The document provides details on three broadsheet newspaper page layouts created in InDesign. For each layout, content boxes were placed on a custom grid, then copy, images, headers and other elements were inserted. Fonts, pull quotes and drop caps were used consistently across pages to structure the copy. Feedback notes some layouts could be improved with better positioned images or ads to reduce whitespace. Overall the process created organized, conventional broadsheet pages, though some opportunities remained to make pages more visually interesting.
2024.06.01 Introducing a competency framework for languag learning materials ...Sandy Millin
http://sandymillin.wordpress.com/iateflwebinar2024
Published classroom materials form the basis of syllabuses, drive teacher professional development, and have a potentially huge influence on learners, teachers and education systems. All teachers also create their own materials, whether a few sentences on a blackboard, a highly-structured fully-realised online course, or anything in between. Despite this, the knowledge and skills needed to create effective language learning materials are rarely part of teacher training, and are mostly learnt by trial and error.
Knowledge and skills frameworks, generally called competency frameworks, for ELT teachers, trainers and managers have existed for a few years now. However, until I created one for my MA dissertation, there wasn’t one drawing together what we need to know and do to be able to effectively produce language learning materials.
This webinar will introduce you to my framework, highlighting the key competencies I identified from my research. It will also show how anybody involved in language teaching (any language, not just English!), teacher training, managing schools or developing language learning materials can benefit from using the framework.
Model Attribute Check Company Auto PropertyCeline George
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Embracing GenAI - A Strategic ImperativePeter Windle
Artificial Intelligence (AI) technologies such as Generative AI, Image Generators and Large Language Models have had a dramatic impact on teaching, learning and assessment over the past 18 months. The most immediate threat AI posed was to Academic Integrity with Higher Education Institutes (HEIs) focusing their efforts on combating the use of GenAI in assessment. Guidelines were developed for staff and students, policies put in place too. Innovative educators have forged paths in the use of Generative AI for teaching, learning and assessments leading to pockets of transformation springing up across HEIs, often with little or no top-down guidance, support or direction.
This Gasta posits a strategic approach to integrating AI into HEIs to prepare staff, students and the curriculum for an evolving world and workplace. We will highlight the advantages of working with these technologies beyond the realm of teaching, learning and assessment by considering prompt engineering skills, industry impact, curriculum changes, and the need for staff upskilling. In contrast, not engaging strategically with Generative AI poses risks, including falling behind peers, missed opportunities and failing to ensure our graduates remain employable. The rapid evolution of AI technologies necessitates a proactive and strategic approach if we are to remain relevant.
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In this webinar you will learn how your organization can access TechSoup's wide variety of product discount and donation programs. From hardware to software, we'll give you a tour of the tools available to help your nonprofit with productivity, collaboration, financial management, donor tracking, security, and more.
Biological screening of herbal drugs: Introduction and Need for
Phyto-Pharmacological Screening, New Strategies for evaluating
Natural Products, In vitro evaluation techniques for Antioxidants, Antimicrobial and Anticancer drugs. In vivo evaluation techniques
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Synthetic Fiber Construction in lab .pptxPavel ( NSTU)
Synthetic fiber production is a fascinating and complex field that blends chemistry, engineering, and environmental science. By understanding these aspects, students can gain a comprehensive view of synthetic fiber production, its impact on society and the environment, and the potential for future innovations. Synthetic fibers play a crucial role in modern society, impacting various aspects of daily life, industry, and the environment. ynthetic fibers are integral to modern life, offering a range of benefits from cost-effectiveness and versatility to innovative applications and performance characteristics. While they pose environmental challenges, ongoing research and development aim to create more sustainable and eco-friendly alternatives. Understanding the importance of synthetic fibers helps in appreciating their role in the economy, industry, and daily life, while also emphasizing the need for sustainable practices and innovation.
Operation “Blue Star” is the only event in the history of Independent India where the state went into war with its own people. Even after about 40 years it is not clear if it was culmination of states anger over people of the region, a political game of power or start of dictatorial chapter in the democratic setup.
The people of Punjab felt alienated from main stream due to denial of their just demands during a long democratic struggle since independence. As it happen all over the word, it led to militant struggle with great loss of lives of military, police and civilian personnel. Killing of Indira Gandhi and massacre of innocent Sikhs in Delhi and other India cities was also associated with this movement.
Acetabularia Information For Class 9 .docxvaibhavrinwa19
Acetabularia acetabulum is a single-celled green alga that in its vegetative state is morphologically differentiated into a basal rhizoid and an axially elongated stalk, which bears whorls of branching hairs. The single diploid nucleus resides in the rhizoid.
The Roman Empire A Historical Colossus.pdfkaushalkr1407
The Roman Empire, a vast and enduring power, stands as one of history's most remarkable civilizations, leaving an indelible imprint on the world. It emerged from the Roman Republic, transitioning into an imperial powerhouse under the leadership of Augustus Caesar in 27 BCE. This transformation marked the beginning of an era defined by unprecedented territorial expansion, architectural marvels, and profound cultural influence.
The empire's roots lie in the city of Rome, founded, according to legend, by Romulus in 753 BCE. Over centuries, Rome evolved from a small settlement to a formidable republic, characterized by a complex political system with elected officials and checks on power. However, internal strife, class conflicts, and military ambitions paved the way for the end of the Republic. Julius Caesar’s dictatorship and subsequent assassination in 44 BCE created a power vacuum, leading to a civil war. Octavian, later Augustus, emerged victorious, heralding the Roman Empire’s birth.
Under Augustus, the empire experienced the Pax Romana, a 200-year period of relative peace and stability. Augustus reformed the military, established efficient administrative systems, and initiated grand construction projects. The empire's borders expanded, encompassing territories from Britain to Egypt and from Spain to the Euphrates. Roman legions, renowned for their discipline and engineering prowess, secured and maintained these vast territories, building roads, fortifications, and cities that facilitated control and integration.
The Roman Empire’s society was hierarchical, with a rigid class system. At the top were the patricians, wealthy elites who held significant political power. Below them were the plebeians, free citizens with limited political influence, and the vast numbers of slaves who formed the backbone of the economy. The family unit was central, governed by the paterfamilias, the male head who held absolute authority.
Culturally, the Romans were eclectic, absorbing and adapting elements from the civilizations they encountered, particularly the Greeks. Roman art, literature, and philosophy reflected this synthesis, creating a rich cultural tapestry. Latin, the Roman language, became the lingua franca of the Western world, influencing numerous modern languages.
Roman architecture and engineering achievements were monumental. They perfected the arch, vault, and dome, constructing enduring structures like the Colosseum, Pantheon, and aqueducts. These engineering marvels not only showcased Roman ingenuity but also served practical purposes, from public entertainment to water supply.
8. Using my first layout design for this task as a guide to follow I started to create my first broadsheet. I opened InDesign
and created a new blank document with the correct dimensions of a current broadsheet and a 1cm margin surrounding the
whole sheet. I then created a custom grid with three columns and three rows as this is was what I estimated would be the
correct guide which would fit the flat plan to which I was working from. After this is then started to put a number of content boxes
in place that would contain the images and copy that I would be using within the page, I made sure that all of the content boxed
fit into the columns, rows and grids that I had put in place, I decided that the page should look very organised and in line as this
follows the current layout of broadsheets that are created now. After I was happy with the positioning of all of my content boxes
(which followed my first layout idea) I was then able to insert the copy which I had written for a previous unit, purposefully for a
broadsheet article, into the three columns which I had allocated for copy. I chose a suitable front out of the seven that I had
specified within my copy development and applied it to the body of text within my page, I was then able to alter the size of the
text to make sure that it would be legible to the audience of the broadsheet which meant that it would have to not be too large or
too small – I conducted some research into the usual layout of broadsheets to help me with this. When I had decided on the
correct font size I then added a finishing touch of a drop capital to start the story off, I created this effect by highlighting the first
letter, then going into the paragraph section of InDesign and choosing the option for Drop caps and Nested styles and changed
the number of lines that the drop capital should descend into the copy to 7 in order to create the desired effect. To add the final
touch to my copy I placed a pull quote within the second column between two paragraphs, I inserted it here to create some
interest within the copy and break up the text in order to make it seem more reader friendly. I applied the drop capital effect to
the first quotation mark within the quote to draw attention to it while connecting it to the first drop capital within the copy creating
balance within the body. I chose a short quote to extract from the copy to be used for the pull quote which I knew would attract
the correct audience and was relevant to the story so that it would interest the reader and draw people into the article. After I
had finalised all aspects of my copy body. I then went on to insert my header into its already chosen positioning within the
spread, I had already chosen a font which was suitable for the title and a phrase that was relevant to the story and would be
attractive to the audience too, all I had to do was select my font and type in the title. The font that I chose was eye-catching,
simplistic and distinct which, in my opinion, made it perfect from a broadsheet newspaper. The imagery was the next aspect of
the broadsheet that I had to focus on, I had already developed and sourced the images that I was going to use within the page,
and the content boxes that I had inserted in the beginning of the production of this page specified exactly where the images
were going to be positioned within the spread. I placed the images into the content boxes, resized them to fit the relevant size of
the boxes, making sure that the actual image was not pixelated and that the reader would be able to see the image clearly. The
images that I sourced and chose to use within my broadsheet creation are detailed, relevant to the story, interesting, and both
full colour and monochrome, adding more visual depth to the page as a whole. My broadsheet was then finished, and after
taking a step back and looking at the jpeg without the guides and margins, I think that this page layout is simplistic, but effective,
it ‘does what it says on the tin’ – it is communicating the story to the public in an effective way. I put a lot of effort into the
production of the page, however I do think that I could have created a page that was more visually interesting, however I do
think that it follows then conventional layout in a broadsheet. There is a small amount of white space after the end of the copy, I
could have included an advert which would have filled this space, making the page complete.
10. I decided that I would carry on using the same process as I did with starting the production of my first broadsheet page
because it was extremely effective, so I again followed the second flat plan that I produced when developing my ideas for the
broadsheet, created a blank document within InDesign and this time changed the guides to have five rows and three columns as
this was what I thought would fit in with the layout of the flat plan I produced. I then did the same as I had before and started to
insert my content boxes into the grids, making sure they were all in line and in proportion to each other, using this method of
creating the product was very effective as it meant that I knew exactly where all aspects of the page were going to be before they
were placed within the page, therefore the rest of the production could be focused on the actual design of the page. Once I had all
of the content boxes in place I started with the copy, I placed in the written work I had already produced into their relevant content
boxes as I had done with the last page layout and went on to chose a different font which I selected from my copy development.
The font that I chose for this particular broadsheet was slightly more modern compared to the one I had used in the previous
layout, I think it is simplistic and gives a slightly more informal look to the body of copy, making the text seem more reader friendly.
After I had applied the font and adjusted the size of the font accordingly I then applied the drop capital effect, using the same
technique as I had done with the previous layout, to the first character of the article again as I was happy with the effect that it
gave the copy, it adds some aesthetical interest and depth, ultimately making the page seem more attractive to the audience. I
decided that I would include a pull quite within this layout too as I like how it helps to break up the text, add some interest to the
page as a whole and can be used as a way to draw readers into reading the story. I used the same quote as I had before because
I think that it is very relevant to the story, is short enough to be eye-catching to the viewer and is appealing to the audience within
its content, this means that if someone reads the pull quote and finds it interesting, they will find the rest of the article interesting
too, and I think that this quote achieves this effect well. Instead of placing the pull quote within one column between two
paragraphs like I had done in my previous layout, I decided that the quote would sit in the middle of two columns with text
surrounding it, to create this effect it meant that the quote had to have its own content box which I created with a specific text
wrapping that meant the text would wrap around the object shape, which in this case was a square text box. I think that having the
text positioned in such a way added to the more informal feel to the copy, created by the font, and also added a different shape to
the text, instead of the copy just being aligned with the columns, it moved around the pull quote, making it look more interesting
and aesthetically pleasing. After I had finished with this aspect of the copy I then went on to insert the title into the allocated
header content box, I kept the font the same as the last broadsheet as I think that the font works well with the task and looks very
professional, I was also unable to source an alternative font that worked as well as the Lion King font. The header of this
broadsheet spans the whole of the width of the sheet, this makes the title one of the most important aspects of the broadsheet
which is why I gave the title a large size and central alignment to the page, I also altered the shape of the font and increased the
width to give the illusion that it was being slightly stretched across the page, making it eye-catching which makes it stand out
more on the page, making the story seem more urgent. Once I was happy with all aspects of the copy I could then move on to
inserting my imagery into place, I included one large image towards the top of the page and one smaller image towards the
bottom of the page, this is to make sure that when reading the story the eye has something else to look at rather that just text, it
helps break up the text and also anchor the copy. There is no white space within this page and I think that it is a very effective and
professional layout, aesthetically it looks interesting and I think it will be appealing to the audience .
12. For my third and final broadsheet page layout I followed the last idea that I produced. I created a document with the
correct dimensions for a broadsheet page within InDesign that had custom guide lines made up of four rows and four columns
with a 1cm margin around the whole page, then proceeded to insert my content boxes for the copy and images into the correct
place with correspondence to my layout flat plan. I could then use the same production routine I had used to produce my two
other broad sheets and start off my inserting my written copy into their columns and apply the correct font and size, the font that
I decided to use within this broadsheet is one which is not as formal as the first font I used and not as informal as the second
font I used, this font is somewhere between the two and I think it helps give a classic feel and look to the copy, and because of
the fact that the font was very clear, it meant that the font did not need to be increased or decreased for legibility or clarity. I
again inserted a drop capital on the first letter of the copy as I have been very happy with the effect that this achieves within the
page layout. After I was happy with the main body of the copy I inserted a pull quote using the same technique as I had with my
pervious design, I created a separate content box for the pull quote itself and made sure that its text wrapping was set so that
surrounding text would be wrapped around the object, I particularly liked using this technique as I think that it really helps to
create some form of break in the body of text and immediately adds depth to the form of the text. Although this is a good
technique to use, I do not think that I have used it very well in this case, I think that the quote is positioned too high between the
two columns as well as too close to the header, it makes the page look like all of the text has been bunched together and does
not create a balanced feel of flow throughout the page. If I had placed the pull out in the column within the rest of the text, it
would have forced the rest of the text down, meaning that there would have been less white space at the end of the story also,
however I could have avoided the problem of the white space with the use of an advertisement. When I had moved on from the
body of copy I went on to insert my title into the content box for where I wanted the header to be within the page, I had quite a
large space (three units x two units) so spread the text over three lines and had the font quite large, I think this is an opportunity
for the title itself to make an impact of the audience, the fact that the title is a pun also becomes more apparent with its
positioning, especially since it is situated in eye level of the page. I have also included a cross header within this page layout, I
think that it adds more detail to the title and helps to quickly tell the reader what the story is about, as because the title is more of
a pun it does not achieve this on its own. The font that I used for the cross header was a classic, simplistic, yet bold, font that
was extremely easily read, I ensured that it was a clear font as I was going to have the cross header much smaller than the
header, therefore it would need to be just as clear but not as bold as the title. After I had finished with the header and cross
header I could then move on to the image that I was going to use for my broadsheet, I had only included one image within this
layout, however I had I covering three units so it was a large image which would be in proportion with the amount of text that
was being included within the rest of the page. The image that I used was a busy image in full colour which included both the
victim in the story, and the villain, therefore it anchored the text well, was relevant to the story and was bold, also due to the fact
that the image is positioned above the header it almost looks as though the header is a caption for the image, which connects
them together and makes the two look very bold on the page together, making the page as a whole look very interesting. I am
very happy with this particular layout, however do think that the amount of white space towards the far right is distracting and
creates a feel of unbalance within the page, I could have rectified this with an advert or some information on the writer of the
article if I had enough time, however I do not have any time spare.