Architecture, History, and the Debate on Identity in Ethiopia,.docxrossskuddershamus
Architecture, History, and the Debate on Identity in Ethiopia, Ghana, Nigeria, and South
Africa
Author(s): Ikem Stanley Okoye
Reviewed work(s):
Source: Journal of the Society of Architectural Historians, Vol. 61, No. 3 (Sep., 2002), pp. 381-
396
Published by: University of California Press on behalf of the Society of Architectural Historians
Stable URL: http://www.jstor.org/stable/991791 .
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Architecture, History, and the Debate on Identity in
Ethiopia, Ghana, Nigeria, and South Africa
IKEM STANLEY OKOYE
University of Delaware
Q: Do you think that a modern Nigerian aesthetic is possible? artist Demas Nwoko, for example-to mount a challenge
A: A Nigerian aesthetic? On what would it be based that is as to the fledgling orthodoxy. Nwoko, who in the 1960s, as
solid as that on which Aalto's Finnish tradition or Tange's on the part of the pan-African art group Mbari-Mbayo, wrote
Japanese tradition was? profusely on the significance of Africa's past, was in the
1970s not only commissioned but actually constructed sev-
Maxwell Fry eral important projects. This series of threatening acts nev-
We must ... draw on our traditions. ertheless finally brought legitimacy to the idea that an
understanding of African architectural and art history could David Aradeon
produce buildings that not only would receive critical
Good and up-coming architects are coming to terms with the fact acclaim, but could secure further commissions for one who
that they live in Africa ... you need to look at what's indigenous. was juridically illegitimate.2
Ora Joubert Striving to inculcate an African sensibility in a twenti-
eth-century building, Nwoko created his circa 1967
Dominican chapel (and there is an irony here, of course) in
r~~P~~rer~f~ace~~ ~concrete, capturing the fluidity of an object formed in clay
Interestingly, the A.
This Presentation is prepared for the Graduate Students. A presentation consisting of basic information regarding the topic. Students are advised to get more information from recommended books and articles. This presentation is only for students and purely for academic purposes.
Architecture, History, and the Debate on Identity in Ethiopia,.docxrossskuddershamus
Architecture, History, and the Debate on Identity in Ethiopia, Ghana, Nigeria, and South
Africa
Author(s): Ikem Stanley Okoye
Reviewed work(s):
Source: Journal of the Society of Architectural Historians, Vol. 61, No. 3 (Sep., 2002), pp. 381-
396
Published by: University of California Press on behalf of the Society of Architectural Historians
Stable URL: http://www.jstor.org/stable/991791 .
Accessed: 04/01/2013 12:15
Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at .
http://www.jstor.org/page/info/about/policies/terms.jsp
.
JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of
content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms
of scholarship. For more information about JSTOR, please contact [email protected]
.
University of California Press and Society of Architectural Historians are collaborating with JSTOR to
digitize, preserve and extend access to Journal of the Society of Architectural Historians.
http://www.jstor.org
This content downloaded on Fri, 4 Jan 2013 12:15:20 PM
All use subject to JSTOR Terms and Conditions
http://www.jstor.org/action/showPublisher?publisherCode=ucal
http://www.jstor.org/action/showPublisher?publisherCode=sah
http://www.jstor.org/stable/991791?origin=JSTOR-pdf
http://www.jstor.org/page/info/about/policies/terms.jsp
http://www.jstor.org/page/info/about/policies/terms.jsp
Architecture, History, and the Debate on Identity in
Ethiopia, Ghana, Nigeria, and South Africa
IKEM STANLEY OKOYE
University of Delaware
Q: Do you think that a modern Nigerian aesthetic is possible? artist Demas Nwoko, for example-to mount a challenge
A: A Nigerian aesthetic? On what would it be based that is as to the fledgling orthodoxy. Nwoko, who in the 1960s, as
solid as that on which Aalto's Finnish tradition or Tange's on the part of the pan-African art group Mbari-Mbayo, wrote
Japanese tradition was? profusely on the significance of Africa's past, was in the
1970s not only commissioned but actually constructed sev-
Maxwell Fry eral important projects. This series of threatening acts nev-
We must ... draw on our traditions. ertheless finally brought legitimacy to the idea that an
understanding of African architectural and art history could David Aradeon
produce buildings that not only would receive critical
Good and up-coming architects are coming to terms with the fact acclaim, but could secure further commissions for one who
that they live in Africa ... you need to look at what's indigenous. was juridically illegitimate.2
Ora Joubert Striving to inculcate an African sensibility in a twenti-
eth-century building, Nwoko created his circa 1967
Dominican chapel (and there is an irony here, of course) in
r~~P~~rer~f~ace~~ ~concrete, capturing the fluidity of an object formed in clay
Interestingly, the A.
This Presentation is prepared for the Graduate Students. A presentation consisting of basic information regarding the topic. Students are advised to get more information from recommended books and articles. This presentation is only for students and purely for academic purposes.
Presentation given by Paul Clough, University of Sheffield, to the HCI Group at York University and memebers of the Open Society Archives from the central European University in Budapest. 2 June 2011
Presentation given by Paul Clough, University of Sheffield, to the HCI Group at York University and memebers of the Open Society Archives from the central European University in Budapest. 2 June 2011
Acetabularia Information For Class 9 .docxvaibhavrinwa19
Acetabularia acetabulum is a single-celled green alga that in its vegetative state is morphologically differentiated into a basal rhizoid and an axially elongated stalk, which bears whorls of branching hairs. The single diploid nucleus resides in the rhizoid.
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Francesca Gottschalk from the OECD’s Centre for Educational Research and Innovation presents at the Ask an Expert Webinar: How can education support child empowerment?
2024.06.01 Introducing a competency framework for languag learning materials ...Sandy Millin
http://sandymillin.wordpress.com/iateflwebinar2024
Published classroom materials form the basis of syllabuses, drive teacher professional development, and have a potentially huge influence on learners, teachers and education systems. All teachers also create their own materials, whether a few sentences on a blackboard, a highly-structured fully-realised online course, or anything in between. Despite this, the knowledge and skills needed to create effective language learning materials are rarely part of teacher training, and are mostly learnt by trial and error.
Knowledge and skills frameworks, generally called competency frameworks, for ELT teachers, trainers and managers have existed for a few years now. However, until I created one for my MA dissertation, there wasn’t one drawing together what we need to know and do to be able to effectively produce language learning materials.
This webinar will introduce you to my framework, highlighting the key competencies I identified from my research. It will also show how anybody involved in language teaching (any language, not just English!), teacher training, managing schools or developing language learning materials can benefit from using the framework.
The French Revolution, which began in 1789, was a period of radical social and political upheaval in France. It marked the decline of absolute monarchies, the rise of secular and democratic republics, and the eventual rise of Napoleon Bonaparte. This revolutionary period is crucial in understanding the transition from feudalism to modernity in Europe.
For more information, visit-www.vavaclasses.com
Palestine last event orientationfvgnh .pptxRaedMohamed3
An EFL lesson about the current events in Palestine. It is intended to be for intermediate students who wish to increase their listening skills through a short lesson in power point.
3. Why did we apply for this project?
“As advocated the use of cultural heritage can be a valuable tool for teachers to efficiently
mediate civic education, and regards school communities as ideal environments for
promoting intercultural dialog and social inclusion. Further elaborating on this approach, the
project draws inspiration from EU policies with a strong focus on preserving built European
heritage (cf. the INTERREG policy on the Built Heritage, announced in June 2020) and aspires
to direct the attention of school communities towards heritage buildings in order to serve a
dual purpose:
1. Raise awareness of European cultural continuity and our shared values.
2. Motivate community members to engage in collective action for built heritage
preservation.”
4. Our Objectives as a multicultural school
1. Help our students develop valuable cognitive and social skills, necessary for real-
life challenges, including critical thinking, synthetic ability, communication skills and
creative expression, through practices focusing on intercultural education and active
citizenship.
2. Promote social integration and inclusion.
3. Motivate primary school students, regardless of their sociocultural background, to
engage into collective level.
4. Support students in acquiring knowledge and skills regarding urban architectural
heritage.
5. Increase awareness of European identity and values.
5. Implementing the project at the 22nd Primary School of Athens
For the implementation of the Young Archers project :
1. 50 students have been selected, the fourth and the fifth grade (aged 9-10 and
10-11 respectively).
2. The activities were integrated in the curricula of Greek language, English
language and Art.
3. All the activities were conducted within a bilingual frame work. The students
were encouraged to communicate or write either in Greek or in English.
10. A. Pre-visit Activities
1. Discussing about Architectural heritage and the importance of the preservation
of endangered buildings
2. Discussing about architectural styles and their main characteristics: Modernism,
Eclecticism, Neoclassical and Gothic
3. Empathy Map: Expressing orally our feelings about old buildings
4. Listening to Audios referring to the five buildings selected
5. Reading of the scripts of the Audios in both languages.
12. B. Visit Activities
1. Visiting the selected Buildings.
2. Listening to the audios on the spot.
3. Filling the Building recording Forms on the spot.
4. Trying to spot relevant architectural styles while walking on the way back to
school.
14. C. Post-Visit Activities
1. Writing short essays in Greek mostly about their most favorite building.
2. Writing short essays suggesting ways of preserving the buildings or making the
buildings known to their community.
3. Making drawings by depicting architectural details showing the style of the
building selected.
4. Giving interviews to the English language Teacher (Audio).
5. Discussing about other historical buildings in the area.
6. Evaluation of the program and the Teacher.
15. D. Dissemination Activities
1. Making drawings for a dissemination poster.
2. Making the poster
3. End-of School year Party: Presenting the project and the students work to the
parents, Parents and Teachers Association, Colleagues and the Community
18. Descriptions and comments
- “I feel shocked to see all kids just destroying all the buildings with graffiti”. (Artiom, 5th
grade)
- “When I see a building I always think that the building is very old and some people when they
pass it they just ignore it, I don’t know why. I think that they don’t care”. (Anisa, 4th grade)
-“Εγώ όμως σκέφτομαι, άμα ένας ανάπηρος που είχε αναπηρικό καροτσάκι, πώς θα
ανέβαινε; Έτσι σκέφτηκα πως θα ήταν τέλειο να βάζαν ένα ασανσέρ. Νιώθω τόσο περηφάνια
γι’ αυτό το κτίριο……” (Ιωάννα, Δ΄ Δημοτικού)
- “The building is located at 54 Thiras Street in Athens, Greece. It is a big Neogothic house that
looks like a castle and it is called Typaldos mansion. Around it there is a beautiful garden with
many plants. It has a “metal” door and two Columns (pillars) next to it. It has two windows and
two balconies. It is built with three towers, one at the back and two “ahead”. It is very
beautiful. I like this building that looks like a castle. I like the cactus in its garden and I imagine
that in the past in this building used to live princesses and knights”.(Katherine, grade 4)
19. Conclusion
-The implementation in relation to the approach applied for the Young Archers piloting part
proved to be far beyond any expectations. The children regardless their cultural background
showed a great interest as far as Architecture and Architectural Heritage is concerned.
Moreover and most importantly, they showed a great sensitivity on accessibility issues and
proved to be willing to contribute in sensitizing and raising awareness to both their ethnic and
school communities.
-The main ideas of the project triggered their imagination, gave them the sense of belonging
and being responsible for the community and inspired them in suggesting ways of action for
the protection of Architectural Heritage as part of global heritage.
-The bilingual approach gave the opportunity to every student to equally participate to the
activities since language constraints were eliminated.