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Narga Parbat - Michael Geisler - Set of Clarinets

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kristal41

Narga Parbat - Michael Geisler - Set of Clarinets

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Nanga parbat (Michael Geisler) King of Mountains The Nanga Parbat, literally Naked Mountain, and also known as Killer Mountain is one of the largest and most dangerous mountains in the WestHimalayas. At a height of 8125m it is the ninth highest mountain in the world. It was climbed for the first time in 1953.The composerdescribesthe picturesque but highly dangerous acent of this 'King of the Mountains' A very rewarding work for the middle level band.
                Clarinet 1 Clarinet 2 Clarinet 3 Clarinet 4 Clarinet 5 Clarinet 6 Clarinet 7 Bass Clarinet          Misterioso                                                                            Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                    Nanga Parbat Michael Geisler ©Gino Gonçals Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI) King of Mountains
        Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                 A                                                                                 Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                           B                             2Nanga Parbat
        Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                            solo solo                                                                                           Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                   C Allegro con brio                                                                                                                                                                                                                                                                3 Nanga Parbat
        Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                                                                                                                                                                                                                                                                              Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                         1.                                                           2.      6      6                                                            6          6            3                                                D          6          6         3                                      4Nanga Parbat
        Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                   6          6                                                             6        6          3                                                  6         6        3                                                                                                                              Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.           6           6                                                                                                                                                                                                                          5 Nanga Parbat
                                                Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                                                                                                                                                                                         Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                                          Rit..                    Rit..                    solo             E      Andante Expressive  6Nanga Parbat
                Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                            Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                 solo              F      7 Nanga Parbat
                Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                     Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                  solo solo                             G                              8Nanga Parbat
                        Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                                                                         H Allegro con brio                      Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                                                                                                                                                                                                                                               9 Nanga Parbat
        Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                                                                                                                                                                                                                                                                                  Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 1.                                                           2.      6      6                                                          6         6           3                                             I          6          6         3                                                                                                 10Nanga Parbat
        Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.          6          6                                                             6        6          3                                                  6         6        3                                                                                                        6          6                                                              Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.        6        6                                                                                             6         6                                                                                              6        6                                                                                            6        6                                                                                                                               11 Nanga Parbat
                Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.       6       6       6       6       6      Molto rit.                                                   J Maestoso                                                                                                                              Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.              6    6                                                                                                                                                        12Nanga Parbat
                Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                      6     6              K                   Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                6   6              Molto rit.                                           3 3 3 3                    3 3 3 3                         3 3 3 3                         3 3 3 3                                          solo                               13 Nanga Parbat
   Misterioso      A                               B          solo           C Allegro con brio                                                                                           1.        6          6 D           6                  6           6           6                   6                                                                                Rit..   solo   E  Andante Expressive                          F       solo   G             H Allegro con brio   Nanga Parbat Michael Geisler ©Gino Gonçals Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI) King of Mountains Clarinet 1ºB
                                                                                        1.       6             6 I            6                   6             6            6                   6              6             6             6               6              6Rit..                   J Maestoso                                                                                                                                                         K                 Rit..       2Nanga Parbat
   Misterioso                               A          B             solo           C Allegro con brio                                                              1.  2.      6          6 D           6                  6          6           6                      6                                                                        Nanga Parbat Michael Geisler ©Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) King of Mountains Clarinet 2ºB
       Rit..   E Andante Expressive                  F     solo    G              H Allegro con brio                                                              1.  2.      6          6 I           6                    6            6            6                  6         6          6         6           6      Rit..    6    J Maestoso             6                 K     Rit..                    2Nanga Parbat
   Misterioso                    A                                   B                            C Allegro con brio                         1.      2.             D                                                                                                                                    Rit..     E Andante Expressive      solo    F             Nanga Parbat Michael Geisler ©Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) King of Mountains Clarinet 3ºB
          G                H Allegro con brio                         1.      2.             I                                                                                                                  Rit..    6    J Maestoso               6                         K         Rit..                             solo      2Nanga Parbat
   Misterioso                    A                    B                                 C Allegro con brio                                1.         2.         3  D   3              3    3                                                                             Rit..         E  Andante Expressive                F   Nanga Parbat Michael Geisler ©Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) King of Mountains Clarinet 4ºB
             G                      H Allegro con brio                                1.         2.         3  I    3              3    3                                                                              6 Rit..     J Maestoso                                              6K    6                  3 3 3 3 Rit..      2Nanga Parbat
   Misterioso                     A                    B                              C Allegro con brio                                                                                                                   1.            2.                       D                                                                                                                 Rit..           E  Andante Expressive         Nanga Parbat Michael Geisler ©Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) King of Mountains Clarinet 5ºB
     F                G                              H Allegro con brio                                                                                                                   1.            2.                       I                                                                                                                         Rit..    6     J Maestoso                                               6 K     6  Rit..                    3 3 3 3      2 Nanga Parbat
  Misterioso                                      A                   B                          C Allegro con brio                                                                                                                    1.            2.                      D                                                                                                           Rit..     E  Andante Expressive   Nanga Parbat Michael Geisler ©Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) King of Mountains Clarinet 6ºB
            F             G                  H Allegro con brio                                                                                                                   1.            2.                       I                                                                                                                          Rit..       J Maestoso                                                       K        Rit..                         3 3 3 3      2Nanga Parbat
    Misterioso         A                   B                          C Allegro con brio                                                                                                                    1.            2.                        D                                                                                                            Rit..    E Andante Expressive   F    Nanga Parbat Michael Geisler ©Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) King of Mountains Clarinet 7ºB
             G                                    H Allegro con brio                                                                                                                    1.            2.                       I                                                                                                                                   Rit..        J Maestoso                                                       K      Rit..                           3 3 3 3       2Nanga Parbat
   Misterioso                      A                   B                            C Allegro con brio                                                                                                                                1.             2.                   D                                                                                                                                                                                                                                                                                   Rit..       E  Andante Expressive         Nanga Parbat Michael Geisler ©Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) King of Mountains Clarinet Bass
              F                      G                                                     H Allegro con brio                                                                                                                                  1.            2.                    I                                                                                                                                                                                      Rit..        J Maestoso                                     K    Rit..                  2Nanga Parbat

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  • 1. Nanga parbat (Michael Geisler) King of Mountains The Nanga Parbat, literally Naked Mountain, and also known as Killer Mountain is one of the largest and most dangerous mountains in the WestHimalayas. At a height of 8125m it is the ninth highest mountain in the world. It was climbed for the first time in 1953.The composerdescribesthe picturesque but highly dangerous acent of this 'King of the Mountains' A very rewarding work for the middle level band.
  • 2.                 Clarinet 1 Clarinet 2 Clarinet 3 Clarinet 4 Clarinet 5 Clarinet 6 Clarinet 7 Bass Clarinet          Misterioso                                                                            Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                    Nanga Parbat Michael Geisler ©Gino Gonçals Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI) King of Mountains
  • 3.         Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                 A                                                                                 Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                           B                             2Nanga Parbat
  • 4.         Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                            solo solo                                                                                           Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                   C Allegro con brio                                                                                                                                                                                                                                                                3 Nanga Parbat
  • 5.         Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                                                                                                                                                                                                                                                                              Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                         1.                                                           2.      6      6                                                            6          6            3                                                D          6          6         3                                      4Nanga Parbat
  • 6.         Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                   6          6                                                             6        6          3                                                  6         6        3                                                                                                                              Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.           6           6                                                                                                                                                                                                                          5 Nanga Parbat
  • 7.                                                 Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                                                                                                                                                                                         Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                                          Rit..                    Rit..                    solo             E      Andante Expressive  6Nanga Parbat
  • 8.                 Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                            Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                 solo              F      7 Nanga Parbat
  • 9.                 Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                     Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                  solo solo                             G                              8Nanga Parbat
  • 10.                         Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                                                                         H Allegro con brio                      Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                                                                                                                                                                                                                                               9 Nanga Parbat
  • 11.         Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                                                                                                                                                                                                                                                                                  Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl. 1.                                                           2.      6      6                                                          6         6           3                                             I          6          6         3                                                                                                 10Nanga Parbat
  • 12.         Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.          6          6                                                             6        6          3                                                  6         6        3                                                                                                        6          6                                                              Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.        6        6                                                                                             6         6                                                                                              6        6                                                                                            6        6                                                                                                                               11 Nanga Parbat
  • 13.                 Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.       6       6       6       6       6      Molto rit.                                                   J Maestoso                                                                                                                              Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.              6    6                                                                                                                                                        12Nanga Parbat
  • 14.                 Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                      6     6              K                   Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                6   6              Molto rit.                                           3 3 3 3                    3 3 3 3                         3 3 3 3                         3 3 3 3                                          solo                               13 Nanga Parbat
  • 15.    Misterioso      A                               B          solo           C Allegro con brio                                                                                           1.        6          6 D           6                  6           6           6                   6                                                                                Rit..   solo   E  Andante Expressive                          F       solo   G             H Allegro con brio   Nanga Parbat Michael Geisler ©Gino Gonçals Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI) King of Mountains Clarinet 1ºB
  • 16.                                                                                         1.       6             6 I            6                   6             6            6                   6              6             6             6               6              6Rit..                   J Maestoso                                                                                                                                                         K                 Rit..       2Nanga Parbat
  • 17.    Misterioso                               A          B             solo           C Allegro con brio                                                              1.  2.      6          6 D           6                  6          6           6                      6                                                                        Nanga Parbat Michael Geisler ©Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) King of Mountains Clarinet 2ºB
  • 18.        Rit..   E Andante Expressive                  F     solo    G              H Allegro con brio                                                              1.  2.      6          6 I           6                    6            6            6                  6         6          6         6           6      Rit..    6    J Maestoso             6                 K     Rit..                    2Nanga Parbat
  • 19.    Misterioso                    A                                   B                            C Allegro con brio                         1.      2.             D                                                                                                                                    Rit..     E Andante Expressive      solo    F             Nanga Parbat Michael Geisler ©Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) King of Mountains Clarinet 3ºB
  • 20.           G                H Allegro con brio                         1.      2.             I                                                                                                                  Rit..    6    J Maestoso               6                         K         Rit..                             solo      2Nanga Parbat
  • 21.    Misterioso                    A                    B                                 C Allegro con brio                                1.         2.         3  D   3              3    3                                                                             Rit..         E  Andante Expressive                F   Nanga Parbat Michael Geisler ©Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) King of Mountains Clarinet 4ºB
  • 22.              G                      H Allegro con brio                                1.         2.         3  I    3              3    3                                                                              6 Rit..     J Maestoso                                              6K    6                  3 3 3 3 Rit..      2Nanga Parbat
  • 23.    Misterioso                     A                    B                              C Allegro con brio                                                                                                                   1.            2.                       D                                                                                                                 Rit..           E  Andante Expressive         Nanga Parbat Michael Geisler ©Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) King of Mountains Clarinet 5ºB
  • 24.      F                G                              H Allegro con brio                                                                                                                   1.            2.                       I                                                                                                                         Rit..    6     J Maestoso                                               6 K     6  Rit..                    3 3 3 3      2 Nanga Parbat
  • 25.   Misterioso                                      A                   B                          C Allegro con brio                                                                                                                    1.            2.                      D                                                                                                           Rit..     E  Andante Expressive   Nanga Parbat Michael Geisler ©Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) King of Mountains Clarinet 6ºB
  • 26.             F             G                  H Allegro con brio                                                                                                                   1.            2.                       I                                                                                                                          Rit..       J Maestoso                                                       K        Rit..                         3 3 3 3      2Nanga Parbat
  • 27.     Misterioso         A                   B                          C Allegro con brio                                                                                                                    1.            2.                        D                                                                                                            Rit..    E Andante Expressive   F    Nanga Parbat Michael Geisler ©Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) King of Mountains Clarinet 7ºB
  • 28.              G                                    H Allegro con brio                                                                                                                    1.            2.                       I                                                                                                                                   Rit..        J Maestoso                                                       K      Rit..                           3 3 3 3       2Nanga Parbat
  • 29.    Misterioso                      A                   B                            C Allegro con brio                                                                                                                                1.             2.                   D                                                                                                                                                                                                                                                                                   Rit..       E  Andante Expressive         Nanga Parbat Michael Geisler ©Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) King of Mountains Clarinet Bass
  • 30.               F                      G                                                     H Allegro con brio                                                                                                                                  1.            2.                    I                                                                                                                                                                                      Rit..        J Maestoso                                     K    Rit..                  2Nanga Parbat