This document provides instructions for a ceramics unit where students will design and create a totem representing their family. Students are asked to interview family members to learn about their cultural heritage and genealogy. They will take notes and sketches to identify imagery and symbols to visually communicate aspects of their family history on their totem. Students will also research inspiring ceramic artworks and symbols from different cultures. They will submit sketches and statements planning the design and decoration of their cylindrical totem, which will be constructed using slab building techniques. The goal is for students' totems to visually tell a story about their family's cultural identity through symbolic imagery.
Delaware County Historical Society Artifact Cart Grade 1 Slide DeckCindy Kerr
Using a visible thinking routine, students learn to develop critical thinking skills when viewing artifacts. Students reinforce their learning with an interactive game and activities found in the teacher's downloadable lesson plan. The lesson plan includes the Ohio Academic Learning Standards, several extension activities, and rubrics.
Year 7 SoW examining the work of Yinka Shonibare and the idea of what it is to be an alien. Students work towards creating an alien from found materials.
STEP 1: VISIT >
https://artsandculture.google.com/partner?hl=en
.
Browse through the partner museums and select one that has a "Museum View" or "Street View"
(typically if you scroll to the bottom, it will appear above the map).
It is important to make sure your selected museum has a
"Museum View"
or
"Street View"
of inside the galleries of the museum - not all do. Please confirm this before moving to step two. For example, the National Museum of Art in Washington DC doesn’t have a Museum View so you can’t pick it but MoMA or the Tokyo Fuji Art Museum does!
Please also make sure to pick an art museum, as you’ll need to write about a work of art. So, sadly, no history museums like the Anne Frank House, NASA, or Smithsonian National History Museum.
STEP 2: Select a work of art from your museum within the Museum/Street View or collections page.
You’ll want to pick a work here so that you can analyze where it’s located, what’s next to it and what kind of frame it has. It will look like this or if you found it by looking through that museum’s collection, it will look like the second image.
STEP 3: When you’ve found your artwork, click on the entry to learn more about your individual artwork. Spend some time clicking around the room it's in, seeing what’s next to it and what the architecture of the space is like.
STEP 4: Time to answer some questions!
QUESTIONS TO ANSWER IN YOUR REPORT
Font & Spacing
: 12pt, Times or Arial; Single or double-spaced is fine.
Length
: 1000 words (ok to go over).
Style
: Write in complete sentences and with college-level spelling and grammar. Answer each question in the next section with about 150-200 words of text in a paragraph (not bullet points).
Underlining
: Please underline any art or art history specific vocabulary.
Format
: You can format your paper either with headings for each question OR as an essay with paragraphs for each question.
Sources
: you need at least two sources (cannot include Wikipedia) and to include Works Cited that is correctly formatted in MLA style.
You should also use in-text citations when referring to information that is taken from your sources. This lets the reader know what are your ideas and words vs. those that are from someone else.
You’ll include citations if you paraphrase, directly quote, or refer to information and concepts that come from other people.
Remember that what you list in your Works Cited page are sources that you actually cite in your report. This is not a bibliography so it's not sources that you used for research.
The artwork alone and by itself is not considered a source. If there was an essay that accompanied it, then yes, you can list that as one of your sources.
Visit and artwork information
The name of the art museum
Artist name, title (in
italics
), date, and medium of your artwork (what your artwork is made from)
The movement or time period your artwork is a part of.
Example: Northern Renaissance, .
1
Islamic Art History
Guideline
The 4-part analysis method
The 4-part analysis method that art historians use:
• physical properties
• formal or visual structure (also known simply as form)
• subject matter and symbolism (also known as content or meaning)
• cultural context
•
1-The first part of the four-part analysis considers physical properties.
Questions:
Here are some questions we ask when we examine physical properties:
• What type of artwork is it: painting, sculpture, architecture, textile, woodwork?
• What is the work made of: stone, crushed minerals, inlaid lapis lazuli?
• How is that material visible? Is it smooth and hard or textured and rough?
• How has the material been handled? What technique was used to manipulate the
material?
• How big is the work? How does it compare to the size of a human body? Hint: The
textbook provides scale comparisons for all illustrations.
Evidence:
When we answer those questions, we provide evidence as it appears in the work of art.
2- Form
Form refers to the appearance of the work of art. We also call it the visual structure or style of
the work of art.
Form consists of how the artist uses the materials to create visual expression. This expression
comes through the building blocks of the work of art known as the visual elements (color, line,
light, texture, shape, space) and composition (organization of shapes, balance, and proportion).
The choice of how to handle these building blocks of the work of art--known as formal elements
and principles of design--is sometimes dictated by how all artists of a particular time and place
work. We call this a period or cultural style. In other cases, especially in the modern era, the
choice of formal characteristics is individual and the artist has a personal style.
2
What about form in architecture? This refers to the building blocks of floor plan, structural
elements like columns and domes, and the decorative elements that adorn the building.
Artists of a particular period and culture typically share similar forms or style. Knowing the
formal characteristics of this style an essential part of art history.
Questions:
When you analyze form or visual structure, here are some questions to ask.
• Is the work naturalistic? Does it look like things do in nature or does it depart from
visible forms? How?
• How is space presented? Does it create an illusion of three dimensions or is it flatter?
• How is color handled? Do the colors look like they do in nature? Do they repeat
throughout the image?
• How is line handled? Are things outlined? Are there real lines (like a road) or implied
lines (like a line of sight)?
• How are light and shadow handled? Is everything bathed in an even light or are there
dramatic highlights and deep shadows? Does shading help make things look three-
dimensional?
• How is the work organized? Is everything lined up in a row or are they grouped in a
pyramid ...
Delaware County Historical Society Artifact Cart Grade 1 Slide DeckCindy Kerr
Using a visible thinking routine, students learn to develop critical thinking skills when viewing artifacts. Students reinforce their learning with an interactive game and activities found in the teacher's downloadable lesson plan. The lesson plan includes the Ohio Academic Learning Standards, several extension activities, and rubrics.
Year 7 SoW examining the work of Yinka Shonibare and the idea of what it is to be an alien. Students work towards creating an alien from found materials.
STEP 1: VISIT >
https://artsandculture.google.com/partner?hl=en
.
Browse through the partner museums and select one that has a "Museum View" or "Street View"
(typically if you scroll to the bottom, it will appear above the map).
It is important to make sure your selected museum has a
"Museum View"
or
"Street View"
of inside the galleries of the museum - not all do. Please confirm this before moving to step two. For example, the National Museum of Art in Washington DC doesn’t have a Museum View so you can’t pick it but MoMA or the Tokyo Fuji Art Museum does!
Please also make sure to pick an art museum, as you’ll need to write about a work of art. So, sadly, no history museums like the Anne Frank House, NASA, or Smithsonian National History Museum.
STEP 2: Select a work of art from your museum within the Museum/Street View or collections page.
You’ll want to pick a work here so that you can analyze where it’s located, what’s next to it and what kind of frame it has. It will look like this or if you found it by looking through that museum’s collection, it will look like the second image.
STEP 3: When you’ve found your artwork, click on the entry to learn more about your individual artwork. Spend some time clicking around the room it's in, seeing what’s next to it and what the architecture of the space is like.
STEP 4: Time to answer some questions!
QUESTIONS TO ANSWER IN YOUR REPORT
Font & Spacing
: 12pt, Times or Arial; Single or double-spaced is fine.
Length
: 1000 words (ok to go over).
Style
: Write in complete sentences and with college-level spelling and grammar. Answer each question in the next section with about 150-200 words of text in a paragraph (not bullet points).
Underlining
: Please underline any art or art history specific vocabulary.
Format
: You can format your paper either with headings for each question OR as an essay with paragraphs for each question.
Sources
: you need at least two sources (cannot include Wikipedia) and to include Works Cited that is correctly formatted in MLA style.
You should also use in-text citations when referring to information that is taken from your sources. This lets the reader know what are your ideas and words vs. those that are from someone else.
You’ll include citations if you paraphrase, directly quote, or refer to information and concepts that come from other people.
Remember that what you list in your Works Cited page are sources that you actually cite in your report. This is not a bibliography so it's not sources that you used for research.
The artwork alone and by itself is not considered a source. If there was an essay that accompanied it, then yes, you can list that as one of your sources.
Visit and artwork information
The name of the art museum
Artist name, title (in
italics
), date, and medium of your artwork (what your artwork is made from)
The movement or time period your artwork is a part of.
Example: Northern Renaissance, .
1
Islamic Art History
Guideline
The 4-part analysis method
The 4-part analysis method that art historians use:
• physical properties
• formal or visual structure (also known simply as form)
• subject matter and symbolism (also known as content or meaning)
• cultural context
•
1-The first part of the four-part analysis considers physical properties.
Questions:
Here are some questions we ask when we examine physical properties:
• What type of artwork is it: painting, sculpture, architecture, textile, woodwork?
• What is the work made of: stone, crushed minerals, inlaid lapis lazuli?
• How is that material visible? Is it smooth and hard or textured and rough?
• How has the material been handled? What technique was used to manipulate the
material?
• How big is the work? How does it compare to the size of a human body? Hint: The
textbook provides scale comparisons for all illustrations.
Evidence:
When we answer those questions, we provide evidence as it appears in the work of art.
2- Form
Form refers to the appearance of the work of art. We also call it the visual structure or style of
the work of art.
Form consists of how the artist uses the materials to create visual expression. This expression
comes through the building blocks of the work of art known as the visual elements (color, line,
light, texture, shape, space) and composition (organization of shapes, balance, and proportion).
The choice of how to handle these building blocks of the work of art--known as formal elements
and principles of design--is sometimes dictated by how all artists of a particular time and place
work. We call this a period or cultural style. In other cases, especially in the modern era, the
choice of formal characteristics is individual and the artist has a personal style.
2
What about form in architecture? This refers to the building blocks of floor plan, structural
elements like columns and domes, and the decorative elements that adorn the building.
Artists of a particular period and culture typically share similar forms or style. Knowing the
formal characteristics of this style an essential part of art history.
Questions:
When you analyze form or visual structure, here are some questions to ask.
• Is the work naturalistic? Does it look like things do in nature or does it depart from
visible forms? How?
• How is space presented? Does it create an illusion of three dimensions or is it flatter?
• How is color handled? Do the colors look like they do in nature? Do they repeat
throughout the image?
• How is line handled? Are things outlined? Are there real lines (like a road) or implied
lines (like a line of sight)?
• How are light and shadow handled? Is everything bathed in an even light or are there
dramatic highlights and deep shadows? Does shading help make things look three-
dimensional?
• How is the work organized? Is everything lined up in a row or are they grouped in a
pyramid ...
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TESDA TM1 REVIEWER FOR NATIONAL ASSESSMENT WRITTEN AND ORAL QUESTIONS WITH A...
Year 7 ceramics families are unique totem-2020 wd
1. FAMILIES ARE UNIQUE
CERAMICS UNIT
You will design a TOTEM using imagery to communicate your ideas
Your totem will represent you and your immediate family
Or
Some aspect of your family history, genealogy, or cultural identity
2. WHAT IS A TOTEM?
A TOTEM (Ojibwe dodaem) is a spirit being,
sacred object or symbol that serves as an
emblem of a group of people such as family,
clan, lineage or tribe
3. Aboriginal memorial in Australia
National Gallery of Australia: The Aboriginal Memorial is an
installation of 200 hollow log coffins from Central Arnhem Land. It
commemorates all the indigenous people who, since 1788, have lost
their lives defending their land. The artists who created this
installation intended that it be located in a public place where it
could be preserved for future generations.
https://nga.gov.au/aboriginalmemorial/home.cfm
https://www.youtube.com/watch?v=Q-LSea6zAqo
4. Task 1a: Finding out about totems:
Do some quick research (10 minutes) record answers in your visual diary. Collaborate with a
partner if you like.
A: Mention 4 countries/continents do Indigenous groups/ traditional cultural
groups have totems or guardian spirits?
B: What is the purpose of a totem in front of a family's home?
C: Describe the difference between a mortuary pole and a memorial pole
D: What is it that evokes ancestral power on the Aboriginal hollow log coffins?
See info: https://nga.gov.au/aboriginalmemorial/home.cfm
E: What is the purpose of a shame pole and find an example image?
F: A common figure on totem poles is an Eagle, this animal represents peace
and friendship.
Find out what the following animals on totems symbolize: Killer whale,
Raven, Thunderbird, Beaver, Bear, Wolf, Frog and/or any other interesting
animal symbol you stumble upon.
5. Task 1b: Create a title page in your visual diary or make a Pic
collage called “Families are unique”-Ceramics Unit-
Includethe following information andimagesonyourtitle page;
FamiliesareUnique–CeramicsUnit
1definition for ‘CULTURE’
1definition for‘TOTEM’
1definition for ‘CONTEMPORARY’
1definition for ‘GENEALOGY’
4Imagesof totems –of which at least 1shouldbeahistorical
totem, 1acontemporary totem andat least 2madeusingclay (ceramics).
Presenton1A4pagemakingsureyouhavea well-balanced visuallyappealing
title page
Take aphotoofyourtitlepageandsavethistoafolderonyourcamerarollcalled
Ceramics.
6. Task 2: Interviewfamily
TOTEM – CERAMICS – FAMILIES ARE UNIQUE.
• SHOW US YOUR STORY USING VISUAL COMMUNICATION.
• IN PREPARATION FOR THE CERAMICS UNIT YOU ARE ASKED TO INTERVIEW MEMBERS OF YOUR FAMILY WITH THE INTENTION OF LEARNING, DISCOVERING,
EXTENDING YOUR UNDERSTANDING OF YOUR FAMILY GENEALOGY. (LINEAGE, ANCESTORS, DESCENDANTS).
• RESEARCH
• YOU WILL NEED TO:
• TAKE NOTES - FOLLOWING INTERVIEW/S OF THE THINGS YOU COULD USE AS VISUAL COMMUNICATION ON YOUR TOTEM (THESE NOTES ARE TO BE
PRESENTED IN YOUR VISUAL DIARY)
• MAKE MIN 2X VISUAL DIARYPAGESOF: RELEVANT SKETCHES, IMAGERY, PHOTOS (TO ASSIST YOU TO MAKE YOUR TOTEM DESIGNS)
• DECIDE ON THE MAJOR ITEM/FORM TO MAKE AS THE MAIN PINCH POT FEATURE AND PRESENT IMAGES TO ASSIST YOU TO MAKE THIS ASPECT.
• BIG IDEA
• THIS ARTWORK SHOULD – VISUALLY COMMUNICATE A CHOSEN ASPECT OF YOUR FAMILY CULTURAL HERITAGE, HISTORY AND STORIES FROM THE PAST AND
OR PRESENT.
• YOU ARE SPECIFICALLY TRYING TO IDENTIFY IMAGERYAND SYMBOLS WHICH YOU COULD USE TO VISUALLY COMMUNICATE SOME ASPECT/S OF YOUR FAMILY
HISTORY CULTURE. THESE IMAGES AND SYMBOLS MAY COME FROM CONTEMPORARY AND OR AND HISTORICAL TIMES.
• YOU MAY DECIDE WHICH ASPECTS OF THE COLLECTED INFORMATION YOU WISH TO REPRESENT ON YOUR ARTWORK. EG IT MAY BE JUST ONE THEME OR A
COMBINATION.
7. • SUGGESTED INTERVIEW QUESTIONS- YOU MAYOF COURSE MAKE UP YOUR
OWN. REMEMBER THE AIM IS TO GATHER IDEAS FOR IMAGERYYOU CAN
USE ON YOUR ARTWORK.
(MIN 2 X PAGESIN YOUR VISUAL DIARY)
• WHERE WERE YOU BORN, WHAT COUNTRY?
• WHAT SYMBOLS OR IMAGES CAN YOU THINK OF ASSOCIATED WITH
THIS COUNTRY?
• WHAT COUNTRIES WERE YOUR PARENT BORN IN?
• WHAT SYMBOLS OR IMAGES CAN YOU THINK OF ASSOCIATED WITH
THIS COUNTRY?
• WHAT COUNTRIES WERE THEIR PARENTS BORN IN?
• WHAT SYMBOLS OR IMAGES CAN YOU THINK OF ASSOCIATED WITH
THIS COUNTRY?
• WHO IS THE MOST INTERESTING RELATIVE YOU REMEMBER? EXPLAIN
WHAT MADE THEM INTERESTING. ARE THERE ANY IMAGES I COULD USE TO
TO REPRESENT OR DEPICT THEM?
• WHAT WERE THEIR INTERESTS?
• WHAT JOBS DID THEY DO?
• WHAT DID THEY DO IN THEIR SPARE TIME? HOBBIES, SOCIAL ACTIVITIES
ETC.
• HAS ANYONE IN YOUR FAMILY ACHIEVED ANYTHING OUTSTANDING OR OF
GREAT IMPORTANCE (AN AWARD/MEDAL) TO YOUR FAMILY OR THE
COMMUNITY?
• ARE THERE ANY ITEMS OR IMAGES I COULD GET PHOTOS OF TO USE ON MY
TOTEM?
• IF YOU WERE WRITING ABOUT YOUR FAMILY WHAT SYMBOLS, HOBBIES,
IMAGES CHARACTERIZE YOURFAMILY? (FOR INSTANCE: SPORT, RELIGION,
FOOD, TRAVEL, MUSIC,CHARITY)
• DO YOU REMEMBER YOUR GREAT-GRANDPARENTS? TELL ME WHAT WAS
INTERESTING ABOUT THEIR LIVES? WHERE THEY LIVED? ARE THERE ANY
SYMBOLS OR IMAGES CAN YOU THINK OF ASSOCIATED WITHTHEM?
• DID YOUR FAMILY (MOM, GRANDMOTHER, ETC.) MAKE OR EAT ANYFOODS
PARTICULAR TO OUR/THEIR HERITAGE?
• HOW DID YOUR FAMILY CELEBRATE HOLIDAYS WHEN YOU WERE A CHILD?
WHAT SYMBOLS OR IMAGES CAN YOU THINK OF ASSOCIATED WITHTHESE
HOLIDAYS?
• WHAT INTERESTING THINGS CAN YOU TELL ME ABOUT YOUR PARENTS OR
THEIR PARENTS? WHAT SYMBOLS OR IMAGES CAN YOU THINK OF
ASSOCIATED WITH THEM?
• ARE THERE ANY IMAGES OR SYMBOLS YOU CAN THINK OF WHICH I COULD
USE TO REPRESENT SOMETHING ABOUT MY/OUR FAMILY CULTURE OR
HERITAGE?
THE INTERVIEW
8. Task 3: BRAINSTORM IDEAS and RESEARCH INSPIRING CERAMICS
Nowadays DNA technique can reveal where your roots lie. You might have a mix of cultures in your DNA.
After interviewing your family you hopefully gathered a lot of information which will give you ideas for your
totem decoration. For your design you also need to find inspiration of ceramic objects made by artists.
Createtwopagesin your visual diary with your researched. Onepagewithimagessuch as symbols, icons,
characters, words referring to your information and onepagewithphotosofceramictotems/objects
provided with the name of the ceramic artist, the title of the work and explain why you selected the
artwork.
Barry Gregg & Dawn Oakford
10. HERMANNSBURG POTTERS
IN 1990’S ABORIGINAL PEOPLE: THE
ARRERNTE PEOPLE LIKED TO LEARN NEW
THINGS. THEY WERE TAUGHT HOW TO DO
POTTERY. THEY CREATED POTS USING THE
COIL TECHNIQUE. THEY DECORATED THE POTS
USING GLAZES. THEIR POTTERY BECAME WELL
KNOWN
Hermannsburg is the name of a town located in the centre of
Australia. It is in the Northern Territory, 130 km west of Alice
Springs. It is home to a community of aboriginal people.
The area is known for its pottery with themes such as AFL, land
based animals, bush tucker and community themes.
13. Task 4: Sketch page showing design and decoration
Use your researched images as inspiration for your
cylinder design (shape) and show what decorations
you will put where.
14. Task 5: Artist Statement (plan for totem)
Use the following questions to to help you write your statement of intentions for each of the areas numbered below. Do
this using completely formed sentence structures. Either create a written document or neatly handwrite in your visual
diary. Only respond to the questions in bold with one or two sentences. The other sentences are to give you more ideas.
1. Describe the main idea for the cylindric form of your totem. (Will you make alterations like cut out shapes or add forms
to make it look like something….)
2. Which symbols/designs will you use as decoration? How do they express your identity?
Which decorations are the most significant? Will you decorate the whole cylinder? Will you use pattern (repetitive
shapes) What number of objects will help you create the best composition? Which objects might you draw more than
once? Which decorations are going to help you create a meaningful, interesting artwork?
3. Describe the process of creation of the cylinder? Find out what the slab building technique involves. How do you make
joins with clay? What materials will you need to create the cylinder?
4. How will you create the line decorations on the cylinder? Find out if you want to use sgraffito technique, carving with
lino tool or adding relief with coils to create elevated lines.
5. Provide a photo of your design sketch and discuss what colours you want to use on your totem. Will the colours have a
symbolic meaning (national colour, coat of arms…)
6. Describe what aesthetic effects will you try to create on your totem. These refer to the elements and principles of
art. Line (zig zag, curvy, straight), 2D shape, 3D form, colour, texture (smooth, rough, bumpy), balance, contrast,
emphasis, pattern, unity (shape and decoration go well together). (check handouts)
15. DESCRIBE ELEMENTS AND
PRINCIPLES OF ART: USE
ADJECTIVES!!
• SHAPE (ORGANIC,
GEOMETRIC)
• LINE (STRAIGHT, ZIG ZAG…)
• FORM (3D, SHAPES
PROTRUDING)
• TEXTURE (ROUGH, SMOOTH,
BUMPY..)
• COLOUR – GLAZE (WARM/COLD,
CONTRASTING, ANALOGOUS,
PASTEL.)
• COMPOSITION OF THE
DECORATIONS ON THE TOTEM
(BALANCED, DIAGONAL, TRIANGLE,
SYMMETRIC..)
• PATTERN (DOTS, LINES,
FLOWERS…)
• UNITY ( THE SHAPE AND
DECORATION GO WELL TOGETHER
AND SHOW UNITY)
16. Task 6: Totem construction
Roll clay on piece
of calico with
rolling pin
between 2 slats.
Cut out slab.
Trace circle of base
of clay cylinder on
new square slab
Roll slab around
cylinder (cover in
paper). Edges of rolled
end should be cut on 90
degree angle. Score and
join.
Use a cylinder to
roll slab around
You can add a texture
while first rolling the
slab. Use
mesh/textures stencil
to indent the soft clay.
Add shapes or cut out shapes.
Always score the joins with a
scoring tool and smoothen the
seems.
17. Process of creation and
decoration
HOW TO CREATE SHAPE OF
CYLINDER?
• SLAB OF EARTHENWARE CLAY, CALICO FABRIC, CUT
CLAY WITH KNIFE AROUND TEMPLATE, PVC PIPE
WRAPPED IN PAPER
• CUTTING SLOPES (SKI RAMPS) 90 DEGREE
ANGLE
• ATTACHING SIDES BY SCRATCHING/SCORING &
TRANSFERRING CLAY USING RUBBBER KIDNEY OR
FINGERS
• GENTLY ROLLING THE CYLINDER ON
CALICO
• CUT OUT CIRCLE FROM SLAB TO USE
AS BASE
• DECORATING THE CYLINDER, EMBOSSING
CARVING USING THE TURN TABLE (DOLLY WHEEL)
• ADDING SHAPES; USING THE SCORING
TECHNIQUE AND SMOOTHENING
• FOR JOINING, EMBOSSING, USE WOODEN
MODELLING TOOLS
• SKETCHING LINES WITH SCORING
TOOL
• CARVING LINES; CLAY LEATHER HARD,
USING THE (LINO)CARVING V-TOOL OR
WIRE TOOLS.
18. Task 7: Clay and Pottery terminology
memory game
19. Reflect: What did you think? Now, I think.
How connected are you to your artwork?
What will your artwork mean to you in the future?
How does making your ideas visible compare to more traditional ways to
communicate ideas? Is Art a good way to communicate your ideas?
What was the valuable learning that you experienced while planning and making this
artwork? What do you ‘wish’ now you have completed this artwork?
Where do artists get their ideas?
What did you learn during this unit of
work? What are you most surprised
about?
What are you most proud of?
What was the value in making this artwork?
What part of this experience did you enjoy the
most? What is the purpose of an artist?
Why make things?
Is visual communication important?
Do you feel connected to this artwork? Do you value it?