Test Shots for our Film Poster
and Magazine Cover
Test Shots
These extreme
lights were
used to create
the dramatic
low-key
lighting:
Best Magazine Cover Shot:
We decided to use dramatic lighting when
capturing this mid/long sht. We decided to
have the female protagonist looking at the
camera (direct mode of address) with a
worried and scared facial expression. The
prominent dark shadow which tonally
contrasts with the bright light cover half
of the female characters face. The shadow
is in the shape of a mans side profile/
silhouette. This represents the
overpowering control the male antagonist,
who remains unknown to the audience, is
over the female protagonist. This links o
the narrative of the film which displays a
relation between the different forms of
promotion and production, displaying
continuity. The idea of shadows is
something we have considered using
within out teaser trailer as well as it
suggests the presence of a person without
revealing heir identity. I decided to
transform the image into black and white
which creates a more dramatic and
mysterious atmospheric feel which links
to the narrative within the teaser trailer.
Best Film Poster Shot:
We used the lanyard as a substitute for the
timer/stop watch that would be used in the
actual shot. This allows us to visualise the
scale and positioning of the timer when
shooting the real film poster.
We decided to use a close up shot with a
dramatic and intense black background to
make the prop (the timer) stand out. This
point of view shot creates a sense of
perspective for the audience making them
feel more involved. It also keeps the mans
identity unknown which reinforces the
mystery surrounding the male antagonists
identity. I decided to transform the image
into black and white as I wanted to display
the image in a more dramatic and intense
way which links to the narrative of the
Psychological Thriller.

Test shots for film poster and magazine cover

  • 1.
    Test Shots forour Film Poster and Magazine Cover
  • 2.
  • 3.
    These extreme lights were usedto create the dramatic low-key lighting:
  • 4.
    Best Magazine CoverShot: We decided to use dramatic lighting when capturing this mid/long sht. We decided to have the female protagonist looking at the camera (direct mode of address) with a worried and scared facial expression. The prominent dark shadow which tonally contrasts with the bright light cover half of the female characters face. The shadow is in the shape of a mans side profile/ silhouette. This represents the overpowering control the male antagonist, who remains unknown to the audience, is over the female protagonist. This links o the narrative of the film which displays a relation between the different forms of promotion and production, displaying continuity. The idea of shadows is something we have considered using within out teaser trailer as well as it suggests the presence of a person without revealing heir identity. I decided to transform the image into black and white which creates a more dramatic and mysterious atmospheric feel which links to the narrative within the teaser trailer.
  • 5.
    Best Film PosterShot: We used the lanyard as a substitute for the timer/stop watch that would be used in the actual shot. This allows us to visualise the scale and positioning of the timer when shooting the real film poster. We decided to use a close up shot with a dramatic and intense black background to make the prop (the timer) stand out. This point of view shot creates a sense of perspective for the audience making them feel more involved. It also keeps the mans identity unknown which reinforces the mystery surrounding the male antagonists identity. I decided to transform the image into black and white as I wanted to display the image in a more dramatic and intense way which links to the narrative of the Psychological Thriller.