So, can I use that or not? Navigating rights, reproductions, and risk in an OpenGLAM world
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Simon Tanner's presentation for the panel at MCN2016. Co-presenters Andrea Wallace, Ronan Deazley, Liz Neely, Peter Jaszi and Anne Young
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This talk will place the citizen at the centre of the debate about the value and potential impact of Open Access for monographs. It will consider how they are or could be effected by OA mandates, policy and infrastructures using the EC’s own impact policy agenda as a focal point to consider the economic, societal/community, innovation and operational.
Proposing the modes of digital value for a memory institution
Keynote delivered to the Museums and Digital Memory: from creation and curation to digital preservation - a British Museum conference: Monday 3rd september 2018
#MADM2018
ABSTRACT
I conceive of museums as ‘memory institutions’ as they assume a common aspiration in preserving, organizing and making available the cultural and intellectual records of their societies. Within this context the way they value their work and activity is a critical conception, especially in fast moving digital times. Value is individually understood and attributed but collectively shared and thus magnified. The word ‘value’ describes an idea about economics, an idea about personal expression and an idea about morality. Often these may be seen as in tension with each other. As the anthropologist Daniel Miller stresses value when expressed as ‘prices’ is directly opposed to value understood as ‘values’.
In a heritage context tangible value is often associated with artefacts, historic sites or places that are considered by organizations like UNESCO or ICOMOS as ‘inherently and intrinsically of value’. Intangible value is considered to be something that cannot be touched (such as education or social memory) or has a large information component and has greater fluidity, possibly changing in value over time and between different groups (such as beliefs, interests or symbolic associations). Intangible value is essential to appreciate for both memory institutions and digital resources - they rely on intangible values such as knowledge, social memory, education, brand or goodwill.
In my paper I argue for defining modes of value for digital culture in museums not solely driven by economics but which contain indicators of other more intangible values, even including non-use.
These 5 Value Lenses focus attention reflecting core values measured for their impact. The 5 Value Lenses are:
Utility Value
Existence and/or Prestige Value
Education Value
Community Value
Inheritance / Legacy Value
These will be described in the paper and their usefulness to museums digital curation activities will be aligned.
OpenGLAM – the Cultural, Social and Academic Importance of Sharing
Keynote by Simon Tanner for the Sharing is Caring Hamburg Extension, April 2017:
http://sharecare.nu/hamburg-2017/programme/
Impact: A Europeana Case Study
This is Simon Tanner's presentation at #MCN2016 as part of the session titled Beyond Open Access: Creating Culture By, With, and For the Public. Co-presented with Liz Neely, Merete Sanderhoff and Andrea Wallace.
Opening up Data - the benefits and value from a community and funding perspec...
This document discusses the benefits of opening up data from a community and funding perspective. It provides three reasons to support open data: 1) Making data open "makes us mighty" by allowing others to build upon it freely, 2) Open data is more democratic and sustainable as the community can contribute to the growth of knowledge, and 3) Acts of open sharing ("Random Acts of Kindness") can spread knowledge in unexpected ways. Specific examples are given of open data projects related to history and World War I that saw contributions from the public and volunteers, keeping costs low while maximizing community benefits and engagement.
The Academic Book of the Future - Progress & REF2014 data
Presentation given by Simon Tanner for the The Academic Book of the Future at the Association of Learned and Professional Society Publishers International Conference, September 2015.
http://www.alpsp.org/Ebusiness/TrainingAndEvents/ALPSPInternationalConference.aspx
This presentation provides a first glance at the research data gathered on book s submitted to the REF2014. It also summarises some progress to date and Michael Jubb's research findings of issues of importance to academics and publishers alike.
When Crowdsourcing was called Telecrofting - origin stories and challenges
Presentation by Simon Tanner given at: CITIZEN HUMANITIES COMES OF AGE: CROWDSOURCING FOR THE 21ST CENTURY.
9th and 10th September 2015, King's College London
Raising Funds for Digitisation
Presentation on funding and financing digitisation projects given at the Museum Librarians and Archivists Group (MLAG) Conference 2015 - The D-Word: tips and tricks for digitising library & archive collections.
Raising Funds: some advice for our PhD students
This is the supporting material for the workshop given by Simon Tanner of the Department of Digital Humanities to our PhD students on finding and raising funds - whether for their PhD or other research interest.
Impact, the REF and Digital Humanities
Presentation on impact and the REF2014 given to the School of Computing at the University of Kent, March 2014.
Through a glass, darkly – reflections upon digitisation
Digitisation is a process in which we seek to find a digital future from the material cultures and intellectual objects of the past. We seek to reflect upon these to gain new insights and possibly even fresh enlightenment. But as Paul the apostle stated in 1 Corinthians 13:12: “we see through a glass, darkly” and have an obscure or imperfect vision. Simon Tanner hopes in this keynote he will add light by sharing his reflections upon the benefits and value of digitization to research and scholarship. Further he will seek to provoke debate and discussion – can we see more clearly by using digitization as a means to investigate the past?
Keynote given at:
https://clarkestudios.wordpress.com/symposium-programme/abstracts/
Podcast of presentation here:
https://soundcloud.com/tlrhub/session-2part-3-digital-collections-keynote
The Impact of Digitisation on Photographic Heritage
Simon Tanner of King's College London gave a talk on the impact of digitization on photographic heritage. He discussed how digitization has led to an exponential growth in the number of photographs ever taken, from just a few million daguerreotypes to over 3 trillion photos today. However, digitizing cultural heritage collections poses financial challenges, with estimates that it could cost 14-19 million euros to digitize photographs held in European libraries alone. Tanner also addressed issues around curating digital collections and ensuring their long-term preservation and access.
Value & Impact for Museums
Paper presented by Simon Tanner at MCN 2014, Dallas.
In session named Museums and Big Data: Measuring and Evaluating Trends, 22nd November 2014.
Session chaired by Trilce Navarrete.
A Glance at the Future - the Image as Dr Who's TARDIS
Simon Tanner of King's College London gives a presentation on the future of high resolution images using JPEG2000 and uses the Dr Who TARDIS as a thematic idea as the TARDIS is bigger on the inside than the outside (just like a JPEG2000 image).
Given at Current Trends and Future Directions for Digital Imaging in Libraries and Archives
10/11/2014, Wellcome Trust - London
http://www.dpconline.org/events/details/83-JP2000
The Value of Archives for the Fédération Internationale des Archives de Télév...
Simon Tanner explores the values and benefits that can accrue through the sharing of digital media content in archives with a wide audience. He will consider the overarching pro's and con's of trying to make an impact with practical methods for how to measure if you have achieved success. Simon will also briefly introduce the Balanced Value Impact Model.
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Developing the Balanced Value Impact Model to assess the impact of digital re...
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Life Writes Its Own Stories: The value and research benefits gained from digi...
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Teaching Digital Preservation at scale on the MA Digital Asset & Media Manage...
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Focusing on European citizens and the impact of Open Access monographs for them
Focusing on European citizens and the impact of Open Access monographs for them
Proposing the modes of digital value for a memory institution
Proposing the modes of digital value for a memory institution
OpenGLAM – the Cultural, Social and Academic Importance of Sharing
OpenGLAM – the Cultural, Social and Academic Importance of Sharing
Opening up Data - the benefits and value from a community and funding perspec...
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The Academic Book of the Future - Progress & REF2014 data
The Academic Book of the Future - Progress & REF2014 data
When Crowdsourcing was called Telecrofting - origin stories and challenges
When Crowdsourcing was called Telecrofting - origin stories and challenges
Through a glass, darkly – reflections upon digitisation
Through a glass, darkly – reflections upon digitisation
The Impact of Digitisation on Photographic Heritage
The Impact of Digitisation on Photographic Heritage
A Glance at the Future - the Image as Dr Who's TARDIS
A Glance at the Future - the Image as Dr Who's TARDIS
The Value of Archives for the Fédération Internationale des Archives de Télév...
The Value of Archives for the Fédération Internationale des Archives de Télév...
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So, can I use that or not? Navigating rights, reproductions, and risk in an OpenGLAM world
- 1. Professor Simon Tanner Digital Humanities, King’s College London Twitter: @SimonTanner So, can I use that or not? Navigating rights, reproductions, and risk in an OpenGLAM world
- 3. Open GLAM: The Rewards (and Some Risks) of Digital Sharing for the Public Good By Simon Tanner http://displayatyourownrisk.org/tanner/ @fredsaunderson
- 4. Reproduction charging models & rights policy for digital images in American art museums A Mellon Foundation study by Simon Tanner, 2004 http://kclpure.kcl.ac.uk/portal/files/48081293/USMuseum_SimonTanner.pdf Is control over the way an image of an artwork owned by the museum is used, represented and credited the most important priority to the museum? Is the fidelity of the image to the original artwork as important a priority as controlling its use? Is promotion of the museum’s collections as important a priority? Does scholarly and educational use of an artwork (especially one in the public domain) ever contradict or supersede the need to control its representation and use? Does serving the internal needs of the museum ever contradict or supersede the need to control the representation of artworks? Does recouping service costs or making a surplus ever contradict or supersede the need for control? Is there a sum of money at which the museum would relax such control? Are providing high fidelity images with an appropriate license for the museum and the wider communities use more important than how much the service costs to run? @SimonTanner
- 6. @SimonTanner
- 7. @SimonTanner
- 8. How do we genuinely offer democratisation in a digital domain when people are struggling to: Democratisation & Contested Spaces @SimonTanner Be Belong Build identity Be: Recognised Believed Understood Understand Heard
- 10. Professor Simon Tanner Digital Humanities, King’s College London Twitter: @SimonTanner So, can I use that or not? Navigating rights, reproductions, and risk in an OpenGLAM world