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Hannah Hoch was a German Dada artist known for her photomontages criticizing mass beauty standards, media, and racial discrimination from 1926-1935. She used cut up newspapers rearranged to comment on politics and the Weimar government. Her contemporary work was both fine art and could have commercial uses like advertising. Raoul Haussmann was a key figure in Berlin Dada, specializing in experimental photo collages inspired by Hannah Hoch, Otto Gross, and Franz Jung. His most famous work "The Mechanical Head" is one of the only surviving pieces from 1919-1920. While traditional in materials, his work was contemporary and would have been displayed in galleries for artistic purposes though possibly with
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![Hannah Hoch
Hannah Hoch was a Dada movement artist in Germany, known
best for the work she did using photomontages. The majority of
her pieces were criticizing the mass beauty industry, mass
media, she also made strong statements through her work about
racial discrimination and from 1926-1935 her work showed same
sex couples, having women be the central theme in her work from
1953-1973. Some of her most famous pieces of work were
created from cut up newspapers, which she rearranged to create
statement pieces about the Dada movement, political failings and
more specifically the failures of the Weimar German Government.
Her work was very contemporary for the time, using traditional
techniques such as paper collage to create work which was very
modern and unique. I think that Hannah Hoch’s work is hard to
define as either fine art or commercial, because it was both. She
created her artwork with the intention to shock people and to
show them her opinions in a very unique and loud way, but I
don’t think that her work would just be shown in a gallery, I think
that certain pieces such as ‘’ Das schöne Mädchen” [The Beautiful
Girl], in 1920, could be used commercially to show how the birth
of advertising changed the ideals of beauty and how beauty is
perceived. I think that in the modern day, Hannah Hoch’s work
would be shown in galleries, and I think that some of her work
would be shown specifically in feminism galleries around the
world. Although I think that when Hannah has originally released
these pieces of art, they would've been shown in newspapers as
political artwork.](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7)
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Global temperature variations and heat waves are caused by increased atmospheric greenhouse gases like carbon dioxide and methane. This leads to rising sea levels from melting ice caps and glaciers, changing seasonal patterns, and more frequent and intense forest fires and heat waves. Higher temperatures can negatively impact human health, agriculture, and water management through increased heat-related illnesses, drought, and crop failure. Individual solutions include reducing carbon footprints through transportation and consumption choices, while national and international cooperation on emissions reductions, alternative energy investment, and global agreements are needed for large-scale climate action.
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Dada
The Dada art movement began in Zurich during World War I as a rejection of prevailing standards in art through anti-art works. Dada was anti-aesthetic and intended to have no meaning, instead provoking interpretation from viewers. Notable Dada artists included Hans Arp, Marcel Duchamp, Francis Picabia, Hugo Ball, Max Ernst, and Man Ray. Duchamp challenged artistic conventions by declaring a urinal a work of art titled "Fountain" and used pseudonyms like "Rrose Selavy" in some of his works.
Dadaism-Presentation.pptx………………… zzzzzzz
The Dada art movement emerged in Zurich during World War I as a reaction against the war and traditional artistic values. It aimed to destroy conventional art and values through satire, nonsense, and anti-bourgeois works. Key figures like Hugo Ball, Tristan Tzara, and Marcel Duchamp produced provocative works and started the Cabaret Voltaire nightclub to promote Dadaism. The movement spread and challenged cultural norms through absurdist, improvisational works across media.
DADAISM.pptx
This document provides information about the Dada art movement through a series of sections. It describes Dadaism as emerging between 1916-1923 in response to World War I and cubism. Key figures like Hugo Ball and Richard Huelsenbeck founded the Cabaret Voltaire in Zurich as an early center. Notable works included Duchamp's "Fountain" and works by Schwitters, Hausmann, Höch, Arp, and Picabia that incorporated found objects, photomontage, and abstraction to protest social and political norms. Dadaism influenced later movements and innovations through its anti-establishment philosophy that questioned reason and order through irrationality and chaos.
Task 1 completed!
Jerry Uelsmann pioneered the art of photomontage in the 20th century in America. He is known for his black and white images that combine multiple prints to create surreal scenes. One iconic work shows hands emerging from a pavement holding a bird's nest, combining natural elements in an impossible way through traditional darkroom techniques. Uelsmann was influenced by photographers like Harry Callahan and explored surrealism through meticulously layered prints before the era of digital editing.
How appropriation changes the original
The document discusses the history and practice of appropriation in art over the 20th century. It explores how artists like Duchamp, Warhol, Koons, Sherman, and Prince have used and transformed appropriated images and objects in their work. While earlier appropriation changed the context or meaning of the original, more recent artists argue appropriation is necessary to comment on mass media and contemporary society. The document examines debates around originality and ownership in appropriation art.
Dada photography
Laszlo Moholy-Nagy was born in Hungary and grew up in poverty after his father abandoned the family. He studied law but his studies were interrupted when he was drafted to serve in World War I, where he began drawing. After the war, he decided to become a painter and experimented with Dadaist compositions. In 1920, he moved to Berlin where he met his first wife Lucia, also a photographer, and began experimenting with photograms. In 1923, he was invited to teach at the Bauhaus and later made avant-garde films. From 1937-1947, he dedicated himself to teaching photography and film at the New Bauhaus in Chicago until his death from leukemia in 1946.
SHGC History of Art - Part 2
The document discusses several key figures and movements associated with Dada and Surrealism. It provides background on Duchamp's readymades and how they undermined assumptions about art. It describes Dada's emergence amid World War I and the nihilistic attitudes it expressed. Key ideas included incorporating chance, undermining artistic genius, and using materials like photographs for political commentary. Figures like Picabia, Schwitters, and Man Ray employed techniques like collage, assemblage, photomontage and more to challenge conventions. Dada in Berlin had left-wing political sympathies and used photomontage for social commentary, while Surrealism aimed to access the unconscious through automatism.
Chapter 10 picturing the waste land - western europe during world war i
The Cabaret Voltaire opened in Zurich in 1916, launching the art movement known as Dada. Founded by Hugo Ball and Emmy Hennings, it attracted diverse artists and hosted performances of works rejecting logic and rationality in response to World War I. Dada soon spread to other cities and focused on nonsensical happenings and works incorporating chance to subvert artistic norms. Figures like Marcel Duchamp, Hans Arp, and Francis Picabia created readymades and works embracing happenstance that challenged definitions of art. Dada marked a revolutionary beginning of conceptual art and influence on subsequent avant-garde movements.
Heartfield +Hoch Photomontage
Two artists that use found material to create images of commentary on Politics and Social institutions.
The Modernist Era
-The Influence of Modern Art
-Pictorial Modernism
Graphic design in the first half of the twentieth century
-A New Language of form
-The Bauhaus &The New Typography
-The Modern Movement in America
Dada
The brief of the anti-art movemen DADA and the famous artworks of the dadaism.
works like L.H.O.O.Q , rectangle , the fountain by artists like
Augustbirthdays1
This document lists August birthdays of several artists and provides some information about each. Emile Nolde began creating more abstract, fantastical paintings without prototypes in August. Andy Warhol and George Bellows both created urban and political scenes. Man Ray produced his first significant photographs and proto-Dada objects in the mid-1910s. Jacques Louis David was both an artist and active supporter of Robespierre during the French Revolution.
Task 1 homework photography
Hannah Hoch was a German artist known for her collage and photomontage works during the Dada movement that critiqued how women are portrayed in media. Idris Khan is an artist who layers multiple exposures of the same or similar images, originally using photographs by Bernd and Hilla Becher, combining film techniques with a contemporary aesthetic. Man Ray was an experimental modernist who invented rayographs by taking photos without a camera and was also involved in Dada; though his subjects and techniques were innovative, he was limited to traditional film and hands-on methods as digital tools had not been created yet in the early 1900s.
Task 1 homework photography
Hannah Hoch was a German artist known for her collage and photomontage works during the Dada movement that critiqued how women are portrayed in media. Idris Khan is an artist who layers multiple exposures of the same image at different angles or zooms to create new works, originally doing this with photographs by Bernd and Hilla Becher. Man Ray was an experimental artist who invented rayographs by taking photos without a camera and was also part of the Dada movement, known for his portrait and fashion photography works created using traditional film techniques that were considered contemporary for their time.
11821, 1030 AM Straight Photographyhttpscoastdistric
1. Straight photography emerged in the early 20th century as an objective style that aimed to capture scenes without manipulation. One pioneer was Alfred Stieglitz, who depicted everyday modern life in photos like The Terminal.
2. Dada emerged during World War 1 as an anti-art movement that used absurdity, humor, and found objects to critique bourgeois society. Key figures included Marcel Duchamp, whose Fountain challenged notions of art, and Hannah Höch, who created political photomontages.
3. Surrealism built on Dada's interests but sought to access the subconscious through techniques like automatic drawing and exquisite corpses. Artists included Salvador Dali, who vividly depicted psychological
11821, 1030 AM Straight Photographyhttpscoastdistric
11/8/21, 10:30 AM Straight Photography
https://coastdistrict.instructure.com/courses/86967/assignments/1594094?module_item_id=5260973 1/3
Straight Photography
Due Sunday by 11:59pm Points 30
Submitting a text entry box, a media recording, or a file upload
Start Assignment
Straight photography emerged in the early twentieth century and was a way of thinking about
photography as independent and unique from other artistic media like painting. It attempted to capture a
scene as objectively as possible therefore it didn't rely on methods of photographic manipulation. One of
the first photographers to experiment with straight photography was Alfred Stieglitz in the late nineteenth
and early twentieth centuries. He would often employ straight photography to depict everyday scenes of
modern life as seen in his photograph The Terminal.
Alfred Stieglitz, The Terminal. 1893, printed 1911. Photogravure. Source: flickr (https://www.flickr.com/phot
os/[email protected]/3775792984/in/photolist-6KDVH3) License: CC BY-NC 2.0 (https://creativecommons.org/licenses/by-nc/
2.0/)
Watch the 10 minute video segment below from the documentary film called Alfred Stieglitz: The
Eloquent Eye (https://www.youtube.com/watch?v=2j2N1Bdh830) to learn more about Alfred Stieglitz
https://www.flickr.com/photos/[email protected]/3775792984/in/photolist-6KDVH3
https://creativecommons.org/licenses/by-nc/2.0/
https://www.youtube.com/watch?v=2j2N1Bdh830
11/8/21, 10:30 AM Straight Photography
https://coastdistrict.instructure.com/courses/86967/assignments/1594094?module_item_id=5260973 2/3
Straight Photography (1)
and his photographs.
Instructions:
1. Visit the Metropolitan Museum of Art's website
(https://www.metmuseum.org/art/collection/search/270032) and read the short description about The
Terminal by Alfred Stieglitz.
2. Take your own Stieglitz inspired photograph using the method of straight photography. Keep to his
theme of illustrating the everyday scenes of modern life--but updated to illustrate life today.
3. In a paragraph (5-6 sentences) describe how your photograph uses the method of straight
photography. Also, describe how the subject matter represents life today.
Alfred StieglitzAlfred Stieglitz
https://www.metmuseum.org/art/collection/search/270032
https://www.youtube.com/watch?v=8nc6hHSyxv8
Introduction to Art Chapter 29: Between World Wars 394
Chapter 29: Between World Wars
Dada
When you look at Marcel Duchamp’s Fountain, a factory-produced urinal he submitted as a
sculpture to the 1917 exhibition of the Society of Independent Artists in New York, you might
wonder just why this work of art has such a prominent place in art history books.
Marcel Duchamp, Fountain (original), photographed by Alfred Stieglitz in 1917 after its rejection by the Society of
Independent Artists
You would not be alone in asking this question. In fact, from the moment Duchamp purchased
the urinal, flipped it on its side, signed it with a ...
Colonial Empires About 1900This map is really important .docx
Colonial Empires About 1900
This map is really important in understanding how non-Western cultures would have a profound impact on art of the early 20th century. Africa, in particular, was divided among many nations with France taking a huge chunk. Many items would be imported into Europe and would inspire artists like Picasso and Matisse, as you will see.
HENRI MATISSE, Luxe, calme et volupté, 1904-5
Fauvism:
Bold colors of Van Gogh, but used them as complete artistic expression; figure was secondary to color, form, and line; combination of subjective expression and pure optical sensation
Called the fauves by critics who thought the artists like Matisse painted like wild beasts
Combination of Impressionism’s love of nature with Post-Impressionism’s love of expressive color; influenced by African art
Impression upon other coming of age avant-garde artists who were trying to take what Cézanne started even further
Not an entirely cohesive movement as the artists all had their own personal agendas
Henri Matisse first studied law, but in 1891 enrolled in art school and studied under Bouguereau (whose idea later rejected) then studied with Moreau in 1892 who encouraged him to follow his own direction. Later he would experiment with non-descriptive color. He met Andre Derain and Maurice de Vlaminck in 1900 who would also work in the fauvist style.
I’m showing you other works by Matisse so that you get a sense of how much he experimented during the first decade of the 20th century. This piece is a radical reinterpretation of French pastoral landscape painting. We have nudes who don’t have a care in the world, an idyllic female world. There are staccato brushstrokes and color straight from the paint tube applied in a rainbow of colors.
HENRI MATISSE, Blue Nude: Memory of Biskra, 1907
Influences of African art can be seen in the exaggeration of the female body, especially in the breasts and buttocks, and in the mask-like face. The extreme position of the body makes it look like the figure is composed of different people. The color is inherently Fauve in that it isn’t descriptive of nature. This is part of the odalisque tradition, but his painting isn’t seductive and erotic because Matisse believed that he was creating a picture, not a woman.
Figure 24-3 HENRI MATISSE, Red Room (Harmony in Red), 1908–1909. Oil on canvas, approx.
5’ 11” x 8’ 1”. State Hermitage Museum, Saint Petersburg.
This painting is more abstract. The use of color is very unconventional and gives the painting a sense of flatness. It is more decorative in surface patterning; a new pictorial space is defined by color and line. Matisse is doing something important here: he’s tell you that you’re looking at a painting, not an actual view of the world. By emphasizing the flatness of the surface, he’s emphasizing that it is a thing in and of itself.
Figure 24-6 ERNST LUDWIG KIRCHNER, Street, Dresden, 1908 (dated 1907). Oil on canvas, 4’ 11 1/4” x 6’ 6 7/8”. M.
Colonial Empires About 1900This map is really important .docx
Colonial Empires About 1900
This map is really important in understanding how non-Western cultures would have a profound impact on art of the early 20th century. Africa, in particular, was divided among many nations with France taking a huge chunk. Many items would be imported into Europe and would inspire artists like Picasso and Matisse, as you will see.
HENRI MATISSE, Luxe, calme et volupté, 1904-5
Fauvism:
Bold colors of Van Gogh, but used them as complete artistic expression; figure was secondary to color, form, and line; combination of subjective expression and pure optical sensation
Called the fauves by critics who thought the artists like Matisse painted like wild beasts
Combination of Impressionism’s love of nature with Post-Impressionism’s love of expressive color; influenced by African art
Impression upon other coming of age avant-garde artists who were trying to take what Cézanne started even further
Not an entirely cohesive movement as the artists all had their own personal agendas
Henri Matisse first studied law, but in 1891 enrolled in art school and studied under Bouguereau (whose idea later rejected) then studied with Moreau in 1892 who encouraged him to follow his own direction. Later he would experiment with non-descriptive color. He met Andre Derain and Maurice de Vlaminck in 1900 who would also work in the fauvist style.
I’m showing you other works by Matisse so that you get a sense of how much he experimented during the first decade of the 20th century. This piece is a radical reinterpretation of French pastoral landscape painting. We have nudes who don’t have a care in the world, an idyllic female world. There are staccato brushstrokes and color straight from the paint tube applied in a rainbow of colors.
HENRI MATISSE, Blue Nude: Memory of Biskra, 1907
Influences of African art can be seen in the exaggeration of the female body, especially in the breasts and buttocks, and in the mask-like face. The extreme position of the body makes it look like the figure is composed of different people. The color is inherently Fauve in that it isn’t descriptive of nature. This is part of the odalisque tradition, but his painting isn’t seductive and erotic because Matisse believed that he was creating a picture, not a woman.
Figure 24-3 HENRI MATISSE, Red Room (Harmony in Red), 1908–1909. Oil on canvas, approx.
5’ 11” x 8’ 1”. State Hermitage Museum, Saint Petersburg.
This painting is more abstract. The use of color is very unconventional and gives the painting a sense of flatness. It is more decorative in surface patterning; a new pictorial space is defined by color and line. Matisse is doing something important here: he’s tell you that you’re looking at a painting, not an actual view of the world. By emphasizing the flatness of the surface, he’s emphasizing that it is a thing in and of itself.
Figure 24-6 ERNST LUDWIG KIRCHNER, Street, Dresden, 1908 (dated 1907). Oil on canvas, 4’ 11 1/4” x 6’ 6 7/8”. M.
KCC Art 211 Ch 21 Early 20th Century
The document provides an overview of early 20th century artistic movements including Fauvism, German Expressionism, Cubism, and Futurism. It discusses key artists such as Matisse, Kirchner, Kandinsky, Picasso, and Braque and their contributions to these movements. Major developments included Fauvism's emphasis on bright color, Expressionism's focus on emotion, and Cubism's fragmentation of form through multiple perspectives.
Experimental photography
Hannah Hoch, John Heartfield, Alvin Langdon Coburn, Man Ray, and David Hockney were experimental photographers who used traditional methods to create abstract and conceptual pieces. Hoch created paper collages exploring concepts of beauty, race, and gender. Heartfield used illustrations and ink in anti-Nazi propaganda. Coburn developed abstract photographs using mirror systems. Man Ray created cameraless photograms using direct exposures. Hockney composed abstract images from multiple Polaroid photos exploring shutter speeds and movement. While using film and traditional techniques, their work pushed the boundaries of photography and conceptual art.
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Chapter 10 picturing the waste land - western europe during world war i
Chapter 10 picturing the waste land - western europe during world war i
11821, 1030 AM Straight Photographyhttpscoastdistric
11821, 1030 AM Straight Photographyhttpscoastdistric
11821, 1030 AM Straight Photographyhttpscoastdistric
11821, 1030 AM Straight Photographyhttpscoastdistric
Colonial Empires About 1900This map is really important .docx
Colonial Empires About 1900This map is really important .docx
Colonial Empires About 1900This map is really important .docx
Colonial Empires About 1900This map is really important .docx
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Social action evaluation resubmission
The document discusses an advertising campaign created for the charity SASH to prevent youth homelessness. The campaign includes three products: a bookmark, park bench advertisement, and two posters. The author believes the products are fit for purpose because they relate to the charity's goals, use bright colors to catch attention, and look cohesive as part of the same campaign. The products are also deemed appropriate for the target 16-24 year old audience through use of engaging fonts, colors, and simple designs. However, the author notes the products could more clearly communicate the charity's message and services provided.
Moodboards resubmission
This document contains 6 mood boards created for charity products for the organization SASH. Mood board one establishes a green color scheme with variations and addition of red and blue. Mood board two features images of happy families to convey positive messages. Mood board three uses images depicting different types of homelessness. Mood board four showcases sans-serif fonts that are clear and readable. Mood board five features serif fonts that stand out and draw attention. Mood board six combines texts, images, and colors from the previous boards to represent a unified set of products.
Brainstorm resubmission
The document discusses resubmitting a brainstorming assignment for a social action course. It contains ideas for improving an initial brainstorming submission by focusing the ideas into specific, actionable proposals that could create positive change in the community. The revised submission should outline concrete plans with clear goals and steps that are feasible to implement.
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The document lists 4 final products: a poster, park bench advert, bookmark, and social action for LO3 resubmissions. These appear to be creative works or community engagement projects turned in for a class.
Final recipe cards resubmission 14/05/11
This document appears to be a record of recipe card submissions by Savannah Hardwick, showing an original design that was refined followed by multiple resubmissions with new designs until an unknown final submission.
Task 10
This document summarizes Savannah Hardwick's evaluation of her final project where she created three print products - a broadsheet front cover, tabloid front cover, and fanzine. Savannah feels she managed her time well to complete all tasks on schedule. She reviewed her work in progress to ensure it met the briefs and looked like real products. Savannah learned new skills using InDesign and tailored each product to its target audience. Overall, she believes the finished products met her goals and showed the development of her technical, creative, and time management skills.
Peer feedback
The document provides feedback on three layout designs: a broadsheet newspaper, tabloid newspaper, and fanzine.
For the broadsheet, the feedback notes that the main headline font is too informal and would be better suited for a tabloid. It also suggests adding more content like advertisements.
Regarding the tabloid, the feedback praises the attention-grabbing headline font and realistic holiday advert design. It notes a minor issue with the number of asterisks used in the headline.
For the fanzine, the feedback appreciates the consistent color scheme, cropped photo style, and title fonts fitting the punk theme. It recommends using a single-colored font for readability and reducing the number of fonts used.
Peer feedback(1)
The document provides feedback on designs for different newspaper layouts: a broadsheet, tabloid, and fanzine.
For the broadsheet design, the feedback notes that the main headline font is too informal and would be better suited for a tabloid. It also suggests adding more content like advertisements.
Regarding the tabloid design, the feedback praises the attention-grabbing headline font but notes a minor issue with the number of asterisks used.
For the fanzine designs, the feedback appreciates the consistent color scheme and cropped photo style. However, it suggests using a clearer font color and reducing the number of fonts for better readability.
Task 9
This document contains sections on existing punk fanzines, style sheets for fonts and images, flat plans or layouts for a fanzine, and experiments in designing a fanzine. It includes research on punk fanzines, guidelines for typography and visual design, mockups of fanzine pages, and work samples from developing a fanzine concept.
Task 8
Savannah Hardwick created experiments for a tabloid front cover layout. She designed style sheets for fonts used in the masthead, headlines, and copy. Flat plans were made for different sections. The document describes her first experiment with a tabloid front cover layout that uses a bold headline, colorful masthead, and holiday advertisement to catch readers' attention. Savannah was happy with the overall layout and bold headline that draws readers into the story.
Task 7
This document discusses the process of designing a broadsheet newspaper page layout. It includes examples of style sheets and flat plans that were created. The author notes that their first attempt at a layout was difficult to work with and they disliked the image placement. They experimented with different designs before settling on a final layout that did not use a flat plan but instead placed elements within basic grid guides. The author notes some elements like the large image could be improved and provides an overview of their final broadsheet design.
Task 6
This document summarizes an experimental photography student's photomontage projects. For the first project, the student created a photomontage from photos of an artistic map, experimenting with brightness, saturation, and adding a blue stroke around each layer. They moved the images to distort the original image. For the second project, the student was inspired by David Hockney's photomontages and created one from photos of a corridor at different angles and layers. The student evaluated their work and discussed technical qualities like post-production techniques as well as areas for improvement such as composition and original photo quality.
Task 6
This document outlines 9 experiments conducted as part of a task. Each experiment is given its own header but no other details are provided about the purpose, methods, or results of the individual experiments. The document provides only a high-level structure with experiment headers but no other substantive information.
Task 5
This document discusses 4 experiments related to a factual page layout task. Each experiment is given a heading but no other details are provided about the purpose, methods, or results of the individual experiments. The document provides a high-level structure but lacks specifics about the content and outcomes of the experiments.
Task 4 a
This document outlines 6 experiments conducted using InDesign page layouts with grids. Each experiment is labeled and involves using grids for the page layout in InDesign.
Task 3
This document outlines the layout elements for different types of publications, including magazine double page spreads, newspaper front covers, and magazine double page spreads. It identifies common elements such as grids, columns, headlines, pull quotes, captions, and white space that structure the content and flow of information across pages. Standard design conventions like orientation, margins, and baselines are also noted to achieve a coherent aesthetic across a publication.
Task 1
This how-to guide provides simple instructions for making paleo pancakes. The guide uses a muted color palette of greys and features images showing each step of the recipe alongside short, clear instructions in a simple font. The images and formatting help make the recipe easy to follow visually and through short, declarative sentences. The guide aims to provide accurate instructions for readers to interpret and follow as they wish to make the paleo pancakes.
Task 1, factual page layout
This document summarizes a how-to guide for making paleo pancakes. The guide uses simple images and minimal text written in an informal register. The color palette is muted greys and the images are emphasized with grey borders. Important text like the title and ingredients are written in a darker, capitalized grey to stand out. Overall, the guide has a simple, easy-to-follow design to clearly instruct readers on the paleo pancake recipe.
Task 6
The document summarizes the student's experimental photography assignments exploring photomontage techniques. For the first image, the student manipulated brightness, saturation, and added a blue stroke around layered images of a map. They found this abstract approach most successful. The second image aimed to emulate David Hockney's style by layering corridor photos and editing colors. For the third, the student created a Hockney-inspired grid with individual square manipulations like opacity and overlays. Overall, the assignments explored locations through photomontage, with influences from Hockney, to fulfill the theme of discovery through experimental photography.
Task 5
The student plans to create photomontages using images taken around York College from February 5th-7th 2014 with a Canon EOS Rebel T3i DSLR camera. The images will be of various locations on and around campus and will be combined in Photoshop using the photomontage technique to rearrange the scenes in disjointed or collaged compositions. The goal is to create three images - one where the location is clearly visible, one where it is less clear, and one that is highly disjointed and unclear. Mixed media may also be added to the printed photomontages. Post-production work like manually moving images and altering colors will be done to further disjoint some of the images. A variety
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Task 1
- 2. Hannah Hoch Hannah Hoch was a Dada movement artist in Germany, known best for the work she did using photomontages. The majority of her pieces were criticizing the mass beauty industry, mass media, she also made strong statements through her work about racial discrimination and from 1926-1935 her work showed same sex couples, having women be the central theme in her work from 1953-1973. Some of her most famous pieces of work were created from cut up newspapers, which she rearranged to create statement pieces about the Dada movement, political failings and more specifically the failures of the Weimar German Government. Her work was very contemporary for the time, using traditional techniques such as paper collage to create work which was very modern and unique. I think that Hannah Hoch’s work is hard to define as either fine art or commercial, because it was both. She created her artwork with the intention to shock people and to show them her opinions in a very unique and loud way, but I don’t think that her work would just be shown in a gallery, I think that certain pieces such as ‘’ Das schöne Mädchen” [The Beautiful Girl], in 1920, could be used commercially to show how the birth of advertising changed the ideals of beauty and how beauty is perceived. I think that in the modern day, Hannah Hoch’s work would be shown in galleries, and I think that some of her work would be shown specifically in feminism galleries around the world. Although I think that when Hannah has originally released these pieces of art, they would've been shown in newspapers as political artwork.
- 3. Raoul Haussmann Raoul Haussmann was one of the key persons in the Dada movement within Berlin. He worked with experimental photography, specializing in photo collages. He met 3 people who he claims were his main inspirations for wanting to start collaging, these were Hannah Hoch, Otto Gross and Franz Jung. His first experience with seeing a photomontage was when he and Hannah Hoch were holidaying, they saw a painting in their hotel room in which young boys faces had been glued to the faces of soldiers. He claimed that this was ‘like a thunderbolt ‘ he then went back to Berlin and began creating images using newspaper cuttings. One of Haussmann's most famous works was The Mechanical Head (the spirit of our time) and Is the only surviving piece from 1919-1920. His work was very contemporary, creating photomontages was very new for that time, although his work was traditional in the way that it was made from newspapers and collaging, and not from digital editing. Haussmann’s work is fine art, it would be shown in galleries and then would be sold on. Although there is a possibility that it could be used for commercial use, it is much more likely that it would be for artisitc reasons.
- 4. Alice Lipping Alice Lipping is a contemporary artist who photographs primarily surfaces and structures. She believes in using minimal colours and trying to capture the distressed subject in a unique way. Working in New York City, she attended art school and is now working on her portfolio, using her work for commercial reasons, and she also recently had her work featured in a ‘up and coming new artists’ gallery show. Her work Is very non traditional and contemporary, using digital cameras and Photoshop to edit her images. Her work would be shown in galleries and could also be used for a wide variety of commercial outcomes, such as advertisements or for covers of CD’s due to the contemporary look of them.