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Shot List
ProductionTitle:‘Faceless Game’ Director:Ellie Wade-Halpin Filming Date:Wednesday 16th
October 2019
Shot No.
(from
storyboard)
Description
Key camera inf o, action, dialogue
Comments:
During f ilming make notes: which take was best,
etc.
1
3 girls and 1 boy walking through wooded area – establishing
shot/long shot
Take 2 was better as us actors knew our
placements throughoutthe shots.
2 Main character stops in her tracks, hears echoing and bruises
can be seen on her skin – mid close up
The first take was spot on without
having the retake due to laughing.
3 Characters ask if the main character is okay, exchange of dialog,
carry on walking, mid long shot
Take 2 was the best as we’d gone
through out lines and established our
individual shots.
4 Main character walks up pathway, scene cuts to opening door –
long shot and mid shot
The first shot was spot on without any
mistakes.
5 INT. main character opens door, shouts dialog – mid shot Take 2 was better as timing on opening
door was correct.
6 Main character stands up to walk upstairs, scene cuts to walking
upstairs – long shot
Take 2 was better as we needed to
communicate non when Rhianna should
walk up the stairs.
7 Main character walks into bedroom – mid long shot Take 2 was perfect as timing was right
opening door.
8 Main character walks over to her bed – mid long shot Take 1 was spot on first time.
9 Main character sits on her bed and turns TV on with her
telekinetic powers, gets makeup from bedside table and starts
doing her makeup
Take 2 of this scene was better as the
lighting had been changed to a better
setting.
10 Scene cuts to main character getting text message – close up Take 2 was better as timing sending
messages was correct.
11 Text appears on screen from friend, glitches out to another text
from her stalker – big close up
Same as above comment.
12 Panic facial expression,tries to block number,scene cuts to show
her blocking it, scene fades to black – close up
Take 2 was better as it shows Rhianna’s
character struggling with her mind.
13 Scene fades into main character opening her bedroom door
looking good to go to the party – mid close up
Take 2 was better as in the first take
there was background noise from other
characters.
14 Walks downstairs, sits down – long shot Take 2 was better as it was made clear
on what the actions should be for the
shot.
15 Puts heels on, gets another text, scene cuts to show text and cuts
back to her looking confused, knock on door heard – long shot
Take 2 was better as first take,
Rhianna’s head was not in shot frame.
16 Opens door, cuts to EXT. camera facing door, main character
looks down to see knife, scene cuts to show her looking down at
it – mid long shot
Take 1 of this shot was spot on as
timing as correct.
17 Side profile camera shot, shouts dialog, sighs, silence, suddenly
gets grabbed from behind her – close up
Take 3 of this shot was the best as
laughing occurred when being dragged
backwards by Jude’s character.
Shots will also be taken individually for a title sequence montage

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Shotlist template real (ellie wade halpin)

  • 1. Shot List ProductionTitle:‘Faceless Game’ Director:Ellie Wade-Halpin Filming Date:Wednesday 16th October 2019 Shot No. (from storyboard) Description Key camera inf o, action, dialogue Comments: During f ilming make notes: which take was best, etc. 1 3 girls and 1 boy walking through wooded area – establishing shot/long shot Take 2 was better as us actors knew our placements throughoutthe shots. 2 Main character stops in her tracks, hears echoing and bruises can be seen on her skin – mid close up The first take was spot on without having the retake due to laughing. 3 Characters ask if the main character is okay, exchange of dialog, carry on walking, mid long shot Take 2 was the best as we’d gone through out lines and established our individual shots. 4 Main character walks up pathway, scene cuts to opening door – long shot and mid shot The first shot was spot on without any mistakes. 5 INT. main character opens door, shouts dialog – mid shot Take 2 was better as timing on opening door was correct. 6 Main character stands up to walk upstairs, scene cuts to walking upstairs – long shot Take 2 was better as we needed to communicate non when Rhianna should walk up the stairs. 7 Main character walks into bedroom – mid long shot Take 2 was perfect as timing was right opening door. 8 Main character walks over to her bed – mid long shot Take 1 was spot on first time. 9 Main character sits on her bed and turns TV on with her telekinetic powers, gets makeup from bedside table and starts doing her makeup Take 2 of this scene was better as the lighting had been changed to a better setting. 10 Scene cuts to main character getting text message – close up Take 2 was better as timing sending messages was correct. 11 Text appears on screen from friend, glitches out to another text from her stalker – big close up Same as above comment. 12 Panic facial expression,tries to block number,scene cuts to show her blocking it, scene fades to black – close up Take 2 was better as it shows Rhianna’s character struggling with her mind. 13 Scene fades into main character opening her bedroom door looking good to go to the party – mid close up Take 2 was better as in the first take there was background noise from other characters. 14 Walks downstairs, sits down – long shot Take 2 was better as it was made clear on what the actions should be for the shot. 15 Puts heels on, gets another text, scene cuts to show text and cuts back to her looking confused, knock on door heard – long shot Take 2 was better as first take, Rhianna’s head was not in shot frame. 16 Opens door, cuts to EXT. camera facing door, main character looks down to see knife, scene cuts to show her looking down at it – mid long shot Take 1 of this shot was spot on as timing as correct. 17 Side profile camera shot, shouts dialog, sighs, silence, suddenly gets grabbed from behind her – close up Take 3 of this shot was the best as laughing occurred when being dragged backwards by Jude’s character. Shots will also be taken individually for a title sequence montage