4. Labyrinth
Palace like a labyrinth
Corridors wind around
5. King Minos’s Throne
Room 1700-1400 B.C.
Labrys
Minoan
Represent Minos as life size w/ small throne
Composite forms
Has Minoan columns in the room
More realistic scale to proportions
8. “Toreador fresco” 1450-1400 B.C.
Knossos
Minoan
Bull-dancing explanation
Bull is graceful, not menacing, leaping, elliptical form
Humans are elongated, stretched
Profile face
9. Snake Goddess1600 B.C.
Knossos
Minoan
Women dance with snakes
Narrow waist for men and women
23. Funeral Mask 1600-1500 B.C.
Mycenean
Repousse
Found in Treasury of Atreus, Mycenae warrior w/ mane of lion
24. Dagger Blades 1600-1500 B.C.
Mycenean
First 2 found in Mycenae but made my Minoans, (schemata: curves, static)
3rd made my Mycenae
25. Warrior Vase 1200 B.C.
Mycenean
Represents war, imagery of war and warriors
Warriors conform to shape of shield
Composite view
Frontal profile
26. Vaphio Cups 1500 B.C.
Mycenean
Repousse technique, found in Mycenae but made by Minoans (schemata, bulls)
27. Important Terms
• Arthur Evans : Found Minos’s throne, rebuilt throne room, archaeologist, room may not have been historically accurate
• Minotaur: Man-bull, imprisoned/protected at center of palace, men did battle/dance w/ minotaur
• Column, base: Foundation
• Column, shaft: Vertical element that rises up
• Column, capital: Connects to structure its supporting, e.g. ceiling,
• Entasis: Idea that shaft is not completely vertical, i.e. swelling or extending outward, appears to expand outward, makes
capital appear taller/more flexible
• Heinrich Schliemann: Excavated Treasury of Atreus by german archaeologist, didn't reconstruct it, just cleared away and
covered it
• Corbelling: Projected so it progressively meets at the top, gradually stack stones slightly outward so that they’re still
supported by stones below and project forward and form corbel arch
• Beehive Tomb: Grave circle that is completely fortified with corbelling so that it meets at the top, complete covering that
protects grave circle
• Repousse: Take a medal, like gold, and put it against a molded form so that it transfers to medal and hammer it