Understanding the music of the 20 th century
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Musical Impressionism arose in late 19th century Europe as a reaction against Romantic excesses. It is characterized by suggestion and atmosphere over emotion. Impressionist composers favored short forms and explored scales like the whole tone scale. They introduced extended chord structures and major 7th chords. Key figures were Debussy and Ravel, and characteristics included irregular rhythm, avoidance of traditional harmony, use of unresolved dissonance, and scales like the whole tone scale.
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Impressionism and expressionism
Impressionism aimed to capture atmospheric impressions rather than depict specific subjects. Key musical impressionists included Claude Debussy and Maurice Ravel, who used non-traditional scales, dissonance, and a non-emotional style. In contrast, expressionism sought to represent inner emotions and experiences through atonal and dissonant music. Important expressionist composers were Arnold Schoenberg, Alban Berg, and Anton Webern, who developed the 12-tone technique. Impressionism used tonal music while expressionism was atonal and dissonant.
Art impressionism and expressionism
Impressionism developed in the late 19th century and focused on capturing fleeting impressions of light and color. Artists like Monet, Pissarro, Renoir, and Morisot painted outdoors in small brush strokes to depict landscapes, cityscapes, and everyday scenes. They held an exhibition in 1874 that helped name the Impressionist movement. Expressionism emerged later and focused more on conveying personal emotions and reactions to the modern world through distorted forms and bold colors as seen in works by Munch and Van Gogh.
Differences between Expressionism and Impressionism
Both expressionism and impressionism emerged in the early 20th century art scene. Impressionism from 1867 to 1886 featured artists like Monet and Renoir who captured impressions of light through small brushstrokes and vibrant pure colors without harsh lines. Expressionism from 1905 to 1925 included Matisse, Munch, and Chagall, and used gestural brushstrokes, distorted subjects, and bold arbitrary colors to convey emotional expression rather than natural colors.
Impressionism, expressionism and cubism
Impressionism emerged in the late 19th century focusing on capturing fleeting moments and effects of light using short brush strokes, pure colors, and everyday subjects. Key impressionists included Monet and Renoir. Expressionism used distorted forms and exaggerated colors to convey personal feelings rather than realistic depictions, seen in works by Munch and Kandinsky. Cubism combined views of subjects into fragmented, abstracted scenes as in works by Picasso, Braque, and Filipino artists Manansala and Legaspi.
Impressionism and expressionism
Impressionism and Expressionism
Edvard Munch, Vincent Van Gogh, Candido Portinari, Lazar Segall, Claude Monet, Pierre Renoir, Almeida Junior, Eliseu Visconti,
Surrealism and abstract realism
Surrealism sought to channel the unconscious through fantastic imagery to unlock the power of imagination. Surrealists believed revelations could be found in everyday life, allowing artists to forgo conscious thought and embrace chance. Max Ernst, Salvador Dali, and Joan Miro were famous surrealist artists known for outlandish, perplexing works.
Impressionism in music
Impressionism was a late 19th century art movement characterized by the use of light and color to capture immediate impressions. Claude Debussy introduced Impressionism to music by using unresolved dissonances, ambiguous forms, and vague rhythms and textures to convey feeling rather than sharply defined articulation. Debussy developed these techniques through his exposure to the Impressionist paintings of Claude Monet and by reacting against the emotionalism of Romantic music. He is considered the leading exponent of musical Impressionism.
Expressionism edited with music
Expressionism was an artistic movement centered in Germany from 1905-1940s that overlapped with
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Impressionism and expressionism
Impressionism aimed to capture atmospheric impressions rather than depict specific subjects. Key musical impressionists included Claude Debussy and Maurice Ravel, who used non-traditional scales, dissonance, and a non-emotional style. In contrast, expressionism sought to represent inner emotions and experiences through atonal and dissonant music. Important expressionist composers were Arnold Schoenberg, Alban Berg, and Anton Webern, who developed the 12-tone technique. Impressionism used tonal music while expressionism was atonal and dissonant.
Art impressionism and expressionism
Impressionism developed in the late 19th century and focused on capturing fleeting impressions of light and color. Artists like Monet, Pissarro, Renoir, and Morisot painted outdoors in small brush strokes to depict landscapes, cityscapes, and everyday scenes. They held an exhibition in 1874 that helped name the Impressionist movement. Expressionism emerged later and focused more on conveying personal emotions and reactions to the modern world through distorted forms and bold colors as seen in works by Munch and Van Gogh.
Differences between Expressionism and Impressionism
Both expressionism and impressionism emerged in the early 20th century art scene. Impressionism from 1867 to 1886 featured artists like Monet and Renoir who captured impressions of light through small brushstrokes and vibrant pure colors without harsh lines. Expressionism from 1905 to 1925 included Matisse, Munch, and Chagall, and used gestural brushstrokes, distorted subjects, and bold arbitrary colors to convey emotional expression rather than natural colors.
Impressionism, expressionism and cubism
Impressionism emerged in the late 19th century focusing on capturing fleeting moments and effects of light using short brush strokes, pure colors, and everyday subjects. Key impressionists included Monet and Renoir. Expressionism used distorted forms and exaggerated colors to convey personal feelings rather than realistic depictions, seen in works by Munch and Kandinsky. Cubism combined views of subjects into fragmented, abstracted scenes as in works by Picasso, Braque, and Filipino artists Manansala and Legaspi.
Impressionism and expressionism
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Surrealism and abstract realism
Surrealism sought to channel the unconscious through fantastic imagery to unlock the power of imagination. Surrealists believed revelations could be found in everyday life, allowing artists to forgo conscious thought and embrace chance. Max Ernst, Salvador Dali, and Joan Miro were famous surrealist artists known for outlandish, perplexing works.
Impressionism in music
Impressionism was a late 19th century art movement characterized by the use of light and color to capture immediate impressions. Claude Debussy introduced Impressionism to music by using unresolved dissonances, ambiguous forms, and vague rhythms and textures to convey feeling rather than sharply defined articulation. Debussy developed these techniques through his exposure to the Impressionist paintings of Claude Monet and by reacting against the emotionalism of Romantic music. He is considered the leading exponent of musical Impressionism.
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Composers of impressionist music
Maurice Ravel was a French composer born in 1875 in Ciboure, France. He showed early musical talent and studied piano from a young age. Ravel furthered his musical education at the Paris Conservatory, where he composed some of his most renowned works. Ravel's compositions were impressionistic in style, evoking different moods and places through subtle yet rich harmonies. Some of his most famous works include Bolero, Daphnis et Chloé, and Pavane for a Dead Princess. Ravel was a perfectionist who refined each composition until it was complete.
Impressionism and post impressionism
Impressionism originated in the late 19th century with independent exhibitions held by a group of Paris-based artists. It is characterized by visible brushstrokes, ordinary subject matter, and emphasis on the changing qualities of light. Some famous Impressionists included Claude Monet, Pierre-Auguste Renoir, and Alfred Sisley. They wanted to show reality rather than hiding behind academic rules of perfection. Post-Impressionism emerged in response to Impressionism's limitations, extending its use of color and real-life subjects but emphasizing geometric forms and expressive distortions. Notable Post-Impressionists were Paul Cezanne, Paul Gauguin, Vincent Van Gogh, and Georges Seurat.
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Expressionist artists in early 20th century music sought to express inner emotions and experiences of being alive rather than physical reality. Key figures included Austrian composer Arnold Schoenberg who was associated with the expressionist movement in Germany and developed techniques like Sprechstimme that blended singing with speech. Norwegian painter Edvard Munch, known for his painting "The Scream," was also an important expressionist artist during this period.
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This document provides information about Impressionism, a style of art that emerged in Europe in the late 19th century. Some key points:
- Impressionist artists aimed to capture fleeting impressions and the effects of light on their subjects. They would paint outdoors to accurately depict how color appears at different times of day.
- Characteristics included using small brushstrokes of unmixed color, concentrating on changes in color and shape caused by light, and choosing everyday subjects involving people.
- Famous Impressionist artists mentioned include Claude Monet, Pierre-Auguste Renoir, Berthe Morisot, and Edgar Degas. Their paintings focused on conveying mood and atmosphere.
-
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The document discusses the Expressionist composer Arnold Schoenberg and his pioneering atonal and twelve-tone compositions. It outlines his career in four periods, from his early Romantic style works through his development of techniques like the emancipation of dissonance, Sprechgesang vocal style, and ultimately twelve-tone serialism. Key works mentioned include Verklärte Nacht, Pierrot lunaire, and the pieces from his Opus 11 and the Society for Private Musical Performances he founded in 1918.
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The document discusses the influence of 20th century composers on modern music. It focuses on Impressionism as one of the earliest musical forms that paved the way for the modern era. Key characteristics of Impressionist music included the use of timbre and color through orchestration, along with new combinations of chords, scales, and an attempt to suggest rather than depict reality. Claude Debussy is highlighted as the principal exponent of Impressionism and inspiration for other Impressionist composers, known for pieces like La Mer and Claire de Lune, the latter of which was featured in the movie Tw
Expressionism
Expressionism emerged in Germany around 1910 as a reaction against Impressionism. It focused on emotive and interpretive art through distortion and exaggeration to convey emotional experiences. Major expressionist groups included Die Brücke, Der Blaue Reiter, and Die Neue Sachlichkeit. Expressionist art used vivid colors, dynamic forms, and exaggeration to depict intense emotions and subjective perspectives rather than realistic representations. Pioneering expressionist artists included Edvard Munch, Ernst Ludwig Kirchner, Emil Nolde, Wassily Kandinsky, Franz Marc, George Grosz, and Max Beckmann.
Impressionism
Impressionism was an art movement that emerged in the second half of the 19th
century among a group of Paris-based artists. The duration of the impressionist
movement itself was quite short, less than 20 years from 1872 to the mid-1880s. But
it had a tremendous impact and influence on the painting styles that followed, such as
neo-impressionism, post-impressionism, fauvism, and cubism—and even the artistic
styles and movements of today.
The name impressionism was coined from the title of a work by French painter
Claude Monet, Impression, soleil levant (in English, Impression, Sunrise).
Impression, Sunrise
Claude Monet, 1872
Oil on canvas
The term precisely captured what this group of artists sought to represent in their
works: the viewer’s momentary “impression” of an image. It was not intended to be
clear or precise, but more like a fleeting fragment of reality caught on canvas,
sometimes in mid-motion, at other times awkwardly positioned—just as it would be
in real life.
Impressionism 17 sep_2011
Impressionism was an art movement that developed in France in the 1870s-1890s. It started as a rejection of traditional Academie des Beaux-Arts styles by radical painters. Impressionist paintings emphasized the general impression of a scene rather than details through use of short brush strokes, unmixed colors, and play of light/color. Founders like Monet, Renoir, and Pissarro painted outdoors and were influenced by photography and Japanese woodblock prints. The movement included musical and literary works as well and led to Neo-Impressionism with Pointillism.
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Impressionist Music
Musical Impressionism formed in late 19th century France as a transition from Romantic music to 20th century modernism. The two major Impressionist composers were Claude Debussy and Maurice Ravel. Impressionist music was characterized by subtle emotion over dramatic expression, unconventional scales and harmony, looser musical forms, and emphasis on orchestration. Important works include Debussy's Prelude to the Afternoon of a Faun and Ravel's Daphnis & Chloe Suites and Bolero.
Impressionism and Post-impressionism
Impressionism began in 19th century Paris and takes its name from Claude Monet's painting "Impression, Sunrise." Impressionist paintings used small, thin brush strokes to capture light and accuracy over precision. Techniques included short, thick strokes of paint applied side-by-side with little mixing to emphasize the play of natural light. Claude Monet is seen as the father of Impressionism for his plein-air landscape paintings. Post-Impressionism emerged later and focused on conveying personal responses through strong colors and slight distortions, as seen in the works of Seurat, Van Gogh, Cezanne, and Gauguin.
Impressionism
1. Impressionism was a 19th century art movement that originated in Paris in the 1870s-1880s. Artists used short, thick brushstrokes of unblended color applied side-by-side to capture light and color rather than details.
2. Key characteristics included emphasizing the play of natural light, using pure colors rather than black for shadows, and painting outdoors (en plein air) to represent reflections on surfaces.
3. Founding members like Monet, Degas, and others broke from the Salon and Royal Academy and held independent exhibitions, though their unfinished style was initially panned
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Impressionism focused on capturing fleeting impressions through light, color, and atmosphere. Claude Debussy was a prominent Impressionist composer who used unusual scales, parallel chords, and obscured rhythm. Maurice Ravel also composed Impressionist works like the ballet Daphnis et Chloé, which features shimmering strings. Expressionism in music conveyed angst and the subconscious through atonality. Arnold Schoenberg developed twelve-tone technique, in which all twelve notes are treated equally, as seen in his Trio from Suite for Piano.
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Student created presentation on Expressionism for the theatre history unit in Ms. Hymer's Drama 1/2 class
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The document summarizes key artworks and movements from 1906-1937:
- Kandinsky's abstract painting "Improvisation 28" eliminated representational elements and used musical titles for inspiration.
- Kirchner's expressionist painting "Street, Dresden" used jarring colors and shapes to depict threatening figures.
- Rouault was a deeply religious artist who portrayed "wretched creatures" to indict human cruelty.
- Picasso's "Les Demoiselles d'Avignon" in 1907 introduced Cubism through fragmented, overlapping forms seen from multiple angles. He and Braque developed Cubism through works analyzing objects from different perspectives.
- Futurism glorified machines and modernity.
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The 20th century saw immense changes in art and society. Key developments included the rise of modern art movements like Fauvism, Cubism, Futurism and German Expressionism that rejected realism and embraced abstraction. Artists like Matisse, Picasso, and Kandinsky were influenced by non-Western art and sought to express inner experiences through color, form, and symbolism. Concurrently, new technologies like photography impacted visions of modernity and the human form. These revolutionary artistic developments mirrored broader changes in Western society at the dawn of the modern era.
Impressionism of music
This document provides information about the Impressionist movement in music and two of its key figures, Claude Debussy and Maurice Ravel. It describes Impressionism as a French movement from the late 19th to early 20th century that replaced the dramatic emotionalism of the Romantic period with a focus on moods and impressions through the extensive use of color, vague melodies, and innovative harmonies. It then gives biographical overviews of Debussy and Ravel, noting some of their most important and influential musical works, and describes their contributions to developing Impressionist music through new approaches to harmony, rhythm, texture and form.
Expressionism
Expressionism was originally a term used by early 20th century German artists to describe their aesthetic principles of presenting the world from a subjective perspective and distorting it for emotional effect rather than depicting physical reality. Key characteristics included extreme angles, flattened forms, garish colors, and distorted views. Two major German expressionist groups were Die Brücke, known for expressive landscapes, nudes and carnival scenes using strong colors and broad forms, and Der Blaue Reiter, ranging from pure abstraction to romantic imagery to express spiritual truths. Expressionist music also aimed to express emotion and featured atonal compositions with disjunct melodies, dissonance, and extreme dynamics.
Impressionism
Impressionism emerged as a style in the 1870s-1880s, taking its name from Claude Monet's painting "Impression." Key qualities include visible brush strokes, a focus on how light changes, and open compositions. Impressionist artists like Monet, Renoir, Sisley, Pissarro, and Cézanne painted outdoors, emphasizing natural light, shadows, and reflections. They often painted at dusk to depict shadowy scenes. Renoir's works featured visible brush strokes and light colors depicting activities like dancing and hula hooping. His paintings had an open, breathing quality through liberal use of paint and texture.
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Impressionism was a 19th-century art movement started by a group of Paris-based artists whose independent exhibitions in the 1870s-1880s brought them prominence despite opposition. The term originated from a Claude Monet painting titled "Impression, Sunrise" which provoked criticism and coined the term. Impressionist paintings are characterized by small, thin yet visible brush strokes, emphasis on accurate light depiction including effects of time passage, ordinary subjects, inclusion of movement as a human perception element, and unusual angles.
Impressionism Emerged In The Late 1800S
Impressionism emerged in the late 1800s as a style of painting that emphasized capturing an artist's immediate impression of a scene through the use of light, brushstrokes, and color separation. While controversial at first for its unfinished appearance, it grew in popularity for its depictions of modern life. Post-Impressionism developed in the 1880s as artists diverged from Impressionism's focus on light, instead emphasizing personal expression and symbolic meanings over realistic depictions. Notable Post-Impressionist works like Van Gogh's Starry Night and Cézanne's Mont Sainte Victoire explored bolder uses of color and form.
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Composers of impressionist music
Maurice Ravel was a French composer born in 1875 in Ciboure, France. He showed early musical talent and studied piano from a young age. Ravel furthered his musical education at the Paris Conservatory, where he composed some of his most renowned works. Ravel's compositions were impressionistic in style, evoking different moods and places through subtle yet rich harmonies. Some of his most famous works include Bolero, Daphnis et Chloé, and Pavane for a Dead Princess. Ravel was a perfectionist who refined each composition until it was complete.
Impressionism and post impressionism
Impressionism originated in the late 19th century with independent exhibitions held by a group of Paris-based artists. It is characterized by visible brushstrokes, ordinary subject matter, and emphasis on the changing qualities of light. Some famous Impressionists included Claude Monet, Pierre-Auguste Renoir, and Alfred Sisley. They wanted to show reality rather than hiding behind academic rules of perfection. Post-Impressionism emerged in response to Impressionism's limitations, extending its use of color and real-life subjects but emphasizing geometric forms and expressive distortions. Notable Post-Impressionists were Paul Cezanne, Paul Gauguin, Vincent Van Gogh, and Georges Seurat.
Music of the 20th century tivoli
Expressionist artists in early 20th century music sought to express inner emotions and experiences of being alive rather than physical reality. Key figures included Austrian composer Arnold Schoenberg who was associated with the expressionist movement in Germany and developed techniques like Sprechstimme that blended singing with speech. Norwegian painter Edvard Munch, known for his painting "The Scream," was also an important expressionist artist during this period.
Week 1 art
This document provides information about Impressionism, a style of art that emerged in Europe in the late 19th century. Some key points:
- Impressionist artists aimed to capture fleeting impressions and the effects of light on their subjects. They would paint outdoors to accurately depict how color appears at different times of day.
- Characteristics included using small brushstrokes of unmixed color, concentrating on changes in color and shape caused by light, and choosing everyday subjects involving people.
- Famous Impressionist artists mentioned include Claude Monet, Pierre-Auguste Renoir, Berthe Morisot, and Edgar Degas. Their paintings focused on conveying mood and atmosphere.
-
Powerpoint.expressionism
The document discusses the Expressionist composer Arnold Schoenberg and his pioneering atonal and twelve-tone compositions. It outlines his career in four periods, from his early Romantic style works through his development of techniques like the emancipation of dissonance, Sprechgesang vocal style, and ultimately twelve-tone serialism. Key works mentioned include Verklärte Nacht, Pierrot lunaire, and the pieces from his Opus 11 and the Society for Private Musical Performances he founded in 1918.
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The document discusses the influence of 20th century composers on modern music. It focuses on Impressionism as one of the earliest musical forms that paved the way for the modern era. Key characteristics of Impressionist music included the use of timbre and color through orchestration, along with new combinations of chords, scales, and an attempt to suggest rather than depict reality. Claude Debussy is highlighted as the principal exponent of Impressionism and inspiration for other Impressionist composers, known for pieces like La Mer and Claire de Lune, the latter of which was featured in the movie Tw
Expressionism
Expressionism emerged in Germany around 1910 as a reaction against Impressionism. It focused on emotive and interpretive art through distortion and exaggeration to convey emotional experiences. Major expressionist groups included Die Brücke, Der Blaue Reiter, and Die Neue Sachlichkeit. Expressionist art used vivid colors, dynamic forms, and exaggeration to depict intense emotions and subjective perspectives rather than realistic representations. Pioneering expressionist artists included Edvard Munch, Ernst Ludwig Kirchner, Emil Nolde, Wassily Kandinsky, Franz Marc, George Grosz, and Max Beckmann.
Impressionism
Impressionism was an art movement that emerged in the second half of the 19th
century among a group of Paris-based artists. The duration of the impressionist
movement itself was quite short, less than 20 years from 1872 to the mid-1880s. But
it had a tremendous impact and influence on the painting styles that followed, such as
neo-impressionism, post-impressionism, fauvism, and cubism—and even the artistic
styles and movements of today.
The name impressionism was coined from the title of a work by French painter
Claude Monet, Impression, soleil levant (in English, Impression, Sunrise).
Impression, Sunrise
Claude Monet, 1872
Oil on canvas
The term precisely captured what this group of artists sought to represent in their
works: the viewer’s momentary “impression” of an image. It was not intended to be
clear or precise, but more like a fleeting fragment of reality caught on canvas,
sometimes in mid-motion, at other times awkwardly positioned—just as it would be
in real life.
Impressionism 17 sep_2011
Impressionism was an art movement that developed in France in the 1870s-1890s. It started as a rejection of traditional Academie des Beaux-Arts styles by radical painters. Impressionist paintings emphasized the general impression of a scene rather than details through use of short brush strokes, unmixed colors, and play of light/color. Founders like Monet, Renoir, and Pissarro painted outdoors and were influenced by photography and Japanese woodblock prints. The movement included musical and literary works as well and led to Neo-Impressionism with Pointillism.
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Impressionism, Post- impressionism , Expressionism, Abstractionism, Abstract Expressionism, Contemporary Arts,
Impressionist Music
Musical Impressionism formed in late 19th century France as a transition from Romantic music to 20th century modernism. The two major Impressionist composers were Claude Debussy and Maurice Ravel. Impressionist music was characterized by subtle emotion over dramatic expression, unconventional scales and harmony, looser musical forms, and emphasis on orchestration. Important works include Debussy's Prelude to the Afternoon of a Faun and Ravel's Daphnis & Chloe Suites and Bolero.
Impressionism and Post-impressionism
Impressionism began in 19th century Paris and takes its name from Claude Monet's painting "Impression, Sunrise." Impressionist paintings used small, thin brush strokes to capture light and accuracy over precision. Techniques included short, thick strokes of paint applied side-by-side with little mixing to emphasize the play of natural light. Claude Monet is seen as the father of Impressionism for his plein-air landscape paintings. Post-Impressionism emerged later and focused on conveying personal responses through strong colors and slight distortions, as seen in the works of Seurat, Van Gogh, Cezanne, and Gauguin.
Impressionism
1. Impressionism was a 19th century art movement that originated in Paris in the 1870s-1880s. Artists used short, thick brushstrokes of unblended color applied side-by-side to capture light and color rather than details.
2. Key characteristics included emphasizing the play of natural light, using pure colors rather than black for shadows, and painting outdoors (en plein air) to represent reflections on surfaces.
3. Founding members like Monet, Degas, and others broke from the Salon and Royal Academy and held independent exhibitions, though their unfinished style was initially panned
15 impressionism, expressionism, and 12 tone (oer)
Impressionism focused on capturing fleeting impressions through light, color, and atmosphere. Claude Debussy was a prominent Impressionist composer who used unusual scales, parallel chords, and obscured rhythm. Maurice Ravel also composed Impressionist works like the ballet Daphnis et Chloé, which features shimmering strings. Expressionism in music conveyed angst and the subconscious through atonality. Arnold Schoenberg developed twelve-tone technique, in which all twelve notes are treated equally, as seen in his Trio from Suite for Piano.
Expressionism
Student created presentation on Expressionism for the theatre history unit in Ms. Hymer's Drama 1/2 class
Kandinsky To Constructivism
The document summarizes key artworks and movements from 1906-1937:
- Kandinsky's abstract painting "Improvisation 28" eliminated representational elements and used musical titles for inspiration.
- Kirchner's expressionist painting "Street, Dresden" used jarring colors and shapes to depict threatening figures.
- Rouault was a deeply religious artist who portrayed "wretched creatures" to indict human cruelty.
- Picasso's "Les Demoiselles d'Avignon" in 1907 introduced Cubism through fragmented, overlapping forms seen from multiple angles. He and Braque developed Cubism through works analyzing objects from different perspectives.
- Futurism glorified machines and modernity.
Week 2 Lecture, 20th Century
The 20th century saw immense changes in art and society. Key developments included the rise of modern art movements like Fauvism, Cubism, Futurism and German Expressionism that rejected realism and embraced abstraction. Artists like Matisse, Picasso, and Kandinsky were influenced by non-Western art and sought to express inner experiences through color, form, and symbolism. Concurrently, new technologies like photography impacted visions of modernity and the human form. These revolutionary artistic developments mirrored broader changes in Western society at the dawn of the modern era.
Impressionism of music
This document provides information about the Impressionist movement in music and two of its key figures, Claude Debussy and Maurice Ravel. It describes Impressionism as a French movement from the late 19th to early 20th century that replaced the dramatic emotionalism of the Romantic period with a focus on moods and impressions through the extensive use of color, vague melodies, and innovative harmonies. It then gives biographical overviews of Debussy and Ravel, noting some of their most important and influential musical works, and describes their contributions to developing Impressionist music through new approaches to harmony, rhythm, texture and form.
Expressionism
Expressionism was originally a term used by early 20th century German artists to describe their aesthetic principles of presenting the world from a subjective perspective and distorting it for emotional effect rather than depicting physical reality. Key characteristics included extreme angles, flattened forms, garish colors, and distorted views. Two major German expressionist groups were Die Brücke, known for expressive landscapes, nudes and carnival scenes using strong colors and broad forms, and Der Blaue Reiter, ranging from pure abstraction to romantic imagery to express spiritual truths. Expressionist music also aimed to express emotion and featured atonal compositions with disjunct melodies, dissonance, and extreme dynamics.
Impressionism
Impressionism emerged as a style in the 1870s-1880s, taking its name from Claude Monet's painting "Impression." Key qualities include visible brush strokes, a focus on how light changes, and open compositions. Impressionist artists like Monet, Renoir, Sisley, Pissarro, and Cézanne painted outdoors, emphasizing natural light, shadows, and reflections. They often painted at dusk to depict shadowy scenes. Renoir's works featured visible brush strokes and light colors depicting activities like dancing and hula hooping. His paintings had an open, breathing quality through liberal use of paint and texture.
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11 .19th Century Art ( Impressionism )
Impressionism was a 19th-century art movement started by a group of Paris-based artists whose independent exhibitions in the 1870s-1880s brought them prominence despite opposition. The term originated from a Claude Monet painting titled "Impression, Sunrise" which provoked criticism and coined the term. Impressionist paintings are characterized by small, thin yet visible brush strokes, emphasis on accurate light depiction including effects of time passage, ordinary subjects, inclusion of movement as a human perception element, and unusual angles.
Impressionism Emerged In The Late 1800S
Impressionism emerged in the late 1800s as a style of painting that emphasized capturing an artist's immediate impression of a scene through the use of light, brushstrokes, and color separation. While controversial at first for its unfinished appearance, it grew in popularity for its depictions of modern life. Post-Impressionism developed in the 1880s as artists diverged from Impressionism's focus on light, instead emphasizing personal expression and symbolic meanings over realistic depictions. Notable Post-Impressionist works like Van Gogh's Starry Night and Cézanne's Mont Sainte Victoire explored bolder uses of color and form.
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Ism's as an expression of built form and planning.
◦ Mannerism (mid 1500s)
◦ Neo classism (mid 1700s)
◦ Romanticism (late 1700s- early 1800s)
◦ Realism (France, mid 1800s)
◦ Impressionism (late 1800s)
◦ Post Impressionism (very late 1800s and into the turn of the 20th century)
◦ Symbolism (Turn of the twentieth century)
◦ Cubism (first two decades of 1900s)
◦ Surrealism (birth in 1924)
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During the 19th century, many modern art styles emerged that focused on subjective personal experiences rather than realistic depictions. These included Impressionism, where artists captured fleeting impressions using light and color; Expressionism, which depicted subjective emotions; and Cubism, where objects were broken down into geometric forms. Later styles included Dadaism's nonsense art protesting war; Surrealism's dreamlike unconscious worlds; Pop Art's use of popular culture images; and Performance Art involving the artist's body. These modern art movements had influence on Filipino artists as well.
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Impressionism and Post-Impressionism were 19th century artistic movements that sought to break conventions and capture light, movement, and emotions through unique techniques. Impressionism used vibrant colors, defined brushstrokes, and unconventional perspectives to depict scenes. Post-Impressionism built upon these techniques while allowing for more individual styles. Both movements significantly influenced artistic expression.
The Pros And Cons Of Impressionism
Impressionism was an artistic movement that began in France in the late 19th century. It rejected the traditional styles and subjects of academic art, instead focusing on capturing fleeting moments and effects of light in outdoor settings. While initially shunned by the art establishment, impressionist works like Monet's Impressions: Sunrise gave the movement its name. Post-Impressionism developed in the 1880s as artists like Van Gogh and Cézanne further pushed artistic freedom beyond impressionism's focus on light and color. These movements revolutionized painting and marked the beginning of modern art.
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Lecture 2: Towards Abstraction
Romanticism originated in the late 18th century as a reaction against Enlightenment ideals and rationalism. It valued emotion, nature, and individualism. Impressionism began in the late 19th century and focused on capturing fleeting visual impressions of light and color rather than strict representations.
Arts lesson 1
Art Movements describes three major art movements - Realism, Impressionism, and Abstract Expressionism. The Realist movement began in 1850s France and aimed to depict realistic subjects without embellishment. Prominent Realist artists included Eugene von Blaas and Gustave Courtbet. The Impressionist movement used techniques like strokes of unmixed color to give impressions of light and appearance without detail. Claude Monet was an Impressionist artist. Abstract Expressionism began in New York and featured freely created abstract works representing the artist's own reactions, developing independently of Europe.
Significance Of Impressionism
Impressionism was an art movement that began in France in the 1860s in response to the strict rules and traditional themes demanded by the French Academy of Fine Arts. A group of artists rejected these standards and instead sought to capture fleeting moments and effects of light using visible brushstrokes, bright colors, and unconventional angles. While controversial at first, Impressionism revolutionized painting by bringing it into the modern era and focusing on everyday subjects over historical or religious themes. It had a significant influence on later artistic styles through its emphasis on individual expression and immersive sensory experiences.
Comparison Between Impressionism And Post Impressionism
Impressionism and Post-Impressionism were two influential art movements that emerged in late 19th century France. This essay compares and contrasts the styles of Impressionism, exemplified by Claude Monet, and Post-Impressionism, exemplified by Vincent van Gogh. While Impressionism focused on accurately depicting light and atmosphere, Post-Impressionism emphasized expressing emotions and personal meanings through bolder uses of color and brushwork.
20th century.pptx
The document discusses three 20th century art movements: Impressionism, Expressionism, and Neoclassicism. It provides details on Impressionism in painting and music, describing their emphasis on atmosphere, light, and suggestion over emotion or narrative. Expressionism is defined by its subjective perspective and use in different art forms to express inner experiences. Neoclassicism was a reaction against late Romanticism, seeking order and restraint through forms and styles inspired by 18th century Classical music. Key figures discussed are Debussy, Ravel, Schoenberg, Webern, Berg, Stravinsky, and Hindemith.
Impressionism Music
This Powerpoint presentation is all about the Impressionism Music, one of the period during the early 20th century.
ART.pptx
This document summarizes several art movements from Romanticism to Fauvism. Romanticism used Neoclassicist themes as inspiration and focused on themes of ordinary humanity suffering. Realism focused on accurate details that mirrored reality with little imagination. Impressionism emerged in France and broke tradition by incorporating scientific color principles. Post-Impressionism resulted from both the influence and rejection of Impressionism as artists developed individual styles. Neo-Impressionism relied on scientific techniques to influence how artworks and audiences perceived them. Art Nouveau was an ornamental style that broke from historicism between 1890-1910. Fauvism emerged in France in the early 20th century and used pure vibrant colors applied directly from
arts-ppt.pptx
The document provides an overview of modern art movements from 1870-1970. It discusses how modernism emerged as artists moved away from realistic styles towards more experimental approaches. Key developments included photography freeing artists from realism, the industrial revolution creating new patrons, and the invention of techniques like pointillism. Impressionism in the 1870s sought to capture light and fleeting moments. Post-Impressionism added structure and expressionism. Cubism depicted objects from multiple views. Dadaism rejected rules as a reaction to World War 1. Famous artists discussed include Monet, Van Gogh, Munch, Picasso, and Duchamp.
arts-ppt.pptx
Modern art began in the early 20th century as artists moved away from realistic styles and sought new ways of expression. This was influenced by photography and industrialization. Major movements included Impressionism, focused on capturing light and fleeting moments; Post-Impressionism, which artists expanded upon Impressionist styles; Expressionism, which emphasized personal feelings over realism; Cubism, which showed objects from multiple views; Dadaism and Surrealism, anti-war movements that rejected rationality; Abstract Expressionism, focused on non-representational paintings; and Optical Art, which used geometric patterns to create optical illusions. Famous modern artists included Claude Monet, Vincent Van Gogh, Pablo Picasso
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Understanding the music of the 20 th century
- 1. UNDERSTANDING THE MUSIC OF THE 20TH CENTURY
- 6. Impressionism is a 19th-century art movement that originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s. Impressionist painting characteristics include relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, inclusion of movement as a crucial element of human perception and experience, and unusual visual angles.
- 7. The Impressionists faced harsh opposition from the conventional art community in France. The name of the style derives from the title of a Claude Monet work, Impression, soleil levant (Impression, Sunrise), which provoked the critic Louis Leroy to coin the term in a satirical review published in the Parisian newspaper Le Charivari.
- 8. Musical Impressionism is the name given to a movement in European classical music that arose in the late 19th century and continued into the middle of the 20th century. Originating in France, musical Impressionism is characterized by suggestion and atmosphere, and eschews the emotional excesses of the Romantic era. Impressionist composers favoured short forms such as the nocturne, arabesque, and prelude, and often explored uncommon scales such as the whole tone scale. Perhaps the most notable innovations of Impressionist composers were the introduction of major 7th chords and the extension of chord structures in 3rds to five- and six-part harmonies
- 9. Achille-Claude Debussy Maurice Ravel
- 11. CHARACTERISTIC OF IMPRESSIONISM IN MUSIC Rhythm is irregular in terms of phrases Avoids traditional harmonic progression Unresolved dissonance Uses whole tone- scale, uses 9th chord and frequently uses modality and exotic scales