What Is The Theme Of Medea

What Is The Theme Of Medea
Euripides' Play: Medea
Zaid Tabaza
Summary: Medea is a sorceress' whose husband (Jason) betrayed her and married another woman called Glauke (daughter of the king of Corinth).
Medea was never the type of woman who would give up and grief for the end of her marriage and her husband's betrayal, she soon started planning
ruthless revenge for her husband, his new wife and the father of his new wife. However, the king orders Medea and her sons to move out of Corinth.
Medea reaches out for her husband and begs him for one more day in Corinth. He refuses at first but then he is convinced because of pity for his sons.
Medea then begins planning her revenge against them, but first, she must find a place to go to after committing her crimes. For ... Show more content on
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She is an enemy with Jason, his wife and her dad. At first, she has nothing against her children and she actually uses them as an excuse to stay one
more day in Corinth. At the end of the play she shows no compassion and affection for her children and she murders them as part of her revenge for
Jason. When it came to Aegeus, he was neither her enemy nor her friend; she only helped him cure his sterility in return for him giving her a place to
stay after her revenge.
Jason: Jason was the husband of Medea, whom he betrayed for another woman called Glauke. He marries Glauke but definitely ruins his relationship
with Medea and becomes her enemy. He shows a very high register of love for his children when Medea tricked him and killed their sons for revenge.
The two sons: The two sons weren't enemies with anyone and had a perfectly normal relationship with all of the characters except for Medea, who
betrays them and kills them only to get back at her husband.
Glauke: Glauke is the new wife of Jason. She is the daughter of Creon, the king of Corinth. She actually treats his sons kindly and doesn't cause any
harm to his old wife but Medea tricks her with the possessed gifts and kills
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Examples Of Plot Twist In A Story
Plot twist occurs near or at the conclusion of a story. It is an unexpected conclusion to a work of fiction that causes to reevaluate the whole plot and
characters. When a plot twist happens it changes one's view of the preceding events, it is also known as a surprise ending or twist ending. It provides
ideas for unexpected turns in the course of narrative. O.Henry has profoundly used this technique in almost all his stories. There are many mechanics
by which twisted endings are created.
There are many mechanics and techniques through which twist endings could be created.
Anagnorisis or discovery is the protagonist's sudden recognition of their own. It also includes other character's true identity or nature. By this technique,
previously unforeseen ... Show more content on Helpwriting.net ...
Deus ex machina and Unreliable narrator. Deus ex machina is used when Della sells her beautiful long hair to purchase a unique gift for her
husband Jim. In the beginning of the story of the readers were told that Jim was very proud of the Della's hair. Here they are made to think that due
to poverty it is only Della who is making the sacrifice and also she has succeeded to purchase a Christmas gift on the cost of her beautiful

Movie Review : The Circle By David Eggers
In a world that is overruled by power, love, and technology, both the book The Circle, by David Eggers, and the film Ex Machina, directed by Alex
Garland, expand upon this idea. Filled with strange moments and unpredictable behavior, both the book and film put the audience into shock. The
Circle is based on a young woman named Mae who has recently been hired to work for the company the Circle; One of the most powerful
technological company's in the world. Mae is brain washed by the company and goes to extreme measures to show her worth, which leads to shocking
moments. The film Ex Machina is based on a human created AI (Artificial Intelligence) named Ava that is put under trial by interacting with another
person to see how it interacts in one–on–one situations. Nathan, the creator of Ava, has invited Caleb to interact with Ava in hopes of her being the
perfect robot after multiple sessions. Everything seems to be going normal, but things go in a different direction and leave the audience with their jaws
hanging. Although they have completely different story lines, both the book and film share various themes.
Becoming something bigger than you truly are: A theme that appears within the book and the film. The theme appears in a scene in Ex Machina.
Sitting in a room, Caleb is looking over a non–disclosure form that Nathan hands him. As Caleb reads it over, he comes across many policies
restricting him from posting or sharing any information through written or electronic

Literary Analysis Of Literary Devices In Godfather Death
In reading "Godfather Death" by authors Jakob and Wilhelm Grimm also known as the "Grimm Bothers". It was decided the purpose of this paper to
consider the Literary Device of this short story. For length sake it was narrowed down to three devices for which are the following: Ad Hominem,
Protagonist/ Antagonist, and Deus Ex Machina. In these three devices it will be broken down to explain where each can be seen in the short story.
Therefore, it shall be seen that no matter what Death cannot be cheated even if the death himself is the Godfather of a person only so much betray
will Death allow before matter are taken by Death hands. For the literary device one, Ad Hominem can be found in the beginning of the short story
"Godfather Death" by the author Grimm Bothers (Jakob and Wilhelm Grimm) the father struggling to feed the already 12 children he has when the
13th was born. This said father ran to the highway looking to find a Godfather for that child when he came upon what is referred to as "good Lord God
...(pg.13)." For when the good Lord God offered the father to be the Godfather to the son already knowing what was laying in the father heart and
mind. The father then rebuked the good Lord god by speaking ill to him stating "Then I don't want you as the godfather. You give to the rich, and
let the poor starve... (pg. 13)." For in the father eyes he felt jaded and not at all loved by the good Lord God for if so why would he be suffering and
struggling to feed his family. All

Irony In Devilman Crybaby
Humans are terrified of their own mortality. This fear of the end, of no longer being, makes it a topic that is generally ignored in day–to–day life, and
this makes it an incredibly useful theme in works of art. Netflix's Devilman Crybaby and Percy Bysshe Shelley's Ozymandias could not be more
different, at least on the surface. One tells of battles between angels, demons, and humans; the other speaks of what a traveler finds in the desert.
However, they both force the audience to face the idea of an end by exploiting their initial assumptions. Through the subversion and simultaneous
mockery of one's expectations, these works not only force an audience to examine their inevitable decay and destruction, but also stick with the
audience to create... Show more content on Helpwriting.net ...
In the first episode of Devilman, a young Ryo (the eventual villain) speaks with a young Akira, who weeps over a dead pet. Ryo says to him,
"Why are you crying? You knew it was gonna die." This scene is played at both the start and end of the series. This first time, it acts as a subtle
warning to the audience not to be surprised when someone dies, and to be prepared for major deaths. The second time it plays is at the very end of
the final episode, after Miki's death, Ryo has killed Akira, and the rest of the world's population rendered extinct. Apart from Ryo, every major
character is dead. Now when the scene plays, it is a mocking sort of laughter, reminding the audience that they can not say this outcome was totally
unexpected. It is a less than subtle reminder from the show saying, 'we warned you.' It is a mockery of the audience's feelings and emotions, taking
advantage of the visual medium in to create compelling characters that will cause a greater impact when they are killed off. It asks the audience to
consider everything they know about death; to ask why it bothers them so much, because they already know that everything was going to die anyway.
It also asks them to consider their roles in their own lives, to ask themselves about their own fates if this was what happened to the protagonist of this

Critical Analysis on "A Good Man Is Hard to Find"
Religious Symbolism in "A Good Man Is Hard To Find"
This paper will present a rhetorical context for the use of violence in the short story, "A Good Man Is Hard to Find," as she presented in her essay
"The Element of Suspense." The form of classical tragedy in this story will also be analyzed from the critical theories of Aristotle and Longinus.
Tolstoy will be used to examine the use Christian symbolism. Nietzsche will provide a more well–rounded universal conclusion to the uses of tragedy
and spiritual elements in this classic story.
Flannery O'Connor gave a talk about "A Good Man Is Hard to Find" in 1963 at Hollins College, Virginia, which was published as the essay, "The
Element of Suspense In В‘A Good Man Is Hard to Find.'" In this ... Show more content on Helpwriting.net ...
She stated "I could not answer to my conscience if I did" ("Good Man" 593). Her statement connected with the encounter with The Misfit when she
was forced to answer to her conscience (604). When the family left on vacation, the Grandmother dressed nicely, so that "anyone seeing her dead
would know at once she was a lady" (594). This description clearly predicted her death.
John Wesley said he would "smack his face" when asked by the Grandmother what he would do if he met The Misfit ("Good Man" 593). Personal
contact came into play when The Misfit reacted "as if a snake had bitten him" when the Grandmother touched his shoulder. Her touch was received as a
smack and The Misfit killed her (604).
Coincidences and contrived events, used by O'Connor, may have seemed unreasonable. Effective use of coincidences should "appear to have some
design associated with them" (Aristotle 49). This design of events was called "deus ex machina." Aristotle stated that deus ex machina should be used
carefully to explain "events that lie outside the plot," to announce unknown events to the audience. He believed that action should be resolved through
the plot and not be resolved by inappropriate use of deus ex machina by the author (Aristotle 53). In the first scene, the Grandmother explained to
Bailey about the escape of The Misfit from prison ("Good Man" 593). This event had to be explained to set up the course of action for the story. The
conversation with

Miss Peregrine's Home For Peculiar Children
Miss Peregrine's Home for Peculiar Children is a horror young adult literature written by Ransom Riggs. It tells Jacob Portman's story who
followed clues that lead him to a house for refugees on the Cairnholm Island off the coast of Wales, where his grandfather used to stay during the
Second World War back in the 1940s. The Cairnholm Island itself only had one phone and was powered with generators that shut off at 10 pm
everyday, foreshadowing the fact that Jacob would go back in time later on. The peculiar children all lived with Miss Peregrine in a 'time loop',
created by Miss Peregrine herself. Because of this, the children didn't age; everyday they repeated September 3rd, 1940 over and over again. For
seventy years they had stayed on that day, although their experience of it is continuous, thus they were able to remember what they did yesterday,
although other things remained the same. Habits may be boring, but it was key for their safety. Monsters, called the hollowgasts, were hunting down
these peculiar children. By being in the... Show more content on Helpwriting.net ...
In the novel Death of an Englishman, Cipolla told the Marshall that he grew up during the war, similar to the peculiar children. However, even
though time 'stopped' for the children in 1940 and the war really stopped in 1945, either Cipolla or the children were never free. The war affected
more deeply than just the bodies. Because of the war, Cipolla moved away from home and didn't have enough education to work a white–collared job
in the future. He never led a satisfying life because of what happened in his childhood. Meanwhile, most of the children were 'refugees' of their own
parents who thought their children were swapped by the devil; thus they were peculiar. With them coming into Miss Peregrine's house, they were
saving themselves from their parents, the hollowgasts, and also the Nazi. They would not age in the time loop, let alone live a free life; if they wanted
to be

Examples Of Religious Hypocrisy In Tartuffe
Religious Hypocrisy
In Moliere's play Tartuffe, Moliere uses character archetypes, religious hypocrisy, satire and a deus ex machina, to parallel the characters of the play to
the Catholic Church/Society of France in the 17th century to portray his views on the dominance the Catholic Church had over the people of France,
which ultimately portrays his universal idea that a governmental power should be in control of a country's politics rather than a religious institution.
This idea can not only observed in the society of 17th century France, but also in the society/culture of today.
In 17th century France, the Catholic Church played a predominant role in everyday French society and culture.The church was known to be very corrupt
and support ... Show more content on Helpwriting.net ...
Tartuffe use of religion to deceptively steal for his personal gain effects ever character of the book. Moliere creates Tartuffe to be the epitome of
religious wrongdoing. He is a manipulator and thief, he beguiles Orgon into believing that he only "cares for Heaven alone" and has only holy
intentions to cleanse Orgon and his family of sin.(2.2.17) In doing this he beguiles Orgon into bestilling his fortune to him. He is also an adulterer
and attempts to persuade Orgon's wife to have an affair with him, in doing so he exclaims of how she needs no worry of the offense because an affair
is only a scandal if it is spoken about.(3.3–4) These malicious traits in Tartuffe represent the exact opposite of a pious man. Orgon is completely
bought into Tartuffe's front and does care for anyone else besides himself and Tartuffe. Moliere uses satire to show this in an extreme,specifically in
act one scene four, when Dorine and Orgon are conversating about the latest news after Orgon has returned from a trip and all Orgon seems to be
concerned about is Tartuffe. Dorine even says that his "wife.. had a bad fever" and still he is only concerned with Tartuffe's well being. (1.4.4) To
save Orgon from this fraud and Marianne from the arranged marriage Orgon has blindly bound her to with Tartuffe, Dorine, Elmire, Damis and Cleante
had to

Critical analysis on "A good man is hard to find" Essay
Religious Symbolism in "A Good Man Is Hard To Find"
This paper will present a rhetorical context for the use of violence in the short story, "A Good Man Is Hard to Find," as she presented in her essay
"The Element of Suspense." The form of classical tragedy in this story will also be analyzed from the critical theories of Aristotle and Longinus.
Tolstoy will be used to examine the use Christian symbolism. Nietzsche will provide a more well–rounded universal conclusion to the uses of tragedy
and spiritual elements in this classic story.
Flannery O'Connor gave a talk about "A Good Man Is Hard to Find" in 1963 at Hollins College, Virginia, which was published as the essay, "The
Element of Suspense In 'A Good Man Is Hard to Find.'" In this ... Show more content on Helpwriting.net ...
"Writing Short Stories," an essay summarizing O'Connor's concepts of the elements of good fiction, was a lecture she gave to a group of creative
writing students in 1961. She stated that "In good fiction, certain of the details will tend to accumulate meaning from the action of the story itself,
and when this happens they become symbolic in the way they work" ("Writing" 807). The use of symbolism in "A Good Man Is Hard
to Find" created a story which seemed to follow a classic model for tragedy. O'Connor explained "I do think, though, that like the Greeks you should
know what is going to happen in the story so that any element of suspense in it will be transferred from its surface to the interior"
("Suspense" 802). She created a "cathartic experience" for the purpose of eliciting "a degree of pity and terror" from the audience, "even
though its way of being serious is a comic one" ("Suspense" 802).
Elements of foreshadowing, contrived circumstances, and catharsis in "A Good Man Is Hard to Find" followed the classic model of Greek tragedy.
The use of foreshadowing conformed to Aristotle's concept of magnitude. He believed that "beauty is determined by magnitude and order" (Aristotle
47). The epigraph at the beginning of the story described travelers who must "pass by the dragon" on their journey to the "Father of Souls"
("Good Man" 593). The epigraph set the stage for the family's trip and their encounter with danger.
The

Comparing Misery And Brave New World
There are two books that I have read for pleasure within the last year that explicitly stand out. The first book being Zealot by Reza Aslan which
delves into the differences and contradictions between Jesus Christ and Jesus of Nazareth. It is written from a scholarly standpoint that is absent of
any religious bias, strictly laying out the facts and allowing the reader to come to their own conclusions. The next book being Misery by Stephen
King, which is arguably his best work. The suspense in every page and the detail to every word created a plot that was hypnotic in nature. Of all the
reading required or even many of the books I have read for pleasure, Brave New World is my favorite. Aldous Huxley's Representation of modern
society is astonishingly

Stage Machinery Of Baroque Theaters
Stage Machinery of Baroque Theaters The theater's combination of music and acting made them extremely popular with the whole of Western Europe.
The baroque theaters, however, not only wanted to entertain their audiences but also captivate and astound them. Theaters started using special effects
to amaze their audiences with the visual as well as the auditory; this made theater the most treasured art form of Europe. In order to amaze their
audiences, theaters used extremely elaborate stage machinery as part of their special effects. One example of this is the deus ex machina. The deus ex
machina "was first used in ancient Greek and Roman drama, where it meant the timely appearance of a god to unravel and resolve the plot. The
deus ex machina was named for the convention of the god's appearing in the sky, an effect achieved by means of a crane." Giovanni Legrenzi's
deus ex machina in his opera Germanico sul Reno was very different from the ancient Greek crane. Legrenzi's deus ex machina was a mammoth
stage machine used to make it look as if Apollo was descending from the heavens to rescue the hero while in the background other Greek gods float
in the clouds. This stage machinery was monumental because nothing as elaborate and eye catching had ever been used before. Not only did the big,
dramatic scenes get more elaborate and impressive, but so did the smaller, more subtle opera scenes. Trap doors were used for dramatic entrances from
the underworld. The

Comparing Tale Of Ovid 'And Transformation Ex Machina'
At first glance, Tales from Ovid appears just to be a compilation of disturbing narratives. It is as if Ted Hughes, finding nothing better to do, decided
to try his hand at awfully vivid writing. There doesn't seem to be any clear pattern in the stories. But maybe we are searching a bit too deep for
meaning. Reading Ovid is about accepting the terrible things that could happen and do happen. The stories make us feel uneasy and that's part of
what Hughes is trying to do. The characters in the tales of Ovid experience such impossible emotions that the only way for Hughes to finish the
story is through twist on Deus ex Machina, Transformation ex Machina. (Clarify with footnote) The best way to understand Hughes' work is to try
as much as possible to feel what the characters are feeling. This is not a new idea. The best way to experience a story is to place yourself in the shoes
of the characters. With Tales from Ovid,... Show more content on Helpwriting.net ...
Specifically, in Tales from Ovid, it speaks of the mess mortals get themselves into either because of their actions, or because they are victims of
circumstance. Hughes is using ex machina because his characters are in situations that even Time cannot fix. Tereus unknowingly ate his son. That's
already terrible enough, but no ex machina was yet needed. But when he found out the truth "he tugged at his rib–cage As if he might rive himself open
To empty out what he had eaten He staggered about, sobbing That he was the tomb of his boy". You can feel the anguish. Just like Myrrha, his death
would pollute the dead and his life contaminate the living. It is at this moment that the ex machina becomes the most powerful. It is powerful because
it shows that we humans are capable of getting ourselves into situations where nothing short of the impossible will help us

Examples Of Deus Ex Machina
This movie does have a deus ex machina for a variety of reasons. Not only did Susan, a married woman, have an affair with John, but she also did
drugs and was determined to kill Charlie. This seemed totally contrary to her personality earlier in the movie, a dignified reporter who cared deeply
about her reputation. Considering how her whole life was based upon how others viewed her, it seemed unlikely that she would have an affair and
keep it from her husband. Her unfaithfulness raised questions about whether or not she may have lied about something else, perhaps in her book. This
was found to be true when she wrote that her and John never found the ghost orchid, when in reality, they did and used it to manufacture drugs. Susan's
drug

The Odyssey Vs Homebound Analysis
One is a charming, nostalgic Japan–originated role–playing video game released in 1994. The other is a legendary, ancient Greek epic that is set
around 1200 BC. Yet, despite being from different cultures, different time periods, and being based in different mediums, they still manage to have a lot
of similarities. The two stories use the same techniques, but differ in how they apply them–to their plots, their characters, and their conflicts. Using the
trope of switching perspectives, ex deus machina, and the format of the Greek tragedy, TheOdyssey and Earthbound both show how similar they are
through their usage of literary functions, and how different they are in the way they handle them in their respective narratives. One of the literary ...
Show more content on Helpwriting.net ...
"Tragedy" is term used to describe a story that talks about serious incidents, often with a solemn mood attached to it. Both Earthbound and The
Odyssey are formatted in this style, as they both talk about serious events that happen throughout their respective storylines in a very solemn manner.
However, they differ greatly in how each present themselves as a tragedy. The Odyssey is centered on the sufferings of the main character. All tragic
incidents in the story are related to or focused on Odysseus. "Many . . . pains he suffered, heartsick on the open sea, fighting to save his life and bring
his comrades home" (Homer 1.5–7). If there are any other tragedies in the story, it's either something Odysseus has suffered through or that he has
caused himself. The Odyssey is about the sufferings of one person and one person only–Odysseus. Earthbound, however, presents itself as more of a
tragedy of the world. The main characters do have their own share of sorrows, with Ness' family being in debt, Paula being exploited for her psychic
powers, Jeff 's distant relationship with his father, and the Prince's emotionally traumatizing training. However, they are constantly surrounded by other
people's sufferings, as they journey to fight the dark power in cause of it all. Corrupt politicians, job loss, alcoholism, and heartbreak are all problems
that exist in the

Analysis Of Deus Ex Machina
In the ending of Batman: Endgame, we find out that Bruce left a death note. The note reading "HA", and at the end of the story we see a man
throwing a breastplate into the garbage. In the beginning of the Endgame arc, the issue opens up with Bruce talking about Gotham's Royal Theatre.
Bruce's friend Wade built a special harness holding a breastplate for the play, for the part where Apollo comes down to save everyone. And it's the
very same breastplate that gets thrown into the garbage bin at the end of the graphic novel. Deus ex Machina is often used to describe a convenient
and unexpected power that saves a "hopeless situation", usually a plot device. So perhaps something unexpected happened and saved Batman.
This also may mean that Batman

Dimmesdale Rapture
INSERT WILDLY CLEVER TITLE HERE Many classic story arcs employ what, in ancient Greek dramas, are called instances of "deus ex machina,"
or 'god from the machine.' In these stories, an unforeseen factor arrives and offers an apparent solution to what would otherwise be an insoluble
problem. Toward the end of Nathaniel Hawthorne's The Scarlet Letter, the Puritan minister Dimmesdale seems to find such a resolution for the inner
torment he has imposed on himself in atonement for his affair with Hester. While Dimmesdale's emotions escalate toward rapture at the suggestion of
leaving his life of outward piety and private shame behind, he remains constrained by his past, both his moral foundation and the sin for which he is
yet to take ... Show more content on Helpwriting.net ...
This ambiguity parallels the way he relishes the chance to start anew, but refuses to appreciate the woman who grants him this chance, the human
light source. Dimmesdale identifies the sense of luminosity he feels as something his pleasure "threw" upon him. The verb 'to throw' recalls the
biblical verse of John 8:7 when Jesus instructs a group of men who are stoning a woman to death for adultery that "whoever is without sin" should
be "the first to cast a stone." The joy Dimmesdale feels in this scene delivers itself to him with a verb which the bible applies to punishment.
Consideration of the justice which has not been administered disrupts the revelry that lands "over" the "trouble of his breast." Because of the
magnitude of his past sin, present joy hovers above his troubles, rather than eclipsing them. So long as Dimmesdale fails to take public responsibility
for his actions, he will never feel pure joy. The trouble remains upon his "breast," in the very place where his female accomplice was forced to bear
the public consequence of their shared action alone. Still, the illusion of total joy intensifies.
Without the impositions of any outside religious organization, Dimmesdale believes himself to be entirely free, though his devout, masochistic past
continues to manifest itself. The second sentence is far longer than the first, illustrating Dimmesdale's growing comfort with the once alien joy of
freedom. Dimmesdale enjoys the "exhilarating

What Are Literary Terms Used In Huckleberry Finn
17. bathos– when an author overuses absurd metaphors, descriptions, or ideas in attempt to make their writing more emotional and passionate.
18. bildungsroman– a type of novel that focuses on the psychological and moral changes a child goes through as they move into adulthood.
19. blank verse– verse that does not rhyme and has ten syllables per measure. "Mending Wall" by Robert Frost is an example of blank verse poetry.
"Something there is that doesn't love a wall,/ That sends the frozen–ground–swell under it,/ And spills the upper boulders in the sun" (Frost fsnsd).
20. caesurae– rhythmical pauses in a poem or sentence.
21. chiasumus– when two or more clauses are balanced against each other by reversing their structures. produces artistic effect ... Show more content on
Helpwriting.net ...
colloquialism– the use of informal words or slang in writing. For example, in Twain's The Adventures of Huckleberry Finn, Huckleberry uses words
like "ain't" and "warn't"(Twain 1–2).
23. concrete language– instead of something representing an inanimate object it would represnt the actual physical being. For example, a dove may
represent peace in abstract language, but in concrete language it would be a representation of the bird itself. Concrete language is the opposite of
abstract language.
24. connotation– cultural or emotional associations with a word. For example, Sophocles uses words with a dark and haunting connotation., such as
using "moaning" and "dreadful." By paying close attention to the connotations of the words he uses he is able to successfully generate an eerie mood.
25. deconstruction– the breaking down or analysis of literature. For example, the analysis section on

Disney Way Of Death Analysis
Disney movies are often a toddler's first introduction to death; at least I still remember what Scar did to Mufasa in The Lion King (1994). The
soundtrack of that scene still nauseates my subconscious; I was stuck to my seat, totally shocked. After reviewing Walt Disney's work before the
1950s, Laderman points out that death played a central role in his animated cartoons, from Fantasia to Pinocchio. Since the movies were critically
acclaimed and are still a big part of popular culture, what Disney says about death says a lot about America, especially its worldview and religious
attitudes. According to Laderman, "the Disney way of death" is focused on mortality and seeks to "suspend the animation of life"(p35)...
remember Snow White and the Seven Dwarfs and Sleeping Beauty? It shows no interest in capturing morals of life but portrays the absolute battle
with between good and evil, where death is a weapon to bring bad characters to justice. A Disney "world" usually links death with evil (Fantasia
with the "Night on Bald Mountain" scene) and believes that "good" can always prevail, like in Snow White and Pinocchio. It connects characters
reuniting with family to stability and happiness (as in Pinocchio and Cinderella, Finding Nemo). The Disney way of death also introduces the
audience to grief because of the death of a close relative. For example, the feelings we experience after Bambi's mother is killed off camera are because
of our own subconscious fears. This experience is

Critical Analysis Of A Guilt In Susan Glaspell's Trifles
In the play "Trifles" by Susan Glaspell, the central action revolves around a murder. John Wright has been murdered by his wife; the sheriff, the county
attorney, and a neighbor named Lewis Hale investigate the house for clues to prosecute Mrs. Wright. As the three men search for evidence, Mrs. Peters
and Mrs. Hale put together their own clues to find out the reason why Mrs. Wright murdered her husband. In searching for clues, the 3 men constantly
put the 2 women down for paying attention to "womanly" things like Mrs. Wrights fruit freezing. Throughout the investigation, the 2 women gather
their own evidence, that seem unimportant to the men but important to women. In doing their own investigation, the two women grow empathetic to
Mrs. Wright; she has suffered emotional abuse and neglect for years. One piece of evidence is the Mrs. Wrights dead canary. The climax of the play
happens when the two women hid the dead canary and remove the motive needed to convict Mrs. Wright. Susan Glaspell's "Trifles" is a dark, minimal,
one act play that leaves you with more questions in the end. It tells a lot of story without using a lot of resources. So, I of course loved it. The use
of language is great, "'He died of a rope round his neck" (Roberts, 985) works well with its matter of fact timing from Mrs. Wright. The time in
America that this is set, assuming turn of the century America, works in its favor as well; we know that women were not treated favorably during this
time. All of

Euripides And The Tragical History Of Doctor Faustus, By...
From childhood, all individuals are taught that, whether it be at the hands of one's parents, the government, or even some form of divine
intervention (like karma, or god), there is an ultimately inescapable judgment that awaits everyone who transgresses against that which is "right"
or "just." Take from the cookie jar before dinner? No TV for a week. Break the law by stealing from a store, or worse? Spend days, or years,
incarcerated. Fail to abide by a number of seemingly arbitrary moral codes? Spend all of eternity being tormented in a realm of fire after you die. But
despite how deeply the concept of crime and punishment is ingrained in each culture of each era since the dawn of humankind, there remains an
insatiable desire to rebel against the standards that are upheld by society as right, whether it be for personal worldly gain, out of academic curiosity, or
righteous indignation.
As a people, humanity has long expressed rebellion of thought through the arts, exploring the taboos of society, and asking questions about why we
live as we do, and what the implications may be, not just for the world, but for our souls. Two such pieces of art are the classic playsMedea, by
Euripides, and The Tragical History of Doctor Faustus, by Christopher Marlowe. Though these two great works couldn't be more different in setting or
thematic subject matter (and naturally so, since they're separated by over 1,000 years), they utilize similar theatrical tropes to explore the concept of

Oedipus The King Triangle Essay
Plot is the "first precept," the most crucial characteristic of tragedy. Aristotle defines plot as "the association of the incidents": i.e., not the story itself
but the way the incidents are presented to the target audience, the structure of the play. according to Aristotle, tragedies wherein the final results relies
upon on a tightly constructed motive–and–impact chain of actions are superior to those who rely broadly speaking on the character and persona of the
protagonist. Plots that meet this criterion will have the following characteristics (context). See Freytag 's Triangle for a diagram that illustrates Aristotle
's best plot shape, and Plot of Oedipus the King for an application of this diagram to Sophocles' play.
The plot have to be "an entire," with a beginning, center, and quit. the beginning, called by modern–day critics the motivation moment, ought to begin
the motive–and–effect chain however not be depending on something out of doors the compass of the play (i.e., its causes are downplayed however
its effects are confused). The center, or climax, must be caused by earlier incidents and itself purpose the incidents that observe it (i.e., its reasons
and consequences are harassed). The stop, or resolution, need to be as a result of the preceding activities however now not lead to other incidents out
of doors the compass of the play (i.e., its causes are pressured however its outcomes downplayed); the give up ought to therefore clear up or clear up
the hassle

Plot Twist In Narrative
Plot twist occurs near or at the conclusion of a story. It is an unexpected conclusion to a work of fiction that causes to reevaluate the whole plot and
characters. When a plot twist happens it changes one's view of the preceding events, it is also known as a surprise ending or twist ending. It provides
ideas for unexpected turns in the course of narrative. O.Henry has profoundly used this technique in almost all his stories. There are many mechanics
by which twisted endings are created. There are many mechanics and techniques through which twist endings could be created. Anagnorisis or
discovery is the protagonist's sudden recognition of their own. It also includes other character's true identity or nature. By this technique, previously
unforeseen information is revealed. Flashback is a sudden, vivid reversion to a past event. Its prime function is to surprise the reader with... Show more
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Deus ex machina and Unreliable narrator. Deus ex machina is used when Della sells her beautiful long hair to purchase a unique gift for her
husband Jim. In the beginning of the story of the readers were told that Jim was very proud of the Della's hair. Here they are made to think that
due to poverty it is only Della who is making the sacrifice and also she has succeeded to purchase a Christmas gift on the cost of her beautiful hair.
Unreliable narrator is the common technique which O.Henry has used in almost all his stories. In The Gift of Magi the readers are made to
idealize the story only on the perspective of Della. But in the end Jim is shocked to see Della without her hair because he also wanted to get a nice
Christmas present for Della. Jim had bought a set of attractive combs for her hair. She had seen them before in a shop, but they were very expensive.
Suddenly, she remembers Jim's gift. She gives him the gold chain and asks him to put it on his watch, Jim surprises her. He sold the watch to buy her
those nice

Passion And Passion In Tartuffe : A Passion For Reason
A Passion for Reason The practice of worshipping a religion has been a part of human existence for thousands of years. The practice itself changes
and shifts as time and humans grow, but the fundamentals of faith remain the same. While in present day the idea of religion can be a point of
contention, in the past centuries it was a center of all human interaction. Moliere introduces a new outlook on religion in his published 1669 play
Tartuffe. Following the household of Orgon and their interactions with a con–man, Tartuffe, disguised as a holy man. Orgon himself is completely
oblivious to Tartuffe's true nature (Gainor 539). Moliere uses this play as commentary on the society he finds himself in, 17th century France. A time
between the Renaissance and the coming Enlightenment, where free thinking is on the rise (Chill 155). The entire play revolves around ideals
concerning religion, and is a critique on the everyday acceptance of religious authority and control. Through the manipulative relationship of Tartuffe
and Orgon, as well as the abrupt deus ex machina ending, Moliere sets a challenge to society's blind faith in religion therefore embodying the
Neoclassical idea of reason versus passion. Until the end of the play, Orgon is under Tartuffe's complete control and suffered great humiliation at his
discovery, which is synonymous with the consequences of following religion without thought. Before Orgon is even seen in the play, the others are
already

Examples Of Pathos In Medea
Euripides's Medea is a Greek tragedy set in fifth–century BC Athens that depicts the plotting of Medea's revenge, who herself was wronged and
betrayed by her husband. Like other tragedies, we can see that emotions are at the heart of Medea. These emotions are resonant and altruistic such that
we feel for other people who have no direct connection with us nor belong in the same world. This ability to evoke the outgoing emotion in the
audience opposed to an introverted self–absorption view is characteristic of Greek tragedy. Similarly, Euripides handles the complexity of his
characters, supplying an element of pathos to his audience in the process. From the cries of Medea lamenting on the injustice suffered by her, to her
dilemma over the ... Show more content on Helpwriting.net ...
An essential point to note is that like Medea, Jason cannot be labeled as a typical villain with only evil thoughts. It is revealed that his desire to
marry the princess was "nothing about the princess" . Instead, it was "to protect (Medea) and to father some royal sons" , ultimately "for security" .
Just like Medea, Jason is too a victim of the forces of human nature and society shown through his desire to climb the social ladder through marriage.
He was not a heartless villain but instead, he still cares for Medea and his sons. Hence, this makes the final scene when Jason arrives after his sons'
infanticide even more striking in its pathos. It is interesting to note at this point, Euripides employs deus ex machina to save Medea from the
consequence of her crimes through the escape in Helios's dragon chariot. Jason is hence left on stage alone and appears to be completely defeated
emphasised by the image of a triumphant Medea in the chariot. He is left childless and his bride gone along with his dreams of power. Euripides
hence effectively builds up to this scene through the application of the deus ex machina and the handling of Jason's character. Ultimately, this evokes
strong pathos as his lone figure left on stage leaves a lasting impression on the

Monkey And Tartuffe : Plot Twist
When comparing and contrasting, these two pieces of literary work, Monkey and Tartuffe, it is important to assert that while the authors of both these
work decided to use surprise ending styles, their techniques could not be more different. The novel Monkey ends using the plot twist mechanism of
Anagnorisis, while Tartuffe employs the plot twist mechanism Deux Ex Machina. Not only is it consequential to highlight the two novel's unique
differences, but also to highlight the two novel's similarities. Although, these two works differ in genre and setting, the function of the endings are
similar in prompting readers to reevaluate the preceding events.
Unlike Monkey, Tartuffe uses the plot twistDeus Ex Machina. Deus Ex Machina is an unforeseen force or event that remedies a hopeless situation.
In particular, Deus Ex Machina is used in the last scene of Tartuffe. Here, it is revealed that the king knew all about Tartuffe's actions and plans to
arrest him. Even though the play leads you to believe that Orgon is about to get arrested for crimes Tartuffe commits. A clear difference from Monkey
whose ending was more developed and didn't appear to fall out of the sky.
Different from Tartuffe, Monkey employs the plot mechanism Anagnorisis. Anagnorisis is a point in a literary work when a character makes a very
important discovery about another person. As illustrated in the last chapter, Monkey makes a critical discovery about the identity of the magician. In
this case, Monkey's

Life Of Pi Character Analysis
"There'll always be serendipity involved in discovery", serendipity is an aptitude for making desirable discoveries unintentionally. Major discoveries in
an individual's life predominantly involve this notion. The director, Ang Lee explores this idea in his film adaptation, "Life of Pi", as the film conveys
the lack of control the protagonist, Pi Patel, has over the events occurring within his unfamiliar environment. The bildungsroman genre is prevalent in
the film, the unsolicited occurrences act as a catalyst to the maturing of self. Moreover, the didactic events, unsought by Pi, manifest various main
discoveries, including the discovery of the complexity of nature, the discovery of Pi's primal instincts and the re–discovery of his spirituality.
Pi assimilates a plethora of ideas regarding the composite essence of nature, in which, Lee depicts both, elegance and peril, within his ethereal setting.
Pi is portrayed floating amongst a profusion of luminescent sea creatures, that force the ocean to emit a blue tint. The environment suggests the
concealed alluring reality of the world around Pi, however, to contrast the charm, the whale rupturing the surface, subsequently destroying his raft,
teaches Pi the contradicting actuality of nature, being both fascinating and threatening. The unrequested scenario of Pi's odyssey, repeats that major
discoveries involve the notion of serendipity. Furthermore, Lee uses the natural world as a tutor, and Pi learns to respect it as an

The Mystery Of Heroism In Deus Ex Machina
Heros in stories are often invincible, if not juggernauts; Deus ex Machina makes sure of that. In real life, by contrast, has no author that can pen the
hero in for an exemption of death. War though, in any case, works to the disadvantage of everyone, and doesn't get that much accomplished. Most
soldier's hands are dirtied at some point, and most people are, to a greater or lesser extent, deal with the mire of the most uncouthly of endeavours.
People who come back from war, still with the hope that their country, the world over, can change its ways, and quietly protests the belligerency of
their leaders, are the true heros. Anyone who merely comes back from war, or doesn't, can't really be considered ahero, because the real enemy, is the
need to have one. The two conditions to have when questioning the viability of the hero status, are: ... Show more content on Helpwriting.net ...
Did those who came back want to make sure that no other human should experience what they went through? Yes. Did they act on that want? Not
every one of them. In "Mystery of Heroism", the main character, in search of water, finds himself lacking the ability to care about himself, without
fear in fact. While he may still want to keep people out of war, he might not have the drive to do anything about it. This, absence of caring is systemic
in the minds of soldiers of every country, and, considering the conditions of heroism outlined earlier, this person, while serving in the war, will most
likely not fight against having to fight, and thus, is no hero. More recently returned soldiers, especially those who came back injured, might be more
active

Jane Austen 's Sense And Sensibility
Jane Austen's novel Sense and Sensibility, contains many themes common to novels of her time such as class, inheritance, and love. In particular, love
is one of the most prominent themes throughout the novel. While the novel features a complex intertwining of multiple characters' lives, it mainly
focuses on that of the two eldest Dashwood daughters, Elinor and Marianne. In particular, our focus is on that of the second to oldest, Marianne. She
experiences a whirlwind romance with the dashing John Willoughby but ultimately ends up marrying the older Colonel Brandon. This rushed approach
to the marriage may have resulted from Marianne learning to love Colonel Brandon. Brandon has shown nothing but the utmost respect and care for
Marianne from the start and she should have taken notice. However, the marriage to Colonel Brandon is an unlikely event brought on by Austen to
end the plot rather than the true love Marianne has always longed for in her life. The marriage takes place within the last few pages of the novel with
little to no lead up by Austen. Although the marriage of Marianne and Colonel Brandon could be the result of a slow burning love that grew between
the two characters, it is actually the result of a swift and unlikely ending to the novel, a deus ex machina.
Marianne has consistently shown romanticized ideas about love from the start of the novel on through her heartbreak with Willoughby. She even
declares herself that her ideas of the perfect man are so high and

Dues Ex Machina Analysis
Titeanna Dallas
Mr. R. Nokes
British Literature Tuesday and Thursday 11:30
16 October 2017
Uses of Dues Ex Machina And Perception in Literature Of The Middle Age
In the literature, it will be seen that the different authors use different mechanisms to enhance the story or the main characters obstacles in the tale. The
authors have a way of incorporating what the audience would assume and an unexpected answer to the tale without taking away from the tale.
Whether that be cutting off a man's head or delving into the human psyche as a way of determining whether or not you will be damned to hell or
welcomed into Heaven by God. In the literature read thus far each author has a way of solving an unsolvable situation, Deus ex Machina, and
considering the perception of the audience. This can be achieved by the author using an outside force or the main character and is usually very
convenient.
In Judith, the female main character is the heroine in a tale about saving the people of her village. In the story, she uses her beauty to convince the
guards and Holofernes that she is harmless (Greenblatt 110). After she realizes Holofernes is indeed drunk and disoriented she cuts off his head.
When she returns to her village, Judith tells the soldiers how is the best time to attack because Holofernes is dead (Greenblatt 113). The "save the
day" action happens at the beginning of the tale; The author is seen to have had everything work out in Judith's favor as soon as she kills

Aegeus Vs. Buttrey In Medea
Theodore V. Buttrey defended the role of character Aegeus in Euripides's Medea as being instrumental in helping progress the story from the play's first
and second act. This defense of Euripides, comes in response to critics, including Aristotle, who, having taken poorly to Aegeus' underdeveloped
character and rather suspicious entrance in the play, have gone and criticized the entire structure of Medea. Buttrey, on the other hand, credited Aegeus
for acting as the principal red herring that ends up throwing the audience's attention away from Medea's intent on committing filicide until the horrible
reveal of the play's climax. Hence, it is with the king of Athens that Euripides committed a stroke of genius, for through him he announced his ... Show
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However, the reality of the matter is quite the opposite, for it through Aegeus that Euripides tells the audience that Medea is incapable of filicide.
Hinting that Medea's motherly nature would overcome her efforts to harm her children, Euripides puts out a fire that will later return in full blaze:
"Leave them alone, unhappy one, spare the children."(Euripides, 239) Therefore, his words act put out the danger that Medea initially poses to the
children, as alluded to by the nurse: "She hates her own children and has no pleasure at the sight of them. I fear she may form some new and
horrible resolve."(Euripides, 215) Euripides does this with Aegeus' description of how pathetic life is without offspring, and his willingness to do
things for Medea in the hopes of being rewarded with a child: "the childlessness is pictured as undesirable that conceit applies as well as to Medea
as to Jason, and can be taken as assurance that she will not go so far."(Buttrey, 4) Aegeus' sterility is supposed to convince the audience that the fate
of childlessness is way out of the question for the mother in Medea, and will not become a fixture in her ultimate plan for revenge. As a result, the
audience is left completely unaware of the horror that awaited them later in the play, as they still believed that the Corinthians would be the ones
responsible for the children's deaths: "All along we have known that the children are in some danger from the Corinthians, and the underlying
uneasiness which we felt while Aegeus was before us now comes to the surface."(Buttrey, 14) Prior to the Aegeus scene, the theme of childlessness
applied to both with Creon, whose fear for his daughter's life compelled him to exile Medea and her children, and Jason,

Literary Devices In Heart Of Darkness
Searching deep into one's heart can liberate the darkest evils that exist within one's soul. In Joseph Conrad's novella, Heart of Darkness, a sailor,
Marlow, resides on a ship with four of his old friends, that he claims are bonded and have stayed close over the years through "the bond of the sea"
(Conrad 1). While sailing with his friends, Marlow tells the story of his journey, through the Congo, to retrieve the corpse of his predecessor.
Throughout the duration of this journey, Marlow observes the corruption and atrocities, that come with imperialism. While trying to convey the
horrible scenes that he witnessed in Africa, Marlow re–lives this eye–opening experience. The unidentified narrator tells the gory details and explains to
the reader the events that Marlow is discussing, while Marlow's narrative offers how he felt when witnessing everything he saw in the Congo. The
author puts into perspective how being oblivious to evil is a form of evil in itself, through both Kurtz and Marlow. Joseph Conrad uses literary elements
and rhetorical devices to portray the theme that corruption and greed can cloud judgement and cause people to execute horrible atrocities. Joseph
Conrad uses literary elements, such as imagery, irony, and metaphor, to render a central theme in Heart of Darkness. Various examples of imagery are
used within the text, for example, "I could see every rib, the joints of their limbs were like knots in a rope; each had an iron collar on his neck, and all
were connected together with a chain whose bights swung between them, rhythmically clinking" (Conrad 13). This vivid description of the people in
the Congo creates a powerful and lasting image in the reader's mind. The execution of this description allows the reader to see the intense protruding
ribs and the chains. The mentioning of the chains also symbolizes the dehumanization and human rights violations that occurred throughout the Congo.
Another example of imagery in the text includes, "All their meager breasts panted together, the violently dilated nostrils quivered, the eyes stared
stonily uphill" (Conrad 13). The hard, violent panting and the blank stares of the men reveal their zombie–like personalities and lifeless motions. The

Examples Of Deus Ex Machina
The Latin saying "deus ex machina" was used to initially describe a distinct plot used in Roman and Greek theater. Many Greek and Roman tragedy
writers used this device to crazily get to the bottom of problematic plots, which could not be resolved otherwise. At present, the identical phrase is used
to describe a fictional problem the place we are awarded with something fully sudden but in addition implausible, which abruptly helps get to the bottom
of the plot. The decision in most cases comes within the form of a new event or character.
The primary instance of a deus ex machina is the introduction of Banjo. Sheridan Whiteside has been an insufferable tormenter to all people around
him, as well with his assistant Maggie. He has actually damaged

Adam Jensen's Deus Ex: Mankind Divided
Set two years after the events of Human Revolution, Deus Ex: Mankind Divided sees Adam Jensen return to a series that will undoubtedly have moral
compasses spinning in overdrive.
The latest Deus Ex game was featured at the Square Enix E3 2015 games conference. A new cinematic trailer looked very promising, showcasing
Adam Jensen and his augmentations in full effect. As I watched the trailer, I couldn't help but be overcome by a strong sense of nostalgia. Immediately
my mind cast back to 2011, and the feelings I had while playing Deus Ex: Human Revolution on PlayStation 3.
Human revolution was a masterpiece in many aspects. My morality compass kept spinning throughout. The questions and dilemmas raised were unlike
any I've ever experienced ... Show more content on Helpwriting.net ...
During a terrorist attack on the company, Jensen is mortally wounded and left for dead. To survive his injuries, he is forced to undergo life–saving
operations to replace parts of his body with futuristic technology. Thanks to his new augmentations, he was saved from death's door and given another
chance at life. Seeking answers and revenge, Jensen began his pursuit of those responsible for nearly causing his demise.
The story raised many important questions in areas such as robotics, morality and the essence of being human. As Jensen was augmented himself,
hunting down villains who were also mechanically altered, he got caught up in the debate between whether transhumanism should even exist.
Should augmentations be allowed? Should those who have them be accepted in society? Can you really trust a man whose arms include a blade, and
are strong enough to punch through walls with ease?
Human Revolution got me thinking. I had debates raging in my mind constantly. Should the fact that Jensen had powerful upgrades and abilities
matter? Should humans be allowed to upgrade themselves into indestructible killing machines? Where was the line

Oscar Wao Essay
The ending of a novel can be evaluated by the reader in several different ways, however to properly analyze the work is to further explore the logic
of how everything has come to be. The ability of the author to show the reader that the ending is reasonable from the preceding action and the
character's nature is what should truly be examined. Not only is the ending of The Brief Wondrous Life of Oscar Wao by Junot Diaz both happy and
unhappy, it is logical in the sense that it follows logically from the climax of the novel all while the character's have been constant throughout, except
Oscar. Oscar, the protagonist experiences a life–changing transformation that leads to his untimely death. However, the ending is convincing because
of this... Show more content on Helpwriting.net ...
Trouble began to brew because of the woman, and it seemed logical to any normal person to discontinue the pursuit; but Oscar's stubbornness that
was frequently depicted in situations throughout the novel led him to his death. In this novel there was no other way for Oscar to die logically;
he needed a big bang to bow out of his eccentric life and what better way for him, than to die for love. True love, what Oscar had been searching for
his entire life and finally found, had killed him. The conclusion of The Brief Wondrous Life of Oscar Wao by Junot Diaz is satisfying because the
ending revolved around Oscar's death, the separate stories of the novel now intertwined because of him. His transformation and new personality
was ultimately the cause of his death, but in a sense it can be considered happy because it seems just right. Oscar becomes a new person and breaks
free of his nerdy and rejected persona. Diaz seamlessly weaves the ending of Oscar Wao's story and all the characters around him due to their natures
and the preceding actions. The ending of this novel is convincing and logical because of Oscar's new transformation which led him to do things which
he would have not done before. These things that he did, most specifically pursuing a woman he should not have, led him to his death. Despite the
morbid ending, it is not unreasonable; it is certainly logical and therefore satisfying to the

Lord Of The Flies By William Golding
The conflict between individualism and collectivism has always been of interest to humanity. While one ideology places high importance on the one
person and their abilities, the latter emphasizes the need to put the common good of the group before any single individual. "Lord of the Flies" by
William Golding explores this ideological struggle through an allegory that pits two boys – Ralph and Jack – and their respective philosophies against
each other. Golding portrays Ralph as a relatable, sympathetic main character whose key focus is rescue from the island the boys are stranded on. As
a foil to his character, Jack's main desire is to gain power and control without care for the group's fate. Hence, Ralph's perspective is closely linked to
conforming to the civilization they have always known – England. Though conformity carries a negative connotation, Golding challenges this by
showing the disasters that occur when the boys implicitly choose to not adhere to the social standards they first set–up. When Jack gives into his
bloodlust, he inspires the same craving in many of the boys, which leads to their descent into animalistic behaviour as a collective. In "Lord of the
Flies," William Golding demonstrates, through the character of Ralph, the constant inner battle an individual faces between choosing to follow the
social rules of an established community for the common good and giving into their most primal, impulsive wishes for the sake of pleasure and fun.
In the first

What Is The Meaning Of Lord Of The Flies, By William Golding
Containing gruesome, meaningful, and thought provoking concepts, Lord of the Flies by William Golding received much criticism for its ending.
The way Golding chose to close this story was categorized as a dues ex machina, an ending that does not conclude with satisfaction, and in this case
it was a savior figure resolving the deadly situation the characters (a group of stranded boys) were involved in. Though many have agreed Golding's
ending was adventitious, deeper investigation of the novel has revealed that the larger concluding message was really centralized on the idea of power
in a society. Lord of the Flies revealed that power should reside in the people, otherwise the inequality between society and the ruler will cause
uttermost destruction... Show more content on Helpwriting.net ...
The general idea of Rousseau's philosophy can be also be associated with the thematic message of power in Lord of the Flies. By summarizing
Rousseau's philosophy, readers will instantly learn that he believes the "complete consensus (should be) based on dictatorship of the General Will" and
that that is the ideal government. He believes that if a monarchy is established it will become difficult for the society to combat inequality. To prove
this, he also claims "the social contract is between the people, not the government. Each person gives up all rights to the "General Will" which then
incorporates every individual through the legislature." In other words, Rousseau's philosophy states that "complete consensus" should be put into the
people, and different governments will cause inequality. He supports this statement by claiming it will "incorporate every individual through the
legislature." Rousseau's philosophy and Golding both delivered ideas that revealed the importance in keeping the authority in the people itself. In fact,
this seems more than similar to the concluding universal message Golding ended Lord of the Flies with. His philosophy reflected ideas that were
applied in Golding's argument. It relates to Lord of the Flies because it

How Did The Odyssey Use Deus Ex Machina
It's been said, "To erase the line between man and machine is to ensure the line between men and gods." This quote connects with The Odyssey
because it was believed that mighty gods would descend from Mount Olympus to aid men. Prayers were sent for safe travels, for instance, Odysseus'
long voyage. Many prayed for him to return unharmed. Overall, Homer's purpose of creating the Odyssey was to connect mythology to readers' lives
by using Deus ex Machina. By doing so, this Epic Poem remains significant in all societies. Found in the Odyssey, Homer employs Deus ex Machina in
the citizens when praying for safe travels. Athena approaches Telemachus and converses about the return of his father, she announces:
It is easy for a god to bring a man ... Show more content on Helpwriting.net ...
She ran on A little while, and then the howling of the West Wind Blew in with hurricane force. (12.417
–20)
The line is erased between man and god in this example because Zeus purposely punished the crew for their unrightful actions. Mythological gods
and goddesses were also beneficial in battles and in life or death situations, such as corruptions between peers. Gods and goddesses also can perform
helpful events during a life or death situation. Deus ex Machina is conveyed by the powerful gods descending down and blessing men. When
Telemachus held a meeting, the party agreed to lose hope on Odysseus, "He's a fine man / in my eyes, and may Zeus bless him" (2.34–35) The town
believed Zeus would watch over him safely and when one is blessed by a very powerful god, it is a divine act in a person's return to home. Deus ex
Machina appears again when Athena aides Odysseus against his rivals: But Athena made their shots all come to nothing, One man hitting the doorpost,
another the door, Another's bronze–tipped ash spear sticking Into the wall. Odysseus and his men Weren't even nicked...

Literary Elements In Nightmares And Dreamscapes By Stephen...
Nightmares and Dreamscapes by Stephen King is a large collection of short stories, with genres varying from horror to adventure to romance.
Stories such as "The Moving Finger" or "You Know They've Got a Hell of a Band" may frighten a reader into submission, while tales such as "Head
Down" or "The Doctor's Case" may intrigue or puzzle a reader as King takes them on this literary journey. In these perhaps frightening or eloquent
collection of stories, Stephen King uses literary elements such as symbolism, deus ex machina, and negative capability to improve his stories into the
mind–blowing works of art they currently are. First, many of the characters and settings found in stories such as "Dolan's Cadillac" and "You Know
They've got a Hell of ... Show more content on Helpwriting.net ...
Although this is technically a literary element, it is more of an action by the author to give a quick solution to the plot. An example of this is when
Stephen King gives a rushed lead into the solution for the plot in the story "The Moving Finger; "He dreamed he was a contestant on Jeopardy – not
the new, big–money version but the original daytime show... A delivery truck on the street below backfired loudly. Howard sat up with a jerk which
almost pitched him out of his chair, 'What is liquid drain–cleaner?' he screamed. 'What is liquid drain–cleaner'" (283)? This is important because
instead of giving a prolonged explanation or sequence of events from which the main character discovered a solution to the plot, the protagonist just
happens to dream it up, which is illogical and seems like a random or desperate action on the author's part. Another reason why this is an example of
this pseudo–literary element is the fact that a dream is not influenced from an outside source, if you rule out divine intervention, but otherwise, a dream
is inside thoughts being expressed in mentally challenging ways; he technically knew the answer to his conflict the entire time. Another example of
this literary element is in the solution of the conflict in "The Fifth Quarter" and the manner in which it is solved; "Then, incredibly, he stumbled over
Sarge's feet again and fell backward. He brought the gun up again and put it through the roof. It was his last chance. I kicked the gun out of his hand,
hearing the wet–wood sound of breaking bones... He was as good as dead then..." This literary element is evident in this quote from the use of words
such as "incredibly" and "stumbled," which are both words that could display surprise or unexpected events, which are both adjectives

Hypocrisy In Tartuffe
Hannah Moak
Dr. Newman
English 212
5 December 2014
The Use of Hypocrisy in Tartuffe
Political theorist, Hannah Arendt, once stated, "The hypocrite's crime is that he bears false witness against himself. What makes it so plausible to
assume that hypocrisy is the vice of vices is that integrity can indeed exist under the cover of all other vices except this one. Only crime and the
criminal, it is true, confront us with the perplexity of radical evil; but only the hypocrite is really rotten to the core." This quote precisely exemplifies
Moliere's opinion of religious hypocrisy. Moliere's despise of hypocrisy presents itself irrefutably throughout Tartuffe by usage of literary devices,
character development, satirical elements, and a surprise ending; ... Show more content on Helpwriting.net ...
"MoliГЁre and Tartuffe: Recrimination and Reconciliation." The
French Review 62.5 (1989): 749–63. JSTOR. Web. 2 Jan. 2015.
Numerous opinions of Moliere's personal religion in relation to his writing are discussed in this article. Phillips also discusses the intentions of Moliere
regarding his audience and his characters. This article offers a better understanding in the history behind Tartuffe and Moliere.
Simonds, P. MuГ±oz. "Moliere's Satiric Use of The 'Deus Ex Machina in Tartuffe.'"Educational Theatre Journal 29.1 (1977): 85
–93. JSTOR. Web. 3
Dec. 2014.
Though concentration is placed on deus ex machina, this article provides an abundance of information on Tartuffe. Simonds discusses audience
opinion, the King, God, and also the opinion of other scholars. Small pieces of Moliere's background and life during the time of creating this play
creates rational behind his use of deus ex machina, satire, hypocrisy, comedic genre, rhyming verse, and even character development. Material gathered
from this piece helps in numerous areas of my research paper and gives me a better understanding of the play

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