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Four Meets Seven - Patrick Millstone - Set of Clarinets

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kristal41

Four Meets Seven - Patrick Millstone - Set of Clarinets

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Four Meets Seven ( Patrick Millstone ) In this composition Patrick Millstone describes the meeting of two friends with quite different personalities, the one being introvert (4/4), the other extrovert (7/8). The lyrical introduction suggests the quiet beginning of the conversion. By means of an almost constant alteration of both meters, the Allegro part suggests a sudden quarrel. Finally both friends are parting.
                Clarinet in B 1 Clarinet in B 2 Clarinet in B 3 Clarinet in B 4 Clarinet in B 5 Clarinet in B 6 Clarinet in B 7 Bass Clarinet                          Andante                                                                                                                                                                                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                                  A 2nd time only 2nd time only                                                             Four Meets Seven Patrick Millstone Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
                                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                            1.                                   2.                                               Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                              B                                                                                                                                            2Four Meets Seven
        Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                            poco rit..                                    C Allegro                                                                                                                                                                               Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                              3        3           3                                                                         D                                                               3 Four Meets Seven
                                                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                                                                                                                 E                                                             Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                                                                                                                                          4Four Meets Seven
                                                                        Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.             3        3         3                                                             F         2nd time only                                                                                                                                                                                                                                                                                                                         Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                                                                                                                                                                                                     5 Four Meets Seven
                                        Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                           3           3        3                                                                         G                                                                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                                                                                                                                                                                                                                                                             6Four Meets Seven
                                                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.        3         3           3                                                                                               H                                                                                                                                                                                                                                                                                                       Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                                                                                                                             rit.....                                         Andante I         2nd time only 2nd time only                                        7 Four Meets Seven
                                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                                                                             1.                          2.                                                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                 Vivace (as fast as possible)                                                                                                                                                                                             8Four Meets Seven
    Andante                                A                         1.          2.          B                       poco rit..    C Allegro    D              E                F                                                                             Four Meets Seven Patrick Millstone Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 1ºB
               3        G                                                     3         H                                                          rit.....   AndanteI                   1.    2.           Vivace (as fast as possible)                      2Four Meets Seven
    Andante                              A                 1.       2.        B                     poco rit..      C Allegro                                            3      D              E                 F                                                                                 G                Four Meets Seven Patrick Millstone Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 2ºB
                                          3          H                                                               rit.....   AndanteI                   1.    2.           Vivace (as fast as possible)                      2Four Meets Seven
    Andante                         A                  1.       2.        B            poco rit..           C Allegro                                                        3      D              E                    F                                                                                     G                Four Meets Seven Patrick Millstone Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 3ºB
                                            3            H                                                                rit.....   AndanteI              1.    2.             Vivace (as fast as possible)                              2Four Meets Seven
        Andante                                                      A 2nd time only                                     1.   2.                 B                                        poco rit..         C Allegro                                                                3      D                E                   F  2nd time only                                                                                                  3 Four Meets Seven Patrick Millstone Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 4ºB
             G                                                                        H                                                 rit.....       AndanteI                                  1.        2.               Vivace (as fast as possible)                              2Four Meets Seven
        Andante                                                      A 2nd time only                                     1.   2.                 B                                             poco rit..    C Allegro    D                     E                                                              3         F                                                                                                                          3       G                             Four Meets Seven Patrick Millstone Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 5ºB
                                            H                                                                  rit.....       AndanteI                                   1.       2.                Vivace (as fast as possible)                             2Four Meets Seven
    Andante                           A      1.   2.        B           poco rit..      C Allegro                                         D                                                                              E                                                             3         F                                                                                  G        Four Meets Seven Patrick Millstone Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 6ºB
                                                                   H                                                             rit.....           Andante I  2nd time only                                              1.  2.                Vivace (as fast as possible)                      2Four Meets Seven
    Andante                           A      1.   2.        B           poco rit..      C Allegro                                           D                                                                               E                                                             3         F                                              Four Meets Seven Patrick Millstone Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 7ºB
                                    G                                                                  H                                                             rit.....           AndanteI  2nd time only                                              1.  2.                Vivace (as fast as possible)                      2Four Meets Seven
     Andante                               A                    1.      2.      B              poco rit..      C Allegro                                                D                                                                                             E                                                                                    F                                                                  Four Meets Seven Patrick Millstone Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet Bass
                                                                                 G                                                                      H                                                                             rit.....    AndanteI                1.   2.       Vivace (as fast as possible)                   2Four Meets Seven

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  • 1. Four Meets Seven ( Patrick Millstone ) In this composition Patrick Millstone describes the meeting of two friends with quite different personalities, the one being introvert (4/4), the other extrovert (7/8). The lyrical introduction suggests the quiet beginning of the conversion. By means of an almost constant alteration of both meters, the Allegro part suggests a sudden quarrel. Finally both friends are parting.
  • 2.                 Clarinet in B 1 Clarinet in B 2 Clarinet in B 3 Clarinet in B 4 Clarinet in B 5 Clarinet in B 6 Clarinet in B 7 Bass Clarinet                          Andante                                                                                                                                                                                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                                  A 2nd time only 2nd time only                                                             Four Meets Seven Patrick Millstone Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
  • 3.                                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                            1.                                   2.                                               Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                              B                                                                                                                                            2Four Meets Seven
  • 4.         Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                            poco rit..                                    C Allegro                                                                                                                                                                               Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                              3        3           3                                                                         D                                                               3 Four Meets Seven
  • 5.                                                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                                                                                                                 E                                                             Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                                                                                                                                          4Four Meets Seven
  • 6.                                                                         Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.             3        3         3                                                             F         2nd time only                                                                                                                                                                                                                                                                                                                         Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                                                                                                                                                                                                     5 Four Meets Seven
  • 7.                                         Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                           3           3        3                                                                         G                                                                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                                                                                                                                                                                                                                                                             6Four Meets Seven
  • 8.                                                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.        3         3           3                                                                                               H                                                                                                                                                                                                                                                                                                       Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                                                                                                                             rit.....                                         Andante I         2nd time only 2nd time only                                        7 Four Meets Seven
  • 9.                                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                                                                             1.                          2.                                                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                 Vivace (as fast as possible)                                                                                                                                                                                             8Four Meets Seven
  • 10.     Andante                                A                         1.          2.          B                       poco rit..    C Allegro    D              E                F                                                                             Four Meets Seven Patrick Millstone Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 1ºB
  • 11.                3        G                                                     3         H                                                          rit.....   AndanteI                   1.    2.           Vivace (as fast as possible)                      2Four Meets Seven
  • 12.     Andante                              A                 1.       2.        B                     poco rit..      C Allegro                                            3      D              E                 F                                                                                 G                Four Meets Seven Patrick Millstone Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 2ºB
  • 13.                                           3          H                                                               rit.....   AndanteI                   1.    2.           Vivace (as fast as possible)                      2Four Meets Seven
  • 14.     Andante                         A                  1.       2.        B            poco rit..           C Allegro                                                        3      D              E                    F                                                                                     G                Four Meets Seven Patrick Millstone Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 3ºB
  • 15.                                             3            H                                                                rit.....   AndanteI              1.    2.             Vivace (as fast as possible)                              2Four Meets Seven
  • 16.         Andante                                                      A 2nd time only                                     1.   2.                 B                                        poco rit..         C Allegro                                                                3      D                E                   F  2nd time only                                                                                                  3 Four Meets Seven Patrick Millstone Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 4ºB
  • 17.              G                                                                        H                                                 rit.....       AndanteI                                  1.        2.               Vivace (as fast as possible)                              2Four Meets Seven
  • 18.         Andante                                                      A 2nd time only                                     1.   2.                 B                                             poco rit..    C Allegro    D                     E                                                              3         F                                                                                                                          3       G                             Four Meets Seven Patrick Millstone Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 5ºB
  • 19.                                             H                                                                  rit.....       AndanteI                                   1.       2.                Vivace (as fast as possible)                             2Four Meets Seven
  • 20.     Andante                           A      1.   2.        B           poco rit..      C Allegro                                         D                                                                              E                                                             3         F                                                                                  G        Four Meets Seven Patrick Millstone Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 6ºB
  • 21.                                                                    H                                                             rit.....           Andante I  2nd time only                                              1.  2.                Vivace (as fast as possible)                      2Four Meets Seven
  • 22.     Andante                           A      1.   2.        B           poco rit..      C Allegro                                           D                                                                               E                                                             3         F                                              Four Meets Seven Patrick Millstone Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 7ºB
  • 23.                                     G                                                                  H                                                             rit.....           AndanteI  2nd time only                                              1.  2.                Vivace (as fast as possible)                      2Four Meets Seven
  • 24.      Andante                               A                    1.      2.      B              poco rit..      C Allegro                                                D                                                                                             E                                                                                    F                                                                  Four Meets Seven Patrick Millstone Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet Bass
  • 25.                                                                                  G                                                                      H                                                                             rit.....    AndanteI                1.   2.       Vivace (as fast as possible)                   2Four Meets Seven