Unit 76 task 2 programming sounds into a game
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The document provides steps for adding sound to a game project. It instructs the user to open the sound folder, select a sound file from their files, and click ok to add it. Then it recommends testing the sounds by clicking play to ensure they work properly within the game. Once testing is complete and the user is satisfied, they should save the project file.
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Programming Sound Into 2D Game
The document discusses programming sound into a 2D game in Game Maker. It describes loading a custom science fiction soundtrack sound file created in Reaper. It then details adding an event to the "play" button in room 2 to both advance to the next room and play the sound when clicked, testing it to confirm it works during gameplay.
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The document discusses how to add sound effects to a 2D game created in Game Maker. It describes loading a science fiction soundtrack sound file created in Reaper into the game's sound properties. It then details adding an event to the "play" button in room 2 of the game to both advance to the next room and play the loaded sound when clicked, testing to confirm it works during gameplay.
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The document discusses programming sound into a 2D game made with Game Maker. It describes loading a custom science fiction soundtrack sound file created in Reaper into the game's sound properties. It then details adding an event to the "play" button in room 2 to both advance to the next room and play the loaded sound when clicked, testing it to confirm it works during gameplay.
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Lewis describes the process of adding sound effects to objects in Game Maker. The key steps are:
1. Create a "Sounds" folder and convert any sound files to .wav format to be recognized by Game Maker.
2. Double click on an object to open its event editor, drag the "speaker" icon from the sidebar into the action grid to make the object play a sound.
3. Select the sound file by double clicking the speaker icon and choosing it from the files.
4. Test that the sounds play correctly when the objects are used in the game.
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To add sounds to a game created in Game Maker, the user opens the sound editor by clicking the disk icon in the toolbar. A window then appears to upload, edit, and assign sounds to specific game events, such as a sprite moving. The user can code sounds to play in order by using the audio_play_sound code followed by the name of the uploaded sound file within the sprite's steps event.
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The document describes the process of adding sound effects to objects in a Game Maker game. It involves:
1. Creating a "Sounds" folder and converting any sound files to .wav format to be recognized by Game Maker.
2. Double clicking an object to open its properties, then dragging a "speaker" icon from the actions menu to link a sound effect to play when the object is used.
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Programming sounds into my game annotation
1) The document describes Amy Brockbank adding 6 sounds to her game, including explosions, lasers, hits and ambient music.
2) For each sound, Amy adds it to the game's sound library, renames it, selects compression options, and codes it into the game using audio commands to specify when it plays.
3) Amy tests each sound to ensure it works properly in the game, such as explosions playing for enemy hits and lasers firing when the player shoots. The ambient music loops as background music.
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The document discusses how to add sound effects to a 2D game created in Game Maker. It describes loading a science fiction soundtrack sound file created in Reaper into the game's sound properties. It then details adding an event to the "play" button in room 2 of the game to both advance to the next room and play the loaded sound when clicked, testing to confirm it works during gameplay.
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The document discusses programming sound into a 2D game made with Game Maker. It describes loading a custom science fiction soundtrack sound file created in Reaper into the game's sound properties. It then details adding an event to the "play" button in room 2 to both advance to the next room and play the loaded sound when clicked, testing it to confirm it works during gameplay.
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Lewis describes the process of adding sound effects to objects in Game Maker. The key steps are:
1. Create a "Sounds" folder and convert any sound files to .wav format to be recognized by Game Maker.
2. Double click on an object to open its event editor, drag the "speaker" icon from the sidebar into the action grid to make the object play a sound.
3. Select the sound file by double clicking the speaker icon and choosing it from the files.
4. Test that the sounds play correctly when the objects are used in the game.
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To add sounds to a game created in Game Maker, the user opens the sound editor by clicking the disk icon in the toolbar. A window then appears to upload, edit, and assign sounds to specific game events, such as a sprite moving. The user can code sounds to play in order by using the audio_play_sound code followed by the name of the uploaded sound file within the sprite's steps event.
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The document describes the process of adding sound effects to objects in a Game Maker game. It involves:
1. Creating a "Sounds" folder and converting any sound files to .wav format to be recognized by Game Maker.
2. Double clicking an object to open its properties, then dragging a "speaker" icon from the actions menu to link a sound effect to play when the object is used.
3. Browsing and selecting the desired sound file through the speaker icon to designate which audio file will play for that object.
4. Testing the sounds during game play to confirm they play at the appropriate times with the targeted objects.
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Programming sounds into my game annotation
1) The document describes Amy Brockbank adding 6 sounds to her game, including explosions, lasers, hits and ambient music.
2) For each sound, Amy adds it to the game's sound library, renames it, selects compression options, and codes it into the game using audio commands to specify when it plays.
3) Amy tests each sound to ensure it works properly in the game, such as explosions playing for enemy hits and lasers firing when the player shoots. The ambient music loops as background music.
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The first thing i did was right click on sounds in the menu area and select
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The first thing i did was right click on sounds in the menu area and select
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The soundtrack describes a setting where calm flowing water is interrupted by approaching aircraft with a sinister theme, until a mythical creature arrives and roars, only to be forced into fleeing by a loud blast. Specific production techniques are identified for different soundtrack elements, including using audio field recordings for the water, traditional instruments and field recordings for the aircraft, and VST instruments with studio recordings for the creature's roar and the blast targeting it. The sounds provide features of a fantasy role-playing game where the protagonist must investigate the source of a disturbance.
HA1 Task 9
This professional development plan outlines Nathan West's goals from May 2013 to July 2017 as he pursues a career in illustration. Over this period, he aims to complete his BTEC in Creative Media Production with a focus on games design, research universities and apply to them, and improve his artistic skills in areas like human figure drawing. After finishing his degree, Nathan plans to update his portfolio, apply for illustration jobs, and attend interviews to begin working as a full-time illustrator in July 2017.
Ha7 task 8
The document summarizes the process of creating a 30-second animation for a radio station logo. Key steps included:
1) Creating a schedule and production log to track progress.
2) Researching other radio stations and developing initial animation ideas, settling on a jigsaw puzzle forming the logo.
3) Storyboarding the animation stages and timeline.
4) Piecing the animation together in Adobe Premier and uploading the final version to YouTube.
5) Reflecting that time management was the main challenge and focus for future projects.
FMP Pitch
Project Renaissance is a third person stealth game set in 15th century Italy starring Leonardo da Vinci. The player will control da Vinci and use his inventions and skills to complete missions. The game draws inspiration from Assassin's Creed and will include some graphic scenes of human dismemberment during da Vinci's anatomical studies. The target audience is 16-21 year olds interested in historical action games. Ubisoft will develop the game, as their Assassin's Creed series influenced the concept. Related media that may promote the game include the films The Da Vinci Code and Angels & Demons, and the TV show Da Vinci's Demons.
Unit 13 ha1 task 7
The document discusses various contractual, legal, ethical, and professional aspects of game development. Contractually, employment contracts outline job roles and rewards, while publishers provide funding for developers' games. Legally, intellectual property must be protected through copyright, trademarks, and patents. Ethically, games are rated based on their violent or sexual content and stereotyping should be avoided. Professionally, organizations like UKIE, IGDA, and BAFTA provide resources and support for the game development industry.
Ha2 task 7 evaluation
The document summarizes the process of creating a 2D game character for a client over 5 weeks. It involved creating a project charter laying out goals and steps, a production schedule and log to track progress. Character sketches and profiles were generated before selecting the strongest concept of Sammy the cyborg squirrel. A presentation was created in Adobe Flash with an alpha gameplay demo and character details for the client. More development of the character concept was needed and the production log lacked consistency over time.
Unit 66 Task 8
1) The document discusses a 3D modeling assignment where students were tasked with creating their own unique sidekick character using the software Lightwave.
2) It describes the process the student took, including researching existing sidekick examples, designing an ideas map, creating design pack drawings, and then producing the 3D model while tracking progress.
3) The student reflects that while the final product was an improvement, better planning such as with the design pack could have made the process smoother, and stresses the importance of project management for meeting deadlines.
HA3 sidekick production_log_200313
Nathan West created a 3D model of a sidekick for a games design course. He spent time ensuring each part was professionally modeled, though this took some time. Problems arose with using the modeling tools and graph paper instructions. Over several weeks, Nathan modeled the head, torso, arms, legs and feet, improving the design based on critiques. He assembled the full sidekick model by mirroring the limbs and adding textures and surfaces to complete the project.
Project da vinci finished evaluation
Project da Vinci aimed to develop 4 character concepts for Ubisoft's future game Renaissance, which would depict elements of Assassin's Creed set during the Italian Renaissance and focus on Leonardo da Vinci. The first task involved researching the Renaissance's effects and da Vinci's studies. While research was collected thoroughly, market analysis could have been improved. The second task involved generating character ideas, but time management and business elements were lacking. The third task involved pitching a concept, but technical difficulties delayed and reduced the pitch's quality. The fourth involved outlining production plans without including a budget. Overall, while concepts were developed, skills in anatomy, figure drawing, and motion needed further improvement to fully realize the envision
Project da vinci evaluation
The project aimed to develop 4 character concepts for a new Ubisoft game called Renaissance, which would depict elements from Assassin's Creed set during the Italian Renaissance and focus on Leonardo da Vinci's studies. The first task involved researching how the Renaissance was portrayed in different media and da Vinci's history and anatomy. Extensive research was collected on the Renaissance, da Vinci's work, and how it has been used in past games and films. The work put into the first task was deemed successful, though adding details about game developers and the market could have improved it further.
Finished production log
The document outlines a student's progress on their Project da Vinci over several months. It details their studies of anatomy, figure drawing, character design, and item development. They practiced different drawing techniques including box, oval, and hybrid figure methods. They also studied hands, folds and fabric, life drawing, and anatomical structures. Their character concepts progressed from basic profiles to more detailed descriptions and pose studies. Their item designs included weapons and a hound concept. They realized they needed to extend their deadline and further develop anatomy skills for their concepts to reach a good standard.
Finished production log
The document outlines a student's progress on their Project da Vinci over several months. It describes their studies of anatomy, figure drawing, character design, and item development. These included mood boards, skeletal studies, fabric studies, character profiles, weapon concepts, and 30-second pose studies. The student realized they needed more practice with anatomy, hands, and rendering tone to improve their work.
Natural destruction presentation
The document describes a new game concept called Natural Destruction, which is a racer/survival game where the player controls an average civilian trying to escape deadly natural disasters. The game takes inspiration from movies like 2012 and racing games like Need for Speed. It will be available on all gaming consoles as well as smartphones and tablets. The game is separated from others by giving the player control over random natural disasters through a dice roll system. Marketing research found that the target audience enjoys similar games and most would be willing to pay around £10 for Natural Destruction.
Natural destruction presentation
The document describes a new game concept called Natural Destruction, which is a racer/survival game where the player controls an average civilian trying to escape deadly natural disasters. The game takes inspiration from movies like 2012 and racing games like Need for Speed. It will be available on all gaming consoles as well as smartphones and tablets. The game is separated from others by giving the player control over random natural disasters through a dice roll system. Marketing research found that the target audience enjoys similar games and most would pay around £10 for Natural Destruction.
IG2 Task 1 Work Sheet
This document contains a glossary of terms related to sound design and production for computer games. It provides definitions for terms like foley artistry, sound libraries, audio file formats like .wav and .mp3, audio limitations such as sound processor units and random access memory, mono/stereo/surround sound, audio recording systems like analog and digital audio tape, MIDI, software sequencers and plugins, and concepts in audio sampling like bit-depth and sample rate. For each term, the student provided an internet definition and described its relevance to their own production practice where possible.
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Leonardo DiCaprio, A name synonymous with Hollywood excellence. is not only known for his stellar acting career but also for his impressive real estate investments. The "Leonardo DiCaprio house" is a topic that piques the interest of many. as the Oscar-winning actor has amassed a diverse portfolio of luxurious properties. DiCaprio's homes reflect his varied tastes and commitment to sustainability. from retreats to historic mansions. This article will delve into the fascinating world of Leonardo DiCaprio's real estate. Exploring the details of his most notable residences. and the unique aspects that make them stand out.
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Leonardo DiCaprio House: Malibu Beachfront Retreat
A Prime Location
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Another remarkable property in Leonardo DiCaprio's collection is his Hollywood Hills house. This secluded retreat offers privacy and tranquility. making it an ideal escape from the hustle and bustle of Los Angeles. The "Leonardo DiCaprio house" in Hollywood Hills nestled among lush greenery. and offers panoramic views of the city and surrounding landscapes.
Design and Amenities
The Hollywood Hills house is a mid-century modern gem characterized by its sleek design and floor-to-ceiling windows. The open-concept living space is perfect for entertaining. while the cozy bedrooms provide a comfortable retreat. The property also features a swimming pool, and outdoor dining area. and a spacious deck that overlooks the cityscape.
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Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
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Dwayne Johnson, also known by his ring name "The Rock," was born on May 2, 1972, in Hayward, California. He comes from a family of professional wrestlers, with both his father, Rocky Johnson. and his grandfather, Peter Maivia, being notable figures in the wrestling world. Johnson's early life was spent moving between New Zealand and the United States. experiencing a variety of cultural influences.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
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But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
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Unit 76 task 2 programming sounds into a game
- 1. P R O G R A M M I N G S O U N D S I N T O A G A M E UNIT 76: TASK 2
- 2. STEP 1 • To add a sound to your provided game you must first double click the projects sound folder, you will then be presented with this window displayed to my right. • Next you must click on the sound loading symbol next to the play button and select the sound from the file in which you have it stored.
- 3. STEP 2 • Once you have opened the folder containing the sound files, you must simply select the file and click the ok button in the top left tab.
- 4. STEP 3 • Once you have added all your sounds you wish to use you must test the compatibility with your game. • To test if your sounds will play you must now click the green play button selected in the window displayed to my right.
- 5. STEP 4 • Providing that everything runs smoothly you will be faced with the main menu for your game, all that is left to do now is test that your sounds are functional and play their desired parts in your games creation.
- 6. STEP 5 • Once you’re happy with the game and the sounds that you programmed within the project save the file to your desired folder.