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Minoan Art
  Beauty of nature
       Bulls
Palace of Knossos
         Crete
         Minoan
       Labyrinthian
      Painting of bull
      Minoan columns
Minoan Columns
Labyrinth
   Palace like a labyrinth
  Corridors wind around
King Minos’s Throne
      Room       1700-1400 B.C.
                     Labrys
                    Minoan
      Represent Minos as life size w/ small throne
                  Composite forms
          Has Minoan columns in the room
          More realistic scale to proportions
Labrys
 Double-sided axe
Queen’s Chamber:
“Dolphin” fresco
       Human scale
      Nature schemata
“Toreador fresco”    1450-1400 B.C.
                        Knossos
                        Minoan
                    Bull-dancing explanation
     Bull is graceful, not menacing, leaping, elliptical form
               Humans are elongated, stretched
                           Profile face
Snake Goddess1600 B.C.
              Knossos
              Minoan
       Women dance with snakes
    Narrow waist for men and women
“Cupbearer’s Procession”
        fresco  1400 B.C.
                 Knossos
                 Minoan
        Recreated by Arthur’s team
“Springtime” fresco
                  1650 B.C.
                    Thera
                   Minoan
                Nature schemata
      Repetition: same flowers/birds/stencils
“Fisherman” fresco1650 B.C.
                    Thera
                   Minoan
                   Profile view
      Swelling torso, narrow waist schemata
                 Composite view
“Wrestlers” fresco
        1650 B.C.
          Thera
         Minoan
“Blue Monkeys” Fresco                  1500 B.C.
                                       Santorini
                                        Minoan
     Animals: elongated forms, elliptical, nature, narrow waist, represented like humans
Octopus Vase
     1500 B.C.
      Minoan
Harvester’s Vase
           1500 B.C.
            Minoan
         Low-relief carving
      Same schemata as frescos
Mycenean Art
           Warrior-driven
Invaded Minoa and took Minoans as
              captives
 Ruler is portrayed as overly large,
   Propaganada: power and force
Citadel1400-1200 B.C.
                            Mycenae
                               Megalithic
“Made” by Cyclops (one-eyed, large giant) because humans could not do it
Citadel, Shaft Grave Circle
            1400-1200 B.C.
               Mycenae
              Mycenean
           Protection for the dead
           Importance of afterlife
Lions Gate       1300-1250 B.C.
                    Mycenae
                   Mycenean
        Personification of lions (Mycenean might)
                       Symmetry
 Minoan column referencing Mycenean conquest of Minoa
             Celebrating this in Lions Gate
Corbeled Gallery
      1300-1250 B.C.
        Mycenean
“Treasury of Atreus”
        1300-1250 B.C.
           Mycenae
         Mycenean Art
          Beehive tomb
Funeral Mask        1600-1500 B.C.
                      Mycenean
                           Repousse
 Found in Treasury of Atreus, Mycenae warrior w/ mane of lion
Dagger Blades             1600-1500 B.C.
                            Mycenean
 First 2 found in Mycenae but made my Minoans, (schemata: curves, static)
                          3rd made my Mycenae
Warrior Vase      1200 B.C.
                  Mycenean
   Represents war, imagery of war and warriors
      Warriors conform to shape of shield
                Composite view
                 Frontal profile
Vaphio Cups                   1500 B.C.
                              Mycenean
Repousse technique, found in Mycenae but made by Minoans (schemata, bulls)
Important Terms
•   Arthur Evans : Found Minos’s throne, rebuilt throne room, archaeologist, room may not have been historically accurate

•   Minotaur: Man-bull, imprisoned/protected at center of palace, men did battle/dance w/ minotaur

•   Column, base: Foundation

•   Column, shaft: Vertical element that rises up

•   Column, capital: Connects to structure its supporting, e.g. ceiling,

•   Entasis: Idea that shaft is not completely vertical, i.e. swelling or extending outward, appears to expand outward, makes
    capital appear taller/more flexible

•   Heinrich Schliemann: Excavated Treasury of Atreus by german archaeologist, didn't reconstruct it, just cleared away and
    covered it

•   Corbelling: Projected so it progressively meets at the top, gradually stack stones slightly outward so that they’re still
    supported by stones below and project forward and form corbel arch

•   Beehive Tomb: Grave circle that is completely fortified with corbelling so that it meets at the top, complete covering that
    protects grave circle

•   Repousse: Take a medal, like gold, and put it against a molded form so that it transfers to medal and hammer it

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Mycenean art

  • 1. Minoan Art Beauty of nature Bulls
  • 2. Palace of Knossos Crete Minoan Labyrinthian Painting of bull Minoan columns
  • 4. Labyrinth Palace like a labyrinth Corridors wind around
  • 5. King Minos’s Throne Room 1700-1400 B.C. Labrys Minoan Represent Minos as life size w/ small throne Composite forms Has Minoan columns in the room More realistic scale to proportions
  • 7. Queen’s Chamber: “Dolphin” fresco Human scale Nature schemata
  • 8. “Toreador fresco” 1450-1400 B.C. Knossos Minoan Bull-dancing explanation Bull is graceful, not menacing, leaping, elliptical form Humans are elongated, stretched Profile face
  • 9. Snake Goddess1600 B.C. Knossos Minoan Women dance with snakes Narrow waist for men and women
  • 10. “Cupbearer’s Procession” fresco 1400 B.C. Knossos Minoan Recreated by Arthur’s team
  • 11. “Springtime” fresco 1650 B.C. Thera Minoan Nature schemata Repetition: same flowers/birds/stencils
  • 12. “Fisherman” fresco1650 B.C. Thera Minoan Profile view Swelling torso, narrow waist schemata Composite view
  • 13. “Wrestlers” fresco 1650 B.C. Thera Minoan
  • 14. “Blue Monkeys” Fresco 1500 B.C. Santorini Minoan Animals: elongated forms, elliptical, nature, narrow waist, represented like humans
  • 15. Octopus Vase 1500 B.C. Minoan
  • 16. Harvester’s Vase 1500 B.C. Minoan Low-relief carving Same schemata as frescos
  • 17. Mycenean Art Warrior-driven Invaded Minoa and took Minoans as captives Ruler is portrayed as overly large, Propaganada: power and force
  • 18. Citadel1400-1200 B.C. Mycenae Megalithic “Made” by Cyclops (one-eyed, large giant) because humans could not do it
  • 19. Citadel, Shaft Grave Circle 1400-1200 B.C. Mycenae Mycenean Protection for the dead Importance of afterlife
  • 20. Lions Gate 1300-1250 B.C. Mycenae Mycenean Personification of lions (Mycenean might) Symmetry Minoan column referencing Mycenean conquest of Minoa Celebrating this in Lions Gate
  • 21. Corbeled Gallery 1300-1250 B.C. Mycenean
  • 22. “Treasury of Atreus” 1300-1250 B.C. Mycenae Mycenean Art Beehive tomb
  • 23. Funeral Mask 1600-1500 B.C. Mycenean Repousse Found in Treasury of Atreus, Mycenae warrior w/ mane of lion
  • 24. Dagger Blades 1600-1500 B.C. Mycenean First 2 found in Mycenae but made my Minoans, (schemata: curves, static) 3rd made my Mycenae
  • 25. Warrior Vase 1200 B.C. Mycenean Represents war, imagery of war and warriors Warriors conform to shape of shield Composite view Frontal profile
  • 26. Vaphio Cups 1500 B.C. Mycenean Repousse technique, found in Mycenae but made by Minoans (schemata, bulls)
  • 27. Important Terms • Arthur Evans : Found Minos’s throne, rebuilt throne room, archaeologist, room may not have been historically accurate • Minotaur: Man-bull, imprisoned/protected at center of palace, men did battle/dance w/ minotaur • Column, base: Foundation • Column, shaft: Vertical element that rises up • Column, capital: Connects to structure its supporting, e.g. ceiling, • Entasis: Idea that shaft is not completely vertical, i.e. swelling or extending outward, appears to expand outward, makes capital appear taller/more flexible • Heinrich Schliemann: Excavated Treasury of Atreus by german archaeologist, didn't reconstruct it, just cleared away and covered it • Corbelling: Projected so it progressively meets at the top, gradually stack stones slightly outward so that they’re still supported by stones below and project forward and form corbel arch • Beehive Tomb: Grave circle that is completely fortified with corbelling so that it meets at the top, complete covering that protects grave circle • Repousse: Take a medal, like gold, and put it against a molded form so that it transfers to medal and hammer it

Editor's Notes