The document is an essay that examines the importance of music education in deaf culture and how the music industry has progressed in providing for the hearing impaired. It explores the relationship between deaf culture and music, examining the role of music in deaf culture historically and presently. It also looks at how sign language interpreters are now provided at live and recorded music performances and how the music industry has organized concerts and events for the deaf community.

1. The Effect Of Music On Deaf Culture And How Has The Music...
SAE Institute Oxford
SAE 501: Written Assignment
A written essay on
WHAT IS THE IMPORTANCE OF MUSIC EDUCATION IN DEAF CULTURE AND HOW HAS
THE MUSIC INDUSTRY PROGRESSED IN PROVIDING FOR THE HEARING IMPAIRED.
Jude Menezes
17970
ADHE0914
Assignment code WA
BA/BSc (Hons) Audio Production
13 August 2015
Word count: 4079
Module Leader/Lecturer: Marc Rose ABSTRACT:
The purpose of this essay is to examine, the notion of music being a part of a deaf individual's life
may seem contradictory, but there is evidence that music is and has been a part of many deaf
people's lives. Music is and has been a part of the Deaf culture, including, but not limited to, Deaf
musicians, utilising music to teach speech. The primary purpose of this thesis was to explore the
relation between Deaf culture and music and examine the role of music in the deaf culture and to
relate the findings to current practices in music education programs for hearing–impaired students
historically and presently. We also look at the introduction of sign language interpreters in live vocal
music performances as well pre–recorded shows and music videos and also how it is being adopted
in the music industry. Secondary purposes of the study were to accumulate data of ways in which
the music industry has provided for the Deaf Communities by organising concerts and raves for
them.
Jude Menezes.
Table of Contents
Introduction:

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4. Music Analysis: Salve Marte By John Stevens
Salve Venere, Salve Marte by John Stevens
John Stevens (b. 1951) is an internationally renowned composer for his brass music, including
settings such as solo tuba, euphonium and trombone, tuba/euphonium ensemble, brass quintet and
other brass chamber combinations. Many of his pieces in those respected ensemble settings have
become standard in the repertoire, and are used in many competitions due to their technical
requirements and their complex musical interpretations. He recently retired as Professor of
tuba/euphonium at the University of Wisconsin–Madison, but still remains an active musician in the
Wisconsin Brass Quintet and other musical activities.
Salve Venere, Salve Marte is a contemporary and complex unaccompanied piece for solo tuba. ...
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The story is about a Kentucky coal miner that "...just about owes his soul to the company store." The
miner works for years and goes forever without being paid "one red cent" in "..real honest–to–
goodness money". However, he can always go to the company store where he could spend his scrip
(little brass coins given to employees to charge to their accounts when they needed things). Being
that it wasn't actual money, the miner always felt like he was in debt to company store and the only
way he could attempt to pay it back was to keep on loadin' 16 tons of coal a day. – This toe–tapping
ragtime arrangement by Ingo Luis is energetic and fun, and incorporates glissandos and smooth bass
lines
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