This keynote, first offered at Sc Midlands (South Carolina) is all about provocation over pontification. I pose questions to help us rethink education and "edtech". Keep in mind that many anecdotes were shared as the "meat" behind these queries. Most come from my public thinking on my blog: amysmooc.wordpress.com
*note there are a few slides with videos ...they should play (though I did not show the entirety of the Student Voices Clip (only 2 min of the 25)
This hands-on workshop explored the "whys" of visual literacy and offered participants an opportunity to tinker and play with everything from metaphorical icons to photos, gifs, and video.
***please note that videos in this slide deck are not enabled
Feel free to join the open G+ community here: https://plus.google.com/u/0/communities/113762614515763343967
This is the first part of a three part presentation given in Los Cabos, Mexico for UNOi. In it, I draw parallels between the life, creative processes and work of Leonardo Da Vinci and that of project-based learning, maker culture, and inquiry. At the beginning some analogies are made between mobile learning and the Impressionist art movement.
This is the 2nd part of a 3 part presentation I gave for UNOi in Los Cabos, Mexico. It shares the "why " of creativity in 21st century education and the nature of creativity, punctuated by interactive experiences as it addresses the "how".
Workshop slide deck for iPadpalooza 2016. Please note the videos will not play but they are all in the G+ community https://plus.google.com/u/0/communities/101416752034019971438
Intention: Critical Creativity in the K-12 Classroom ISABC17Amy Burvall
exploration into the alignment of our book (myself and Dan Ryder) with the BC curriculum's core competencies (Creative thinking, Critical thinking, Communication)...please note that videos will not playh
Thinking Outside the Lines with #newliteracies (Santa Rosa Summit with EdTEch...Amy Burvall
How can we model and help our students develop skills in the new literacies of the digital world? In this workshop we explored the so-called "new" or "emerging" literacies - things like the nuances of hashtags and how to use them for creative production, video blogging as an effective alternative to the written essay, microcontent, and visual thinking and media.
***please note that the VIDEOS will not play in this version
See some of the vlogging videos in this community: https://plus.google.com/u/0/communities/115585487553081978789
This hands-on workshop explored the "whys" of visual literacy and offered participants an opportunity to tinker and play with everything from metaphorical icons to photos, gifs, and video.
***please note that videos in this slide deck are not enabled
Feel free to join the open G+ community here: https://plus.google.com/u/0/communities/113762614515763343967
This is the first part of a three part presentation given in Los Cabos, Mexico for UNOi. In it, I draw parallels between the life, creative processes and work of Leonardo Da Vinci and that of project-based learning, maker culture, and inquiry. At the beginning some analogies are made between mobile learning and the Impressionist art movement.
This is the 2nd part of a 3 part presentation I gave for UNOi in Los Cabos, Mexico. It shares the "why " of creativity in 21st century education and the nature of creativity, punctuated by interactive experiences as it addresses the "how".
Workshop slide deck for iPadpalooza 2016. Please note the videos will not play but they are all in the G+ community https://plus.google.com/u/0/communities/101416752034019971438
Intention: Critical Creativity in the K-12 Classroom ISABC17Amy Burvall
exploration into the alignment of our book (myself and Dan Ryder) with the BC curriculum's core competencies (Creative thinking, Critical thinking, Communication)...please note that videos will not playh
Thinking Outside the Lines with #newliteracies (Santa Rosa Summit with EdTEch...Amy Burvall
How can we model and help our students develop skills in the new literacies of the digital world? In this workshop we explored the so-called "new" or "emerging" literacies - things like the nuances of hashtags and how to use them for creative production, video blogging as an effective alternative to the written essay, microcontent, and visual thinking and media.
***please note that the VIDEOS will not play in this version
See some of the vlogging videos in this community: https://plus.google.com/u/0/communities/115585487553081978789
Creativity presentation and workshop deck for my inservice at Shawnigan Lake School on Vancouver Island. Please note that the videos and video transitions will not play in this form.
NOTE: The videos in this presentation have not been enabled to play
“The tag is the soul of the Internet”, says Derrick de Kerckhove in The Augmented Mind. How can educators exploit the use of tagging content in a variety of mediums in order to help students practice these new literacies and understand the workings of the Web? In this session we’ll look at both practical and creative (or “meta”) tagging and explore ways to organize a course in Twitter, G+, Storify, Instagram, and Wordpress blogs. We’ll explore playful uses of tags to recontextualize, add commentary, or create art, poetry, and literature. The hashtag is a powerful device of the organization of knowledge, but it can be maximized for critical and divergent thinking.
*this is a presentation with hands-on activities. Please bring a mobile device and, if you wish, a laptop.
Workshop deck from iPadpalooza 2016. Please note the videos will not play, but all are in the G+ community https://plus.google.com/u/0/communities/113762614515763343967
FISA2016 Make du Jour: Fostering Daily Critical CreativityAmy Burvall
Presentation slides for the Federation of Independent Schools of British Colombia in February 2016. Please note videos will not play but the resources are located in the G+ community at https://plus.google.com/u/1/communities/101416752034019971438
VIEW the VIDEO here: https://www.youtube.com/watch?v=lfcWI_FJtRM&feature=youtu.be
In this workshop we explored the essence of creativity and how to cultivate a creative creative climate in the classroom. We explored low barrier entry ways to get students thinking and working more creatively on a daily basis, using both digital and analog tools and strategies.
***please note the videos embedded are not enabled
Feel free to join the open G+ community here: https://plus.google.com/u/0/communities/101416752034019971438
#GetsmART: Lessons from the Artists BLC15 MinikeynoteAmy Burvall
Note that this is the abridged version (15 minutes) presented at BLC15; I have an hour version with almost 100 more hand-drawn slides.
While everyone is both a work of art and an artist, not
everyone thinks like one. What can the ways in which
famous artists lived their lives,as well as their creative processes, teach us? In this 15 minute keynote presented at Alan November's Building Learning Communities 2015, Amy
Burvall shares poignant takeaways from the lives of
Da Vinci and Michelangelo, the Impressionists, Toulouse-
Lautrec, Picasso, and Warhol.
Through anecdotes, quotes, and metaphorical imagery,
these apologues serve as digestible life lessons educators and leaders can embrace in their own
intellectual and creative lives and share with students.
Leveraging for Legacy and Cultivating New Literacies: Region One Texas "Using...Amy Burvall
my keynote for the "Using Technology to Make a Difference" conference in Texas. Note that the videos will not play and it is video intensive, so please feel free to join the G+ community at https://plus.google.com/u/0/communities/102951818296790118749 or contact me.
Image is Everything: Exploring Critical Thinking Through Visual Literacies BLC15Amy Burvall
***Please note videos will not play
From cave walls to Facebook walls we have always embraced visual communication. Dual coding theory of cognition (Paivio, 1971), reiterates the importance of visual imagery in respect to our thinking processes - that in fact we need visual language in addition to verbal or text-based coding of stimuli. With the changing media landscape, our streams, memes, and zines have exploded with imagery, ushering in a need for visual literacy skills. We are quickly moving from images as decoration and augmentation to images as sole content and communication tool. We have some false beliefs about visual language - that it is equated with “art”, requiring “talent” from “creative types” - and therefore it is unfortunately often not overtly taught and practiced in schools. Technology has affected knowledge in such a way as to diminish the value of “raw” information and increase the value of sense-making, as well as chip away at attention spans, sparking a need for distillation of complex ideas. Images can essentialize the cumbersome in beautiful ways. They have a “stickiness” for the viewer and challenge the critical thinking of the creator.
This hands-on session will explore the “Whys” of visual literacy and offer participants an opportunity to tinker and play with:
iconography and metaphorical thinking
pictograms, “Shortology”, emoji, meme stories, and gifs
graphic design, graphic facilitation, infographics and sketchnotes
photography, cinemagrams (moving photos)
icon-based annotations and marginalia
using images to leverage CVs, social media, and presentations
We’ll experiment with ways to use visual language for personal knowledge management, amplification of knowledge and creative work, critical thinking, social interaction (conversation), and other forms of creative and intellectual expression.
University of Worcester Children's Conference Amy Burvall
My keynote for the "Know Yourself and Be Open to the Differences of Others" children's conference at the University of Worcester, UK for students age 9-13
*please note that the videos will not play
Image is Everything: Exploring Visual Literacy for Critical Thinking EdTechTe...Amy Burvall
From cave walls to Facebook walls we have always embraced visual communication. Dual coding theory of cognition reiterates the importance of visual imagery in respect to our thinking processes - that in fact we need visual language in addition to verbal or text-based coding of stimuli. With the changing media landscape, our streams, memes, and zines have exploded with imagery, ushering in a need for visual literacy skills. We are quickly moving from images as decoration and augmentation to images as sole content and communication tool. We have some false beliefs about visual language - that it is equated with “art”, requiring “talent” from “creative types” - and therefore it is unfortunately often not overtly taught and practiced in schools. Technology has affected knowledge in such a way as to diminish the value of “raw” information and increase the value of sense-making, as well as chip away at attention spans, sparking a need for distillation of complex ideas. Images can essentialize the cumbersome in beautiful ways. They have a “stickiness” for the viewer and challenge the critical thinking of the creator.
**Please not videos will not play but they are located in respective categories on the G+ community
Workshop trailer: https://www.youtube.com/watch?v=BYNQ2hzbeQI
Workshop Resources: https://plus.google.com/u/1/communities/113762614515763343967
Crushing It with Creativity- The Virtual Summit EU keynoteAmy Burvall
Crushing It with Creativity outlines some of the beliefs set forth in the "Creativity Credo" from my book, "Intention: Critical Creativity in the Classroom". It then offers a plethora of ideas for creative thinking in the classroom and beyond
Make du Jour: Fostering Daily Creativity BLC15Amy Burvall
***please note videos will not play
“There is no win, there is no fail, there is only make” (John Cage). One of the greatest challenges is developing ideas, finding time, and offering opportunities for students work on creative projects. More importantly, how do we move beyond the “assignment” stage and encourage students to be intrinsically motivated to make beautiful things on a regular basis? How do we foster the shift from consumption to production? Even if you don’t have the luxury of offering a project-based curriculum, you can still develop a steady diet of ongoing, “back-burner” projects that gets student to “dare to make and share”. This session will explore ways to instill a creative culture in your classroom, with everything from low-entry point crowdsourced uses of social media to the #showyourwork movement which asks students to be overt about their design thinking, creative process, and troubleshooting and contribute to collective knowledge. At the heart of personalized learning is creative freedom, but students often need a spark of inspiration, a design brief, or mentorship to get them on the road to making. In this workshop we will get our creative juices flowing and explore trends in combinatorial and crowdsourced creativity facilitated by social media, as well as the role of analogue elements in digital makery. You will have the opportunity to create and perform, as well as develop projects for future use. We’ll look at teacher-as-creator and the importance of transparency and curation in facilitating creativity in the classroom. All participants will leave with a "goodie bag"- a membership to an ever-growing digital community of resources and dialogue centering around creativity in the classroom.
Building Learning Communities: Tapping Passion and Reflection for Learning - ...Amy Burvall
Originally presented at November Learning's Building Learning Communities Conference in Boston, MA, July 2014. Please note videos will not play in Slideshare but you can find most of them in the Vlogging G+ community here: https://plus.google.com/u/0/communities/115585487553081978789
Creativity presentation and workshop deck for my inservice at Shawnigan Lake School on Vancouver Island. Please note that the videos and video transitions will not play in this form.
NOTE: The videos in this presentation have not been enabled to play
“The tag is the soul of the Internet”, says Derrick de Kerckhove in The Augmented Mind. How can educators exploit the use of tagging content in a variety of mediums in order to help students practice these new literacies and understand the workings of the Web? In this session we’ll look at both practical and creative (or “meta”) tagging and explore ways to organize a course in Twitter, G+, Storify, Instagram, and Wordpress blogs. We’ll explore playful uses of tags to recontextualize, add commentary, or create art, poetry, and literature. The hashtag is a powerful device of the organization of knowledge, but it can be maximized for critical and divergent thinking.
*this is a presentation with hands-on activities. Please bring a mobile device and, if you wish, a laptop.
Workshop deck from iPadpalooza 2016. Please note the videos will not play, but all are in the G+ community https://plus.google.com/u/0/communities/113762614515763343967
FISA2016 Make du Jour: Fostering Daily Critical CreativityAmy Burvall
Presentation slides for the Federation of Independent Schools of British Colombia in February 2016. Please note videos will not play but the resources are located in the G+ community at https://plus.google.com/u/1/communities/101416752034019971438
VIEW the VIDEO here: https://www.youtube.com/watch?v=lfcWI_FJtRM&feature=youtu.be
In this workshop we explored the essence of creativity and how to cultivate a creative creative climate in the classroom. We explored low barrier entry ways to get students thinking and working more creatively on a daily basis, using both digital and analog tools and strategies.
***please note the videos embedded are not enabled
Feel free to join the open G+ community here: https://plus.google.com/u/0/communities/101416752034019971438
#GetsmART: Lessons from the Artists BLC15 MinikeynoteAmy Burvall
Note that this is the abridged version (15 minutes) presented at BLC15; I have an hour version with almost 100 more hand-drawn slides.
While everyone is both a work of art and an artist, not
everyone thinks like one. What can the ways in which
famous artists lived their lives,as well as their creative processes, teach us? In this 15 minute keynote presented at Alan November's Building Learning Communities 2015, Amy
Burvall shares poignant takeaways from the lives of
Da Vinci and Michelangelo, the Impressionists, Toulouse-
Lautrec, Picasso, and Warhol.
Through anecdotes, quotes, and metaphorical imagery,
these apologues serve as digestible life lessons educators and leaders can embrace in their own
intellectual and creative lives and share with students.
Leveraging for Legacy and Cultivating New Literacies: Region One Texas "Using...Amy Burvall
my keynote for the "Using Technology to Make a Difference" conference in Texas. Note that the videos will not play and it is video intensive, so please feel free to join the G+ community at https://plus.google.com/u/0/communities/102951818296790118749 or contact me.
Image is Everything: Exploring Critical Thinking Through Visual Literacies BLC15Amy Burvall
***Please note videos will not play
From cave walls to Facebook walls we have always embraced visual communication. Dual coding theory of cognition (Paivio, 1971), reiterates the importance of visual imagery in respect to our thinking processes - that in fact we need visual language in addition to verbal or text-based coding of stimuli. With the changing media landscape, our streams, memes, and zines have exploded with imagery, ushering in a need for visual literacy skills. We are quickly moving from images as decoration and augmentation to images as sole content and communication tool. We have some false beliefs about visual language - that it is equated with “art”, requiring “talent” from “creative types” - and therefore it is unfortunately often not overtly taught and practiced in schools. Technology has affected knowledge in such a way as to diminish the value of “raw” information and increase the value of sense-making, as well as chip away at attention spans, sparking a need for distillation of complex ideas. Images can essentialize the cumbersome in beautiful ways. They have a “stickiness” for the viewer and challenge the critical thinking of the creator.
This hands-on session will explore the “Whys” of visual literacy and offer participants an opportunity to tinker and play with:
iconography and metaphorical thinking
pictograms, “Shortology”, emoji, meme stories, and gifs
graphic design, graphic facilitation, infographics and sketchnotes
photography, cinemagrams (moving photos)
icon-based annotations and marginalia
using images to leverage CVs, social media, and presentations
We’ll experiment with ways to use visual language for personal knowledge management, amplification of knowledge and creative work, critical thinking, social interaction (conversation), and other forms of creative and intellectual expression.
University of Worcester Children's Conference Amy Burvall
My keynote for the "Know Yourself and Be Open to the Differences of Others" children's conference at the University of Worcester, UK for students age 9-13
*please note that the videos will not play
Image is Everything: Exploring Visual Literacy for Critical Thinking EdTechTe...Amy Burvall
From cave walls to Facebook walls we have always embraced visual communication. Dual coding theory of cognition reiterates the importance of visual imagery in respect to our thinking processes - that in fact we need visual language in addition to verbal or text-based coding of stimuli. With the changing media landscape, our streams, memes, and zines have exploded with imagery, ushering in a need for visual literacy skills. We are quickly moving from images as decoration and augmentation to images as sole content and communication tool. We have some false beliefs about visual language - that it is equated with “art”, requiring “talent” from “creative types” - and therefore it is unfortunately often not overtly taught and practiced in schools. Technology has affected knowledge in such a way as to diminish the value of “raw” information and increase the value of sense-making, as well as chip away at attention spans, sparking a need for distillation of complex ideas. Images can essentialize the cumbersome in beautiful ways. They have a “stickiness” for the viewer and challenge the critical thinking of the creator.
**Please not videos will not play but they are located in respective categories on the G+ community
Workshop trailer: https://www.youtube.com/watch?v=BYNQ2hzbeQI
Workshop Resources: https://plus.google.com/u/1/communities/113762614515763343967
Crushing It with Creativity- The Virtual Summit EU keynoteAmy Burvall
Crushing It with Creativity outlines some of the beliefs set forth in the "Creativity Credo" from my book, "Intention: Critical Creativity in the Classroom". It then offers a plethora of ideas for creative thinking in the classroom and beyond
Make du Jour: Fostering Daily Creativity BLC15Amy Burvall
***please note videos will not play
“There is no win, there is no fail, there is only make” (John Cage). One of the greatest challenges is developing ideas, finding time, and offering opportunities for students work on creative projects. More importantly, how do we move beyond the “assignment” stage and encourage students to be intrinsically motivated to make beautiful things on a regular basis? How do we foster the shift from consumption to production? Even if you don’t have the luxury of offering a project-based curriculum, you can still develop a steady diet of ongoing, “back-burner” projects that gets student to “dare to make and share”. This session will explore ways to instill a creative culture in your classroom, with everything from low-entry point crowdsourced uses of social media to the #showyourwork movement which asks students to be overt about their design thinking, creative process, and troubleshooting and contribute to collective knowledge. At the heart of personalized learning is creative freedom, but students often need a spark of inspiration, a design brief, or mentorship to get them on the road to making. In this workshop we will get our creative juices flowing and explore trends in combinatorial and crowdsourced creativity facilitated by social media, as well as the role of analogue elements in digital makery. You will have the opportunity to create and perform, as well as develop projects for future use. We’ll look at teacher-as-creator and the importance of transparency and curation in facilitating creativity in the classroom. All participants will leave with a "goodie bag"- a membership to an ever-growing digital community of resources and dialogue centering around creativity in the classroom.
Building Learning Communities: Tapping Passion and Reflection for Learning - ...Amy Burvall
Originally presented at November Learning's Building Learning Communities Conference in Boston, MA, July 2014. Please note videos will not play in Slideshare but you can find most of them in the Vlogging G+ community here: https://plus.google.com/u/0/communities/115585487553081978789
Maintenance Strategies for Systems in Wind Power Stations
Short Study
Representative survey of wind power station operators
Representation of basis data and fault data analysis
Derivation of economically optimal maintenance strategies
Key findings and potentials of maintenance strategies for systems in wind power stations
12 Game Changing Ways to Mobilize Teaching and LearningCitrix
Abstract: Educators realize the importance of enabling remote students. Mobility is key. This infographic outlines 12 basics that apply to learning environments and explains how Citrix can help.
Presentation at the Operational Planning Workshop, Department of Business Management, University of South Africa (Unisa), 6-7 February 2017, Pretoria, South Africa
#ArtAtoZ: Serial Social Media at the National Gallery of ArtDana Allen-Greil
A case study talk given at MCN 2015.
In this case study I will discuss the National Gallery of Art's innovative approach to developing serial content for social media as illustrated through the #ArtAtoZ initiative.
Every two weeks, the Gallery explores a new topic in art (i.e., asymmetry, brushstroke, color, and drawing) across multiple social media platforms (Facebook, Twitter, Instagram, and Pinterest). This focus on broad topics allows the Gallery to leverage its extensive permanent collections as well as draw upon a diverse array of staff expertise including curatorial, education, archives, conservation, and horticulture. The “A to Z” concept also affords museum staff the ability to plan up to a year ahead, as the set of 26 topics is set at the beginning of the year. The added benefit of this structure is the ability to collaborate with other institutions and build momentum over time. From the perspective of the social media user, one is invited to dig deeply into a given topic over the course of two weeks rather than receive seemingly random bits of information each day.
Social media followers are encouraged to engage with the broad theme in myriad ways included guided looking, guessing games, and challenges to respond creatively. I will share findings from ongoing evaluation of the initiative, including what we’ve learned about optimizing content in order to generate the most conversation, sharing, and other engagement.
How to create stories that work, using tools that are simple and easy; then, how to convert these to new media in ways that honor the story. The goal is to create articulate, well-researched digital stories that put the story first.
Comprehension is not something that comes after decoding. Young children are capable of high level thinking and communicating if given the opportunity to learn and apply it.
Used in a series of teacher workshops.
The idea was to see if any of these needs (and solutions) were familiar or perhaps useful to teachers and their students.
Related: http://tomazlasic.net/2011/01/nobody_asks/
Slideshow of Preschool 2013-2014 year-art curriculum and career curriculum. Child Care and Child Development worked hard to make this a successful program this year.
Read| The latest issue of The Challenger is here! We are thrilled to announce that our school paper has qualified for the NATIONAL SCHOOLS PRESS CONFERENCE (NSPC) 2024. Thank you for your unwavering support and trust. Dive into the stories that made us stand out!
Operation “Blue Star” is the only event in the history of Independent India where the state went into war with its own people. Even after about 40 years it is not clear if it was culmination of states anger over people of the region, a political game of power or start of dictatorial chapter in the democratic setup.
The people of Punjab felt alienated from main stream due to denial of their just demands during a long democratic struggle since independence. As it happen all over the word, it led to militant struggle with great loss of lives of military, police and civilian personnel. Killing of Indira Gandhi and massacre of innocent Sikhs in Delhi and other India cities was also associated with this movement.
A Strategic Approach: GenAI in EducationPeter Windle
Artificial Intelligence (AI) technologies such as Generative AI, Image Generators and Large Language Models have had a dramatic impact on teaching, learning and assessment over the past 18 months. The most immediate threat AI posed was to Academic Integrity with Higher Education Institutes (HEIs) focusing their efforts on combating the use of GenAI in assessment. Guidelines were developed for staff and students, policies put in place too. Innovative educators have forged paths in the use of Generative AI for teaching, learning and assessments leading to pockets of transformation springing up across HEIs, often with little or no top-down guidance, support or direction.
This Gasta posits a strategic approach to integrating AI into HEIs to prepare staff, students and the curriculum for an evolving world and workplace. We will highlight the advantages of working with these technologies beyond the realm of teaching, learning and assessment by considering prompt engineering skills, industry impact, curriculum changes, and the need for staff upskilling. In contrast, not engaging strategically with Generative AI poses risks, including falling behind peers, missed opportunities and failing to ensure our graduates remain employable. The rapid evolution of AI technologies necessitates a proactive and strategic approach if we are to remain relevant.
Instructions for Submissions thorugh G- Classroom.pptxJheel Barad
This presentation provides a briefing on how to upload submissions and documents in Google Classroom. It was prepared as part of an orientation for new Sainik School in-service teacher trainees. As a training officer, my goal is to ensure that you are comfortable and proficient with this essential tool for managing assignments and fostering student engagement.
Model Attribute Check Company Auto PropertyCeline George
In Odoo, the multi-company feature allows you to manage multiple companies within a single Odoo database instance. Each company can have its own configurations while still sharing common resources such as products, customers, and suppliers.
Macroeconomics- Movie Location
This will be used as part of your Personal Professional Portfolio once graded.
Objective:
Prepare a presentation or a paper using research, basic comparative analysis, data organization and application of economic information. You will make an informed assessment of an economic climate outside of the United States to accomplish an entertainment industry objective.
Acetabularia Information For Class 9 .docxvaibhavrinwa19
Acetabularia acetabulum is a single-celled green alga that in its vegetative state is morphologically differentiated into a basal rhizoid and an axially elongated stalk, which bears whorls of branching hairs. The single diploid nucleus resides in the rhizoid.
The French Revolution, which began in 1789, was a period of radical social and political upheaval in France. It marked the decline of absolute monarchies, the rise of secular and democratic republics, and the eventual rise of Napoleon Bonaparte. This revolutionary period is crucial in understanding the transition from feudalism to modernity in Europe.
For more information, visit-www.vavaclasses.com