Music and movement are important for children's development across multiple domains. Activities that incorporate music and movement can encourage physical development, intellectual growth, social-emotional development, and musical language development. A developmentally appropriate classroom will weave music and movement into daily activities using a variety of methods, including songs, instruments, dance, and creative movement. These activities should expose children to music from their own and other cultures in a developmentally appropriate way.
Paolo C. Perez is seeking a position that allows him to facilitate and stimulate the creative and educational process in musical productions. He has experience as a music director for several musical theater productions. His skills include proficiency with music software, knowledge of various dance styles, and experience reducing orchestral scores to piano accompaniment. He has worked as a music director, accompanist, and piano teacher. Perez holds a Bachelor's degree in Music Performance from Hofstra University where he received an award for performing excellence.
The document discusses theories of musical development in early childhood. It covers Jerome Bruner's three cognitive stages of development and how music and movement activities relate to each stage. It also discusses the history of early childhood music education and approaches from thinkers like Rousseau and Montessori. Additionally, it outlines the role of music and movement in child development and how music programs can be created and presented in a developmentally appropriate way.
Hawaiian dance and music have deep religious and cultural meanings. The hula dance tells stories that were meant to honor Hawaiian goddesses and ensure the safety and prosperity of the land. It was traditionally only performed in church by those who prayed to the goddesses. The accompanying mele songs provide context and stories for the hula dances. Musical instruments like bamboo rattles and sharkskin drums help bring the mele songs to life. Overall, Hawaiian performances through dance and music were intricately tied to the local religious beliefs and cultural histories.
This document discusses the author's lifelong passion for music. It details how they played various instruments and sang growing up, participating in marching band and choir. They went on to serve five years in the Navy where they created songs, with one reaching #88 on the national radio top 100. The author is now a music business student, working on albums, singles, films and fashion while creating their first music video. Their goals are to be an innovator and creator, working to inspire others through their brand and ultimately achieve success in the music industry.
The document outlines the importance of music and movement in early childhood education. It discusses how music and movement activities promote development across domains like cognitive, language, social-emotional, and physical skills. The document provides examples of music and movement activities for different age groups. It also emphasizes the teacher's role in facilitating music, ensuring accessibility to musical instruments, and incorporating diversity and various cultures through music.
The document provides guidance on setting up a Music and Movement center in an early childhood education program. It recommends including a variety of musical instruments, recorded music, computers with music software, song books, and homemade instruments. It emphasizes including materials from diverse cultures. The teacher's role is to lead daily music and movement activities and ensure enough instruments are available for half the class. Music and movement can help develop children's language, cognitive, social, emotional and motor skills while being enjoyable.
Music and movement are important for children's development across multiple domains. Activities that incorporate music and movement can encourage physical development, intellectual growth, social-emotional development, and musical language development. A developmentally appropriate classroom will weave music and movement into daily activities using a variety of methods, including songs, instruments, dance, and creative movement. These activities should expose children to music from their own and other cultures in a developmentally appropriate way.
Paolo C. Perez is seeking a position that allows him to facilitate and stimulate the creative and educational process in musical productions. He has experience as a music director for several musical theater productions. His skills include proficiency with music software, knowledge of various dance styles, and experience reducing orchestral scores to piano accompaniment. He has worked as a music director, accompanist, and piano teacher. Perez holds a Bachelor's degree in Music Performance from Hofstra University where he received an award for performing excellence.
The document discusses theories of musical development in early childhood. It covers Jerome Bruner's three cognitive stages of development and how music and movement activities relate to each stage. It also discusses the history of early childhood music education and approaches from thinkers like Rousseau and Montessori. Additionally, it outlines the role of music and movement in child development and how music programs can be created and presented in a developmentally appropriate way.
Hawaiian dance and music have deep religious and cultural meanings. The hula dance tells stories that were meant to honor Hawaiian goddesses and ensure the safety and prosperity of the land. It was traditionally only performed in church by those who prayed to the goddesses. The accompanying mele songs provide context and stories for the hula dances. Musical instruments like bamboo rattles and sharkskin drums help bring the mele songs to life. Overall, Hawaiian performances through dance and music were intricately tied to the local religious beliefs and cultural histories.
This document discusses the author's lifelong passion for music. It details how they played various instruments and sang growing up, participating in marching band and choir. They went on to serve five years in the Navy where they created songs, with one reaching #88 on the national radio top 100. The author is now a music business student, working on albums, singles, films and fashion while creating their first music video. Their goals are to be an innovator and creator, working to inspire others through their brand and ultimately achieve success in the music industry.
The document outlines the importance of music and movement in early childhood education. It discusses how music and movement activities promote development across domains like cognitive, language, social-emotional, and physical skills. The document provides examples of music and movement activities for different age groups. It also emphasizes the teacher's role in facilitating music, ensuring accessibility to musical instruments, and incorporating diversity and various cultures through music.
The document provides guidance on setting up a Music and Movement center in an early childhood education program. It recommends including a variety of musical instruments, recorded music, computers with music software, song books, and homemade instruments. It emphasizes including materials from diverse cultures. The teacher's role is to lead daily music and movement activities and ensure enough instruments are available for half the class. Music and movement can help develop children's language, cognitive, social, emotional and motor skills while being enjoyable.
The document discusses the importance of incorporating a world music curriculum in schools. It notes that cultures are now more interconnected but music classrooms often fail to teach students about other cultures' music. A world music curriculum would give students greater cultural understanding and awareness of other musical influences. It outlines benefits like showing connections between Western and non-Western music. The key is teaching other cultures' music in a fun, engaging way through celebrations, instruments, and films.
The document discusses the requirements for establishing a music and movement center for young children. It states that there should be a variety of age-appropriate musical instruments and materials accessible to children throughout the day. There must be enough instruments for half of the children to use at once. The center should also provide opportunities for dancing, creative expression, and group music activities. The document outlines how musical activities can support children's development across multiple domains including social-emotional, language, cognitive, and physical skills. It emphasizes the important role of teachers in actively engaging with children, making activities inclusive and meaningful, and drawing connections to early learning standards.
The Myra S. Barnes High School Spring Concert will feature four musical groups: the All-Girls Choir, String Orchestra, Mixed Choir, and Concert Band. The concert program includes songs such as "All Ye Who Music Love" performed by the All-Girls Choir, pieces by Mozart and Beethoven played by the String Orchestra, and arrangements of "Under Pressure" and "Dance to the Music" sung by the Mixed Choir. The Concert Band will conclude the program with performances of "Africa: Ceremony, Song & Ritual", "Slava!", and "Stars and Stripes Forever". Larry Bustamante is the musical director overseeing the event.
The document outlines plans for a music activity center. It discusses including a variety of music instruments and materials from different cultures to accommodate children of varying ages and abilities. The center will have ample storage, seating and technology. The teacher's role is to support creative expression and music exploration through both teacher-led and free choice activities incorporating various instruments, cultural dances, and genres. Music time will aim to develop language, social-emotional and motor skills.
Traditional African dance depicts life's rhythms through movement and tells stories of history, culture, and spirituality. Dances vary by region but commonly include war dances like Adzohu which depicted bravery through witty movements and Agbekor which mimicked battle tactics. Social dances like Togo Atsia expressed women's views through horsetail movements. Drums are integral to dance as their rhythms and intensities convey specific meanings and allow dancers to respond. Modern companies like Hayor Bibimma and Kankouran preserve and personalize traditional African dance styles.
Dance can be defined in three ways: as rhythmic steps and motions performed by the body, as a set of choreographed steps usually performed to music, or as a social gathering where people dance. More broadly, dance is an art form that involves rhythmic body movement, often to music, and can be a form of expression, social interaction, or spiritual performance. Dance is also found in other animals and can incorporate other activities like gymnastics or martial arts.
The author chose to research African dance because they enjoy art, dance, and music. African dance has influenced other dances through its emphasis on body movement and rhythm. Dances like ballet, ballroom, waltz, and tango share common elements with African dance. Africans dance everyday as a tradition, both for celebration and for common activities like housework, often singing songs together.
Music can be defined as organized sound that follows observable patterns. While cultural variations exist, music utilizes the properties of sound as perceived by humans and animals. Music is formulated sound that sometimes aims to manipulate listeners' emotions, as seen in movie soundtracks. Definitions of music have ranged from tones organized as melodies and harmonies to any sounds one can hear, as 20th century composers challenged what constituted music. There is no universal definition of what does and does not qualify as music across cultures.
Traditional Greek dancing has a long history and social function of bringing communities together for celebrations. There are over 4000 regional dances but some pan-Hellenic dances like syrtos, kalamatianos, sousta, and tsamikos have been adopted nationwide. Syrtos and kalamatianos are line dances where dancers hold hands in a curved line with one leading improvisational moves. Sousta involves elements of courtship enacted by paired male and female dancers. Tsamikos follows a slow, graceful tempo danced by men and now women. Zeibekiko symbolizes the union of spirit and body through free choreography.
Experiences in music - northwestern presentationiknowithink
This course on experiences in music will explore diverse musical genres and styles from around the world. Students will develop skills in analyzing, performing, and creating music, as well as broadening their historical and cultural understanding of music. The goal is to equip students with the necessary knowledge and skills to become lifelong, passionate consumers and thinkers about music.
Learning Languages por Pamela Sandovalpamesandoval
This document discusses the importance of using music and songs in teaching foreign languages to children. It provides several key benefits:
1) Songs help children learn vocabulary, practice pronunciation, and be exposed to the target culture in an engaging way.
2) Music aids in memory as songs tend to get stuck in our minds. They use repetition which reinforces learning.
3) Songs motivate children and provide a fun change from the normal routine of language lessons.
4) Incorporating music trains children's brains and promotes overall development in both physical and emotional ways. The skills last a lifetime.
Cómo enseñar una lengua extranjera por Daisy Morejóndaisymorejon
This document discusses the importance of using music and songs in teaching foreign languages to children. It provides several key benefits:
1) Songs help children learn vocabulary, practice pronunciation, and be exposed to the target culture in an engaging way.
2) Music aids in memory as songs tend to get stuck in our minds. They use repetition which helps reinforce learning.
3) Using songs breaks up the routine and provides motivation and relaxation for children learning a new language.
It emphasizes the importance of selecting age-appropriate songs that interest the students and match their current language proficiency.
This document discusses the benefits of using music in the ESL classroom. It provides examples of how music can be used to introduce topics, build vocabulary, teach pronunciation, and make learning fun. Suggested activities include using background music, teaching songs about grammar rules and vocabulary, and having students create their own songs. The document also provides specific suggestions for using music to teach vocabulary and transitions to young students, including alphabet songs, animal songs, and encouraging student-led songs in their native language. Overall, the document advocates for incorporating music into ESL lessons to improve memory, concentration, motivation and make learning more enjoyable.
The document contains Katie VanDenBerghe's elementary music portfolio, which includes her music philosophy, descriptions of four microteachings, summaries of national and New York state music standards, lists of children's choral literature and reading literature, and a textbook review. The portfolio demonstrates Katie's approach to teaching elementary general music through activities focused on singing, playing instruments, composition, listening, and understanding music in its cultural contexts.
Bob Snow - writing sample collection 2015Robert Snow
This document contains two writing samples by Bob Snow. The first sample discusses World Water Day, which is an annual UN observance on March 22nd that raises awareness of global water issues. It notes some of the themes and issues highlighted in past years, such as water and sustainable development. The second sample discusses two new piano teaching series from FJH Music - one focusing on works by classical composers and one with contemporary pieces to motivate students. It also includes an interview with composer W.T. Skye Garcia about their background and influences.
This document discusses using music as a way to teach English as a second language to young learners through Content and Language Integrated Learning (CLIL). It describes how musical activities like singing, rhythm games, and composing can provide opportunities for language exposure, practice, and development. Examples of music lessons are provided that integrate language learning goals with musical objectives. The document also addresses ensuring CLIL music lessons maximize language learning and engagement.
The document is a preface and introduction to a 1912 book titled "Educational Vocal Studies" by John D. Brunk. It was published by the Mennonite Publishing House in Scottdale, Pennsylvania. The preface explains that the book aims to help students learn the principles of music from the beginning through thorough exercises and helpful songs. The introduction encourages the cultivation of good singing as an attainment that can be continued in heaven. It addresses the need for promoting good vocal music to maintain the characteristic of congregational singing among the Mennonite people.
This document provides background information on Latin American harpist Alfredo Rolando Ortiz and discusses two of his pieces, Joropo Azul and Zayante. It describes Ortiz's journey to becoming a harpist, including being inspired by harp music as a child in Venezuela and later studying under Paraguayan harpist Alberto Romero. The document discusses the traditional styles and folk roots represented in Joropo Azul and Zayante. Joropo Azul is in the style of the national folk dance of Venezuela, while Zayante is composed in the traditional style of Paraguay. The document also provides discussion questions, activities, and lessons at different levels related to the pieces and
This document provides information from an American culture webinar for English language teachers, including on jazz appreciation month, elements of jazz, the origins and history of jazz, famous jazz artists, and lesson plan ideas for teaching jazz in the classroom through music, videos, projects, discussions and vocabulary activities. Sample lesson plans include having students analyze song lyrics, create album covers and music videos, and discuss different types of music and musicians. Resources on jazz history and music are also provided.
The document discusses how music can be integrated into the classroom to enhance learning. It describes three main ways music can be used: to help students learn information through techniques like active learning experiences, focus and alpha state learning, and memorization; to help students express themselves through creativity and reflection or personal expression through music; and to create different learning environments like those used in accelerated learning techniques. The document provides examples of classroom techniques for each use of music and discusses educational theories and learning models that incorporate music.
This document discusses the benefits of using music in the ESL classroom. It outlines that music improves concentration, memory, motivation, and makes learning fun. Some techniques for using music include introducing new topics, changing moods, teaching vocabulary and pronunciation. Suggested activities are provided like teaching songs about grammar rules, using background music, and having lip sync contests. The document also provides tips for using music effectively with children and tips for teaching songs.
The document discusses the importance of incorporating a world music curriculum in schools. It notes that cultures are now more interconnected but music classrooms often fail to teach students about other cultures' music. A world music curriculum would give students greater cultural understanding and awareness of other musical influences. It outlines benefits like showing connections between Western and non-Western music. The key is teaching other cultures' music in a fun, engaging way through celebrations, instruments, and films.
The document discusses the requirements for establishing a music and movement center for young children. It states that there should be a variety of age-appropriate musical instruments and materials accessible to children throughout the day. There must be enough instruments for half of the children to use at once. The center should also provide opportunities for dancing, creative expression, and group music activities. The document outlines how musical activities can support children's development across multiple domains including social-emotional, language, cognitive, and physical skills. It emphasizes the important role of teachers in actively engaging with children, making activities inclusive and meaningful, and drawing connections to early learning standards.
The Myra S. Barnes High School Spring Concert will feature four musical groups: the All-Girls Choir, String Orchestra, Mixed Choir, and Concert Band. The concert program includes songs such as "All Ye Who Music Love" performed by the All-Girls Choir, pieces by Mozart and Beethoven played by the String Orchestra, and arrangements of "Under Pressure" and "Dance to the Music" sung by the Mixed Choir. The Concert Band will conclude the program with performances of "Africa: Ceremony, Song & Ritual", "Slava!", and "Stars and Stripes Forever". Larry Bustamante is the musical director overseeing the event.
The document outlines plans for a music activity center. It discusses including a variety of music instruments and materials from different cultures to accommodate children of varying ages and abilities. The center will have ample storage, seating and technology. The teacher's role is to support creative expression and music exploration through both teacher-led and free choice activities incorporating various instruments, cultural dances, and genres. Music time will aim to develop language, social-emotional and motor skills.
Traditional African dance depicts life's rhythms through movement and tells stories of history, culture, and spirituality. Dances vary by region but commonly include war dances like Adzohu which depicted bravery through witty movements and Agbekor which mimicked battle tactics. Social dances like Togo Atsia expressed women's views through horsetail movements. Drums are integral to dance as their rhythms and intensities convey specific meanings and allow dancers to respond. Modern companies like Hayor Bibimma and Kankouran preserve and personalize traditional African dance styles.
Dance can be defined in three ways: as rhythmic steps and motions performed by the body, as a set of choreographed steps usually performed to music, or as a social gathering where people dance. More broadly, dance is an art form that involves rhythmic body movement, often to music, and can be a form of expression, social interaction, or spiritual performance. Dance is also found in other animals and can incorporate other activities like gymnastics or martial arts.
The author chose to research African dance because they enjoy art, dance, and music. African dance has influenced other dances through its emphasis on body movement and rhythm. Dances like ballet, ballroom, waltz, and tango share common elements with African dance. Africans dance everyday as a tradition, both for celebration and for common activities like housework, often singing songs together.
Music can be defined as organized sound that follows observable patterns. While cultural variations exist, music utilizes the properties of sound as perceived by humans and animals. Music is formulated sound that sometimes aims to manipulate listeners' emotions, as seen in movie soundtracks. Definitions of music have ranged from tones organized as melodies and harmonies to any sounds one can hear, as 20th century composers challenged what constituted music. There is no universal definition of what does and does not qualify as music across cultures.
Traditional Greek dancing has a long history and social function of bringing communities together for celebrations. There are over 4000 regional dances but some pan-Hellenic dances like syrtos, kalamatianos, sousta, and tsamikos have been adopted nationwide. Syrtos and kalamatianos are line dances where dancers hold hands in a curved line with one leading improvisational moves. Sousta involves elements of courtship enacted by paired male and female dancers. Tsamikos follows a slow, graceful tempo danced by men and now women. Zeibekiko symbolizes the union of spirit and body through free choreography.
Experiences in music - northwestern presentationiknowithink
This course on experiences in music will explore diverse musical genres and styles from around the world. Students will develop skills in analyzing, performing, and creating music, as well as broadening their historical and cultural understanding of music. The goal is to equip students with the necessary knowledge and skills to become lifelong, passionate consumers and thinkers about music.
Learning Languages por Pamela Sandovalpamesandoval
This document discusses the importance of using music and songs in teaching foreign languages to children. It provides several key benefits:
1) Songs help children learn vocabulary, practice pronunciation, and be exposed to the target culture in an engaging way.
2) Music aids in memory as songs tend to get stuck in our minds. They use repetition which reinforces learning.
3) Songs motivate children and provide a fun change from the normal routine of language lessons.
4) Incorporating music trains children's brains and promotes overall development in both physical and emotional ways. The skills last a lifetime.
Cómo enseñar una lengua extranjera por Daisy Morejóndaisymorejon
This document discusses the importance of using music and songs in teaching foreign languages to children. It provides several key benefits:
1) Songs help children learn vocabulary, practice pronunciation, and be exposed to the target culture in an engaging way.
2) Music aids in memory as songs tend to get stuck in our minds. They use repetition which helps reinforce learning.
3) Using songs breaks up the routine and provides motivation and relaxation for children learning a new language.
It emphasizes the importance of selecting age-appropriate songs that interest the students and match their current language proficiency.
This document discusses the benefits of using music in the ESL classroom. It provides examples of how music can be used to introduce topics, build vocabulary, teach pronunciation, and make learning fun. Suggested activities include using background music, teaching songs about grammar rules and vocabulary, and having students create their own songs. The document also provides specific suggestions for using music to teach vocabulary and transitions to young students, including alphabet songs, animal songs, and encouraging student-led songs in their native language. Overall, the document advocates for incorporating music into ESL lessons to improve memory, concentration, motivation and make learning more enjoyable.
The document contains Katie VanDenBerghe's elementary music portfolio, which includes her music philosophy, descriptions of four microteachings, summaries of national and New York state music standards, lists of children's choral literature and reading literature, and a textbook review. The portfolio demonstrates Katie's approach to teaching elementary general music through activities focused on singing, playing instruments, composition, listening, and understanding music in its cultural contexts.
Bob Snow - writing sample collection 2015Robert Snow
This document contains two writing samples by Bob Snow. The first sample discusses World Water Day, which is an annual UN observance on March 22nd that raises awareness of global water issues. It notes some of the themes and issues highlighted in past years, such as water and sustainable development. The second sample discusses two new piano teaching series from FJH Music - one focusing on works by classical composers and one with contemporary pieces to motivate students. It also includes an interview with composer W.T. Skye Garcia about their background and influences.
This document discusses using music as a way to teach English as a second language to young learners through Content and Language Integrated Learning (CLIL). It describes how musical activities like singing, rhythm games, and composing can provide opportunities for language exposure, practice, and development. Examples of music lessons are provided that integrate language learning goals with musical objectives. The document also addresses ensuring CLIL music lessons maximize language learning and engagement.
The document is a preface and introduction to a 1912 book titled "Educational Vocal Studies" by John D. Brunk. It was published by the Mennonite Publishing House in Scottdale, Pennsylvania. The preface explains that the book aims to help students learn the principles of music from the beginning through thorough exercises and helpful songs. The introduction encourages the cultivation of good singing as an attainment that can be continued in heaven. It addresses the need for promoting good vocal music to maintain the characteristic of congregational singing among the Mennonite people.
This document provides background information on Latin American harpist Alfredo Rolando Ortiz and discusses two of his pieces, Joropo Azul and Zayante. It describes Ortiz's journey to becoming a harpist, including being inspired by harp music as a child in Venezuela and later studying under Paraguayan harpist Alberto Romero. The document discusses the traditional styles and folk roots represented in Joropo Azul and Zayante. Joropo Azul is in the style of the national folk dance of Venezuela, while Zayante is composed in the traditional style of Paraguay. The document also provides discussion questions, activities, and lessons at different levels related to the pieces and
This document provides information from an American culture webinar for English language teachers, including on jazz appreciation month, elements of jazz, the origins and history of jazz, famous jazz artists, and lesson plan ideas for teaching jazz in the classroom through music, videos, projects, discussions and vocabulary activities. Sample lesson plans include having students analyze song lyrics, create album covers and music videos, and discuss different types of music and musicians. Resources on jazz history and music are also provided.
The document discusses how music can be integrated into the classroom to enhance learning. It describes three main ways music can be used: to help students learn information through techniques like active learning experiences, focus and alpha state learning, and memorization; to help students express themselves through creativity and reflection or personal expression through music; and to create different learning environments like those used in accelerated learning techniques. The document provides examples of classroom techniques for each use of music and discusses educational theories and learning models that incorporate music.
This document discusses the benefits of using music in the ESL classroom. It outlines that music improves concentration, memory, motivation, and makes learning fun. Some techniques for using music include introducing new topics, changing moods, teaching vocabulary and pronunciation. Suggested activities are provided like teaching songs about grammar rules, using background music, and having lip sync contests. The document also provides tips for using music effectively with children and tips for teaching songs.
This document discusses how songs can be used effectively in the English classroom to support language learning. It provides several techniques for incorporating music, such as introducing new vocabulary, teaching pronunciation, and reviewing material. Some tips include exposing students to songs multiple times to help them get stuck in students' heads, using interactive songs that include actions, and playing soft music to encourage a positive learning atmosphere. Overall, the document advocates for using songs frequently in lessons as they are fun and can aid memory and language acquisition.
The document outlines the materials and activities available in a music center for children. It describes various musical instruments, recorded music, song books, and computers that children can use to create or listen to music. It emphasizes the importance of having accessible musical materials and toys for at least one hour daily. The teacher's role is to use music to develop relationships with children and help them learn through participating in musical activities together. A variety of musical instruments from different cultures are made available to expose children to diverse music genres and cultures. Music is used to help children develop language skills, creativity, cultural awareness, and motor skills while having fun.
The Creating Music Stories modules were developed by Sandra Kirkwood for use with Aboriginal and Torres Strait Islander and other Australian children. The purpose is to support children to be able to participate in musicking and creating their own song, dance and stories that are relevant to their families and places in which they live, work and play. Further music modules are available on the Tracking the Milky Way website (http://trackingthemilkyway.com/) and Music Health Australia (www.musichealth.com.au). Gunawirra Services supported the development of this presentation.
The document discusses how musical activities like songs, rhymes, chants and games can be effectively used to teach English to young language learners. It provides examples of popular English nursery rhymes and songs that can be used, such as "Eeny, Meeny, Miny Mo", "Who Stole the Cookies from the Cookie Jar?" and "Miss Lucy Had a Baby". It also outlines activities that can be done with students based on each rhyme or song to practice different language skills. The document emphasizes that music helps make language learning fun and memorable for children since it appeals to their natural enjoyment of music and play.
The document discusses the philosophy that music education should be accessible to all students. It argues that music is a fundamental part of human experience and culture, and has been for thousands of years across all civilizations. However, there is a misconception that music education is only for the gifted, but all students can participate and benefit from music. The document advocates for music ensembles and the teaching of a variety of musical genres, including global music. It also stresses the importance of defending music education.
EYFS_KS1_KS2_Music Assessment Tasks - John OatesJohn Oates
This document outlines music assessment tasks for early years, key stage 1, and key stage 2 created by John Oates, a leading music practitioner. It provides example assessment topics, preparation activities, and assessment procedures for different year levels. The tasks are designed to practically assess musical skills like singing, playing, composing, and notation in relation to published progression statements. Accompanying online resources offer demonstration tracks, guidance videos, and sheet music to support teachers in delivery.
Music has evolved over time along with people and cultures. Access to music has changed significantly with advances in technology. Learning to play a musical instrument can speed up the learning process and improve academic performance on tests, as the state superintendent of Arizona noted. Different elements of music, such as beats, notes, and time signatures, incorporate mathematical concepts. Music requires skills like determination, multitasking, and broad mental development. Countries with strong music education in schools tend to be high-performing academically. Playing music also aids creativity and can maximize learning by activating both sides of the brain. For example, Einstein credited the violin with helping develop his artistic creativity and ability to learn.
This newsletter provides updates on music classes across different grades at Our Lady of the Wayside School. It discusses projects and activities in each grade, including a study of Nigerian culture and music in 7th grade, recorder playing and partner songs in 4th grade, rhythm composition in 2nd grade, and kindergarten graduation song preparation. Displays of blues lyrics and compositions by 8th and 6th grades are also mentioned. The newsletter aims to inform parents about what students are learning through songs, instruments, dances and other hands-on activities in music classes.
This document provides tips and ideas for engaging summer learning activities, including using a daily check-in scale, giving students meaningful choices, making activities visually engaging, keeping instructions short and simple, incorporating student voice, establishing routines and schedules, creating clear instructions with visual guides, flipping instruction, incorporating games and learning missions, having fun, and using virtual field trips. The goal is to promote continuous learning while school is out for the summer.
This document provides tips and strategies for designing zen-like distance learning experiences for students. It emphasizes prioritizing student well-being and mental health needs through establishing routines, providing choice and flexibility, keeping lessons concise and visually engaging, encouraging breaks and physical activity, and emphasizing community support through collaboration.
This document provides tips and resources for inspiring student innovation. It encourages teachers to champion student ideas, involve students in the innovation process by having them solve problems they care about through investigation and design challenges. It also suggests teaching students resilience and connecting them with role models and experts. The document promotes using tools like Twitter chats, conferences, hashtags and virtual communities to collaboratively share ideas globally. The overall goal is to equip students for the journey of innovation and help every child find a champion.
This document provides an overview of video project ideas for language learners and educators. It lists various types of video projects such as movie trailers, news reports, music videos, how-to videos, and more. It also includes resources for creating videos through storyboarding, filming, editing, adding music and special effects. Suggestions are made for video creation apps and websites. Guidance is offered on filming techniques, hosting and sharing completed videos.
This document provides ideas for using various Google apps and tools for teaching, including Drive, Docs, Forms, Sheets, Slides, Drawings, and templates. It highlights features like collaborative editing, comment embedding, translation, and assessment. Specific apps that can be used for assessment, research, collecting work, and data visualization are listed. The document also shares websites for finding additional Google templates and apps.
This document discusses using online communities and apps to support language learning. It provides examples of free learning management systems like Moodle and Canvas that can be used to create online classes. It also lists communication apps and websites where language learners can chat with peers in their target language, including Bilingua, Busuu, italki, and MyEnglishClub. Suggestions are made for online communities tailored for children's language learning. The document concludes by recommending following hashtags and groups on social media to engage with language teaching professionals and find additional learning resources.
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Temple of Asclepius in Thrace. Excavation resultsKrassimira Luka
The temple and the sanctuary around were dedicated to Asklepios Zmidrenus. This name has been known since 1875 when an inscription dedicated to him was discovered in Rome. The inscription is dated in 227 AD and was left by soldiers originating from the city of Philippopolis (modern Plovdiv).
Communicating effectively and consistently with students can help them feel at ease during their learning experience and provide the instructor with a communication trail to track the course's progress. This workshop will take you through constructing an engaging course container to facilitate effective communication.
Philippine Edukasyong Pantahanan at Pangkabuhayan (EPP) CurriculumMJDuyan
(𝐓𝐋𝐄 𝟏𝟎𝟎) (𝐋𝐞𝐬𝐬𝐨𝐧 𝟏)-𝐏𝐫𝐞𝐥𝐢𝐦𝐬
𝐃𝐢𝐬𝐜𝐮𝐬𝐬 𝐭𝐡𝐞 𝐄𝐏𝐏 𝐂𝐮𝐫𝐫𝐢𝐜𝐮𝐥𝐮𝐦 𝐢𝐧 𝐭𝐡𝐞 𝐏𝐡𝐢𝐥𝐢𝐩𝐩𝐢𝐧𝐞𝐬:
- Understand the goals and objectives of the Edukasyong Pantahanan at Pangkabuhayan (EPP) curriculum, recognizing its importance in fostering practical life skills and values among students. Students will also be able to identify the key components and subjects covered, such as agriculture, home economics, industrial arts, and information and communication technology.
𝐄𝐱𝐩𝐥𝐚𝐢𝐧 𝐭𝐡𝐞 𝐍𝐚𝐭𝐮𝐫𝐞 𝐚𝐧𝐝 𝐒𝐜𝐨𝐩𝐞 𝐨𝐟 𝐚𝐧 𝐄𝐧𝐭𝐫𝐞𝐩𝐫𝐞𝐧𝐞𝐮𝐫:
-Define entrepreneurship, distinguishing it from general business activities by emphasizing its focus on innovation, risk-taking, and value creation. Students will describe the characteristics and traits of successful entrepreneurs, including their roles and responsibilities, and discuss the broader economic and social impacts of entrepreneurial activities on both local and global scales.
Strategies for Effective Upskilling is a presentation by Chinwendu Peace in a Your Skill Boost Masterclass organisation by the Excellence Foundation for South Sudan on 08th and 09th June 2024 from 1 PM to 3 PM on each day.
বাংলাদেশের অর্থনৈতিক সমীক্ষা ২০২৪ [Bangladesh Economic Review 2024 Bangla.pdf] কম্পিউটার , ট্যাব ও স্মার্ট ফোন ভার্সন সহ সম্পূর্ণ বাংলা ই-বুক বা pdf বই " সুচিপত্র ...বুকমার্ক মেনু 🔖 ও হাইপার লিংক মেনু 📝👆 যুক্ত ..
আমাদের সবার জন্য খুব খুব গুরুত্বপূর্ণ একটি বই ..বিসিএস, ব্যাংক, ইউনিভার্সিটি ভর্তি ও যে কোন প্রতিযোগিতা মূলক পরীক্ষার জন্য এর খুব ইম্পরট্যান্ট একটি বিষয় ...তাছাড়া বাংলাদেশের সাম্প্রতিক যে কোন ডাটা বা তথ্য এই বইতে পাবেন ...
তাই একজন নাগরিক হিসাবে এই তথ্য গুলো আপনার জানা প্রয়োজন ...।
বিসিএস ও ব্যাংক এর লিখিত পরীক্ষা ...+এছাড়া মাধ্যমিক ও উচ্চমাধ্যমিকের স্টুডেন্টদের জন্য অনেক কাজে আসবে ...
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