SlideShare a Scribd company logo

Cómo entrenar a tu Dragón - John Powell - Set of clarinets

•
•
kristal41
kristal41

Cómo entrenar a tu Dragón - John Powell - Set of clarinets https://www.youtube.com/watch?v=bQ2f5q5bR-M

Education
1 of 38
Download to read offline
HOW TO TRAIN YOUR DRAGON ( JOHN POWELL )
                        Clarinet 1 Clarinet 2 Clarinet 3 Clarinet 4 Clarinet 5 Clarinet 6 Clarinet 7 Bass Clarinet         "This is Berk" Slowy ()                                                           Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                              Rit..                 HOW TO TRAIN YOUR DRAGON JOHN POWELL ©Gino Gonçals Music from the Motion Picture Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI)
                Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.              3 9 Allegro ()               3 3            3 3         3 3        3 3            3 3            3 3        3                              3                  3                 Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                          3 3 3                 3 3 3                3 3 3 3             3 3 3 3             3 3 3 3                               14                  3 3 3 3              3 3 3 3              3 3 3 3                  3 3 3 3             3 3 3 3             3 3 3 3      2HOW TO TRAIN YOUR DRAGON
                Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.           3 3 3           3 3 3           3 3 3                     3 3 3 3             3 3 3 3             3 3 3 3             3 3           3 3                      3 3 3 3              3 3 3 3              3 3 3 3             3 3           3 3                    3 3 3 3             3 3 3 3             3 3 3 3             3 3           3 3                        Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.           3 3 3           3 3 3           3 3 3              3 3 3            3 3 3                       3 3 3             3 3             3 3 3             3 3 3 3                     22                 3 3 3             3 3             3 3 3             3 3 3 3                                    3 3 3             3 3             3 3 3             3 3 3 3                        3 HOW TO TRAIN YOUR DRAGON
                Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.             3 3 3             3 3 3            3 3 3             3 3 3 3                                          3 3         3 3         3 3            3 3 3 3            3 3 3 3          3          3                       3      3      3            3 3 3 3             3 3 3 3            3            3                       3 3         3 3         3 3            3 3 3 3            3 3 3 3            3            3                      Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                   3 3 3           3 3             3 3 3              3 3 3              3 3 3                                          3            3 3              3 3 3              3 3 3            3        solo               3 3 3 3             3 3 3 3             3 3 3 3                3                3 3 3 3           3 3 3           3 3 3                3 4HOW TO TRAIN YOUR DRAGON
                Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.             3 3 3 3           3 3 3           3 3 3                   3           3 3 3            3 3 3            3 3 3                            35             3                                            Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                        3                     3       3              3              3                3          3 3         3 3         3 3                3                 3                3 5 HOW TO TRAIN YOUR DRAGON
                        Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.          3 3          3 3        3             3                 3                3         3        3         3          3             3           3                                                3 3 3             3 3             3 3 3             3 3 3 3             3 3                 3 3                 3 3        43                     3 3 3             3 3             3 3 3             3 3 3 3           3 3            3 3              3 3                  Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.             3 3 3             3 3             3 3 3             3 3 3 3             3 3                 3 3                 3 3                      3 3 3             3 3 3 3             3 3 3 3             3 3 3 3           3 3            3 3              3 3                      3 3             3 3             3 3                 3 3             3 3                 3 3                     3 3          3 3          3 3          3 3          3 3              3 3                6HOW TO TRAIN YOUR DRAGON
                        Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                       3        3        3        3          3                             3        3        3        3          3                                                                                               Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                   53                                              7 HOW TO TRAIN YOUR DRAGON
                Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                   Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                               64 Move ahead ()     8HOW TO TRAIN YOUR DRAGON
                Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                         Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                             9 HOW TO TRAIN YOUR DRAGON
                Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                           Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                       80     10HOW TO TRAIN YOUR DRAGON
                Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                    Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                      11 HOW TO TRAIN YOUR DRAGON
                Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                     12HOW TO TRAIN YOUR DRAGON
                        Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.           97 "Coming Back Around" Slower ()                                                                                                              Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                                                  13 HOW TO TRAIN YOUR DRAGON
                Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                    107                                      Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                                              14HOW TO TRAIN YOUR DRAGON
                Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                                                                                                                Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                                                                        15 HOW TO TRAIN YOUR DRAGON
                        Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                                                                                   Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                                                 16HOW TO TRAIN YOUR DRAGON
                Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                                       Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                                                17 HOW TO TRAIN YOUR DRAGON
                Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                              138                                                                                                                                            Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                 18HOW TO TRAIN YOUR DRAGON
                Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                            19 HOW TO TRAIN YOUR DRAGON
    "This is Berk" Slowy ()        Rit..     9 Allegro ()             3 3                    3 3 3 3 14              3 3 3 3             3 3 3 3             3 3 3             3 3 3 3              3 3 3 3               3 3 3 3           3 3 3             3 3 3 22                3 3 3             3 3 3             3 3 3           3 3  solo      3         3 3             3 3 3                3 3 3 3              3 3 3 3             3 3 3 3              3 3 3 35       3         3 3              3 3         3             3 3 3 43              3 3 3               3 3 3             3 3 3             3 3          3 3                   3        3          HOW TO TRAIN YOUR DRAGON JOHN POWELL ©Gino Gonçals Music from the Motion Picture Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI) Clarinet E
      53                     64 Move ahead ()       80                                      97 "Coming Back Around" Slower ()                                                   107                                                                                                                                                                                              138                                         2HOW TO TRAIN YOUR DRAGON
       "This is Berk" Slowy ()        Rit..      9 Allegro ()             3 3                     3 3 3 3 14              3 3 3 3             3 3 3 3               3 3 3             3 3 3 3              3 3 3 3                3 3 3 3           3 3 3             3 3 3 22                 3 3 3             3 3 3             3 3 3                       3 3  solo            3                     3 3                   3 3 3                 3 3 3 3              3 3 3 3             3 3 3 3                  3 3 3 35       3         3 3             3 3         3             3 3 3 43              3 3 3              3 3 3             3 3 3             3 3          3 3                 3        3          HOW TO TRAIN YOUR DRAGON JOHN POWELL ©Gino Gonçals Music from the Motion Picture Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI) Clarinet 1º
      53                     64 Move ahead ()      80                                       97 "Coming Back Around" Slower ()                                                    107                                                                                                                                                                                                       138                                         2HOW TO TRAIN YOUR DRAGON
        "This is Berk" Slowy ()        Rit..       9 Allegro ()             3 3                  3 3 3 3 14              3 3 3 3             3 3 3 3           3 3 3               3 3 3 3              3 3 3 3             3 3 3 3            3 3 3            3 3 22            3 3          3 3        3 3 3     3 3          3      3 3            3 3              3 3 3 3                3 3 3           3 3 3            3 3 3 35       3       3 3       3 3         3          3 3 43           3 3              3 3             3 3 3 3             3 3          3 3             3        3                 53                     HOW TO TRAIN YOUR DRAGON JOHN POWELL ©Gino Gonçals Music from the Motion Picture Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI) Clarinet 2º
  64 Move ahead ()      80                            97 "Coming Back Around" Slower ()                                                                      107                                                                                                                                                                           138                                       2 HOW TO TRAIN YOUR DRAGON
       "This is Berk" Slowy ()       Rit..      9 Allegro ()         3 3                        3 3 3 3 14              3 3 3 3             3 3 3 3           3 3 3               3 3 3 3              3 3 3 3             3 3 3 3           3 3 3         3 3 322        3 3 3      3 3 3       3 3 3     3 3         3       3 3             3 3 3              3 3 3 3                  3 3 3           3 3 3            3 3 3 35             3 3        3          3              3 3 3 43              3 3 3             3 3 3              3 3 3 3             3 3          3 3           3       3          53              HOW TO TRAIN YOUR DRAGON JOHN POWELL ©Gino Gonçals Music from the Motion Picture Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI) Clarinet 3º
       64 Move ahead ()    80                                                            97 "Coming Back Around" Slower ()                                     107                                                                                                                                                                                                        138                                       2HOW TO TRAIN YOUR DRAGON
      "This is Berk" Slowy ()        Rit..      9 Allegro ()        3 3                14                 3 3 3 3              3 3 3 3             3 3 3 3             3 3 3 3               3 3 3 3             3 3 3 3             3 3 3 3              3 3 3             3  35             3                 3                3           3             3 3 3 343              3 3 3 3              3 3 3 3             3 3 3 3                 3 3          3 3                 3        3                53                            64 Move ahead ()                          HOW TO TRAIN YOUR DRAGON JOHN POWELL ©Gino Gonçals Music from the Motion Picture Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI) Clarinet 4º
                    80                                                      97 "Coming Back Around" Slower ()                                      107                                                                                                                                                138                                     2HOW TO TRAIN YOUR DRAGON
        "This is Berk" Slowy ()          Rit..      9 Allegro ()            3 3          14   22               3 3 3 3             3 3 3 3             3 3 3 3              3 3 3                 3 3     35      3       3                      3              3 3 43            3 3              3 3           3 3             3 3          3 3                     3          3     53                  64 Move ahead ()                             80                       HOW TO TRAIN YOUR DRAGON JOHN POWELL ©Gino Gonçals Music from the Motion Picture Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI) Clarinet 5º
                             97 "Coming Back Around" Slower ()                                       107                                                                                                                                         138                                               2HOW TO TRAIN YOUR DRAGON
       "This is Berk" Slowy ()                     Rit..      9 Allegro ()            3 3             14               3 3           3 3           3 3            3 3 3   22          3             3            3                              3 3 3      35                           3                3             3             3                  3 3 43               3 3                 3 3              3 3                     3 3              3 3                               53                 64 Move ahead ()             HOW TO TRAIN YOUR DRAGON JOHN POWELL ©Gino Gonçals Music from the Motion Picture Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI) Clarinet 6º
         80         97 "Coming Back Around" Slower ()                                           107                                                                                                138                                         2HOW TO TRAIN YOUR DRAGON
    "This is Berk" Slowy ()            Rit..    9 Allegro ()                     3 3 3       14                3 3            3 3           3 3            3 3 3         22                                         3             3            3                          3 3 3     35                                              3 343                3 3                 3 3              3 3                                              53                     64 Move ahead ()          HOW TO TRAIN YOUR DRAGON JOHN POWELL ©Gino Gonçals Music from the Motion Picture Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI) Clarinet 7º
          80          97 "Coming Back Around" Slower ()                          107                                                                                   138                             2HOW TO TRAIN YOUR DRAGON
      "This is Berk" Slowy ()         Rit..            3 9 Allegro ()        3       3       3                 3 3 3          14                                               22                                                                           3               3            3               3                35                            3                 3               3                          43                                                               53                            64 Move ahead ()       HOW TO TRAIN YOUR DRAGON JOHN POWELL ©Gino Gonçals Music from the Motion Picture Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI) Clarinet Bass
                     80                                              97 "Coming Back Around" Slower ()                           107                                                                                    138                                2HOW TO TRAIN YOUR DRAGON

Recommended

Narga Parbat - Michael Geisler - Set of Clarinets
Narga Parbat - Michael Geisler - Set of ClarinetsNarga Parbat - Michael Geisler - Set of Clarinets
Narga Parbat - Michael Geisler - Set of Clarinets
kristal41
 
The Flood - Mario Burki - Set of Clarinets
The Flood - Mario Burki - Set of ClarinetsThe Flood - Mario Burki - Set of Clarinets
The Flood - Mario Burki - Set of Clarinets
kristal41
 
Pacis Valley - Bem Haemhouts - Set of Clarinets
Pacis Valley - Bem Haemhouts - Set of ClarinetsPacis Valley - Bem Haemhouts - Set of Clarinets
Pacis Valley - Bem Haemhouts - Set of Clarinets
kristal41
 
Where Eagles Soar - Steven Reineke - Set of Clarinets
Where Eagles Soar - Steven Reineke - Set of ClarinetsWhere Eagles Soar - Steven Reineke - Set of Clarinets
Where Eagles Soar - Steven Reineke - Set of Clarinets
kristal41
 
Voice of the Vikings - Michael Geisler - Set of Clarinets
Voice of the Vikings - Michael Geisler - Set of ClarinetsVoice of the Vikings - Michael Geisler - Set of Clarinets
Voice of the Vikings - Michael Geisler - Set of Clarinets
kristal41
 
L'entrá de la murta- S. Giner - Set of Clarinets
L'entrá de la murta- S. Giner - Set of ClarinetsL'entrá de la murta- S. Giner - Set of Clarinets
L'entrá de la murta- S. Giner - Set of Clarinets
kristal41
 
Cassiopeia - Carlos Marques - Set of Clarinets
Cassiopeia - Carlos Marques - Set of ClarinetsCassiopeia - Carlos Marques - Set of Clarinets
Cassiopeia - Carlos Marques - Set of Clarinets
kristal41
 
Cycles and Myths - Nuno Osório - Set of Clarinets
Cycles and Myths - Nuno Osório - Set of ClarinetsCycles and Myths - Nuno Osório - Set of Clarinets
Cycles and Myths - Nuno Osório - Set of Clarinets
kristal41
 

Recommended

Narga Parbat - Michael Geisler - Set of Clarinets
Narga Parbat - Michael Geisler - Set of ClarinetsNarga Parbat - Michael Geisler - Set of Clarinets
Narga Parbat - Michael Geisler - Set of Clarinets
kristal41
 
The Flood - Mario Burki - Set of Clarinets
The Flood - Mario Burki - Set of ClarinetsThe Flood - Mario Burki - Set of Clarinets
The Flood - Mario Burki - Set of Clarinets
kristal41
 
Pacis Valley - Bem Haemhouts - Set of Clarinets
Pacis Valley - Bem Haemhouts - Set of ClarinetsPacis Valley - Bem Haemhouts - Set of Clarinets
Pacis Valley - Bem Haemhouts - Set of Clarinets
kristal41
 
Where Eagles Soar - Steven Reineke - Set of Clarinets
Where Eagles Soar - Steven Reineke - Set of ClarinetsWhere Eagles Soar - Steven Reineke - Set of Clarinets
Where Eagles Soar - Steven Reineke - Set of Clarinets
kristal41
 
Voice of the Vikings - Michael Geisler - Set of Clarinets
Voice of the Vikings - Michael Geisler - Set of ClarinetsVoice of the Vikings - Michael Geisler - Set of Clarinets
Voice of the Vikings - Michael Geisler - Set of Clarinets
kristal41
 
L'entrá de la murta- S. Giner - Set of Clarinets
L'entrá de la murta- S. Giner - Set of ClarinetsL'entrá de la murta- S. Giner - Set of Clarinets
L'entrá de la murta- S. Giner - Set of Clarinets
kristal41
 
Cassiopeia - Carlos Marques - Set of Clarinets
Cassiopeia - Carlos Marques - Set of ClarinetsCassiopeia - Carlos Marques - Set of Clarinets
Cassiopeia - Carlos Marques - Set of Clarinets
kristal41
 
Cycles and Myths - Nuno Osório - Set of Clarinets
Cycles and Myths - Nuno Osório - Set of ClarinetsCycles and Myths - Nuno Osório - Set of Clarinets
Cycles and Myths - Nuno Osório - Set of Clarinets
kristal41
 
Mi Amargura - Victor M. Ferrer - Set of Clarinets
Mi Amargura - Victor M. Ferrer - Set of ClarinetsMi Amargura - Victor M. Ferrer - Set of Clarinets
Mi Amargura - Victor M. Ferrer - Set of Clarinets
kristal41
 
Caravana - Pedro J. Francés - Set of Clarinets
Caravana - Pedro J. Francés - Set of ClarinetsCaravana - Pedro J. Francés - Set of Clarinets
Caravana - Pedro J. Francés - Set of Clarinets
kristal41
 
The Legend of the Amber Room - Michael Geisler - Set of Clarinets
The Legend of the Amber Room - Michael Geisler - Set of ClarinetsThe Legend of the Amber Room - Michael Geisler - Set of Clarinets
The Legend of the Amber Room - Michael Geisler - Set of Clarinets
kristal41
 
Crocodile Rock - Elton Jhon - Set of Clarinets
Crocodile Rock - Elton Jhon - Set of ClarinetsCrocodile Rock - Elton Jhon - Set of Clarinets
Crocodile Rock - Elton Jhon - Set of Clarinets
kristal41
 
Sinbad - Legend of the Seven Seas - Harry Gregson-Williams - Set of Clarinets
Sinbad - Legend of the Seven Seas - Harry Gregson-Williams - Set of ClarinetsSinbad - Legend of the Seven Seas - Harry Gregson-Williams - Set of Clarinets
Sinbad - Legend of the Seven Seas - Harry Gregson-Williams - Set of Clarinets
kristal41
 
Wind on the Hill - Naoya Wada - Set of Clarinets
Wind on the Hill - Naoya Wada - Set of ClarinetsWind on the Hill - Naoya Wada - Set of Clarinets
Wind on the Hill - Naoya Wada - Set of Clarinets
kristal41
 
Molly on the Shore - P.A. Grainger - Set of Clarinets
Molly on the Shore - P.A. Grainger - Set of ClarinetsMolly on the Shore - P.A. Grainger - Set of Clarinets
Molly on the Shore - P.A. Grainger - Set of Clarinets
kristal41
 
Odilia - Jacob de Haan - Set of Clarinets
Odilia - Jacob de Haan - Set of ClarinetsOdilia - Jacob de Haan - Set of Clarinets
Odilia - Jacob de Haan - Set of Clarinets
kristal41
 
Rikudim - Jan Van der Roost - Set of Clarinets
Rikudim - Jan Van der Roost - Set of ClarinetsRikudim - Jan Van der Roost - Set of Clarinets
Rikudim - Jan Van der Roost - Set of Clarinets
kristal41
 
Juanito El Jarri - I. Sanchez Navarro - Set of Clarinets
Juanito El Jarri - I. Sanchez Navarro - Set of ClarinetsJuanito El Jarri - I. Sanchez Navarro - Set of Clarinets
Juanito El Jarri - I. Sanchez Navarro - Set of Clarinets
kristal41
 
El Cartero - L. Bacalov - Set of Clarinets
El Cartero - L. Bacalov - Set of ClarinetsEl Cartero - L. Bacalov - Set of Clarinets
El Cartero - L. Bacalov - Set of Clarinets
kristal41
 
The Universal Band Collection - Jacob de Haan - Set of Clarinets
The Universal Band Collection - Jacob de Haan - Set of ClarinetsThe Universal Band Collection - Jacob de Haan - Set of Clarinets
The Universal Band Collection - Jacob de Haan - Set of Clarinets
kristal41
 
Terra di Montagne - Michael Geisler - Set of Clarinets
Terra di Montagne - Michael Geisler - Set of ClarinetsTerra di Montagne - Michael Geisler - Set of Clarinets
Terra di Montagne - Michael Geisler - Set of Clarinets
kristal41
 
Crazy Music in the Air - Jacob de Haan - Set of Clarinets
Crazy Music in the Air - Jacob de Haan - Set of ClarinetsCrazy Music in the Air - Jacob de Haan - Set of Clarinets
Crazy Music in the Air - Jacob de Haan - Set of Clarinets
kristal41
 
Cielo Andaluz - Pascual Marquina - Set of Clarinets
Cielo Andaluz - Pascual Marquina - Set of ClarinetsCielo Andaluz - Pascual Marquina - Set of Clarinets
Cielo Andaluz - Pascual Marquina - Set of Clarinets
kristal41
 
Spanish Dance - D. Shostakovich - Set of Clarinets
Spanish Dance - D. Shostakovich - Set of ClarinetsSpanish Dance - D. Shostakovich - Set of Clarinets
Spanish Dance - D. Shostakovich - Set of Clarinets
kristal41
 
Lord Tullamore - Carl Wittrock - Set of Clarinets
Lord Tullamore - Carl Wittrock - Set of ClarinetsLord Tullamore - Carl Wittrock - Set of Clarinets
Lord Tullamore - Carl Wittrock - Set of Clarinets
kristal41
 
Variazioni in Blue - Jacob de Haan - Set of Clarinets
Variazioni in Blue - Jacob de Haan - Set of ClarinetsVariazioni in Blue - Jacob de Haan - Set of Clarinets
Variazioni in Blue - Jacob de Haan - Set of Clarinets
kristal41
 
Paul Harris-clarinet-basics-part-1 cd.pdf
Paul Harris-clarinet-basics-part-1 cd.pdfPaul Harris-clarinet-basics-part-1 cd.pdf
Paul Harris-clarinet-basics-part-1 cd.pdf
kristal41
 
Sinbad - Legend of the Seven Seas - Harry Gregson-Williams - Set of Clarinets...
Sinbad - Legend of the Seven Seas - Harry Gregson-Williams - Set of Clarinets...Sinbad - Legend of the Seven Seas - Harry Gregson-Williams - Set of Clarinets...
Sinbad - Legend of the Seven Seas - Harry Gregson-Williams - Set of Clarinets...
kristal41
 
VALENCIA - J. Padilla - Set of Clarinets
VALENCIA - J. Padilla - Set of Clarinets VALENCIA - J. Padilla - Set of Clarinets
VALENCIA - J. Padilla - Set of Clarinets
kristal41
 
EL FALLERO - J. Serrano - Set of Clarinets
EL FALLERO - J. Serrano - Set of ClarinetsEL FALLERO - J. Serrano - Set of Clarinets
EL FALLERO - J. Serrano - Set of Clarinets
kristal41
 

More Related Content

What's hot

Mi Amargura - Victor M. Ferrer - Set of Clarinets
Mi Amargura - Victor M. Ferrer - Set of ClarinetsMi Amargura - Victor M. Ferrer - Set of Clarinets
Mi Amargura - Victor M. Ferrer - Set of Clarinets
kristal41
 
Caravana - Pedro J. Francés - Set of Clarinets
Caravana - Pedro J. Francés - Set of ClarinetsCaravana - Pedro J. Francés - Set of Clarinets
Caravana - Pedro J. Francés - Set of Clarinets
kristal41
 
The Legend of the Amber Room - Michael Geisler - Set of Clarinets
The Legend of the Amber Room - Michael Geisler - Set of ClarinetsThe Legend of the Amber Room - Michael Geisler - Set of Clarinets
The Legend of the Amber Room - Michael Geisler - Set of Clarinets
kristal41
 
Crocodile Rock - Elton Jhon - Set of Clarinets
Crocodile Rock - Elton Jhon - Set of ClarinetsCrocodile Rock - Elton Jhon - Set of Clarinets
Crocodile Rock - Elton Jhon - Set of Clarinets
kristal41
 
Sinbad - Legend of the Seven Seas - Harry Gregson-Williams - Set of Clarinets
Sinbad - Legend of the Seven Seas - Harry Gregson-Williams - Set of ClarinetsSinbad - Legend of the Seven Seas - Harry Gregson-Williams - Set of Clarinets
Sinbad - Legend of the Seven Seas - Harry Gregson-Williams - Set of Clarinets
kristal41
 
Wind on the Hill - Naoya Wada - Set of Clarinets
Wind on the Hill - Naoya Wada - Set of ClarinetsWind on the Hill - Naoya Wada - Set of Clarinets
Wind on the Hill - Naoya Wada - Set of Clarinets
kristal41
 
Molly on the Shore - P.A. Grainger - Set of Clarinets
Molly on the Shore - P.A. Grainger - Set of ClarinetsMolly on the Shore - P.A. Grainger - Set of Clarinets
Molly on the Shore - P.A. Grainger - Set of Clarinets
kristal41
 
Odilia - Jacob de Haan - Set of Clarinets
Odilia - Jacob de Haan - Set of ClarinetsOdilia - Jacob de Haan - Set of Clarinets
Odilia - Jacob de Haan - Set of Clarinets
kristal41
 
Rikudim - Jan Van der Roost - Set of Clarinets
Rikudim - Jan Van der Roost - Set of ClarinetsRikudim - Jan Van der Roost - Set of Clarinets
Rikudim - Jan Van der Roost - Set of Clarinets
kristal41
 
Juanito El Jarri - I. Sanchez Navarro - Set of Clarinets
Juanito El Jarri - I. Sanchez Navarro - Set of ClarinetsJuanito El Jarri - I. Sanchez Navarro - Set of Clarinets
Juanito El Jarri - I. Sanchez Navarro - Set of Clarinets
kristal41
 
El Cartero - L. Bacalov - Set of Clarinets
El Cartero - L. Bacalov - Set of ClarinetsEl Cartero - L. Bacalov - Set of Clarinets
El Cartero - L. Bacalov - Set of Clarinets
kristal41
 
The Universal Band Collection - Jacob de Haan - Set of Clarinets
The Universal Band Collection - Jacob de Haan - Set of ClarinetsThe Universal Band Collection - Jacob de Haan - Set of Clarinets
The Universal Band Collection - Jacob de Haan - Set of Clarinets
kristal41
 
Terra di Montagne - Michael Geisler - Set of Clarinets
Terra di Montagne - Michael Geisler - Set of ClarinetsTerra di Montagne - Michael Geisler - Set of Clarinets
Terra di Montagne - Michael Geisler - Set of Clarinets
kristal41
 
Crazy Music in the Air - Jacob de Haan - Set of Clarinets
Crazy Music in the Air - Jacob de Haan - Set of ClarinetsCrazy Music in the Air - Jacob de Haan - Set of Clarinets
Crazy Music in the Air - Jacob de Haan - Set of Clarinets
kristal41
 
Cielo Andaluz - Pascual Marquina - Set of Clarinets
Cielo Andaluz - Pascual Marquina - Set of ClarinetsCielo Andaluz - Pascual Marquina - Set of Clarinets
Cielo Andaluz - Pascual Marquina - Set of Clarinets
kristal41
 
Spanish Dance - D. Shostakovich - Set of Clarinets
Spanish Dance - D. Shostakovich - Set of ClarinetsSpanish Dance - D. Shostakovich - Set of Clarinets
Spanish Dance - D. Shostakovich - Set of Clarinets
kristal41
 
Lord Tullamore - Carl Wittrock - Set of Clarinets
Lord Tullamore - Carl Wittrock - Set of ClarinetsLord Tullamore - Carl Wittrock - Set of Clarinets
Lord Tullamore - Carl Wittrock - Set of Clarinets
kristal41
 
Variazioni in Blue - Jacob de Haan - Set of Clarinets
Variazioni in Blue - Jacob de Haan - Set of ClarinetsVariazioni in Blue - Jacob de Haan - Set of Clarinets
Variazioni in Blue - Jacob de Haan - Set of Clarinets
kristal41
 

What's hot (18)

Mi Amargura - Victor M. Ferrer - Set of Clarinets
Mi Amargura - Victor M. Ferrer - Set of ClarinetsMi Amargura - Victor M. Ferrer - Set of Clarinets
Mi Amargura - Victor M. Ferrer - Set of Clarinets
 
Caravana - Pedro J. Francés - Set of Clarinets
Caravana - Pedro J. Francés - Set of ClarinetsCaravana - Pedro J. Francés - Set of Clarinets
Caravana - Pedro J. Francés - Set of Clarinets
 
The Legend of the Amber Room - Michael Geisler - Set of Clarinets
The Legend of the Amber Room - Michael Geisler - Set of ClarinetsThe Legend of the Amber Room - Michael Geisler - Set of Clarinets
The Legend of the Amber Room - Michael Geisler - Set of Clarinets
 
Crocodile Rock - Elton Jhon - Set of Clarinets
Crocodile Rock - Elton Jhon - Set of ClarinetsCrocodile Rock - Elton Jhon - Set of Clarinets
Crocodile Rock - Elton Jhon - Set of Clarinets
 
Sinbad - Legend of the Seven Seas - Harry Gregson-Williams - Set of Clarinets
Sinbad - Legend of the Seven Seas - Harry Gregson-Williams - Set of ClarinetsSinbad - Legend of the Seven Seas - Harry Gregson-Williams - Set of Clarinets
Sinbad - Legend of the Seven Seas - Harry Gregson-Williams - Set of Clarinets
 
Wind on the Hill - Naoya Wada - Set of Clarinets
Wind on the Hill - Naoya Wada - Set of ClarinetsWind on the Hill - Naoya Wada - Set of Clarinets
Wind on the Hill - Naoya Wada - Set of Clarinets
 
Molly on the Shore - P.A. Grainger - Set of Clarinets
Molly on the Shore - P.A. Grainger - Set of ClarinetsMolly on the Shore - P.A. Grainger - Set of Clarinets
Molly on the Shore - P.A. Grainger - Set of Clarinets
 
Odilia - Jacob de Haan - Set of Clarinets
Odilia - Jacob de Haan - Set of ClarinetsOdilia - Jacob de Haan - Set of Clarinets
Odilia - Jacob de Haan - Set of Clarinets
 
Rikudim - Jan Van der Roost - Set of Clarinets
Rikudim - Jan Van der Roost - Set of ClarinetsRikudim - Jan Van der Roost - Set of Clarinets
Rikudim - Jan Van der Roost - Set of Clarinets
 
Juanito El Jarri - I. Sanchez Navarro - Set of Clarinets
Juanito El Jarri - I. Sanchez Navarro - Set of ClarinetsJuanito El Jarri - I. Sanchez Navarro - Set of Clarinets
Juanito El Jarri - I. Sanchez Navarro - Set of Clarinets
 
El Cartero - L. Bacalov - Set of Clarinets
El Cartero - L. Bacalov - Set of ClarinetsEl Cartero - L. Bacalov - Set of Clarinets
El Cartero - L. Bacalov - Set of Clarinets
 
The Universal Band Collection - Jacob de Haan - Set of Clarinets
The Universal Band Collection - Jacob de Haan - Set of ClarinetsThe Universal Band Collection - Jacob de Haan - Set of Clarinets
The Universal Band Collection - Jacob de Haan - Set of Clarinets
 
Terra di Montagne - Michael Geisler - Set of Clarinets
Terra di Montagne - Michael Geisler - Set of ClarinetsTerra di Montagne - Michael Geisler - Set of Clarinets
Terra di Montagne - Michael Geisler - Set of Clarinets
 
Crazy Music in the Air - Jacob de Haan - Set of Clarinets
Crazy Music in the Air - Jacob de Haan - Set of ClarinetsCrazy Music in the Air - Jacob de Haan - Set of Clarinets
Crazy Music in the Air - Jacob de Haan - Set of Clarinets
 
Cielo Andaluz - Pascual Marquina - Set of Clarinets
Cielo Andaluz - Pascual Marquina - Set of ClarinetsCielo Andaluz - Pascual Marquina - Set of Clarinets
Cielo Andaluz - Pascual Marquina - Set of Clarinets
 
Spanish Dance - D. Shostakovich - Set of Clarinets
Spanish Dance - D. Shostakovich - Set of ClarinetsSpanish Dance - D. Shostakovich - Set of Clarinets
Spanish Dance - D. Shostakovich - Set of Clarinets
 
Lord Tullamore - Carl Wittrock - Set of Clarinets
Lord Tullamore - Carl Wittrock - Set of ClarinetsLord Tullamore - Carl Wittrock - Set of Clarinets
Lord Tullamore - Carl Wittrock - Set of Clarinets
 
Variazioni in Blue - Jacob de Haan - Set of Clarinets
Variazioni in Blue - Jacob de Haan - Set of ClarinetsVariazioni in Blue - Jacob de Haan - Set of Clarinets
Variazioni in Blue - Jacob de Haan - Set of Clarinets
 

More from kristal41

Paul Harris-clarinet-basics-part-1 cd.pdf
Paul Harris-clarinet-basics-part-1 cd.pdfPaul Harris-clarinet-basics-part-1 cd.pdf
Paul Harris-clarinet-basics-part-1 cd.pdf
kristal41
 
Sinbad - Legend of the Seven Seas - Harry Gregson-Williams - Set of Clarinets...
Sinbad - Legend of the Seven Seas - Harry Gregson-Williams - Set of Clarinets...Sinbad - Legend of the Seven Seas - Harry Gregson-Williams - Set of Clarinets...
Sinbad - Legend of the Seven Seas - Harry Gregson-Williams - Set of Clarinets...
kristal41
 
VALENCIA - J. Padilla - Set of Clarinets
VALENCIA - J. Padilla - Set of Clarinets VALENCIA - J. Padilla - Set of Clarinets
VALENCIA - J. Padilla - Set of Clarinets
kristal41
 
EL FALLERO - J. Serrano - Set of Clarinets
EL FALLERO - J. Serrano - Set of ClarinetsEL FALLERO - J. Serrano - Set of Clarinets
EL FALLERO - J. Serrano - Set of Clarinets
kristal41
 
Fet a Posta - Miguel Picó Biosca - Set of Clarinets
Fet a Posta - Miguel Picó Biosca - Set of ClarinetsFet a Posta - Miguel Picó Biosca - Set of Clarinets
Fet a Posta - Miguel Picó Biosca - Set of Clarinets
kristal41
 
Autumn Leaves - J.Kosma J. Prevert - Set of Clarinets
Autumn Leaves - J.Kosma J. Prevert - Set of ClarinetsAutumn Leaves - J.Kosma J. Prevert - Set of Clarinets
Autumn Leaves - J.Kosma J. Prevert - Set of Clarinets
kristal41
 
Agüero - José Franco - Set of Clarinets.pdf
Agüero - José Franco - Set of Clarinets.pdf Agüero - José Franco - Set of Clarinets.pdf
Agüero - José Franco - Set of Clarinets.pdf
kristal41
 
La concha flamenca - P. Artola - Set of Clarinets
La concha flamenca - P. Artola - Set of Clarinets La concha flamenca - P. Artola - Set of Clarinets
La concha flamenca - P. Artola - Set of Clarinets
kristal41
 
Paquito Chocolatero - Gustavo Pastor - Set of Clarinets
Paquito Chocolatero - Gustavo Pastor - Set of ClarinetsPaquito Chocolatero - Gustavo Pastor - Set of Clarinets
Paquito Chocolatero - Gustavo Pastor - Set of Clarinets
kristal41
 
Amparito Roca - Jaime Teixidor - Set of Clarinets
Amparito Roca - Jaime Teixidor - Set of Clarinets Amparito Roca - Jaime Teixidor - Set of Clarinets
Amparito Roca - Jaime Teixidor - Set of Clarinets
kristal41
 
The Ghost Ship - José Alberto Pina - Set of Clarinets
The Ghost Ship - José Alberto Pina - Set of ClarinetsThe Ghost Ship - José Alberto Pina - Set of Clarinets
The Ghost Ship - José Alberto Pina - Set of Clarinets
kristal41
 
Carrascosa - Jaime Texidor Dalmau - Set of Clarinets.pdf
Carrascosa - Jaime Texidor Dalmau - Set of Clarinets.pdf Carrascosa - Jaime Texidor Dalmau - Set of Clarinets.pdf
Carrascosa - Jaime Texidor Dalmau - Set of Clarinets.pdf
kristal41
 
Xabia - Salvador Salvá - Set of Clarinets.pdf
Xabia - Salvador Salvá - Set of Clarinets.pdfXabia - Salvador Salvá - Set of Clarinets.pdf
Xabia - Salvador Salvá - Set of Clarinets.pdf
kristal41
 
Santiano - Hans Joachim Rogol - Set of Clarinets.pdf
Santiano - Hans Joachim Rogol - Set of Clarinets.pdfSantiano - Hans Joachim Rogol - Set of Clarinets.pdf
Santiano - Hans Joachim Rogol - Set of Clarinets.pdf
kristal41
 
Perez Barcelo - Bernabe Sanchis - Set of Clarinets
Perez Barcelo - Bernabe Sanchis - Set of Clarinets Perez Barcelo - Bernabe Sanchis - Set of Clarinets
Perez Barcelo - Bernabe Sanchis - Set of Clarinets
kristal41
 
Pepe Antón - A. Carrillos - Set of Clarinets.pdf
Pepe Antón - A. Carrillos - Set of Clarinets.pdfPepe Antón - A. Carrillos - Set of Clarinets.pdf
Pepe Antón - A. Carrillos - Set of Clarinets.pdf
kristal41
 
El arte de Cúchares - E. Pastor Celda - Set of Clarinets
El arte de Cúchares - E. Pastor Celda - Set of ClarinetsEl arte de Cúchares - E. Pastor Celda - Set of Clarinets
El arte de Cúchares - E. Pastor Celda - Set of Clarinets
kristal41
 
Si vas a Calatayud - R. Zarzoso - Set of Clarinets
Si vas a Calatayud - R. Zarzoso - Set of ClarinetsSi vas a Calatayud - R. Zarzoso - Set of Clarinets
Si vas a Calatayud - R. Zarzoso - Set of Clarinets
kristal41
 
Mi Amargura - Victor M. Ferrer - Set of Clarinets
Mi Amargura - Victor M. Ferrer - Set of ClarinetsMi Amargura - Victor M. Ferrer - Set of Clarinets
Mi Amargura - Victor M. Ferrer - Set of Clarinets
kristal41
 
Ateneo Musical - Mariano Puig - Set of Clarinets
Ateneo Musical - Mariano Puig - Set of ClarinetsAteneo Musical - Mariano Puig - Set of Clarinets
Ateneo Musical - Mariano Puig - Set of Clarinets
kristal41
 

More from kristal41 (20)

Paul Harris-clarinet-basics-part-1 cd.pdf
Paul Harris-clarinet-basics-part-1 cd.pdfPaul Harris-clarinet-basics-part-1 cd.pdf
Paul Harris-clarinet-basics-part-1 cd.pdf
 
Sinbad - Legend of the Seven Seas - Harry Gregson-Williams - Set of Clarinets...
Sinbad - Legend of the Seven Seas - Harry Gregson-Williams - Set of Clarinets...Sinbad - Legend of the Seven Seas - Harry Gregson-Williams - Set of Clarinets...
Sinbad - Legend of the Seven Seas - Harry Gregson-Williams - Set of Clarinets...
 
VALENCIA - J. Padilla - Set of Clarinets
VALENCIA - J. Padilla - Set of Clarinets VALENCIA - J. Padilla - Set of Clarinets
VALENCIA - J. Padilla - Set of Clarinets
 
EL FALLERO - J. Serrano - Set of Clarinets
EL FALLERO - J. Serrano - Set of ClarinetsEL FALLERO - J. Serrano - Set of Clarinets
EL FALLERO - J. Serrano - Set of Clarinets
 
Fet a Posta - Miguel Picó Biosca - Set of Clarinets
Fet a Posta - Miguel Picó Biosca - Set of ClarinetsFet a Posta - Miguel Picó Biosca - Set of Clarinets
Fet a Posta - Miguel Picó Biosca - Set of Clarinets
 
Autumn Leaves - J.Kosma J. Prevert - Set of Clarinets
Autumn Leaves - J.Kosma J. Prevert - Set of ClarinetsAutumn Leaves - J.Kosma J. Prevert - Set of Clarinets
Autumn Leaves - J.Kosma J. Prevert - Set of Clarinets
 
Agüero - José Franco - Set of Clarinets.pdf
Agüero - José Franco - Set of Clarinets.pdf Agüero - José Franco - Set of Clarinets.pdf
Agüero - José Franco - Set of Clarinets.pdf
 
La concha flamenca - P. Artola - Set of Clarinets
La concha flamenca - P. Artola - Set of Clarinets La concha flamenca - P. Artola - Set of Clarinets
La concha flamenca - P. Artola - Set of Clarinets
 
Paquito Chocolatero - Gustavo Pastor - Set of Clarinets
Paquito Chocolatero - Gustavo Pastor - Set of ClarinetsPaquito Chocolatero - Gustavo Pastor - Set of Clarinets
Paquito Chocolatero - Gustavo Pastor - Set of Clarinets
 
Amparito Roca - Jaime Teixidor - Set of Clarinets
Amparito Roca - Jaime Teixidor - Set of Clarinets Amparito Roca - Jaime Teixidor - Set of Clarinets
Amparito Roca - Jaime Teixidor - Set of Clarinets
 
The Ghost Ship - José Alberto Pina - Set of Clarinets
The Ghost Ship - José Alberto Pina - Set of ClarinetsThe Ghost Ship - José Alberto Pina - Set of Clarinets
The Ghost Ship - José Alberto Pina - Set of Clarinets
 
Carrascosa - Jaime Texidor Dalmau - Set of Clarinets.pdf
Carrascosa - Jaime Texidor Dalmau - Set of Clarinets.pdf Carrascosa - Jaime Texidor Dalmau - Set of Clarinets.pdf
Carrascosa - Jaime Texidor Dalmau - Set of Clarinets.pdf
 
Xabia - Salvador Salvá - Set of Clarinets.pdf
Xabia - Salvador Salvá - Set of Clarinets.pdfXabia - Salvador Salvá - Set of Clarinets.pdf
Xabia - Salvador Salvá - Set of Clarinets.pdf
 
Santiano - Hans Joachim Rogol - Set of Clarinets.pdf
Santiano - Hans Joachim Rogol - Set of Clarinets.pdfSantiano - Hans Joachim Rogol - Set of Clarinets.pdf
Santiano - Hans Joachim Rogol - Set of Clarinets.pdf
 
Perez Barcelo - Bernabe Sanchis - Set of Clarinets
Perez Barcelo - Bernabe Sanchis - Set of Clarinets Perez Barcelo - Bernabe Sanchis - Set of Clarinets
Perez Barcelo - Bernabe Sanchis - Set of Clarinets
 
Pepe Antón - A. Carrillos - Set of Clarinets.pdf
Pepe Antón - A. Carrillos - Set of Clarinets.pdfPepe Antón - A. Carrillos - Set of Clarinets.pdf
Pepe Antón - A. Carrillos - Set of Clarinets.pdf
 
El arte de Cúchares - E. Pastor Celda - Set of Clarinets
El arte de Cúchares - E. Pastor Celda - Set of ClarinetsEl arte de Cúchares - E. Pastor Celda - Set of Clarinets
El arte de Cúchares - E. Pastor Celda - Set of Clarinets
 
Si vas a Calatayud - R. Zarzoso - Set of Clarinets
Si vas a Calatayud - R. Zarzoso - Set of ClarinetsSi vas a Calatayud - R. Zarzoso - Set of Clarinets
Si vas a Calatayud - R. Zarzoso - Set of Clarinets
 
Mi Amargura - Victor M. Ferrer - Set of Clarinets
Mi Amargura - Victor M. Ferrer - Set of ClarinetsMi Amargura - Victor M. Ferrer - Set of Clarinets
Mi Amargura - Victor M. Ferrer - Set of Clarinets
 
Ateneo Musical - Mariano Puig - Set of Clarinets
Ateneo Musical - Mariano Puig - Set of ClarinetsAteneo Musical - Mariano Puig - Set of Clarinets
Ateneo Musical - Mariano Puig - Set of Clarinets
 

Cómo entrenar a tu Dragón - John Powell - Set of clarinets

  • 1. HOW TO TRAIN YOUR DRAGON ( JOHN POWELL )
  • 2.                         Clarinet 1 Clarinet 2 Clarinet 3 Clarinet 4 Clarinet 5 Clarinet 6 Clarinet 7 Bass Clarinet         "This is Berk" Slowy ()                                                           Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                              Rit..                 HOW TO TRAIN YOUR DRAGON JOHN POWELL ©Gino Gonçals Music from the Motion Picture Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI)
  • 3.                 Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.              3 9 Allegro ()               3 3            3 3         3 3        3 3            3 3            3 3        3                              3                  3                 Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                          3 3 3                 3 3 3                3 3 3 3             3 3 3 3             3 3 3 3                               14                  3 3 3 3              3 3 3 3              3 3 3 3                  3 3 3 3             3 3 3 3             3 3 3 3      2HOW TO TRAIN YOUR DRAGON
  • 4.                 Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.           3 3 3           3 3 3           3 3 3                     3 3 3 3             3 3 3 3             3 3 3 3             3 3           3 3                      3 3 3 3              3 3 3 3              3 3 3 3             3 3           3 3                    3 3 3 3             3 3 3 3             3 3 3 3             3 3           3 3                        Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.           3 3 3           3 3 3           3 3 3              3 3 3            3 3 3                       3 3 3             3 3             3 3 3             3 3 3 3                     22                 3 3 3             3 3             3 3 3             3 3 3 3                                    3 3 3             3 3             3 3 3             3 3 3 3                        3 HOW TO TRAIN YOUR DRAGON
  • 5.                 Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.             3 3 3             3 3 3            3 3 3             3 3 3 3                                          3 3         3 3         3 3            3 3 3 3            3 3 3 3          3          3                       3      3      3            3 3 3 3             3 3 3 3            3            3                       3 3         3 3         3 3            3 3 3 3            3 3 3 3            3            3                      Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                   3 3 3           3 3             3 3 3              3 3 3              3 3 3                                          3            3 3              3 3 3              3 3 3            3        solo               3 3 3 3             3 3 3 3             3 3 3 3                3                3 3 3 3           3 3 3           3 3 3                3 4HOW TO TRAIN YOUR DRAGON
  • 6.                 Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.             3 3 3 3           3 3 3           3 3 3                   3           3 3 3            3 3 3            3 3 3                            35             3                                            Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                        3                     3       3              3              3                3          3 3         3 3         3 3                3                 3                3 5 HOW TO TRAIN YOUR DRAGON
  • 7.                         Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.          3 3          3 3        3             3                 3                3         3        3         3          3             3           3                                                3 3 3             3 3             3 3 3             3 3 3 3             3 3                 3 3                 3 3        43                     3 3 3             3 3             3 3 3             3 3 3 3           3 3            3 3              3 3                  Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.             3 3 3             3 3             3 3 3             3 3 3 3             3 3                 3 3                 3 3                      3 3 3             3 3 3 3             3 3 3 3             3 3 3 3           3 3            3 3              3 3                      3 3             3 3             3 3                 3 3             3 3                 3 3                     3 3          3 3          3 3          3 3          3 3              3 3                6HOW TO TRAIN YOUR DRAGON
  • 8.                         Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                       3        3        3        3          3                             3        3        3        3          3                                                                                               Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                   53                                              7 HOW TO TRAIN YOUR DRAGON
  • 9.                 Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                   Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                               64 Move ahead ()     8HOW TO TRAIN YOUR DRAGON
  • 10.                 Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                         Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                             9 HOW TO TRAIN YOUR DRAGON
  • 11.                 Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                           Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                       80     10HOW TO TRAIN YOUR DRAGON
  • 12.                 Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                    Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                      11 HOW TO TRAIN YOUR DRAGON
  • 13.                 Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                     12HOW TO TRAIN YOUR DRAGON
  • 14.                         Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.           97 "Coming Back Around" Slower ()                                                                                                              Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                                                  13 HOW TO TRAIN YOUR DRAGON
  • 15.                 Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                    107                                      Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                                              14HOW TO TRAIN YOUR DRAGON
  • 16.                 Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                                                                                                                Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                                                                        15 HOW TO TRAIN YOUR DRAGON
  • 17.                         Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                                                                                   Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                                                 16HOW TO TRAIN YOUR DRAGON
  • 18.                 Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                                       Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                                                17 HOW TO TRAIN YOUR DRAGON
  • 19.                 Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                              138                                                                                                                                            Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                                                                 18HOW TO TRAIN YOUR DRAGON
  • 20.                 Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 Cl. 6 Cl. 7 B.Cl.                                                            19 HOW TO TRAIN YOUR DRAGON
  • 21.     "This is Berk" Slowy ()        Rit..     9 Allegro ()             3 3                    3 3 3 3 14              3 3 3 3             3 3 3 3             3 3 3             3 3 3 3              3 3 3 3               3 3 3 3           3 3 3             3 3 3 22                3 3 3             3 3 3             3 3 3           3 3  solo      3         3 3             3 3 3                3 3 3 3              3 3 3 3             3 3 3 3              3 3 3 35       3         3 3              3 3         3             3 3 3 43              3 3 3               3 3 3             3 3 3             3 3          3 3                   3        3          HOW TO TRAIN YOUR DRAGON JOHN POWELL ©Gino Gonçals Music from the Motion Picture Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI) Clarinet E
  • 22.       53                     64 Move ahead ()       80                                      97 "Coming Back Around" Slower ()                                                   107                                                                                                                                                                                              138                                         2HOW TO TRAIN YOUR DRAGON
  • 23.        "This is Berk" Slowy ()        Rit..      9 Allegro ()             3 3                     3 3 3 3 14              3 3 3 3             3 3 3 3               3 3 3             3 3 3 3              3 3 3 3                3 3 3 3           3 3 3             3 3 3 22                 3 3 3             3 3 3             3 3 3                       3 3  solo            3                     3 3                   3 3 3                 3 3 3 3              3 3 3 3             3 3 3 3                  3 3 3 35       3         3 3             3 3         3             3 3 3 43              3 3 3              3 3 3             3 3 3             3 3          3 3                 3        3          HOW TO TRAIN YOUR DRAGON JOHN POWELL ©Gino Gonçals Music from the Motion Picture Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI) Clarinet 1º
  • 24.       53                     64 Move ahead ()      80                                       97 "Coming Back Around" Slower ()                                                    107                                                                                                                                                                                                       138                                         2HOW TO TRAIN YOUR DRAGON
  • 25.         "This is Berk" Slowy ()        Rit..       9 Allegro ()             3 3                  3 3 3 3 14              3 3 3 3             3 3 3 3           3 3 3               3 3 3 3              3 3 3 3             3 3 3 3            3 3 3            3 3 22            3 3          3 3        3 3 3     3 3          3      3 3            3 3              3 3 3 3                3 3 3           3 3 3            3 3 3 35       3       3 3       3 3         3          3 3 43           3 3              3 3             3 3 3 3             3 3          3 3             3        3                 53                     HOW TO TRAIN YOUR DRAGON JOHN POWELL ©Gino Gonçals Music from the Motion Picture Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI) Clarinet 2º
  • 26.   64 Move ahead ()      80                            97 "Coming Back Around" Slower ()                                                                      107                                                                                                                                                                           138                                       2 HOW TO TRAIN YOUR DRAGON
  • 27.        "This is Berk" Slowy ()       Rit..      9 Allegro ()         3 3                        3 3 3 3 14              3 3 3 3             3 3 3 3           3 3 3               3 3 3 3              3 3 3 3             3 3 3 3           3 3 3         3 3 322        3 3 3      3 3 3       3 3 3     3 3         3       3 3             3 3 3              3 3 3 3                  3 3 3           3 3 3            3 3 3 35             3 3        3          3              3 3 3 43              3 3 3             3 3 3              3 3 3 3             3 3          3 3           3       3          53              HOW TO TRAIN YOUR DRAGON JOHN POWELL ©Gino Gonçals Music from the Motion Picture Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI) Clarinet 3º
  • 28.        64 Move ahead ()    80                                                            97 "Coming Back Around" Slower ()                                     107                                                                                                                                                                                                        138                                       2HOW TO TRAIN YOUR DRAGON
  • 29.       "This is Berk" Slowy ()        Rit..      9 Allegro ()        3 3                14                 3 3 3 3              3 3 3 3             3 3 3 3             3 3 3 3               3 3 3 3             3 3 3 3             3 3 3 3              3 3 3             3  35             3                 3                3           3             3 3 3 343              3 3 3 3              3 3 3 3             3 3 3 3                 3 3          3 3                 3        3                53                            64 Move ahead ()                          HOW TO TRAIN YOUR DRAGON JOHN POWELL ©Gino Gonçals Music from the Motion Picture Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI) Clarinet 4º
  • 30.                     80                                                      97 "Coming Back Around" Slower ()                                      107                                                                                                                                                138                                     2HOW TO TRAIN YOUR DRAGON
  • 31.         "This is Berk" Slowy ()          Rit..      9 Allegro ()            3 3          14   22               3 3 3 3             3 3 3 3             3 3 3 3              3 3 3                 3 3     35      3       3                      3              3 3 43            3 3              3 3           3 3             3 3          3 3                     3          3     53                  64 Move ahead ()                             80                       HOW TO TRAIN YOUR DRAGON JOHN POWELL ©Gino Gonçals Music from the Motion Picture Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI) Clarinet 5º
  • 32.                              97 "Coming Back Around" Slower ()                                       107                                                                                                                                         138                                               2HOW TO TRAIN YOUR DRAGON
  • 33.        "This is Berk" Slowy ()                     Rit..      9 Allegro ()            3 3             14               3 3           3 3           3 3            3 3 3   22          3             3            3                              3 3 3      35                           3                3             3             3                  3 3 43               3 3                 3 3              3 3                     3 3              3 3                               53                 64 Move ahead ()             HOW TO TRAIN YOUR DRAGON JOHN POWELL ©Gino Gonçals Music from the Motion Picture Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI) Clarinet 6º
  • 34.          80         97 "Coming Back Around" Slower ()                                           107                                                                                                138                                         2HOW TO TRAIN YOUR DRAGON
  • 35.     "This is Berk" Slowy ()            Rit..    9 Allegro ()                     3 3 3       14                3 3            3 3           3 3            3 3 3         22                                         3             3            3                          3 3 3     35                                              3 343                3 3                 3 3              3 3                                              53                     64 Move ahead ()          HOW TO TRAIN YOUR DRAGON JOHN POWELL ©Gino Gonçals Music from the Motion Picture Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI) Clarinet 7º
  • 36.           80          97 "Coming Back Around" Slower ()                          107                                                                                   138                             2HOW TO TRAIN YOUR DRAGON
  • 37.       "This is Berk" Slowy ()         Rit..            3 9 Allegro ()        3       3       3                 3 3 3          14                                               22                                                                           3               3            3               3                35                            3                 3               3                          43                                                               53                            64 Move ahead ()       HOW TO TRAIN YOUR DRAGON JOHN POWELL ©Gino Gonçals Music from the Motion Picture Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI) Clarinet Bass
  • 38.                      80                                              97 "Coming Back Around" Slower ()                           107                                                                                    138                                2HOW TO TRAIN YOUR DRAGON