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Photojournalists have the unique ability to freeze moments in time, preserving them for future generations to reflect upon. Their dedication to truth and storytelling through images allows them to connect people across borders and cultures, fostering a sense of empathy and understanding. In a world inundated with information, photojournalists stand out as visual storytellers who can capture the essence of a moment with just one click of the camera. Their work serves as a bridge between reality and perception, encouraging us to see the world through a different lens and challenging us to question our assumptions. As we flip through the pages of history, it is the images captured by photojournalists that speak volumes, reminding us of our shared humanity and the power of visual storytelling to shape our collective consciousness.
Photojournalists are like modern-day storytellers, weaving narratives through their lens and capturing the essence of humanity in its purest form. Their images serve as windows into different worlds, inviting us to witness both the beauty and struggles experienced by people across the globe. With each click of the camera, they freeze time, immortalizing moments that might otherwise be forgotten. Through their dedication to truth and artistry, photojournalists transcend language barriers and cultural divides, creating a universal language that speaks to the heart.
In a society where attention spans are fleeting, photojournalists have a remarkable ability to make us pause, reflect, and feel deeply. Their work compels us to confront uncomfortable truths, celebrate resilient spirits, and advocate for positive change. Through the power of visual storytelling, they spark conversations, challenge perceptions, and ignite empathy within us. It is through their lens that we are reminded of our interconnectedness and the shared human experience that unites us all.
As we continue to navigate the complexities of our world, let us not overlook the profound impact of photojournalism. It is through the eyes of these dedicated storytellers that we are granted a glimpse into the soul of humanity, urging us to embrace compassion, understanding, and a renewed sense of empathy for one another. Photojournalism is a powerful form of storytelling that combi
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Voice and Dialogue: Evaluate how voiceovers, dialogue, and sound effects characterize individuals and drive narrative progression. Consider how tone, inflection, and language choices shape audience perceptions of characters.
Emotional Impact:
Visual Aesthetics: Examine the aesthetic appeal of visual and multimedia elements and their ability to evoke specific emotions. Consider the use of color palettes, lighting, and composition to create atmosphere and mood.
Sound Design: Evaluate the emotional resonance of audio elements such as music, sound effects, and ambient noise. Analyze how these auditory cues enhance immersion, evoke empathy, or heighten tension.
Symbolism and Themes:
Visual Metaphors: Identify recurring visual motifs, symbols, and metaphors that carry thematic significance. Analyze how these elements enrich the narrative subtext and deepen audience interpretation.
Multimedia Allegories: Examine how multimedia elements such as animations, transitions, and interactive features metaphorically reinforce central themes or motifs. Consider their role in conveying abstract concepts or underlying messages.
Audience Engagement:
Narrative Flow: Evaluate the coherence and fluidity of the narrative experience across different visual and multimedia elements. Consider how transitions, pacing, and interactive features maintain audience interest and involvement.
Immersion and Interactivity: Assess the degree to which visual and multimedia elements immerse the audience in the narrative world and empower participation. Analyze how interactive elements prompt exploration, decision-making, or emotional investment.
Technical Execution:
Production Quality: Evaluate the technical craftsmanship of visual and multimedia elements, including animation fluidity, audio clarity, and image resolution. Consider how production values enhance storytelling effectiveness and audie
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3. know the different types of viewing materials;
identify the different types of images;
appreciate the importance of differentiating factual
and non-factual images in avoiding misinformation.
LEARNING
LEARNING
OUTCOMES:
OUTCOMES:
4. ACTIVITY:
The class will be divided into two (2) groups.
Inside the envelope are the different
pictures of viewing materials that you may
use for learning or entertainment. Paste the
pictures on the type of program that you
think they belong.
WHERE DO I BELONG?
WHERE DO I BELONG?
8. A sports program is a program of live or
live-to-tape sports events and competitions,
including coverage of professional and
amateur tournaments.
2. SPORTS
PROGRAM
9. These shows are made to entertain the
audience. These shows are fiction only,
the events that happened are not real.
3. DRAMA &
COMEDY PROGRAM
10. These types of programs are made to
feature a particular culture, express
oneself, entertain, and give value to arts.
4. MUSIC &
DANCE PROGRAM
11. These programs primarily focus on the
world and its people. The goal of these
programs is to give entertainment but
at the same time educate the viewer.
5. GENERAL ENTERTAINMENT
& HUMAN-INTEREST
PROGRAM
12. ACTIVITY:
Classify the image based on
what you think the type of
image it is.
IMAGE
IMAGE
CLASSIFICATION
CLASSIFICATION
18. ACTIVITY:
The teacher will present different pictures
and you have to choose between the different
types of images. Form a line in front of the
type of image that you’ve chosen.
CHOOSE KO PO!
CHOOSE KO PO!
19.
20.
21.
22.
23. QUESTION:
QUESTION:
Why is it important to be able to
identify factual images from
nonfactual images in today's
digital age?
25. 1. These are pictures or images that do
not exist and are therefore untrue or
unproven.
A. Factual C. Make-believe
B. Non-factual D. Real
QUIZ.
QUIZ.
26. 2. These are pictures of persons or
objects, such as paintings or
photographs.
A. Factual C. Make-believe
B. Non-factual D. Real
QUIZ.
QUIZ.
27. 3. These are true pictures that
can be proven.
A. Factual C. Make-believe
B. Non-factual D. Real
QUIZ.
QUIZ.
28. 4. These are pictures that pretend
to be true or an image that is real
in ones imagination.
A. Factual C. Make-believe
B. Non-factual D. Real
QUIZ.
QUIZ.
29. 5. Enumerate the 5
different types of viewing
materials.
QUIZ.
QUIZ.
30. Directions: Based on your own
experience, list five things that
you do to check the material
you viewed as real or fake.
ASSIGNMENT:
ASSIGNMENT: