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Europeana Creative
Bringing Cultural Heritage Institutions and
Creative Industries Together
@eCreativeEU
Europeana Day, April 11, 2014
Zagreb
Whatis Europeana Creative?
A collaboration of museums, libraries, archives and
creative industry companies and hubs to showcase
the potential for the creative re-use of digital cultural
heritage content
CIP ICT PSP Best Practice Network
February 1, 2013 – July 31, 2015 (30 months)
25 partnersfrom 14 countries
€5.3 million budget (80% co-funded by the EU)
Coordinatedbythe Austrian National Library
Europeana Creative in a Nutshell
EuropeanaFoundation&
content-providingculturalheritageinstitutions
(museums, libraries, archives)
Creativehubs and associations
Livinglabs in fourcountries
Technical and multimediaexperts
Business planningspecialists
Europeana Creative Partners
Whatwewantandwhatwe do
EuropeanaCreative inspires and encourages creative
industries to re-use digital objects from Europe’s cultural
heritage institutions.
Europeana Creative facilitates collaborations between
cultural heritage institutions and creative industries
stakeholders.
Creative Re-useofEurope’s
Digital Cultural Heritage
Why?
Breaking down
barriersforcreativeindustriestoexperi
mentwith digital
culturalheritagecontentfromEurope’s
museums,
librariesandarchivesandenablingcros
s-sectorcollaborationfor mutual
benefit.
How?
#1 Europeana Labs & Living Labs
http://labs.europeana.eu
Online platform to experiment with digital cultural heritage
content
Access to re-usable images, videos, audio and text files,
APIs, technical tools and services, case studies
Europeana Open Laboratory Network
Network of living labs and co-creation spaces
#2 Technical Infrastructure,
Services & Tools
Central architecture and back-end services
(i.e., semantic web platform, content-retrieval system)
Services and tools (i.e., pattern detection, geographic
mapping, curation tool, user-generated content services)
APIs (i.e., extended Europeana search API)
#3 Legal Framework &
Business Models
Extended Europeana Licensing Framework
(Content Re-use Framework)
Allowre-useof digital content, enablecontentproviders
todefineconditionsforre-use
Specificationsforthe Content Layer definedin July2013
DevelopedwithEuropeanaCloud
Business Models
forproject-fundedservices and Europeana Labs
fordevelopersandcreativeentrepreneurs
tosupportnewproductsandservices
#4 Pilot Apps & Services
#5 Open Innovation Challenges
#5 Open Innovation Challenges
Challenge eventsfor 5 themes (2014/2015)
Developers
andcreativeentrepreneurssubmitconceptsandbusinessideasf
orappsandgames
Best participantspitchtheir prototype at a Challenge event
5 innovative appsorgamesarechosen (1 per theme)
Incubationsupport pack forthewinners
First callsforideas (naturalhistory and education): February
– April 2014, firstevent April 29 in Brussels
Second call (tourism and social media): summer 2014,
placeforchallengenotdefinedyet
Co-Creation Workshops &
Business Model Workshops
Social Networks Co-Creation Workshop & Business Model Workshop, Nov. 2013
Tourism Co-Creation Workshop, Nov. 2013
Nat. History Education Pilot Prototypes
Museum Game (left) and Memory Card Game (right)
History Education Pilot Prototype
Historyeducation eLearning toolsforHistorianawebsite: Search and Select Tool (left)
and Analysis of Visual Sources Tool (right)
@VanGoYourself
Amsterdam Museum: Eveninglecture
Amsterdam Museum: Amsterdamseweesmeisjes
Riijksmuseum: Helst, De schuttersmaaltijd in de Voetboog
Saarlandmuseum: Kirchner, BathingWomen in a Room
Positive feedback…
• Tourism: great service because it provides a
“good time” to the visitor = will remember
positively the destination
• Tourism: easy to integrate in existing marketing
schemes
• Museums: great service because it provides a
surprisingly deep way to engage with art
• Museums: reaches out to new audiences!
• User/visitor: we love it, because it is fun!
… and lessons learned.
• Shift from supply driven to demand driven
approach regarding content use (= “from portal to
platform”) is a challenging process for content
stakeholders
• Collections with open terms of use (Public
Domain, CC0, CC-BY) benefit from much better
visibility and reuse by creative industries
• Rich content is more attractive
• Good practice: Rijksmuseum, Amsterdam
Museum
• Only attractive services and applications can
“open up” collections for reuse
Keep updatedandcontactus
www.europeanacreative.eu
@eCreativeEU
@VanGoYourself
EuropeanaCreative@onb.ac.at
Thank you
frank.thinnes@culture.lu
@FrankThinnes

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