SlideShare a Scribd company logo

La Puerta Grande - E. Chueca - Set of Clarinets

•
•
kristal41
kristal41

La Puerta Grande - E. Chueca - Set of Clarinets

Education
1 of 21
Download to read offline
LA PUERTA GRANDE (Elvira Checa Agüero )
                         Clarinet in B 1 Clarinet in B 2 Clarinet in B 3 Clarinet in B 4 Clarinet in B 5 Clarinet in B 6 Clarinet in B 7 Bass Clarinet       3 3       3 3             3 3                                  Marcha                                                                                                                                                                                                                                                                   Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                                                                                                              3       3                                                                             LA PUERTA GRANDE Elvira Checa Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                           3 3       3 3                                                                                                                                          3                                                        Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.               3        3 3       3 3                                               3                                                          3                                                     3                                       3    3       3 3       3 3                                          3 3          3 3                                          2La Puerta Grande
                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.       3       3                                                                                                                                                                                                                                                                                                    Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                       3       3                                                                                                                                                                      3La Puerta Grande
                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.      3       3                                                                                                                                                                                       3                                                                                                          Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                                                                          3        3                                       1          3        3                                              3        3                                        4La Puerta Grande
                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                           3        3                                              3        3                                              3        3                                                                                                                                                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.       3 3       3 3           2                                                                                   3                                                                                                                                                                              5La Puerta Grande
                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                     3 3       3 3                                                                                                                  3                                                                                              Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.      3      3                                                                                                    3      3                                                                                                3      3                                                                                          6La Puerta Grande
                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                                                                                                                                                                                3      3                                                         Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                  3 3       3 3                                                                                                                                            3                                             3                               7La Puerta Grande
                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                                                                                                                                                                                                                                             Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                                                                                                                             8La Puerta Grande
                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                                                                                                                                                                                   3 3       3 3             3 3                                                          Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                                                                                                                                                                                                                 9La Puerta Grande
                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                                                        3       3                                                                                                                                              Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                3 3       3 3                                                                                                                                          3                                                          3                                        10La Puerta Grande
                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.               3                                                          3                                                          3                                         3    3                                                 3 3         3 3                                                  3       3                                                      Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                CODA                                                 cresc. cresc. cresc. cresc. cresc. cresc. cresc. cresc.                                                                                                                                                                        3        3                                                     11La Puerta Grande a la y salta a CODA
         3 3 Marcha                                                 3                3               3                3               3    3          3 3       3                                           3              3                3 1       3     3            3     3     3            3 3 2                     3 3             3            3          3                       3          3 3                                                                                  3 3  3                                     3                  3               3                3               3    3         3 3        3          CODA                          3  LA PUERTA GRANDE Elvira Checa Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 1º a la y salta a CODA
         3 3 Marcha                                                                3           3 3       3                                               3                                  3 1     3     3           3     3     3              3 3 2                   3 3                3          3          3                         3          3 3                                                                             3 3  3                                                                    3          3 3        3           CODA    cresc.                      3  LA PUERTA GRANDE Elvira Checa Gino Gonçals Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI) Clarinet 2º a la y salta a CODA
                3 3 Marcha                                           3             3 3              3 3            3 3                                    3                                                 1                     2                                                                                                                                                                  3        3                                                                                          3 33                                      3                3 3                                      CODA      cresc.                       LA PUERTA GRANDE Elvira Checa Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) a la y salta a CODA Clarinet 3º
    Marcha                            3               3 3            3 3          3 3                                     3                                               1                      2                                                                                                                                                                                                                                                                                                                                                                                          3                            3                3 3                                         CODA                                  LA PUERTA GRANDE Elvira Checa Gino Gonçals Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI) a la y salta a CODA Clarinet 4º
            Marcha                                                                                                                                                                                                                                                                                                                                                                                      1                                                                     2       3                   3                                                                                                                                                                        3                                                                                                                                                                                                              CODA                                    LA PUERTA GRANDE Elvira Checa Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 5º a la y salta a CODA
           Marcha                                                                                                                                                                                                                                                                                                                                                                                      1                                                                     2                                                                                                                                                                                                                                                                                                                                                                                 3                                                                                                                                                                                                                  CODA        cresc.                                    LA PUERTA GRANDE Elvira Checa Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) a la y salta a CODA Clarinet 6º
           Marcha                                                                                                                                                                                                                                                                                                                                                                                          1                                                                     2                                                                                                                              LA PUERTA GRANDE Elvira Checa Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)Clarinet 7º
                                                                                                                                                                                                                                                                                                                                                                                                                                                                              CODA        cresc.                                  2La Puerta Grande a la y salta a la CODA
           Marcha                                                                                                                                                                                                                                                                                                                                                                                                 1                                                                          2                                                                                                                                                                                                                                                                                                                                                                                                   3                                                                                                                                                                                                                          CODA         cresc.                                  LA PUERTA GRANDE Elvira Checa Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet Bass a la y salta CODA

Recommended

Y en Triana la O - J.J. Espinosa de los Monteros - Set of Clarinets
Y en Triana la O - J.J. Espinosa de los Monteros - Set of ClarinetsY en Triana la O - J.J. Espinosa de los Monteros - Set of Clarinets
Y en Triana la O - J.J. Espinosa de los Monteros - Set of Clarinetskristal41
 
The Universal Band Collection - Jacob de Haan - Set of Clarinets
The Universal Band Collection - Jacob de Haan - Set of ClarinetsThe Universal Band Collection - Jacob de Haan - Set of Clarinets
The Universal Band Collection - Jacob de Haan - Set of Clarinetskristal41
 
Where Eagles Soar - Steven Reineke - Set of Clarinets
Where Eagles Soar - Steven Reineke - Set of ClarinetsWhere Eagles Soar - Steven Reineke - Set of Clarinets
Where Eagles Soar - Steven Reineke - Set of Clarinetskristal41
 
La Dolores - Tomas Breton - Set of Clarinets
La Dolores - Tomas Breton - Set of ClarinetsLa Dolores - Tomas Breton - Set of Clarinets
La Dolores - Tomas Breton - Set of Clarinetskristal41
 
Ateneo Musical - Mariano Puig - Set of Clarinets
Ateneo Musical - Mariano Puig - Set of ClarinetsAteneo Musical - Mariano Puig - Set of Clarinets
Ateneo Musical - Mariano Puig - Set of Clarinetskristal41
 
Crazy Music in the Air - Jacob de Haan - Set of Clarinets
Crazy Music in the Air - Jacob de Haan - Set of ClarinetsCrazy Music in the Air - Jacob de Haan - Set of Clarinets
Crazy Music in the Air - Jacob de Haan - Set of Clarinetskristal41
 
Abandoned Treasure Hunt
Abandoned Treasure HuntAbandoned Treasure Hunt
Abandoned Treasure HuntPartitura de Banda
 
Giora feidman klassic klezmer 2
Giora feidman klassic klezmer 2Giora feidman klassic klezmer 2
Giora feidman klassic klezmer 2phclarinete
 

Recommended

Y en Triana la O - J.J. Espinosa de los Monteros - Set of Clarinets
Y en Triana la O - J.J. Espinosa de los Monteros - Set of ClarinetsY en Triana la O - J.J. Espinosa de los Monteros - Set of Clarinets
Y en Triana la O - J.J. Espinosa de los Monteros - Set of Clarinetskristal41
 
The Universal Band Collection - Jacob de Haan - Set of Clarinets
The Universal Band Collection - Jacob de Haan - Set of ClarinetsThe Universal Band Collection - Jacob de Haan - Set of Clarinets
The Universal Band Collection - Jacob de Haan - Set of Clarinetskristal41
 
Where Eagles Soar - Steven Reineke - Set of Clarinets
Where Eagles Soar - Steven Reineke - Set of ClarinetsWhere Eagles Soar - Steven Reineke - Set of Clarinets
Where Eagles Soar - Steven Reineke - Set of Clarinetskristal41
 
La Dolores - Tomas Breton - Set of Clarinets
La Dolores - Tomas Breton - Set of ClarinetsLa Dolores - Tomas Breton - Set of Clarinets
La Dolores - Tomas Breton - Set of Clarinetskristal41
 
Ateneo Musical - Mariano Puig - Set of Clarinets
Ateneo Musical - Mariano Puig - Set of ClarinetsAteneo Musical - Mariano Puig - Set of Clarinets
Ateneo Musical - Mariano Puig - Set of Clarinetskristal41
 
Crazy Music in the Air - Jacob de Haan - Set of Clarinets
Crazy Music in the Air - Jacob de Haan - Set of ClarinetsCrazy Music in the Air - Jacob de Haan - Set of Clarinets
Crazy Music in the Air - Jacob de Haan - Set of Clarinetskristal41
 
Abandoned Treasure Hunt
Abandoned Treasure HuntAbandoned Treasure Hunt
Abandoned Treasure HuntPartitura de Banda
 
Giora feidman klassic klezmer 2
Giora feidman klassic klezmer 2Giora feidman klassic klezmer 2
Giora feidman klassic klezmer 2phclarinete
 
Theme for Clarinet - Mangani - Set of Clarinets
Theme for Clarinet - Mangani - Set of ClarinetsTheme for Clarinet - Mangani - Set of Clarinets
Theme for Clarinet - Mangani - Set of Clarinetskristal41
 
Oregon - Jacob de Haan - Set of Clarinets
Oregon - Jacob de Haan - Set of ClarinetsOregon - Jacob de Haan - Set of Clarinets
Oregon - Jacob de Haan - Set of Clarinetskristal41
 
Caravana - Pedro J. Francés - Set of Clarinets
Caravana - Pedro J. Francés - Set of ClarinetsCaravana - Pedro J. Francés - Set of Clarinets
Caravana - Pedro J. Francés - Set of Clarinetskristal41
 
Virginia - Jacob de Haan - Set of Clarinets
Virginia - Jacob de Haan - Set of Clarinets Virginia - Jacob de Haan - Set of Clarinets
Virginia - Jacob de Haan - Set of Clarinetskristal41
 
Variazioni in Blue - Jacob de Haan - Set of Clarinets
Variazioni in Blue - Jacob de Haan - Set of ClarinetsVariazioni in Blue - Jacob de Haan - Set of Clarinets
Variazioni in Blue - Jacob de Haan - Set of Clarinetskristal41
 
Mi Amargura - Victor M. Ferrer - Set of Clarinets
Mi Amargura - Victor M. Ferrer - Set of ClarinetsMi Amargura - Victor M. Ferrer - Set of Clarinets
Mi Amargura - Victor M. Ferrer - Set of Clarinetskristal41
 
MÉTODO BÁSICO DE CLARINETE - RUBANK
MÉTODO BÁSICO DE CLARINETE - RUBANKMÉTODO BÁSICO DE CLARINETE - RUBANK
MÉTODO BÁSICO DE CLARINETE - RUBANKJULIO REZA HUAROC
 
The Blues Factory - Jacob de Haan - Set of Clarinets
The Blues Factory - Jacob de Haan - Set of ClarinetsThe Blues Factory - Jacob de Haan - Set of Clarinets
The Blues Factory - Jacob de Haan - Set of Clarinetskristal41
 
Brasileirinho
BrasileirinhoBrasileirinho
Brasileirinhophclarinete
 
Choral and Rock Out - Ted Huggens - Set of Clarinets
Choral and Rock Out - Ted Huggens - Set of ClarinetsChoral and Rock Out - Ted Huggens - Set of Clarinets
Choral and Rock Out - Ted Huggens - Set of Clarinetskristal41
 
Frevo dos Vassourinhas e Fogão
Frevo dos Vassourinhas e FogãoFrevo dos Vassourinhas e Fogão
Frevo dos Vassourinhas e FogãoPartitura de Banda
 
Pérez Barcelo - Bernabé Sanchis - Set of Clarinets.pdf
Pérez Barcelo - Bernabé Sanchis - Set of Clarinets.pdf Pérez Barcelo - Bernabé Sanchis - Set of Clarinets.pdf
Pérez Barcelo - Bernabé Sanchis - Set of Clarinets.pdfKristal42 .
 
Perfidia ray conniff
Perfidia ray conniffPerfidia ray conniff
Perfidia ray conniffPartitura de Banda
 
Amante a moda antiga [rocha]
Amante a moda antiga [rocha]Amante a moda antiga [rocha]
Amante a moda antiga [rocha]Partitura de Banda
 
Digitação clarinete - tabela de digitação facilitada - yamaha
Digitação clarinete - tabela de digitação facilitada - yamahaDigitação clarinete - tabela de digitação facilitada - yamaha
Digitação clarinete - tabela de digitação facilitada - yamahaJosé Aparecido Sabaine
 
Clarinete método - allen - estudos progressivos - parte 1 de 2
Clarinete método - allen - estudos progressivos - parte 1 de 2Clarinete método - allen - estudos progressivos - parte 1 de 2
Clarinete método - allen - estudos progressivos - parte 1 de 2José Aparecido Sabaine
 
Disney Fantasy
Disney FantasyDisney Fantasy
Disney FantasyPartitura de Banda
 
Paraquedista - Big Band
Paraquedista - Big BandParaquedista - Big Band
Paraquedista - Big BandPartitura de Banda
 
klose - Método de Clarinete
klose - Método de Clarineteklose - Método de Clarinete
klose - Método de ClarinetePartitura de Banda
 
Takeuchi noriyasu bossa nova and latin peices for solo guitar (chitarra)
Takeuchi noriyasu bossa nova and latin peices for solo guitar (chitarra)Takeuchi noriyasu bossa nova and latin peices for solo guitar (chitarra)
Takeuchi noriyasu bossa nova and latin peices for solo guitar (chitarra)Ihsan Bayraktar
 
Paul Harris-clarinet-basics-part-1 cd.pdf
Paul Harris-clarinet-basics-part-1 cd.pdfPaul Harris-clarinet-basics-part-1 cd.pdf
Paul Harris-clarinet-basics-part-1 cd.pdfkristal41
 
Sinbad - Legend of the Seven Seas - Harry Gregson-Williams - Set of Clarinets...
Sinbad - Legend of the Seven Seas - Harry Gregson-Williams - Set of Clarinets...Sinbad - Legend of the Seven Seas - Harry Gregson-Williams - Set of Clarinets...
Sinbad - Legend of the Seven Seas - Harry Gregson-Williams - Set of Clarinets...kristal41
 

More Related Content

What's hot

Theme for Clarinet - Mangani - Set of Clarinets
Theme for Clarinet - Mangani - Set of ClarinetsTheme for Clarinet - Mangani - Set of Clarinets
Theme for Clarinet - Mangani - Set of Clarinetskristal41
 
Oregon - Jacob de Haan - Set of Clarinets
Oregon - Jacob de Haan - Set of ClarinetsOregon - Jacob de Haan - Set of Clarinets
Oregon - Jacob de Haan - Set of Clarinetskristal41
 
Caravana - Pedro J. Francés - Set of Clarinets
Caravana - Pedro J. Francés - Set of ClarinetsCaravana - Pedro J. Francés - Set of Clarinets
Caravana - Pedro J. Francés - Set of Clarinetskristal41
 
Virginia - Jacob de Haan - Set of Clarinets
Virginia - Jacob de Haan - Set of Clarinets Virginia - Jacob de Haan - Set of Clarinets
Virginia - Jacob de Haan - Set of Clarinetskristal41
 
Variazioni in Blue - Jacob de Haan - Set of Clarinets
Variazioni in Blue - Jacob de Haan - Set of ClarinetsVariazioni in Blue - Jacob de Haan - Set of Clarinets
Variazioni in Blue - Jacob de Haan - Set of Clarinetskristal41
 
Mi Amargura - Victor M. Ferrer - Set of Clarinets
Mi Amargura - Victor M. Ferrer - Set of ClarinetsMi Amargura - Victor M. Ferrer - Set of Clarinets
Mi Amargura - Victor M. Ferrer - Set of Clarinetskristal41
 
MÉTODO BÁSICO DE CLARINETE - RUBANK
MÉTODO BÁSICO DE CLARINETE - RUBANKMÉTODO BÁSICO DE CLARINETE - RUBANK
MÉTODO BÁSICO DE CLARINETE - RUBANKJULIO REZA HUAROC
 
The Blues Factory - Jacob de Haan - Set of Clarinets
The Blues Factory - Jacob de Haan - Set of ClarinetsThe Blues Factory - Jacob de Haan - Set of Clarinets
The Blues Factory - Jacob de Haan - Set of Clarinetskristal41
 
Choral and Rock Out - Ted Huggens - Set of Clarinets
Choral and Rock Out - Ted Huggens - Set of ClarinetsChoral and Rock Out - Ted Huggens - Set of Clarinets
Choral and Rock Out - Ted Huggens - Set of Clarinetskristal41
 
Frevo dos Vassourinhas e Fogão
Frevo dos Vassourinhas e FogãoFrevo dos Vassourinhas e Fogão
Frevo dos Vassourinhas e FogãoPartitura de Banda
 
Pérez Barcelo - Bernabé Sanchis - Set of Clarinets.pdf
Pérez Barcelo - Bernabé Sanchis - Set of Clarinets.pdf Pérez Barcelo - Bernabé Sanchis - Set of Clarinets.pdf
Pérez Barcelo - Bernabé Sanchis - Set of Clarinets.pdfKristal42 .
 
Digitação clarinete - tabela de digitação facilitada - yamaha
Digitação clarinete - tabela de digitação facilitada - yamahaDigitação clarinete - tabela de digitação facilitada - yamaha
Digitação clarinete - tabela de digitação facilitada - yamahaJosé Aparecido Sabaine
 
Clarinete método - allen - estudos progressivos - parte 1 de 2
Clarinete método - allen - estudos progressivos - parte 1 de 2Clarinete método - allen - estudos progressivos - parte 1 de 2
Clarinete método - allen - estudos progressivos - parte 1 de 2José Aparecido Sabaine
 
Takeuchi noriyasu bossa nova and latin peices for solo guitar (chitarra)
Takeuchi noriyasu bossa nova and latin peices for solo guitar (chitarra)Takeuchi noriyasu bossa nova and latin peices for solo guitar (chitarra)
Takeuchi noriyasu bossa nova and latin peices for solo guitar (chitarra)Ihsan Bayraktar
 

What's hot (20)

Theme for Clarinet - Mangani - Set of Clarinets
Theme for Clarinet - Mangani - Set of ClarinetsTheme for Clarinet - Mangani - Set of Clarinets
Theme for Clarinet - Mangani - Set of Clarinets
 
Oregon - Jacob de Haan - Set of Clarinets
Oregon - Jacob de Haan - Set of ClarinetsOregon - Jacob de Haan - Set of Clarinets
Oregon - Jacob de Haan - Set of Clarinets
 
Caravana - Pedro J. Francés - Set of Clarinets
Caravana - Pedro J. Francés - Set of ClarinetsCaravana - Pedro J. Francés - Set of Clarinets
Caravana - Pedro J. Francés - Set of Clarinets
 
Virginia - Jacob de Haan - Set of Clarinets
Virginia - Jacob de Haan - Set of Clarinets Virginia - Jacob de Haan - Set of Clarinets
Virginia - Jacob de Haan - Set of Clarinets
 
Variazioni in Blue - Jacob de Haan - Set of Clarinets
Variazioni in Blue - Jacob de Haan - Set of ClarinetsVariazioni in Blue - Jacob de Haan - Set of Clarinets
Variazioni in Blue - Jacob de Haan - Set of Clarinets
 
Mi Amargura - Victor M. Ferrer - Set of Clarinets
Mi Amargura - Victor M. Ferrer - Set of ClarinetsMi Amargura - Victor M. Ferrer - Set of Clarinets
Mi Amargura - Victor M. Ferrer - Set of Clarinets
 
MÉTODO BÁSICO DE CLARINETE - RUBANK
MÉTODO BÁSICO DE CLARINETE - RUBANKMÉTODO BÁSICO DE CLARINETE - RUBANK
MÉTODO BÁSICO DE CLARINETE - RUBANK
 
The Blues Factory - Jacob de Haan - Set of Clarinets
The Blues Factory - Jacob de Haan - Set of ClarinetsThe Blues Factory - Jacob de Haan - Set of Clarinets
The Blues Factory - Jacob de Haan - Set of Clarinets
 
Brasileirinho
BrasileirinhoBrasileirinho
Brasileirinho
 
Choral and Rock Out - Ted Huggens - Set of Clarinets
Choral and Rock Out - Ted Huggens - Set of ClarinetsChoral and Rock Out - Ted Huggens - Set of Clarinets
Choral and Rock Out - Ted Huggens - Set of Clarinets
 
Frevo dos Vassourinhas e Fogão
Frevo dos Vassourinhas e FogãoFrevo dos Vassourinhas e Fogão
Frevo dos Vassourinhas e Fogão
 
Pérez Barcelo - Bernabé Sanchis - Set of Clarinets.pdf
Pérez Barcelo - Bernabé Sanchis - Set of Clarinets.pdf Pérez Barcelo - Bernabé Sanchis - Set of Clarinets.pdf
Pérez Barcelo - Bernabé Sanchis - Set of Clarinets.pdf
 
Perfidia ray conniff
Perfidia ray conniffPerfidia ray conniff
Perfidia ray conniff
 
Amante a moda antiga [rocha]
Amante a moda antiga [rocha]Amante a moda antiga [rocha]
Amante a moda antiga [rocha]
 
Digitação clarinete - tabela de digitação facilitada - yamaha
Digitação clarinete - tabela de digitação facilitada - yamahaDigitação clarinete - tabela de digitação facilitada - yamaha
Digitação clarinete - tabela de digitação facilitada - yamaha
 
Clarinete método - allen - estudos progressivos - parte 1 de 2
Clarinete método - allen - estudos progressivos - parte 1 de 2Clarinete método - allen - estudos progressivos - parte 1 de 2
Clarinete método - allen - estudos progressivos - parte 1 de 2
 
Disney Fantasy
Disney FantasyDisney Fantasy
Disney Fantasy
 
Paraquedista - Big Band
Paraquedista - Big BandParaquedista - Big Band
Paraquedista - Big Band
 
klose - Método de Clarinete
klose - Método de Clarineteklose - Método de Clarinete
klose - Método de Clarinete
 
Takeuchi noriyasu bossa nova and latin peices for solo guitar (chitarra)
Takeuchi noriyasu bossa nova and latin peices for solo guitar (chitarra)Takeuchi noriyasu bossa nova and latin peices for solo guitar (chitarra)
Takeuchi noriyasu bossa nova and latin peices for solo guitar (chitarra)
 

More from kristal41

Paul Harris-clarinet-basics-part-1 cd.pdf
Paul Harris-clarinet-basics-part-1 cd.pdfPaul Harris-clarinet-basics-part-1 cd.pdf
Paul Harris-clarinet-basics-part-1 cd.pdfkristal41
 
Sinbad - Legend of the Seven Seas - Harry Gregson-Williams - Set of Clarinets...
Sinbad - Legend of the Seven Seas - Harry Gregson-Williams - Set of Clarinets...Sinbad - Legend of the Seven Seas - Harry Gregson-Williams - Set of Clarinets...
Sinbad - Legend of the Seven Seas - Harry Gregson-Williams - Set of Clarinets...kristal41
 
VALENCIA - J. Padilla - Set of Clarinets
VALENCIA - J. Padilla - Set of Clarinets VALENCIA - J. Padilla - Set of Clarinets
VALENCIA - J. Padilla - Set of Clarinetskristal41
 
EL FALLERO - J. Serrano - Set of Clarinets
EL FALLERO - J. Serrano - Set of ClarinetsEL FALLERO - J. Serrano - Set of Clarinets
EL FALLERO - J. Serrano - Set of Clarinetskristal41
 
Fet a Posta - Miguel Picó Biosca - Set of Clarinets
Fet a Posta - Miguel Picó Biosca - Set of ClarinetsFet a Posta - Miguel Picó Biosca - Set of Clarinets
Fet a Posta - Miguel Picó Biosca - Set of Clarinetskristal41
 
Autumn Leaves - J.Kosma J. Prevert - Set of Clarinets
Autumn Leaves - J.Kosma J. Prevert - Set of ClarinetsAutumn Leaves - J.Kosma J. Prevert - Set of Clarinets
Autumn Leaves - J.Kosma J. Prevert - Set of Clarinetskristal41
 
Agüero - José Franco - Set of Clarinets.pdf
Agüero - José Franco - Set of Clarinets.pdf Agüero - José Franco - Set of Clarinets.pdf
Agüero - José Franco - Set of Clarinets.pdfkristal41
 
La concha flamenca - P. Artola - Set of Clarinets
La concha flamenca - P. Artola - Set of Clarinets La concha flamenca - P. Artola - Set of Clarinets
La concha flamenca - P. Artola - Set of Clarinetskristal41
 
Paquito Chocolatero - Gustavo Pastor - Set of Clarinets
Paquito Chocolatero - Gustavo Pastor - Set of ClarinetsPaquito Chocolatero - Gustavo Pastor - Set of Clarinets
Paquito Chocolatero - Gustavo Pastor - Set of Clarinetskristal41
 
Amparito Roca - Jaime Teixidor - Set of Clarinets
Amparito Roca - Jaime Teixidor - Set of Clarinets Amparito Roca - Jaime Teixidor - Set of Clarinets
Amparito Roca - Jaime Teixidor - Set of Clarinetskristal41
 
The Ghost Ship - José Alberto Pina - Set of Clarinets
The Ghost Ship - José Alberto Pina - Set of ClarinetsThe Ghost Ship - José Alberto Pina - Set of Clarinets
The Ghost Ship - José Alberto Pina - Set of Clarinetskristal41
 
Carrascosa - Jaime Texidor Dalmau - Set of Clarinets.pdf
Carrascosa - Jaime Texidor Dalmau - Set of Clarinets.pdf Carrascosa - Jaime Texidor Dalmau - Set of Clarinets.pdf
Carrascosa - Jaime Texidor Dalmau - Set of Clarinets.pdfkristal41
 
Xabia - Salvador Salvá - Set of Clarinets.pdf
Xabia - Salvador Salvá - Set of Clarinets.pdfXabia - Salvador Salvá - Set of Clarinets.pdf
Xabia - Salvador Salvá - Set of Clarinets.pdfkristal41
 
Santiano - Hans Joachim Rogol - Set of Clarinets.pdf
Santiano - Hans Joachim Rogol - Set of Clarinets.pdfSantiano - Hans Joachim Rogol - Set of Clarinets.pdf
Santiano - Hans Joachim Rogol - Set of Clarinets.pdfkristal41
 
Perez Barcelo - Bernabe Sanchis - Set of Clarinets
Perez Barcelo - Bernabe Sanchis - Set of Clarinets Perez Barcelo - Bernabe Sanchis - Set of Clarinets
Perez Barcelo - Bernabe Sanchis - Set of Clarinetskristal41
 
Pepe Antón - A. Carrillos - Set of Clarinets.pdf
Pepe Antón - A. Carrillos - Set of Clarinets.pdfPepe Antón - A. Carrillos - Set of Clarinets.pdf
Pepe Antón - A. Carrillos - Set of Clarinets.pdfkristal41
 
El arte de Cúchares - E. Pastor Celda - Set of Clarinets
El arte de Cúchares - E. Pastor Celda - Set of ClarinetsEl arte de Cúchares - E. Pastor Celda - Set of Clarinets
El arte de Cúchares - E. Pastor Celda - Set of Clarinetskristal41
 
Si vas a Calatayud - R. Zarzoso - Set of Clarinets
Si vas a Calatayud - R. Zarzoso - Set of ClarinetsSi vas a Calatayud - R. Zarzoso - Set of Clarinets
Si vas a Calatayud - R. Zarzoso - Set of Clarinetskristal41
 
Mi Amargura - Victor M. Ferrer - Set of Clarinets
Mi Amargura - Victor M. Ferrer - Set of ClarinetsMi Amargura - Victor M. Ferrer - Set of Clarinets
Mi Amargura - Victor M. Ferrer - Set of Clarinetskristal41
 
Around the Whiskey Jar - Set of Clarinets
Around the Whiskey Jar - Set of ClarinetsAround the Whiskey Jar - Set of Clarinets
Around the Whiskey Jar - Set of Clarinetskristal41
 

More from kristal41 (20)

Paul Harris-clarinet-basics-part-1 cd.pdf
Paul Harris-clarinet-basics-part-1 cd.pdfPaul Harris-clarinet-basics-part-1 cd.pdf
Paul Harris-clarinet-basics-part-1 cd.pdf
 
Sinbad - Legend of the Seven Seas - Harry Gregson-Williams - Set of Clarinets...
Sinbad - Legend of the Seven Seas - Harry Gregson-Williams - Set of Clarinets...Sinbad - Legend of the Seven Seas - Harry Gregson-Williams - Set of Clarinets...
Sinbad - Legend of the Seven Seas - Harry Gregson-Williams - Set of Clarinets...
 
VALENCIA - J. Padilla - Set of Clarinets
VALENCIA - J. Padilla - Set of Clarinets VALENCIA - J. Padilla - Set of Clarinets
VALENCIA - J. Padilla - Set of Clarinets
 
EL FALLERO - J. Serrano - Set of Clarinets
EL FALLERO - J. Serrano - Set of ClarinetsEL FALLERO - J. Serrano - Set of Clarinets
EL FALLERO - J. Serrano - Set of Clarinets
 
Fet a Posta - Miguel Picó Biosca - Set of Clarinets
Fet a Posta - Miguel Picó Biosca - Set of ClarinetsFet a Posta - Miguel Picó Biosca - Set of Clarinets
Fet a Posta - Miguel Picó Biosca - Set of Clarinets
 
Autumn Leaves - J.Kosma J. Prevert - Set of Clarinets
Autumn Leaves - J.Kosma J. Prevert - Set of ClarinetsAutumn Leaves - J.Kosma J. Prevert - Set of Clarinets
Autumn Leaves - J.Kosma J. Prevert - Set of Clarinets
 
Agüero - José Franco - Set of Clarinets.pdf
Agüero - José Franco - Set of Clarinets.pdf Agüero - José Franco - Set of Clarinets.pdf
Agüero - José Franco - Set of Clarinets.pdf
 
La concha flamenca - P. Artola - Set of Clarinets
La concha flamenca - P. Artola - Set of Clarinets La concha flamenca - P. Artola - Set of Clarinets
La concha flamenca - P. Artola - Set of Clarinets
 
Paquito Chocolatero - Gustavo Pastor - Set of Clarinets
Paquito Chocolatero - Gustavo Pastor - Set of ClarinetsPaquito Chocolatero - Gustavo Pastor - Set of Clarinets
Paquito Chocolatero - Gustavo Pastor - Set of Clarinets
 
Amparito Roca - Jaime Teixidor - Set of Clarinets
Amparito Roca - Jaime Teixidor - Set of Clarinets Amparito Roca - Jaime Teixidor - Set of Clarinets
Amparito Roca - Jaime Teixidor - Set of Clarinets
 
The Ghost Ship - José Alberto Pina - Set of Clarinets
The Ghost Ship - José Alberto Pina - Set of ClarinetsThe Ghost Ship - José Alberto Pina - Set of Clarinets
The Ghost Ship - José Alberto Pina - Set of Clarinets
 
Carrascosa - Jaime Texidor Dalmau - Set of Clarinets.pdf
Carrascosa - Jaime Texidor Dalmau - Set of Clarinets.pdf Carrascosa - Jaime Texidor Dalmau - Set of Clarinets.pdf
Carrascosa - Jaime Texidor Dalmau - Set of Clarinets.pdf
 
Xabia - Salvador Salvá - Set of Clarinets.pdf
Xabia - Salvador Salvá - Set of Clarinets.pdfXabia - Salvador Salvá - Set of Clarinets.pdf
Xabia - Salvador Salvá - Set of Clarinets.pdf
 
Santiano - Hans Joachim Rogol - Set of Clarinets.pdf
Santiano - Hans Joachim Rogol - Set of Clarinets.pdfSantiano - Hans Joachim Rogol - Set of Clarinets.pdf
Santiano - Hans Joachim Rogol - Set of Clarinets.pdf
 
Perez Barcelo - Bernabe Sanchis - Set of Clarinets
Perez Barcelo - Bernabe Sanchis - Set of Clarinets Perez Barcelo - Bernabe Sanchis - Set of Clarinets
Perez Barcelo - Bernabe Sanchis - Set of Clarinets
 
Pepe Antón - A. Carrillos - Set of Clarinets.pdf
Pepe Antón - A. Carrillos - Set of Clarinets.pdfPepe Antón - A. Carrillos - Set of Clarinets.pdf
Pepe Antón - A. Carrillos - Set of Clarinets.pdf
 
El arte de Cúchares - E. Pastor Celda - Set of Clarinets
El arte de Cúchares - E. Pastor Celda - Set of ClarinetsEl arte de Cúchares - E. Pastor Celda - Set of Clarinets
El arte de Cúchares - E. Pastor Celda - Set of Clarinets
 
Si vas a Calatayud - R. Zarzoso - Set of Clarinets
Si vas a Calatayud - R. Zarzoso - Set of ClarinetsSi vas a Calatayud - R. Zarzoso - Set of Clarinets
Si vas a Calatayud - R. Zarzoso - Set of Clarinets
 
Mi Amargura - Victor M. Ferrer - Set of Clarinets
Mi Amargura - Victor M. Ferrer - Set of ClarinetsMi Amargura - Victor M. Ferrer - Set of Clarinets
Mi Amargura - Victor M. Ferrer - Set of Clarinets
 
Around the Whiskey Jar - Set of Clarinets
Around the Whiskey Jar - Set of ClarinetsAround the Whiskey Jar - Set of Clarinets
Around the Whiskey Jar - Set of Clarinets
 

Recently uploaded

FAIL REKOD PENGAJARAN.pptx fail rekod pengajaran
FAIL REKOD PENGAJARAN.pptx fail rekod pengajaranFAIL REKOD PENGAJARAN.pptx fail rekod pengajaran
FAIL REKOD PENGAJARAN.pptx fail rekod pengajaransekolah233
 
Bahare Shariat Jild 1 By SadurshSharia Mufti Amjad Ali Azmi
Bahare Shariat Jild 1 By SadurshSharia Mufti Amjad Ali AzmiBahare Shariat Jild 1 By SadurshSharia Mufti Amjad Ali Azmi
Bahare Shariat Jild 1 By SadurshSharia Mufti Amjad Ali Azmibookbahareshariat
 
Bahare Shariat Jild 4 By SadurshSharia Mufti Amjad Ali Azmi
Bahare Shariat Jild 4 By SadurshSharia Mufti Amjad Ali AzmiBahare Shariat Jild 4 By SadurshSharia Mufti Amjad Ali Azmi
Bahare Shariat Jild 4 By SadurshSharia Mufti Amjad Ali Azmibookbahareshariat
 
Bahare Shariat Jild 2 By SadurshSharia Mufti Amjad Ali Azmi
Bahare Shariat Jild 2 By SadurshSharia Mufti Amjad Ali AzmiBahare Shariat Jild 2 By SadurshSharia Mufti Amjad Ali Azmi
Bahare Shariat Jild 2 By SadurshSharia Mufti Amjad Ali Azmibookbahareshariat
 
TUYỂN TẬP 20 ĐỀ THI KHẢO SÁT HỌC SINH GIỎI MÔN TIẾNG ANH LỚP 6 NĂM 2020 (CÓ Đ...
TUYỂN TẬP 20 ĐỀ THI KHẢO SÁT HỌC SINH GIỎI MÔN TIẾNG ANH LỚP 6 NĂM 2020 (CÓ Đ...TUYỂN TẬP 20 ĐỀ THI KHẢO SÁT HỌC SINH GIỎI MÔN TIẾNG ANH LỚP 6 NĂM 2020 (CÓ Đ...
TUYỂN TẬP 20 ĐỀ THI KHẢO SÁT HỌC SINH GIỎI MÔN TIẾNG ANH LỚP 6 NĂM 2020 (CÓ Đ...Nguyen Thanh Tu Collection
 
TUYỂN TẬP 25 ĐỀ THI HỌC SINH GIỎI MÔN TIẾNG ANH LỚP 6 NĂM 2023 CÓ ĐÁP ÁN (SƯU...
TUYỂN TẬP 25 ĐỀ THI HỌC SINH GIỎI MÔN TIẾNG ANH LỚP 6 NĂM 2023 CÓ ĐÁP ÁN (SƯU...TUYỂN TẬP 25 ĐỀ THI HỌC SINH GIỎI MÔN TIẾNG ANH LỚP 6 NĂM 2023 CÓ ĐÁP ÁN (SƯU...
TUYỂN TẬP 25 ĐỀ THI HỌC SINH GIỎI MÔN TIẾNG ANH LỚP 6 NĂM 2023 CÓ ĐÁP ÁN (SƯU...Nguyen Thanh Tu Collection
 
مختصر علم احكام القرآن فقه القرآن وفق منهج العرض
مختصر علم احكام القرآن فقه القرآن وفق منهج العرضمختصر علم احكام القرآن فقه القرآن وفق منهج العرض
مختصر علم احكام القرآن فقه القرآن وفق منهج العرضأنور غني الموسوي
 

Recently uploaded (9)

FAIL REKOD PENGAJARAN.pptx fail rekod pengajaran
FAIL REKOD PENGAJARAN.pptx fail rekod pengajaranFAIL REKOD PENGAJARAN.pptx fail rekod pengajaran
FAIL REKOD PENGAJARAN.pptx fail rekod pengajaran
 
Bahare Shariat Jild 1 By SadurshSharia Mufti Amjad Ali Azmi
Bahare Shariat Jild 1 By SadurshSharia Mufti Amjad Ali AzmiBahare Shariat Jild 1 By SadurshSharia Mufti Amjad Ali Azmi
Bahare Shariat Jild 1 By SadurshSharia Mufti Amjad Ali Azmi
 
Bahare Shariat Jild 4 By SadurshSharia Mufti Amjad Ali Azmi
Bahare Shariat Jild 4 By SadurshSharia Mufti Amjad Ali AzmiBahare Shariat Jild 4 By SadurshSharia Mufti Amjad Ali Azmi
Bahare Shariat Jild 4 By SadurshSharia Mufti Amjad Ali Azmi
 
Bahare Shariat Jild 2 By SadurshSharia Mufti Amjad Ali Azmi
Bahare Shariat Jild 2 By SadurshSharia Mufti Amjad Ali AzmiBahare Shariat Jild 2 By SadurshSharia Mufti Amjad Ali Azmi
Bahare Shariat Jild 2 By SadurshSharia Mufti Amjad Ali Azmi
 
TUYỂN TẬP 20 ĐỀ THI KHẢO SÁT HỌC SINH GIỎI MÔN TIẾNG ANH LỚP 6 NĂM 2020 (CÓ Đ...
TUYỂN TẬP 20 ĐỀ THI KHẢO SÁT HỌC SINH GIỎI MÔN TIẾNG ANH LỚP 6 NĂM 2020 (CÓ Đ...TUYỂN TẬP 20 ĐỀ THI KHẢO SÁT HỌC SINH GIỎI MÔN TIẾNG ANH LỚP 6 NĂM 2020 (CÓ Đ...
TUYỂN TẬP 20 ĐỀ THI KHẢO SÁT HỌC SINH GIỎI MÔN TIẾNG ANH LỚP 6 NĂM 2020 (CÓ Đ...
 
Energy drink .
Energy drink .Energy drink .
Energy drink .
 
LAR MARIA MÃE DE ÁFRICA .
LAR MARIA MÃE DE ÁFRICA .LAR MARIA MÃE DE ÁFRICA .
LAR MARIA MÃE DE ÁFRICA .
 
TUYỂN TẬP 25 ĐỀ THI HỌC SINH GIỎI MÔN TIẾNG ANH LỚP 6 NĂM 2023 CÓ ĐÁP ÁN (SƯU...
TUYỂN TẬP 25 ĐỀ THI HỌC SINH GIỎI MÔN TIẾNG ANH LỚP 6 NĂM 2023 CÓ ĐÁP ÁN (SƯU...TUYỂN TẬP 25 ĐỀ THI HỌC SINH GIỎI MÔN TIẾNG ANH LỚP 6 NĂM 2023 CÓ ĐÁP ÁN (SƯU...
TUYỂN TẬP 25 ĐỀ THI HỌC SINH GIỎI MÔN TIẾNG ANH LỚP 6 NĂM 2023 CÓ ĐÁP ÁN (SƯU...
 
مختصر علم احكام القرآن فقه القرآن وفق منهج العرض
مختصر علم احكام القرآن فقه القرآن وفق منهج العرضمختصر علم احكام القرآن فقه القرآن وفق منهج العرض
مختصر علم احكام القرآن فقه القرآن وفق منهج العرض
 

La Puerta Grande - E. Chueca - Set of Clarinets

  • 2.                          Clarinet in B 1 Clarinet in B 2 Clarinet in B 3 Clarinet in B 4 Clarinet in B 5 Clarinet in B 6 Clarinet in B 7 Bass Clarinet       3 3       3 3             3 3                                  Marcha                                                                                                                                                                                                                                                                   Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                                                                                                              3       3                                                                             LA PUERTA GRANDE Elvira Checa Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
  • 3.                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                           3 3       3 3                                                                                                                                          3                                                        Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.               3        3 3       3 3                                               3                                                          3                                                     3                                       3    3       3 3       3 3                                          3 3          3 3                                          2La Puerta Grande
  • 4.                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.       3       3                                                                                                                                                                                                                                                                                                    Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                       3       3                                                                                                                                                                      3La Puerta Grande
  • 5.                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.      3       3                                                                                                                                                                                       3                                                                                                          Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                                                                          3        3                                       1          3        3                                              3        3                                        4La Puerta Grande
  • 6.                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                           3        3                                              3        3                                              3        3                                                                                                                                                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.       3 3       3 3           2                                                                                   3                                                                                                                                                                              5La Puerta Grande
  • 7.                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                     3 3       3 3                                                                                                                  3                                                                                              Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.      3      3                                                                                                    3      3                                                                                                3      3                                                                                          6La Puerta Grande
  • 8.                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                                                                                                                                                                                3      3                                                         Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                  3 3       3 3                                                                                                                                            3                                             3                               7La Puerta Grande
  • 9.                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                                                                                                                                                                                                                                             Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                                                                                                                             8La Puerta Grande
  • 10.                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                                                                                                                                                                                   3 3       3 3             3 3                                                          Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                                                                                                                                                                                                                 9La Puerta Grande
  • 11.                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                                                                                                        3       3                                                                                                                                              Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                3 3       3 3                                                                                                                                          3                                                          3                                        10La Puerta Grande
  • 12.                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.               3                                                          3                                                          3                                         3    3                                                 3 3         3 3                                                  3       3                                                      Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                                CODA                                                 cresc. cresc. cresc. cresc. cresc. cresc. cresc. cresc.                                                                                                                                                                        3        3                                                     11La Puerta Grande a la y salta a CODA
  • 13.          3 3 Marcha                                                 3                3               3                3               3    3          3 3       3                                           3              3                3 1       3     3            3     3     3            3 3 2                     3 3             3            3          3                       3          3 3                                                                                  3 3  3                                     3                  3               3                3               3    3         3 3        3          CODA                          3  LA PUERTA GRANDE Elvira Checa Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 1º a la y salta a CODA
  • 14.          3 3 Marcha                                                                3           3 3       3                                               3                                  3 1     3     3           3     3     3              3 3 2                   3 3                3          3          3                         3          3 3                                                                             3 3  3                                                                    3          3 3        3           CODA    cresc.                      3  LA PUERTA GRANDE Elvira Checa Gino Gonçals Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI) Clarinet 2º a la y salta a CODA
  • 15.                 3 3 Marcha                                           3             3 3              3 3            3 3                                    3                                                 1                     2                                                                                                                                                                  3        3                                                                                          3 33                                      3                3 3                                      CODA      cresc.                       LA PUERTA GRANDE Elvira Checa Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) a la y salta a CODA Clarinet 3º
  • 16.     Marcha                            3               3 3            3 3          3 3                                     3                                               1                      2                                                                                                                                                                                                                                                                                                                                                                                          3                            3                3 3                                         CODA                                  LA PUERTA GRANDE Elvira Checa Gino Gonçals Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI) a la y salta a CODA Clarinet 4º
  • 17.             Marcha                                                                                                                                                                                                                                                                                                                                                                                      1                                                                     2       3                   3                                                                                                                                                                        3                                                                                                                                                                                                              CODA                                    LA PUERTA GRANDE Elvira Checa Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 5º a la y salta a CODA
  • 18.            Marcha                                                                                                                                                                                                                                                                                                                                                                                      1                                                                     2                                                                                                                                                                                                                                                                                                                                                                                 3                                                                                                                                                                                                                  CODA        cresc.                                    LA PUERTA GRANDE Elvira Checa Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) a la y salta a CODA Clarinet 6º
  • 19.            Marcha                                                                                                                                                                                                                                                                                                                                                                                          1                                                                     2                                                                                                                              LA PUERTA GRANDE Elvira Checa Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)Clarinet 7º
  • 20.                                                                                                                                                                                                                                                                                                                                                                                                                                                                               CODA        cresc.                                  2La Puerta Grande a la y salta a la CODA
  • 21.            Marcha                                                                                                                                                                                                                                                                                                                                                                                                 1                                                                          2                                                                                                                                                                                                                                                                                                                                                                                                   3                                                                                                                                                                                                                          CODA         cresc.                                  LA PUERTA GRANDE Elvira Checa Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet Bass a la y salta CODA