito - "St. Petersburg"                   A                                    B Allegro con brio - " Escape to Königsberg"  = 132 (in 2)                                                                             C               7                                                                         D                                                E                                                                                           F                                                                                           The Legend of the Amber Room Michael Geisler ©Gino Gonçals Symphonic Poem Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI) Clarinet 5ºB
          G                                      H                                                                                   I               7                                                                    J Adagio Amoroso - " The Amber Room"                  K                                                  L       M "Königsberg Castle" - Fanfare!                 3    N Tempo di Marcha ()          3                        3                                O         3      2The Legend of the Amber Room
                        3   3               3                3          3 pp Sing: Shh... Lento Misterioso - "Bomb Attack"P               molto Cresc....        dramatically!           Silence         Q  Maestoso Sostenuto - "Dream of Treasure"                                                  Feroce! Molto rit.      3The Legend of the Amber Room
         Adagio impensierito - "St. Petersburg" Bells      Bells           A                                       B Allegro con brio - " Escape to Königsberg"  = 132 (in 2)                                                                           C                                                                               D                                                E                                                                                            F                                                                                              6                 G The Legend of the Amber Room Michael Geisler ©Gino Gonçals Symphonic Poem Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 6ºB
                                         H                                                                                    I                                                                             J Adagio Amoroso - " The Amber Room"                   K                                                              L                                         M "Königsberg Castle" - Fanfare!                3      N Tempo di Marcha ()                      3                                         3       3                  2The Legend of the Amber Room
                  O             3           3                                3               3 3                          3          3  Lento Misterioso - "Bomb Attack"P         molto Cresc....  dramatically!      Silence      Q  Maestoso Sostenuto - "Dream of Treasure"                                         Feroce! Molto rit.      3The Legend of the Amber Room
         Bells Adagio impensierito - "St. Petersburg"       Bells           solo               A                         B Allegro con brio - " Escape to Königsberg"  = 132 (in 2)                                 C                                                                                   D                                                E                                                                                           F                                                                                                                       The Legend of the Amber Room Michael Geisler ©Gino Gonçals Symphonic Poem Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI) Clarinet 7ºB
                     G                                                    H                                                                                           I                                                                          J Adagio Amoroso - " The Amber Room"         K                                                     L            M "Königsberg Castle" - Fanfare!                                    N Tempo di Marcha ()                             3                                         3       3                                    O              3  2The Legend of the Amber Room
           3                                   3                3 3                         3             3  Lento Misterioso - "Bomb Attack"P    Molto rit.   dramatically!      Silence        Q  Maestoso Sostenuto - "Dream of Treasure"                                               Feroce! Molto rit.         3 The Legend of the Amber Room
    Adagio impensierito - "St. Petersburg"                     A                                    B Allegro con brio - " Escape to Königsberg"  = 132 (in 2)                                                                           C                                                                                   D                                                        E                                                                                                  F                                                                          The Legend of the Amber Room Michael Geisler ©Gino Gonçals Symphonic Poem Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI) Clarinet Bass
                                                                                                                              G                                                                                                     H                                                                           I                                                          solo                                J Adagio Amoroso - " The Amber Room"             K          L                                M "Königsberg Castle" - Fanfare!                                   N Tempo di Marcha ()                                                                                                   2The Legend of the Amber Room
                                                                                                                              O                                                                                                                                                                                                                3      Lento Misterioso - "Bomb Attack" P   molto Cresc....    dramatically!      Silence       Q  Maestoso Sostenuto - "Dream of Treasure"                                                                solo                        3 3 3 3 Feroce! Molto rit.          3The Legend of the Amber Room

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The Legend of the Amber Room - Michael Geisler - Set of Clarinets

  • 1. The Legend Amber Room ( Michael Geisler ) Symphonic Poem In the Berlin City Palace in 1701 a room was constructed with walls decorated with amber, at the command of the first Prussian King, Friedrich I. In 1716 Friedrich gave the room to the Russian Tsar, Peter the Great, who displayed it in the Catharina Palace in St Petersburg. During the Second World War it was looted by the Germans and brought to Konigsberg. Since then the Amber Room has vanished from the face of the earth, and there are many speculations and theories over what may have happened to it… of the
  • 2.                               Clarinet 1 Clarinet 2 Clarinet 3 Clarinet 4 Clarinet 5 Clarinet 6 Clarinet 7 Bass Clarinet                   Adagio impensierito - "St. Petersburg"  Bells Bells                     solo  Bells Bells                                                                 Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                      solo  solo                                                                          solo   The Legend of the Amber Room Michael Geisler ©Gino Gonçals Symphonic Poem Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
  • 3.                    Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                             A                                                              solo                                            Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                    solo                                                                   2The Legend of the Amber Room
  • 4.                                                                                 Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                          B Allegro con brio - " Escape to Königsberg"  = 132 (in 2)                                                                                                                                                                                                                                                       Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                                                                                                                                         6        6        6                                                                                                                               C         3 The Legend of the Amber Room
  • 5.                                                                     Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.      6       6                  7                                                                                                                         6       6                                                                                                                                             6       6                                                                          Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                                                                                          D                                                                                                          4The Legend of the Amber Room
  • 6.         Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                                            E                                                                                                                                                                                                            Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                                                                                                                                                                                                             F   5 The Legend of the Amber Room
  • 7.         Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                                                                                                                                                                                                                                         Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                                                                                                                                                                                                       6              6The Legend of the Amber Room
  • 8.         Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                                                                                                                                                                                      Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                  G                                                                                                                                                                                                                        7 The Legend of the Amber Room
  • 9.                                       Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                         6            6               6                                                                                                                             H               6        6                                                                                                        Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                        6        6                                                                                                                                            6        6                                                                                                                                            8The Legend of the Amber Room
  • 10.                                                                     Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.       6       6       6                                                                                                          I              6       6                  7                                                                                                                       6       6                                                                                                                   Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                         6         6                                                                                                                                           solo                                                                               9 The Legend of the Amber Room
  • 11.                           Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.               J Adagio Amoroso - " The Amber Room"   solo solo                                                                                          Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                      K                                       solo                                                                                                  10The Legend of the Amber Room
  • 12.                 Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                                                                                                                Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                               L                                           11 The Legend of the Amber Room
  • 13.                 Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                    Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                    M "Königsberg Castle" - Fanfare!                                          3        3         3            3            3            3                                                   attacca 12The Legend of the Amber Room
  • 14.         Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                               N Tempo di Marcha ()                                                                                                                                          3       3         3         3         3                        Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                                                                                                                                                    13 The Legend of the Amber Room
  • 15.         Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                    3       3         3         3         3                                            3       3                                                                    Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                                                                                                   O 14The Legend of the Amber Room
  • 16.         Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                           3         3         3      3      3        3         3                                         3           3                                                                                  Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                                                                        3       3         3     3      3        3         3                     15 The Legend of the Amber Room
  • 17.         Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.           3   3   3              3 3              3 3                                                                              3       3       3                                                                                          Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                       3       3       3       3       3                                      3          3          3          3         blow in your Instrument (No Tone!) blow in your Instrument (No Tone!) blow in your Instrument (No Tone!) pp Sing: Shh... pp Sing: Shh... Lento Misterioso - "Bomb Attack"P              16The Legend of the Amber Room
  • 18.                   Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.              molto Cresc....                          cresc. cresc. cresc. cresc. cresc. cresc. cresc. cresc.                     dramatically!                                                                              Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                 Silence                            Maestoso Sostenuto - "Dream of Treasure"                                       Q                                                                    17 The Legend of the Amber Room
  • 19.         Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                                                                                                                                                      Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                          solo                               3 3 3 3 Feroce! Molto rit.                                                            18The Legend of the Amber Room
  • 20.    Adagio impensierito - "St. Petersburg"      solo                A   solo                                   B Allegro con brio - " Escape to Königsberg"  = 132 (in 2)                                                                           6      C        6                   6             6                D       E                               F                                                                                                      G                                 The Legend of the Amber Room Michael Geisler ©Gino Gonçals Symphonic Poem Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI) Clarinet 1ºB
  • 21.                                6      H        6                   6             6                          6      I        6            6                   6                         J Adagio Amoroso - " The Amber Room"  solo                  K        solo                                          L  M "Königsberg Castle" - Fanfare!      3     attacca  N Tempo di Marcha ()                                                                                                               O      3   2The Legend of the Amber Room
  • 22.                 3                             blow in your Instrument (No Tone!) Lento Misterioso - "Bomb Attack"P    molto Cresc....  dramatically!      Silence                     Q Maestoso Sostenuto - "Dream of Treasure"                                          Feroce! Molto rit.         3The Legend of the Amber Room
  • 23.     Adagio impensierito - "St. Petersburg"      solo                                           A                                                                     B Allegro con brio - " Escape to Königsberg"  = 132 (in 2)                                                                          6            C             6                  6                  6                 D     E                  F                                                                                                 G The Legend of the Amber Room Michael Geisler ©Gino Gonçals Symphonic Poem Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI) Clarinet 2ºB
  • 24.                                                                   6            H       6                  6                          6                  6            I             6                  6                  6                          J Adagio Amoroso - " The Amber Room"  solo                      K                                            L                         M "Königsberg Castle" - Fanfare!      3      N Tempo di Marcha ()                                                                                    2 The Legend of the Amber Room
  • 25.                            O          3                    3                         blow in your Instrument (No Tone!) Lento Misterioso - "Bomb Attack"P     molto Cresc....  dramatically!         Silence         Q Maestoso Sostenuto - "Dream of Treasure"                                  Feroce! Molto rit.        3 The Legend of the Amber Room
  • 26.      Adagio impensierito - "St. Petersburg"                   solo      A                                                           B Allegro con brio - " Escape to Königsberg"  = 132 (in 2)                                                                                   6              C                                                                  D    E                   F                                                                                                                            G                                                                                       6              H                                       The Legend of the Amber Room Michael Geisler ©Gino Gonçals Symphonic Poem Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 3ºB
  • 27.                                  6              I                                                                          J Adagio Amoroso - " The Amber Room"           K                                            L                     M "Königsberg Castle" - Fanfare!       3    N Tempo di Marcha ()        3                  3                 O           3                               3    3             3           3     blow in your Instrument (No Tone!) Lento Misterioso - "Bomb Attack"P            molto Cresc....  dramatically!      Silence           Q Maestoso Sostenuto - "Dream of Treasure"                                            Feroce! Molto rit.          2The Legend of the Amber Room
  • 28.       Adagio impensierito - "St. Petersburg"                   A     solo                            B Allegro con brio - " Escape to Königsberg"  = 132 (in 2)                                                                                   C                                                                         D                  E                                                F                                                          G                                            H                                                                                    I                                                                                The Legend of the Amber Room Michael Geisler ©Gino Gonçals Symphonic Poem Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI) Clarinet 4ºB
  • 29.       J Adagio Amoroso - " The Amber Room"         K                                            L                              M "Königsberg Castle" - Fanfare!                 3    N Tempo di Marcha ()        3                    3                            O          3                          3   3             3               3    pp Sing: Shh... Lento Misterioso - "Bomb Attack"P                  molto Cresc....        dramatically!            Silence          Q  Maestoso Sostenuto - "Dream of Treasure"                                                  Feroce! Molto rit.      2 The Legend of the Amber Room
  • 30.     Adagio impensierito - "St. Petersburg"                   A                                    B Allegro con brio - " Escape to Königsberg"  = 132 (in 2)                                                                             C               7                                                                         D                                                E                                                                                           F                                                                                           The Legend of the Amber Room Michael Geisler ©Gino Gonçals Symphonic Poem Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI) Clarinet 5ºB
  • 31.           G                                      H                                                                                   I               7                                                                    J Adagio Amoroso - " The Amber Room"                  K                                                  L       M "Königsberg Castle" - Fanfare!                 3    N Tempo di Marcha ()          3                        3                                O         3      2The Legend of the Amber Room
  • 32.                         3   3               3                3          3 pp Sing: Shh... Lento Misterioso - "Bomb Attack"P               molto Cresc....        dramatically!           Silence         Q  Maestoso Sostenuto - "Dream of Treasure"                                                  Feroce! Molto rit.      3The Legend of the Amber Room
  • 33.          Adagio impensierito - "St. Petersburg" Bells      Bells           A                                       B Allegro con brio - " Escape to Königsberg"  = 132 (in 2)                                                                           C                                                                               D                                                E                                                                                            F                                                                                              6                 G The Legend of the Amber Room Michael Geisler ©Gino Gonçals Symphonic Poem Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 6ºB
  • 34.                                          H                                                                                    I                                                                             J Adagio Amoroso - " The Amber Room"                   K                                                              L                                         M "Königsberg Castle" - Fanfare!                3      N Tempo di Marcha ()                      3                                         3       3                  2The Legend of the Amber Room
  • 35.                   O             3           3                                3               3 3                          3          3  Lento Misterioso - "Bomb Attack"P         molto Cresc....  dramatically!      Silence      Q  Maestoso Sostenuto - "Dream of Treasure"                                         Feroce! Molto rit.      3The Legend of the Amber Room
  • 36.          Bells Adagio impensierito - "St. Petersburg"       Bells           solo               A                         B Allegro con brio - " Escape to Königsberg"  = 132 (in 2)                                 C                                                                                   D                                                E                                                                                           F                                                                                                                       The Legend of the Amber Room Michael Geisler ©Gino Gonçals Symphonic Poem Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI) Clarinet 7ºB
  • 37.                      G                                                    H                                                                                           I                                                                          J Adagio Amoroso - " The Amber Room"         K                                                     L            M "Königsberg Castle" - Fanfare!                                    N Tempo di Marcha ()                             3                                         3       3                                    O              3  2The Legend of the Amber Room
  • 38.            3                                   3                3 3                         3             3  Lento Misterioso - "Bomb Attack"P    Molto rit.   dramatically!      Silence        Q  Maestoso Sostenuto - "Dream of Treasure"                                               Feroce! Molto rit.         3 The Legend of the Amber Room
  • 39.     Adagio impensierito - "St. Petersburg"                     A                                    B Allegro con brio - " Escape to Königsberg"  = 132 (in 2)                                                                           C                                                                                   D                                                        E                                                                                                  F                                                                          The Legend of the Amber Room Michael Geisler ©Gino Gonçals Symphonic Poem Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI) Clarinet Bass
  • 40.                                                                                                                               G                                                                                                     H                                                                           I                                                          solo                                J Adagio Amoroso - " The Amber Room"             K          L                                M "Königsberg Castle" - Fanfare!                                   N Tempo di Marcha ()                                                                                                   2The Legend of the Amber Room
  • 41.                                                                                                                               O                                                                                                                                                                                                                3      Lento Misterioso - "Bomb Attack" P   molto Cresc....    dramatically!      Silence       Q  Maestoso Sostenuto - "Dream of Treasure"                                                                solo                        3 3 3 3 Feroce! Molto rit.          3The Legend of the Amber Room