The Great Gatsby Chapter 2

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1 A Rose for Emily by William Faulkner I When Miss Emily Grierson died, our whole town went to her funeral: the men through a sort of respectful affection for a fallen monument, the women mostly out of curiosity to see the inside of her house, which no one save an old manservant---a combined gardener and cook- had seen in at least ten years. It was a big, squarish frame house that had once been white, decorated with cupolas and spires and scrolled balconies in the heavily lightsome style of the seventies, set on what had once been our most select street. But garages and cotton gins had encroached and obliterated even the august names of that neighbourhood; only Miss Emily's house was left, lifting its stubborn and coquettish decay above the cotton wagons and the gasoline pumps-an eyesore among eyesores. And now Miss Emily had gone to join the representatives of those august names where they lay in the cedarbemused cemetery among the ranked and anonymous graves of Union and Confederate soldiers who fell at the battle of Jefferson. Alive, Miss Emily had been a tradition, a duty, and a care; a sort of hereditary obligation upon the town, dating from that day in 1894 when Colonel Sartoris, the mayor-he who fathered the edict that no Negro woman should appear on the streets without an apron-- remitted her taxes, the dispensation dating from the death of her father on into perpetuity. Not that Miss' Emily would have accepted charity. Colonel Sartoris invented an involved tale to the effect that Miss Emily's father had loaned money to the town, which the town, as a matter of business, preferred this way of repaying. Only a man of Colonel Sartoris' generation and thought could have invented it, and only a woman could have believed it. When the next generation, with its more modem ideas, became mayors and aldermen, this arrangement created some little dissatisfaction. On the first of the year they mailed her a tax notice. February came, and there was no reply. They wrote her a formal letter, asking her to call at the sheriff s office at her convenience. A week later the mayor wrote her himself, offering to call or to send his car for her, and received in reply a note on paper of an archaic shape, in a thin, flowing calligraphy in faded ink, to the effect that she no longer went out at all. The tax notice was also enclosed, without comment. They called a special meeting of the Board of Aldermen. A deputation waited upon her, knocked at the door through which no visitor had passed since she ceased giving china- painting lessons eight or ten years earlier. They were admitted by the old Negro into a dim hall from which a staircase mounted into still more shadow. It smelled of dust and disuse-a close, dank smell. The Negro led them into the parlour. It was furnished in heavy, leather- covered furniture. When the Negro opened the blinds of one window, ...

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In the 1850s, “William and Ellen Craft were slaves in the State of Georgia.” Their “desire to be free was very strong.” It was rare for slaves that deep in the Confederacy to successfully flee, but it “occurred to William and Ellen, that she might act the part of master and her husband the part of servant.” “Ellen was fair enough to pass for white,” but how to transform her into a young planter? She needed to “dress elegantly in a fashionable suit of male attire, and have her hair cut in the style usually worn by young planters.” But she was beardless. So, they muffled up the face of the young planter as if he were “suffering badly with a toothache.” But how could they register for a room at hotels? Their planter had to be a “gentleman who was very much indisposed. He must have his right arm in a sling,” so he could not sign in. “He must be a little lame, with a nice cane in the left hand; he must have large green spectacles over his eyes, and he must be hard of hearing and depend on his faithful servant, as was common with slaveholders, to look after all his wants.” “William was just the man to act this part. To begin with, he was very smart, active, and exceedingly attentive to his young master. Indeed, he was almost the eyes, ears, hands, and feet for him. William knew that this would please the slaveholders. The young planter would have nothing to do but hold himself subject to his ailments and put on a bold air of superiority; he was not to deign to notice anybody. If, while traveling, gentlemen, either politely or rudely, should venture to scrape acquaintance with the young planter, in his deafness he was to remain mute; the servant was to explain.” Other slave narratives included the lives of Frederick Douglass, Booker T Washington, and Father Augustine Tolton. For more interesting videos, please click to subscribe to our YouTube Channel: https://www.youtube.com/@ReflectionsMPH/?sub_confirmation=1 Shortcut: https://www.youtube.com/@ReflectionsMPH YouTube video using this script: https://youtu.be/VEggppALPLE © Copyright 2024 This blog includes footnotes and Amazon book links: https://seekingvirtueandwisdom.com/fleeing-female-slave-impersonates-planter-husband-posing-as-trusty-servant-william-ellen-craft/ We also review: • Support of William Lloyd Garrison and other abolitionists. • How the Fugitive Slave Act compelled many runaway slaves to seek refuge in Canada.

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