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Music in the Early 20th
Century:
The Hegemony of Paris and Vienna
Musical “Nationalism” in the early
20th
century:
The dominant role played by
developments in Paris and Vienna
relegated other musical centers to
the status of “other”
Nevertheless, music thrived
throughout Europe
Regional approaches were free to
respond to developments originating
in Paris and Vienna, or cultivate a
unique “folk” or “national” style
Hungary – Béla Bartók (1881-1945)
Music with a “folk” idiom (father of
ethnomusicology), as well as a neo-
classical orientation
Influenced by 19th
-century German
composers as well as Debussy
6 String Quartets
Concertos and Sonatas
Opera and Ballet
Music for Strings, Percussion, and Celeste
Concerto for Orchestra
Bohemia –Leoš Janácek (1854-1928)
Primarily known for his operas,
which contain a strong folk element,
and, technically, extend in the line of
continuous, integrated opera,
associated with Weber, and Wagner
Italy – Giacomo Puccini (1858-1924)
La Bohème (1896)
Tosca (1900)
Madama Butterfly (1904)
Il Trittico (1918)
Turandot
The USA
Amy Beach (1867-1944)
Songs, Chamber Music,
Character Pieces, 1 Opera
Aaron Copland
(1900-1990)
Ballet, Songs, Opera, Film
George Gershwin
(1898-1937)
Porgy and Bess
An American in Paris
Countless popular songs
Composed works in a
personal style which
extended both Classical
and Romantic elements
from 19th century music
Cultivated a uniquely
American style, by
utilizing aspects of folk
music and jazz
First American
composer to
successfully integrate
jazz elements within a
classical context
The USA
Amy Beach (1867-1944)
Songs, Chamber Music,
Character Pieces, 1 Opera
Aaron Copland
(1900-1990)
Ballet, Songs, Opera, Film
George Gershwin
(1898-1937)
Porgy and Bess
An American in Paris
Countless popular songs
Composed works in a
personal style which
extended both Classical
and Romantic elements
from 19th century music
Cultivated a uniquely
American style, by
utilizing aspects of folk
music and jazz
First American
composer to
successfully integrate
jazz elements within a
classical context

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UNIT V - Class 32

  • 1. Music in the Early 20th Century: The Hegemony of Paris and Vienna Musical “Nationalism” in the early 20th century: The dominant role played by developments in Paris and Vienna relegated other musical centers to the status of “other” Nevertheless, music thrived throughout Europe Regional approaches were free to respond to developments originating in Paris and Vienna, or cultivate a unique “folk” or “national” style
  • 2. Hungary – Béla Bartók (1881-1945) Music with a “folk” idiom (father of ethnomusicology), as well as a neo- classical orientation Influenced by 19th -century German composers as well as Debussy 6 String Quartets Concertos and Sonatas Opera and Ballet Music for Strings, Percussion, and Celeste Concerto for Orchestra
  • 3. Bohemia –Leoš Janácek (1854-1928) Primarily known for his operas, which contain a strong folk element, and, technically, extend in the line of continuous, integrated opera, associated with Weber, and Wagner
  • 4. Italy – Giacomo Puccini (1858-1924) La Bohème (1896) Tosca (1900) Madama Butterfly (1904) Il Trittico (1918) Turandot
  • 5. The USA Amy Beach (1867-1944) Songs, Chamber Music, Character Pieces, 1 Opera Aaron Copland (1900-1990) Ballet, Songs, Opera, Film George Gershwin (1898-1937) Porgy and Bess An American in Paris Countless popular songs Composed works in a personal style which extended both Classical and Romantic elements from 19th century music Cultivated a uniquely American style, by utilizing aspects of folk music and jazz First American composer to successfully integrate jazz elements within a classical context
  • 6. The USA Amy Beach (1867-1944) Songs, Chamber Music, Character Pieces, 1 Opera Aaron Copland (1900-1990) Ballet, Songs, Opera, Film George Gershwin (1898-1937) Porgy and Bess An American in Paris Countless popular songs Composed works in a personal style which extended both Classical and Romantic elements from 19th century music Cultivated a uniquely American style, by utilizing aspects of folk music and jazz First American composer to successfully integrate jazz elements within a classical context