Presentation by Simon Tanner given at: CITIZEN HUMANITIES COMES OF AGE: CROWDSOURCING FOR THE 21ST CENTURY.
9th and 10th September 2015, King's College London
Mirror, Signal, Manoeuvre How understanding context, indicators and strategi...Simon Tanner
Keynote presentation given to the Discovering Collections, Discovering Communities DCDC2015 Conference, October 2015, Manchester.
#dcdc15
DCDC (Discovering Collections, Discovering Communities) is a collaborative conference hosted by The National Archives and RLUK that explores inter-disciplinary, cross-sector approaches and opportunities to developing and widening access to the wealth of our collections through partnership and collaborative working, across the heritage, cultural and academic sectors.
The Value of Archives for the Fédération Internationale des Archives de Télév...Simon Tanner
Simon Tanner explores the values and benefits that can accrue through the sharing of digital media content in archives with a wide audience. He will consider the overarching pro's and con's of trying to make an impact with practical methods for how to measure if you have achieved success. Simon will also briefly introduce the Balanced Value Impact Model.
Presentation given by Rebecca Grant, Digital Archivist at the Digital Repository of Ireland, at the Heritage Week Event Organiser Training Day, a special day of talks covering every aspect of planning a Heritage Week event. The presentation outlines techniques and methods for sourcing and using primary and secondary sources in heritage event planning.
Rebecca Grant, Kathryn Cassidy, Marta Bustillo - Implementing Orphan Works Le...dri_ireland
Presentation made by Rebecca Grant (Digital Repository of Ireland) Kathryn Cassidy (Digital Repository of Ireland) and Marta Bustillo (Trinity College Dublin) at Open Repositories, Dublin on 14 June 2016. The presentation gives an overview of the EU Orphan Works Directive and its implementation in Ireland, and discusses how the Digital Repository of Ireland adapted its workflows and UI to allow the publication of registered Orphan Works.
Tim Keefe - DRI Training Series: 2. Digitising Your Collectiondri_ireland
Presentation given by Tim Keefe, Head of Digital Resources and Imaging Services (DRIS) at Trinity College Dublin, on March 15th, 2016 in the Royal Irish Academy, Dublin, as part of the DRI Training Series 'Preparing Your Collection for DRI'. This seminar introduces attendees to the basics of digitising heritage material, efficient workflows and some information on equipment requirements, as well as file format compatibility with DRI.
Mirror, Signal, Manoeuvre How understanding context, indicators and strategi...Simon Tanner
Keynote presentation given to the Discovering Collections, Discovering Communities DCDC2015 Conference, October 2015, Manchester.
#dcdc15
DCDC (Discovering Collections, Discovering Communities) is a collaborative conference hosted by The National Archives and RLUK that explores inter-disciplinary, cross-sector approaches and opportunities to developing and widening access to the wealth of our collections through partnership and collaborative working, across the heritage, cultural and academic sectors.
The Value of Archives for the Fédération Internationale des Archives de Télév...Simon Tanner
Simon Tanner explores the values and benefits that can accrue through the sharing of digital media content in archives with a wide audience. He will consider the overarching pro's and con's of trying to make an impact with practical methods for how to measure if you have achieved success. Simon will also briefly introduce the Balanced Value Impact Model.
Presentation given by Rebecca Grant, Digital Archivist at the Digital Repository of Ireland, at the Heritage Week Event Organiser Training Day, a special day of talks covering every aspect of planning a Heritage Week event. The presentation outlines techniques and methods for sourcing and using primary and secondary sources in heritage event planning.
Rebecca Grant, Kathryn Cassidy, Marta Bustillo - Implementing Orphan Works Le...dri_ireland
Presentation made by Rebecca Grant (Digital Repository of Ireland) Kathryn Cassidy (Digital Repository of Ireland) and Marta Bustillo (Trinity College Dublin) at Open Repositories, Dublin on 14 June 2016. The presentation gives an overview of the EU Orphan Works Directive and its implementation in Ireland, and discusses how the Digital Repository of Ireland adapted its workflows and UI to allow the publication of registered Orphan Works.
Tim Keefe - DRI Training Series: 2. Digitising Your Collectiondri_ireland
Presentation given by Tim Keefe, Head of Digital Resources and Imaging Services (DRIS) at Trinity College Dublin, on March 15th, 2016 in the Royal Irish Academy, Dublin, as part of the DRI Training Series 'Preparing Your Collection for DRI'. This seminar introduces attendees to the basics of digitising heritage material, efficient workflows and some information on equipment requirements, as well as file format compatibility with DRI.
Michael Edson: Prototyping the Smithsonian CommonsMichael Edson
Update 7/8/2010: we've posted the Smithsonian Commons Prototype http://www.si.edu/commons/prototype
First presented at Computers in Libraries (CIL) 2010, this presentation gives an overview of Smithsonian strategies and the inception of the Smithsonian Commons.
Edward Andersson, Deputy Director of Involve, reflects on where engagement is heading in a time of Localism and Austerity, looks at creative methods of engagement and gives advice on when and how they should be used.
A recording of the presentation can be found here: http://www.youtube.com/watch?v=v2Ej3NbCjes
How Open is Eating the World (Gordon Haff) ProductCamp Boston May 2013ProductCamp Boston
How Open is Eating the World (and What it Means for Marketing)
Open source has been one of the biggest stories in the world of software over the past decade and more. And, today, the principles underpinning the open source software movement are cropping up in more and more different forms in more and more different places. If you have any connection to marketing in just about any field, these trends are affecting you.
This presentation will take you through what open source really means. (Hint, it's not just free software.) It will discuss the bigger trends around openness and collaboration. And it will look at some of the business model implications, both of working with open and competing with it.
This presentation will have a broader scope and will focus less on the technical aspects, but it will have common threads with this one that I presented at the Linux Collaboration Summit in San Francisco earlier in April: http://bitmason.blogspot.com/2013/04/my-presentation-from-linux.html
Presented at the IIPC Web Archiving Conference, 6-7th June 2019, Zagreb, Croatia.
http://netpreserve.org/ga2019/programme/wac/
This paper presents the results of a study to examine, determine and propose the optimal approach to develop impact assessment indicators for the UK Web Archive (UKWA). In the United Kingdom, legal deposit libraries collaboratively operate a nationwide web archiving project, the UKWA, which has collected over 500 TB of data and is growing by approximately 60–70 TB a year. At the same time, UK publicly funded organisations face reduced funding and the challenge of convincing funders to finance their archival function by undergoing evaluations of their services’ values.
Under such circumstances, a proper assessment of the values and impacts of web archiving is a point of discussion for cultural heritage organisations. To the best of the authors’ knowledge, there has not yet been a comprehensive assessment or evaluation of the UKWA conducted. Thus, this paper seeks to answer the research question: “What would the indicators of impact assessment for the UKWA be?” As a result, we propose a set of impact assessment indicators for the UKWA (and web archiving in general) with broad strategic perspectives including social, cultural, educational and economic impact.
This study examines and proposes the optimal approach to develop impact assessment indicators for the UKWA. The research began by analysing the literature of impact assessment frameworks for digital resources and the types of impact in related fields. Primarily drawing from Simon Tanner’s Balanced Value Impact Model (BVI Model), this research then proposes impact indicators for the UKWA and develops an impact assessment plan consisting of three stages: context setting, indicator development, and indicator evaluation.
This paper will present the method and results of the study. Firstly, it identified the UKWA’s foundational context, the mission, the principal values and the key stakeholder groups. The research project prioritised focal areas for the archive that seem most advantageous for stakeholders and aligned with Tanner’s Value Lenses. Secondly, we proposed the UKWA impact assessment indicators; scrutinising existing indicators and various evidence collection methods. In the third stage, the developed indicators’ functionality was checked against set quality criteria and then tested through semi-structured interviews and survey submissions with 8 UKWA staff members.
Finally, the paper presents the thirteen potential indicators for the UKWA. Based on the lessons learned, presenters will also make recommendations for organisations which recognise the necessity of undertaking impact assessments of their web archives.
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Michael Edson: Prototyping the Smithsonian CommonsMichael Edson
Update 7/8/2010: we've posted the Smithsonian Commons Prototype http://www.si.edu/commons/prototype
First presented at Computers in Libraries (CIL) 2010, this presentation gives an overview of Smithsonian strategies and the inception of the Smithsonian Commons.
Edward Andersson, Deputy Director of Involve, reflects on where engagement is heading in a time of Localism and Austerity, looks at creative methods of engagement and gives advice on when and how they should be used.
A recording of the presentation can be found here: http://www.youtube.com/watch?v=v2Ej3NbCjes
How Open is Eating the World (Gordon Haff) ProductCamp Boston May 2013ProductCamp Boston
How Open is Eating the World (and What it Means for Marketing)
Open source has been one of the biggest stories in the world of software over the past decade and more. And, today, the principles underpinning the open source software movement are cropping up in more and more different forms in more and more different places. If you have any connection to marketing in just about any field, these trends are affecting you.
This presentation will take you through what open source really means. (Hint, it's not just free software.) It will discuss the bigger trends around openness and collaboration. And it will look at some of the business model implications, both of working with open and competing with it.
This presentation will have a broader scope and will focus less on the technical aspects, but it will have common threads with this one that I presented at the Linux Collaboration Summit in San Francisco earlier in April: http://bitmason.blogspot.com/2013/04/my-presentation-from-linux.html
Presented at the IIPC Web Archiving Conference, 6-7th June 2019, Zagreb, Croatia.
http://netpreserve.org/ga2019/programme/wac/
This paper presents the results of a study to examine, determine and propose the optimal approach to develop impact assessment indicators for the UK Web Archive (UKWA). In the United Kingdom, legal deposit libraries collaboratively operate a nationwide web archiving project, the UKWA, which has collected over 500 TB of data and is growing by approximately 60–70 TB a year. At the same time, UK publicly funded organisations face reduced funding and the challenge of convincing funders to finance their archival function by undergoing evaluations of their services’ values.
Under such circumstances, a proper assessment of the values and impacts of web archiving is a point of discussion for cultural heritage organisations. To the best of the authors’ knowledge, there has not yet been a comprehensive assessment or evaluation of the UKWA conducted. Thus, this paper seeks to answer the research question: “What would the indicators of impact assessment for the UKWA be?” As a result, we propose a set of impact assessment indicators for the UKWA (and web archiving in general) with broad strategic perspectives including social, cultural, educational and economic impact.
This study examines and proposes the optimal approach to develop impact assessment indicators for the UKWA. The research began by analysing the literature of impact assessment frameworks for digital resources and the types of impact in related fields. Primarily drawing from Simon Tanner’s Balanced Value Impact Model (BVI Model), this research then proposes impact indicators for the UKWA and develops an impact assessment plan consisting of three stages: context setting, indicator development, and indicator evaluation.
This paper will present the method and results of the study. Firstly, it identified the UKWA’s foundational context, the mission, the principal values and the key stakeholder groups. The research project prioritised focal areas for the archive that seem most advantageous for stakeholders and aligned with Tanner’s Value Lenses. Secondly, we proposed the UKWA impact assessment indicators; scrutinising existing indicators and various evidence collection methods. In the third stage, the developed indicators’ functionality was checked against set quality criteria and then tested through semi-structured interviews and survey submissions with 8 UKWA staff members.
Finally, the paper presents the thirteen potential indicators for the UKWA. Based on the lessons learned, presenters will also make recommendations for organisations which recognise the necessity of undertaking impact assessments of their web archives.
Developing the Balanced Value Impact Model to assess the impact of digital re...Simon Tanner
Presentation at the University of Maryland College of Information Studies (UMD iSchool).
This talk offers a sneak peek at the Balanced Value Impact Model 2.0 (BVI Model). He will introduce the Digital Humanities at King's, link this to his open and collaborative research practices to tell the story of the intellectual development of the BVI Model. Tanner will then go on to detail the BVI Model 2.0 to highlight what's new and how it works. He relates these changes to his collaboration with Europeana to develop their Impact Playbook and look to the future of that tool.
Life Writes Its Own Stories: The value and research benefits gained from digi...Simon Tanner
Keynote for the From text to data – new ways of reading conference on the 7-8 February 2019 at The National Library of Sweden, Stockholm, Sweden.
http://www.kb.se/bibliotek/utbildningar/2019/from-text-to-data/
Teaching Digital Preservation at scale on the MA Digital Asset & Media Manage...Simon Tanner
Presentation during World Digital Preservation Day 2018 and International Conference 'Memory Makers' organised by DPC and the Dutch Digital Heritage Network
Focusing on European citizens and the impact of Open Access monographs for themSimon Tanner
Keynote at: A Knowledge Exchange Workshop on Open Access and Monographs 7th – 8th November 2018, Brussels, Belgium
This talk will place the citizen at the centre of the debate about the value and potential impact of Open Access for monographs. It will consider how they are or could be effected by OA mandates, policy and infrastructures using the EC’s own impact policy agenda as a focal point to consider the economic, societal/community, innovation and operational.
Proposing the modes of digital value for a memory institutionSimon Tanner
Keynote delivered to the Museums and Digital Memory: from creation and curation to digital preservation - a British Museum conference: Monday 3rd september 2018
#MADM2018
ABSTRACT
I conceive of museums as ‘memory institutions’ as they assume a common aspiration in preserving, organizing and making available the cultural and intellectual records of their societies. Within this context the way they value their work and activity is a critical conception, especially in fast moving digital times. Value is individually understood and attributed but collectively shared and thus magnified. The word ‘value’ describes an idea about economics, an idea about personal expression and an idea about morality. Often these may be seen as in tension with each other. As the anthropologist Daniel Miller stresses value when expressed as ‘prices’ is directly opposed to value understood as ‘values’.
In a heritage context tangible value is often associated with artefacts, historic sites or places that are considered by organizations like UNESCO or ICOMOS as ‘inherently and intrinsically of value’. Intangible value is considered to be something that cannot be touched (such as education or social memory) or has a large information component and has greater fluidity, possibly changing in value over time and between different groups (such as beliefs, interests or symbolic associations). Intangible value is essential to appreciate for both memory institutions and digital resources - they rely on intangible values such as knowledge, social memory, education, brand or goodwill.
In my paper I argue for defining modes of value for digital culture in museums not solely driven by economics but which contain indicators of other more intangible values, even including non-use.
These 5 Value Lenses focus attention reflecting core values measured for their impact. The 5 Value Lenses are:
Utility Value
Existence and/or Prestige Value
Education Value
Community Value
Inheritance / Legacy Value
These will be described in the paper and their usefulness to museums digital curation activities will be aligned.
Walking the talk of open research and open innovation in practiceSimon Tanner
Introduce the Department of Digital Humanities & King’s Digital Labs. A personal journey of the research benefits of Open: Access/Data/Research. Structuring open research in Digital Humanities at King’s. Open Innovation and the Digital Humanities in the Arts and Humanities.
This is Simon Tanner's presentation at #MCN2016 as part of the session titled Beyond Open Access: Creating Culture By, With, and For the Public. Co-presented with Liz Neely, Merete Sanderhoff and Andrea Wallace.
The Academic Book of the Future - Progress & REF2014 dataSimon Tanner
Presentation given by Simon Tanner for the The Academic Book of the Future at the Association of Learned and Professional Society Publishers International Conference, September 2015.
http://www.alpsp.org/Ebusiness/TrainingAndEvents/ALPSPInternationalConference.aspx
This presentation provides a first glance at the research data gathered on book s submitted to the REF2014. It also summarises some progress to date and Michael Jubb's research findings of issues of importance to academics and publishers alike.
Presentation on funding and financing digitisation projects given at the Museum Librarians and Archivists Group (MLAG) Conference 2015 - The D-Word: tips and tricks for digitising library & archive collections.
Raising Funds: some advice for our PhD studentsSimon Tanner
This is the supporting material for the workshop given by Simon Tanner of the Department of Digital Humanities to our PhD students on finding and raising funds - whether for their PhD or other research interest.
Through a glass, darkly – reflections upon digitisationSimon Tanner
Digitisation is a process in which we seek to find a digital future from the material cultures and intellectual objects of the past. We seek to reflect upon these to gain new insights and possibly even fresh enlightenment. But as Paul the apostle stated in 1 Corinthians 13:12: “we see through a glass, darkly” and have an obscure or imperfect vision. Simon Tanner hopes in this keynote he will add light by sharing his reflections upon the benefits and value of digitization to research and scholarship. Further he will seek to provoke debate and discussion – can we see more clearly by using digitization as a means to investigate the past?
Keynote given at:
https://clarkestudios.wordpress.com/symposium-programme/abstracts/
Podcast of presentation here:
https://soundcloud.com/tlrhub/session-2part-3-digital-collections-keynote
Democratisation of Collections through Digitisation.Simon Tanner
Public lecture: Democratisation of Collections through Digitisation. The talk will be delivered by Simon Tanner, Senior Tutor in the Department of Digital Humanities, King’s College London, and Founding Director of King’s Digital Consultancy Services.
In his talk Simon will explore how accelerating access to unique and distinct library content activates new areas of scholarship and teaching. He will also offer his insight, based on his extensive experience in the area, into the successful collaboration between Libraries, Academic Support areas and Digital Humanities scholars
Paper presented by Simon Tanner at MCN 2014, Dallas.
In session named Museums and Big Data: Measuring and Evaluating Trends, 22nd November 2014.
Session chaired by Trilce Navarrete.
A Glance at the Future - the Image as Dr Who's TARDISSimon Tanner
Simon Tanner of King's College London gives a presentation on the future of high resolution images using JPEG2000 and uses the Dr Who TARDIS as a thematic idea as the TARDIS is bigger on the inside than the outside (just like a JPEG2000 image).
Given at Current Trends and Future Directions for Digital Imaging in Libraries and Archives
10/11/2014, Wellcome Trust - London
http://www.dpconline.org/events/details/83-JP2000
2024.06.01 Introducing a competency framework for languag learning materials ...Sandy Millin
http://sandymillin.wordpress.com/iateflwebinar2024
Published classroom materials form the basis of syllabuses, drive teacher professional development, and have a potentially huge influence on learners, teachers and education systems. All teachers also create their own materials, whether a few sentences on a blackboard, a highly-structured fully-realised online course, or anything in between. Despite this, the knowledge and skills needed to create effective language learning materials are rarely part of teacher training, and are mostly learnt by trial and error.
Knowledge and skills frameworks, generally called competency frameworks, for ELT teachers, trainers and managers have existed for a few years now. However, until I created one for my MA dissertation, there wasn’t one drawing together what we need to know and do to be able to effectively produce language learning materials.
This webinar will introduce you to my framework, highlighting the key competencies I identified from my research. It will also show how anybody involved in language teaching (any language, not just English!), teacher training, managing schools or developing language learning materials can benefit from using the framework.
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The people of Punjab felt alienated from main stream due to denial of their just demands during a long democratic struggle since independence. As it happen all over the word, it led to militant struggle with great loss of lives of military, police and civilian personnel. Killing of Indira Gandhi and massacre of innocent Sikhs in Delhi and other India cities was also associated with this movement.
Safalta Digital marketing institute in Noida, provide complete applications that encompass a huge range of virtual advertising and marketing additives, which includes search engine optimization, virtual communication advertising, pay-per-click on marketing, content material advertising, internet analytics, and greater. These university courses are designed for students who possess a comprehensive understanding of virtual marketing strategies and attributes.Safalta Digital Marketing Institute in Noida is a first choice for young individuals or students who are looking to start their careers in the field of digital advertising. The institute gives specialized courses designed and certification.
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When Crowdsourcing was called Telecrofting - origin stories and challenges
1. @SimonTanner
When crowdsourcing was
called telecrofting:
Some origin stories
Simon Tanner
Digital Humanities,
King’s College London
Twitter: @SimonTanner
09/09/2015 05:47 ENC Public Talk 19 February 2013 1
2. Quick Case Study – telecrofting
Some fun looking at the origins of the term
Some serious points about the challenges to be
addressed
Overview
@SimonTanner
5. Volunteer benefits are high
Shetland Isles Museum and Archives
http://photos.shetland-museum.org.uk/
@SimonTanner
Volunteers trained to very high
explicit skill levels
Extremely high community
engagement
Task achieved but its success was
defined by the community not
just the museum
6. Project Gutenberg’s Distributed Proofreaders.
Founded by Charles Franks in 2000 as an independent site to assist Project
Gutenberg.
Wikipedia (launched Monday 15 January 2001)
may be the greatest ever volunteer project
and one that looks very much like crowdsourcing.
Don’t forget the debt of inspiration owed to the h2g2 website – a collaborative
online encyclopedia project. Started by Douglas Adams in 1999 to construct in
its own words, "an unconventional guide to life, the universe, and everything“
and based on his idea dating back to the 1978 radio show and books.
Some Origins of a Term
@SimonTanner
7. “Commons-based peer production” - Professor Yochai Benkler
Benkler, Y (2002) Coase's Penguin or Linux and The nature of the firm, Yale Law Journal 369
Information is the key object of production
“Communication and information exchange
across space and time are much cheaper and
more efficient than ever before”
Thus: very large numbers of people work
cooperatively on the Web. Often but not
exclusively without direct payment to
those contributors.
Commons-based peer production is
often used interchangeably with
social production
Some Origins of a Term
@SimonTanner
2001
9. Crowdsourcing – first use
Jeff Howe: “Simply defined, crowdsourcing represents the act of a company or
institution taking a function once performed by employees and outsourcing it to an
undefined (and generally large) network of people in the form of an open call. This can
take the form of peer-production (when the job is performed collaboratively), but is also
often undertaken by sole individuals. The crucial prerequisite is the use of the open call
format and the large network of potential laborers.”
“I interpret crowdsourcing to be taking place any time a company makes a choice to
employ the crowd to perform labor that could alternatively be performed by an
assigned group of employees or contractors... In other words, crowdsourcing need not
require an active shift from current employees (or again, contractors) to the crowd; it
can start with the crowd.”
@SimonTanner
11. Value Chain = Task / Utility Oriented
@SimonTanner
Benefits = entertainment,
passing the time,
low level skills built
Task completion &
thus crowdsourcing host
is key beneficiary
Marginal benefits but
high volumes reached
12. Challenge – find your telecrofters
If crowdsourcing is so great why are there so few projects?
Volunteers have a much higher engagement,
develop a much higher skills base and thus see more
chance their lives can be changed in beneficial ways
Personalise the crowd,
reach out to individuals,
build genuine relationships and listen
The task is not everything – look beyond
mere utility
@SimonTanner
13. @SimonTanner
When crowdsourcing was
called telecrofting:
Some origin stories
Simon Tanner
Digital Humanities,
King’s College London
Twitter: @SimonTanner
09/09/2015 05:47 ENC Public Talk 19 February 2013 13