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Cycles and Myths - Nuno Osório - Set of Clarinets

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kristal41

Cycles and Myths - Nuno Osório - Set of Clarinets

Education
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Cycles and Myths(Nuno Osório Silva) A new composer and a new sound. This piece 'Cycles and myths' sounds quite modern and brings a mix of contemporary rhythmical sounds alternating with more quiet intermezzi. This composition will, no doubt, please any young audience. The initial theme returns at the end of the piece and so the cycle has been completed.
                        Clarinet 1 Clarinet 2 Clarinet 3 Clarinet 4 Clarinet 5 Clarinet 6 Clarinet 7 Bass Clarinet                  Andante Expressive                                                                                                Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 6                                                               3                 3                 3                 3                                                       7            7                   Cycles and Myths NUNO OSóRIO ©Gino Gonçals Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI)
                Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 11                                                         cresc.                        7           7                                                                                           Allegro 140                    Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                          15                                                                                          6    6                                                                                                                                                                                                  2Cycles and Myths
                Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 21                                                                              6    6                                                                                                                                                                                                                                                                                   Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 26                                                                                                                   6         6                                                                                                                                                                                                    3 Cycles and Myths
                Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 31                                                                                           6         6                                                                                                                                                                                                                                                                                Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 36                                                     3     3                                                                                                                                                        4Cycles and Myths
                Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 41         3       3                                                                                                                                                               3                                                    Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 46                                                                                                                                                                                                                                        5 Cycles and Myths
                Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 51                                                                                                                                                                                                                                                                                                                   Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 56                                                                                                                                                                                                                                                                      6Cycles and Myths
                Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 61                                                                                                                                                                                                                                Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 66                                                                                                                                                                                                                                               3                                      3                                   7 Cycles and Myths
                Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 71         3                                             3                                                                                                                                                                                                        Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 76                                                                                                                                                                                                                                                                                                 8Cycles and Myths
                Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 81                                                                                                                                                                                                                                                                              Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 86                                                                                                       Rit.. 9 Cycles and Myths
                Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 91                            Rit..                                                  Maestoso                                           Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 96                                                                                                          10Cycles and Myths
                Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 101                                                                                                                                                                               Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 106             Rit..                       Rit..                                Maestoso                       11 Cycles and Myths
                Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 111                                                                                                Rit..                         Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 116            solo Rit..               Andante                                                     12Cycles and Myths
                Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 121                                                                                                            Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 126     3                                                                                                  3             13 Cycles and Myths
                Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 131                                                                        Piu Mosso                                                                           Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 136                                                                                      Rit..                     14Cycles and Myths
        Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 141               3                    A tempo =72                                                                                                      3                    Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 146                                                    Rit..                       3                   3                 3                 3                    A tempo =72                  15 Cycles and Myths
                Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 151                                                                                     3                             Rit..                                                              Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 156                                                                            Allegro                                                                                                                                                                                                                               16Cycles and Myths
                        Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 161                                                                                                                                                                                                                                                   Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 166                                                                                                                                                                                                                                                                                                                                                                                                      17 Cycles and Myths
                Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 171                                                                                                                                                                                                                                        Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 176                                                                                                                                                                                                                                                                                       Energetic        18Cycles and Myths
                Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 181                                                                                                         3 3 3                      3 3 3                                                                                                                                                                                                              Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 186                                                                                                                                                                                                                                                                                         19 Cycles and Myths
                Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 191                                                                                                                                                                                                                                                                                                                                                                    Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 196                                                                                                                                                                                                                                                                                                                                                20Cycles and Myths
                        Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.   201                                                                       5        5                                                                      Rit..         3             3             3             3            3            3                                             Andante                     Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 206                                                                                                            3           3                                                  21 Cycles and Myths
                Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 211                                                                                                                                                     Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 215                                                                                      Rit..                                                         22Cycles and Myths
    Andante Expressive                                             cresc.         Allegro 140 14       6       6                                                                3                                                                                                          3                   Cycles and Myths NUNO OSóRIO ©Gino Gonçals Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI) Clarinet 1'B
                                                                                                 Rit..  Maestoso                                                  Rit..     Maestoso        Rit..    Andante      3                 3        Piu Mosso      Rit..     A tempo =72                            Rit..        A tempo =72                      Rit..                Allegro                  2Cycles and Myths
                                                                                                                        Energetic                                                                           5   Rit..           Andante                          3                                          Rit..        3 Cycles and Myths
    Andante Expressive                       3                                     Allegro 14014    6       6                                                                                                                                                                                       3       3     3 Cycles and Myths NUNO OSóRIO ©Gino Gonçals Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI) Clarinet 2'B
                                                                                                 Rit..     Maestoso                                              Rit..    Maestoso           Rit..  Rit..  Andante                                  Piu Mosso                                       Rit..         A tempo =72                  Rit..   A tempo =72        2 Cycles and Myths
            Rit..        Allegro                                                                                                                                            Energetic                                                                    5   Rit..      Andante                      3                                      Rit..          3 Cycles and Myths
       Andante Expressive                           7                      3                           Allegro 14014                              23                          6    29                     6               35           3              41       3               48                                         55                                           66                                    Cycles and Myths NUNO OSóRIO ©Gino Gonçals Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI) Clarinet 3'B
  73                                  80                              89  Rit.. Maestoso                           105   Rit..     Maestoso             115       Rit..   Andante          123              132           Piu Mosso                        138             Rit..         A tempo =72      145      Rit..     A tempo =72            154  Rit..        Allegro      2 Cycles and Myths
  163                                              172                     Energetic    181                                                      186                                                          191                                                           196                                                          201                       3  Rit..   Andante    206                       213                 Rit..      3 Cycles and Myths
      Andante Expressive                           8                 3              7                     7    13         Allegro 140 14                         22                         28         6                     6         34                3              41       3                 49                                             55                                      65                                          72                                Cycles and Myths NUNO OSóRIO ©Gino Gonçals Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI) Clarinet 4ºB
  79                             88                    Rit.. Maestoso                  105   Rit..      Maestoso                 114        Rit..     Andante              121                           128                  Piu Mosso            136         Rit..       3  A tempo =72              144              3             Rit..                 3 A tempo =72       3          151                    3     Rit..           Allegro        158                         168                                                      2 Cycles and Myths
   175                                             Energetic    181                                                                  187                                                          192                                                           197                                                            202                           3  Rit..   Andante              208                               213                      Rit..          3 Cycles and Myths
        Andante Expressive                          7                       3                7           12           7         Allegro 140 14                                20                                                                       25                                                                         31                                                                       36                                                 42                                                48                                                     54                                                 Cycles and Myths NUNO OSóRIO ©Gino Gonçals Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI) Clarinet 5ºB
  61                                                             67                                                            73                                                     79                                                        85        Rit..   Maestoso        102      Rit..            Maestoso        111          Rit..     solo   Andante         119                             126                                133   Piu Mosso           Rit..     A tempo =72  142          Rit..      A tempo =72  2Cycles and Myths
   151       Rit..        Allegro        159                                   169                                                   177                                    Energetic                     183                                                           188                                                          193                                                            198                                                            Rit..   203               3   Andante                     209                             214                Rit..          3 Cycles and Myths
    Andante Expressive                10                              Allegro 140              15              17                                                                             22                                                                          28                                                                       33                                                                   39                                                45                                                51                                                     58                                                             Cycles and Myths NUNO OSóRIO ©Gino Gonçals Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI) Clarinet 6ºB
  65                                                                 71                                                 77                                                         83                        Rit..    92       Maestoso                           100                           Rit..         108     Maestoso              Rit..    117  Andante              127             Piu Mosso        136       Rit..     A tempo =72      145      Rit..                 3 A tempo =72          2Cycles and Myths
   154  Rit..                       Allegro                                      159                                                                164                                                                                    168                                                                      174                                    Energetic   183                               189                                195                            201                 Rit..                3  Andante    207           214        Rit..     3 Cycles and Myths
    Andante Expressive                10                             Allegro 140              15              17                                                                            22                                                                             27                                                                         33                                                                  39                                               45                                               51                                                    57                                                             64                                                            Cycles and Myths NUNO OSóRIO ©Gino Gonçals Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI) Clarinet 7ºB
  69                                                75                                                        81                                         88    Rit..              Maestoso         96                                      103            Rit..           Maestoso               111               Rit..     Andante      119              129           Piu Mosso             138    Rit..        A tempo =72                   147       Rit..                 3       A tempo =72                  Rit.. 2 Cycles and Myths
    155                          Allegro                                       160                                                      164                                                                                    168                                                                       174                                      180         Energetic                                  3 3 3              185                               191                               197                                   Rit..       204             3    Andante           210                   Rit..      3 Cycles and Myths
    Andante Expressive                10                    Allegro 140              15            17                                                                 23                                                            29                                                                  35                                                         41                                                       47                                                               54                                                        60                                              69                                                   Cycles and Myths NUNO OSóRIO ©Gino Gonçals Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI) Clarinet Bass
  75                                                               81                                             88             Rit..                                          Maestoso        95                          105    Rit..       Maestoso               114   Rit..     Andante               123                         132      Piu Mosso               Rit..    140    A tempo =72                              Rit..   148    A tempo =72                         Rit..      2Cycles and Myths
     156           Allegro                                             162                                                      168                                                   176                                                Energetic     181                                     3 3 3                                                 186                                                                       191                                                                          196                                                                       201                 Rit..              3           Andante           207                                           214                  Rit..        3 Cycles and Myths

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Cycles and Myths - Nuno Osório - Set of Clarinets

  • 1. Cycles and Myths(Nuno Osório Silva) A new composer and a new sound. This piece 'Cycles and myths' sounds quite modern and brings a mix of contemporary rhythmical sounds alternating with more quiet intermezzi. This composition will, no doubt, please any young audience. The initial theme returns at the end of the piece and so the cycle has been completed.
  • 2.                         Clarinet 1 Clarinet 2 Clarinet 3 Clarinet 4 Clarinet 5 Clarinet 6 Clarinet 7 Bass Clarinet                  Andante Expressive                                                                                                Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 6                                                               3                 3                 3                 3                                                       7            7                   Cycles and Myths NUNO OSóRIO ©Gino Gonçals Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI)
  • 3.                 Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 11                                                         cresc.                        7           7                                                                                           Allegro 140                    Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                          15                                                                                          6    6                                                                                                                                                                                                  2Cycles and Myths
  • 4.                 Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 21                                                                              6    6                                                                                                                                                                                                                                                                                   Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 26                                                                                                                   6         6                                                                                                                                                                                                    3 Cycles and Myths
  • 5.                 Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 31                                                                                           6         6                                                                                                                                                                                                                                                                                Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 36                                                     3     3                                                                                                                                                        4Cycles and Myths
  • 6.                 Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 41         3       3                                                                                                                                                               3                                                    Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 46                                                                                                                                                                                                                                        5 Cycles and Myths
  • 7.                 Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 51                                                                                                                                                                                                                                                                                                                   Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 56                                                                                                                                                                                                                                                                      6Cycles and Myths
  • 8.                 Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 61                                                                                                                                                                                                                                Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 66                                                                                                                                                                                                                                               3                                      3                                   7 Cycles and Myths
  • 9.                 Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 71         3                                             3                                                                                                                                                                                                        Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 76                                                                                                                                                                                                                                                                                                 8Cycles and Myths
  • 10.                 Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 81                                                                                                                                                                                                                                                                              Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 86                                                                                                       Rit.. 9 Cycles and Myths
  • 11.                 Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 91                            Rit..                                                  Maestoso                                           Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 96                                                                                                          10Cycles and Myths
  • 12.                 Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 101                                                                                                                                                                               Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 106             Rit..                       Rit..                                Maestoso                       11 Cycles and Myths
  • 13.                 Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 111                                                                                                Rit..                         Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 116            solo Rit..               Andante                                                     12Cycles and Myths
  • 14.                 Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 121                                                                                                            Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 126     3                                                                                                  3             13 Cycles and Myths
  • 15.                 Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 131                                                                        Piu Mosso                                                                           Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 136                                                                                      Rit..                     14Cycles and Myths
  • 16.         Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 141               3                    A tempo =72                                                                                                      3                    Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 146                                                    Rit..                       3                   3                 3                 3                    A tempo =72                  15 Cycles and Myths
  • 17.                 Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 151                                                                                     3                             Rit..                                                              Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 156                                                                            Allegro                                                                                                                                                                                                                               16Cycles and Myths
  • 18.                         Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 161                                                                                                                                                                                                                                                   Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 166                                                                                                                                                                                                                                                                                                                                                                                                      17 Cycles and Myths
  • 19.                 Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 171                                                                                                                                                                                                                                        Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 176                                                                                                                                                                                                                                                                                       Energetic        18Cycles and Myths
  • 20.                 Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 181                                                                                                         3 3 3                      3 3 3                                                                                                                                                                                                              Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 186                                                                                                                                                                                                                                                                                         19 Cycles and Myths
  • 21.                 Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 191                                                                                                                                                                                                                                                                                                                                                                    Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 196                                                                                                                                                                                                                                                                                                                                                20Cycles and Myths
  • 22.                         Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.   201                                                                       5        5                                                                      Rit..         3             3             3             3            3            3                                             Andante                     Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 206                                                                                                            3           3                                                  21 Cycles and Myths
  • 23.                 Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 211                                                                                                                                                     Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 215                                                                                      Rit..                                                         22Cycles and Myths
  • 24.     Andante Expressive                                             cresc.         Allegro 140 14       6       6                                                                3                                                                                                          3                   Cycles and Myths NUNO OSóRIO ©Gino Gonçals Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI) Clarinet 1'B
  • 25.                                                                                                  Rit..  Maestoso                                                  Rit..     Maestoso        Rit..    Andante      3                 3        Piu Mosso      Rit..     A tempo =72                            Rit..        A tempo =72                      Rit..                Allegro                  2Cycles and Myths
  • 26.                                                                                                                         Energetic                                                                           5   Rit..           Andante                          3                                          Rit..        3 Cycles and Myths
  • 27.     Andante Expressive                       3                                     Allegro 14014    6       6                                                                                                                                                                                       3       3     3 Cycles and Myths NUNO OSóRIO ©Gino Gonçals Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI) Clarinet 2'B
  • 28.                                                                                                  Rit..     Maestoso                                              Rit..    Maestoso           Rit..  Rit..  Andante                                  Piu Mosso                                       Rit..         A tempo =72                  Rit..   A tempo =72        2 Cycles and Myths
  • 29.             Rit..        Allegro                                                                                                                                            Energetic                                                                    5   Rit..      Andante                      3                                      Rit..          3 Cycles and Myths
  • 30.        Andante Expressive                           7                      3                           Allegro 14014                              23                          6    29                     6               35           3              41       3               48                                         55                                           66                                    Cycles and Myths NUNO OSóRIO ©Gino Gonçals Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI) Clarinet 3'B
  • 31.   73                                  80                              89  Rit.. Maestoso                           105   Rit..     Maestoso             115       Rit..   Andante          123              132           Piu Mosso                        138             Rit..         A tempo =72      145      Rit..     A tempo =72            154  Rit..        Allegro      2 Cycles and Myths
  • 32.   163                                              172                     Energetic    181                                                      186                                                          191                                                           196                                                          201                       3  Rit..   Andante    206                       213                 Rit..      3 Cycles and Myths
  • 33.       Andante Expressive                           8                 3              7                     7    13         Allegro 140 14                         22                         28         6                     6         34                3              41       3                 49                                             55                                      65                                          72                                Cycles and Myths NUNO OSóRIO ©Gino Gonçals Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI) Clarinet 4ºB
  • 34.   79                             88                    Rit.. Maestoso                  105   Rit..      Maestoso                 114        Rit..     Andante              121                           128                  Piu Mosso            136         Rit..       3  A tempo =72              144              3             Rit..                 3 A tempo =72       3          151                    3     Rit..           Allegro        158                         168                                                      2 Cycles and Myths
  • 35.    175                                             Energetic    181                                                                  187                                                          192                                                           197                                                            202                           3  Rit..   Andante              208                               213                      Rit..          3 Cycles and Myths
  • 36.         Andante Expressive                          7                       3                7           12           7         Allegro 140 14                                20                                                                       25                                                                         31                                                                       36                                                 42                                                48                                                     54                                                 Cycles and Myths NUNO OSóRIO ©Gino Gonçals Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI) Clarinet 5ºB
  • 37.   61                                                             67                                                            73                                                     79                                                        85        Rit..   Maestoso        102      Rit..            Maestoso        111          Rit..     solo   Andante         119                             126                                133   Piu Mosso           Rit..     A tempo =72  142          Rit..      A tempo =72  2Cycles and Myths
  • 38.    151       Rit..        Allegro        159                                   169                                                   177                                    Energetic                     183                                                           188                                                          193                                                            198                                                            Rit..   203               3   Andante                     209                             214                Rit..          3 Cycles and Myths
  • 39.     Andante Expressive                10                              Allegro 140              15              17                                                                             22                                                                          28                                                                       33                                                                   39                                                45                                                51                                                     58                                                             Cycles and Myths NUNO OSóRIO ©Gino Gonçals Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI) Clarinet 6ºB
  • 40.   65                                                                 71                                                 77                                                         83                        Rit..    92       Maestoso                           100                           Rit..         108     Maestoso              Rit..    117  Andante              127             Piu Mosso        136       Rit..     A tempo =72      145      Rit..                 3 A tempo =72          2Cycles and Myths
  • 41.    154  Rit..                       Allegro                                      159                                                                164                                                                                    168                                                                      174                                    Energetic   183                               189                                195                            201                 Rit..                3  Andante    207           214        Rit..     3 Cycles and Myths
  • 42.     Andante Expressive                10                             Allegro 140              15              17                                                                            22                                                                             27                                                                         33                                                                  39                                               45                                               51                                                    57                                                             64                                                            Cycles and Myths NUNO OSóRIO ©Gino Gonçals Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI) Clarinet 7ºB
  • 43.   69                                                75                                                        81                                         88    Rit..              Maestoso         96                                      103            Rit..           Maestoso               111               Rit..     Andante      119              129           Piu Mosso             138    Rit..        A tempo =72                   147       Rit..                 3       A tempo =72                  Rit.. 2 Cycles and Myths
  • 44.     155                          Allegro                                       160                                                      164                                                                                    168                                                                       174                                      180         Energetic                                  3 3 3              185                               191                               197                                   Rit..       204             3    Andante           210                   Rit..      3 Cycles and Myths
  • 45.     Andante Expressive                10                    Allegro 140              15            17                                                                 23                                                            29                                                                  35                                                         41                                                       47                                                               54                                                        60                                              69                                                   Cycles and Myths NUNO OSóRIO ©Gino Gonçals Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI) Clarinet Bass
  • 46.   75                                                               81                                             88             Rit..                                          Maestoso        95                          105    Rit..       Maestoso               114   Rit..     Andante               123                         132      Piu Mosso               Rit..    140    A tempo =72                              Rit..   148    A tempo =72                         Rit..      2Cycles and Myths
  • 47.      156           Allegro                                             162                                                      168                                                   176                                                Energetic     181                                     3 3 3                                                 186                                                                       191                                                                          196                                                                       201                 Rit..              3           Andante           207                                           214                  Rit..        3 Cycles and Myths