about history of modern art.
trying to define Fauvism in a little presentation .. the art of early 20th century, or a little art movement of history...
about history of modern art.
trying to define Fauvism in a little presentation .. the art of early 20th century, or a little art movement of history...
AGNY Study Pack # 1Tenth Street Studios, 51 West 10th .docxgalerussel59292
AGNY Study Pack # 1
Tenth Street Studios,
51 West 10th 1857-1956
2
The Heart of the Andes, 1859 Frederic Edwin Church
3
William Merritt Chase, Interior of the Artist’s Studio, 1882
4
James Abbott McNeill Whistler, Nocturne in Black and Gold: The Falling Rocket, ca. 1875
5
Cassatt, Little Girl in a Blue Armchair, 1878
6
Tanner, View of the Seine Looking Toward Nôtre Dame, 1896
7
Romaine Brooks,
Self-Portrait, 1922
8
Hopper, Steps in Paris, 1906
9
Edward Hopper: The Paris YearsFebruary 22 - June 1, 2003ハEdward Hopper was the J.D. Salinger of American painters, an extremely private man who granted few interviews. Much of what scholars know about his work comes from his wife Jo Nivison-Hopper's journals. Edward Hopper: The Paris Years, organized by the Whitney Museum of American Art of New York, provides a tantalizing look at the early work of one of America's best known figurative painters. The exhibition of 45 paintings and 10 works on paper opens at Charlotte, NC's Mint Museum of Art on February 22 and runs through June 1, 2003. (left: Edward Hopper (1882-1967), Steps in Paris, 1906, oil on wood, 13 x 9 3/16 inches, Collection of the Whitney Museum of American Art, New York, from a 1970 bequest from Josephine N. Hopper)Hopper said little about even his most accomplished paintings, believing the work should speak for itself. Scholars have been left to speculate on influences on his career, from his realist art instructors Robert Henri, William Merritt Chase andKenneth Hayes Miller at the New York School of Art to the psychological reaction of a young man raised in a small town coming to grips with isolation and loss of community in the urban modern age that was New York City at the turn of the century. The answer may be found in Paris, in verse rather than on canvas. (right: Edward Hopper (1882-1967), Notre Dame, No. 2, 1907, oil on canvas, 23 1/2 x 28 3/4 inches, Collection of the Whitney Museum of American Art, New York, from a 1970 bequest from Josephine N. Hopper)Edward Hopper's early talent for drawing and painting was encouraged by his mother Elizabeth. The family's middle class concern for his future financial security influenced Edward to attend The New York School of Illustrating before transferring to the New York School of Art. Hopper would work more than fifteen years as a commercial illustrator, work that he despised. His skill at painting watercolors, however, is attributed to the years spent as an illustrator. He was able to master strokes with the brush and had a remarkable eye for being able to adjust a composition to where it would have the most immediate anddramatic impact on the viewer.After six years of study at the New York School of Art, Hopper left for France in October, 1906. His Paris studies coincided with an exciting era in the history of the Modern movement. Hopper, however, was untouched by Fauvist and Cubist art popular at the time, continuing instead to follow.
AGNY Study Pack # 1Tenth Street Studios, 51 West 10th .docxjack60216
AGNY Study Pack # 1
Tenth Street Studios,
51 West 10th 1857-1956
2
The Heart of the Andes, 1859 Frederic Edwin Church
3
William Merritt Chase, Interior of the Artist’s Studio, 1882
4
James Abbott McNeill Whistler, Nocturne in Black and Gold: The Falling Rocket, ca. 1875
5
Cassatt, Little Girl in a Blue Armchair, 1878
6
Tanner, View of the Seine Looking Toward Nôtre Dame, 1896
7
Romaine Brooks,
Self-Portrait, 1922
8
Hopper, Steps in Paris, 1906
9
Edward Hopper: The Paris YearsFebruary 22 - June 1, 2003ハEdward Hopper was the J.D. Salinger of American painters, an extremely private man who granted few interviews. Much of what scholars know about his work comes from his wife Jo Nivison-Hopper's journals. Edward Hopper: The Paris Years, organized by the Whitney Museum of American Art of New York, provides a tantalizing look at the early work of one of America's best known figurative painters. The exhibition of 45 paintings and 10 works on paper opens at Charlotte, NC's Mint Museum of Art on February 22 and runs through June 1, 2003. (left: Edward Hopper (1882-1967), Steps in Paris, 1906, oil on wood, 13 x 9 3/16 inches, Collection of the Whitney Museum of American Art, New York, from a 1970 bequest from Josephine N. Hopper)Hopper said little about even his most accomplished paintings, believing the work should speak for itself. Scholars have been left to speculate on influences on his career, from his realist art instructors Robert Henri, William Merritt Chase andKenneth Hayes Miller at the New York School of Art to the psychological reaction of a young man raised in a small town coming to grips with isolation and loss of community in the urban modern age that was New York City at the turn of the century. The answer may be found in Paris, in verse rather than on canvas. (right: Edward Hopper (1882-1967), Notre Dame, No. 2, 1907, oil on canvas, 23 1/2 x 28 3/4 inches, Collection of the Whitney Museum of American Art, New York, from a 1970 bequest from Josephine N. Hopper)Edward Hopper's early talent for drawing and painting was encouraged by his mother Elizabeth. The family's middle class concern for his future financial security influenced Edward to attend The New York School of Illustrating before transferring to the New York School of Art. Hopper would work more than fifteen years as a commercial illustrator, work that he despised. His skill at painting watercolors, however, is attributed to the years spent as an illustrator. He was able to master strokes with the brush and had a remarkable eye for being able to adjust a composition to where it would have the most immediate anddramatic impact on the viewer.After six years of study at the New York School of Art, Hopper left for France in October, 1906. His Paris studies coincided with an exciting era in the history of the Modern movement. Hopper, however, was untouched by Fauvist and Cubist art popular at the time, continuing instead to follow.
11821, 1030 AM Straight PhotographyhttpscoastdistricSantosConleyha
11/8/21, 10:30 AM Straight Photography
https://coastdistrict.instructure.com/courses/86967/assignments/1594094?module_item_id=5260973 1/3
Straight Photography
Due Sunday by 11:59pm Points 30
Submitting a text entry box, a media recording, or a file upload
Start Assignment
Straight photography emerged in the early twentieth century and was a way of thinking about
photography as independent and unique from other artistic media like painting. It attempted to capture a
scene as objectively as possible therefore it didn't rely on methods of photographic manipulation. One of
the first photographers to experiment with straight photography was Alfred Stieglitz in the late nineteenth
and early twentieth centuries. He would often employ straight photography to depict everyday scenes of
modern life as seen in his photograph The Terminal.
Alfred Stieglitz, The Terminal. 1893, printed 1911. Photogravure. Source: flickr (https://www.flickr.com/phot
os/[email protected]/3775792984/in/photolist-6KDVH3) License: CC BY-NC 2.0 (https://creativecommons.org/licenses/by-nc/
2.0/)
Watch the 10 minute video segment below from the documentary film called Alfred Stieglitz: The
Eloquent Eye (https://www.youtube.com/watch?v=2j2N1Bdh830) to learn more about Alfred Stieglitz
https://www.flickr.com/photos/[email protected]/3775792984/in/photolist-6KDVH3
https://creativecommons.org/licenses/by-nc/2.0/
https://www.youtube.com/watch?v=2j2N1Bdh830
11/8/21, 10:30 AM Straight Photography
https://coastdistrict.instructure.com/courses/86967/assignments/1594094?module_item_id=5260973 2/3
Straight Photography (1)
and his photographs.
Instructions:
1. Visit the Metropolitan Museum of Art's website
(https://www.metmuseum.org/art/collection/search/270032) and read the short description about The
Terminal by Alfred Stieglitz.
2. Take your own Stieglitz inspired photograph using the method of straight photography. Keep to his
theme of illustrating the everyday scenes of modern life--but updated to illustrate life today.
3. In a paragraph (5-6 sentences) describe how your photograph uses the method of straight
photography. Also, describe how the subject matter represents life today.
Alfred StieglitzAlfred Stieglitz
https://www.metmuseum.org/art/collection/search/270032
https://www.youtube.com/watch?v=8nc6hHSyxv8
Introduction to Art Chapter 29: Between World Wars 394
Chapter 29: Between World Wars
Dada
When you look at Marcel Duchamp’s Fountain, a factory-produced urinal he submitted as a
sculpture to the 1917 exhibition of the Society of Independent Artists in New York, you might
wonder just why this work of art has such a prominent place in art history books.
Marcel Duchamp, Fountain (original), photographed by Alfred Stieglitz in 1917 after its rejection by the Society of
Independent Artists
You would not be alone in asking this question. In fact, from the moment Duchamp purchased
the urinal, flipped it on its side, signed it with a ...
11821, 1030 AM Straight PhotographyhttpscoastdistricBenitoSumpter862
11/8/21, 10:30 AM Straight Photography
https://coastdistrict.instructure.com/courses/86967/assignments/1594094?module_item_id=5260973 1/3
Straight Photography
Due Sunday by 11:59pm Points 30
Submitting a text entry box, a media recording, or a file upload
Start Assignment
Straight photography emerged in the early twentieth century and was a way of thinking about
photography as independent and unique from other artistic media like painting. It attempted to capture a
scene as objectively as possible therefore it didn't rely on methods of photographic manipulation. One of
the first photographers to experiment with straight photography was Alfred Stieglitz in the late nineteenth
and early twentieth centuries. He would often employ straight photography to depict everyday scenes of
modern life as seen in his photograph The Terminal.
Alfred Stieglitz, The Terminal. 1893, printed 1911. Photogravure. Source: flickr (https://www.flickr.com/phot
os/[email protected]/3775792984/in/photolist-6KDVH3) License: CC BY-NC 2.0 (https://creativecommons.org/licenses/by-nc/
2.0/)
Watch the 10 minute video segment below from the documentary film called Alfred Stieglitz: The
Eloquent Eye (https://www.youtube.com/watch?v=2j2N1Bdh830) to learn more about Alfred Stieglitz
https://www.flickr.com/photos/[email protected]/3775792984/in/photolist-6KDVH3
https://creativecommons.org/licenses/by-nc/2.0/
https://www.youtube.com/watch?v=2j2N1Bdh830
11/8/21, 10:30 AM Straight Photography
https://coastdistrict.instructure.com/courses/86967/assignments/1594094?module_item_id=5260973 2/3
Straight Photography (1)
and his photographs.
Instructions:
1. Visit the Metropolitan Museum of Art's website
(https://www.metmuseum.org/art/collection/search/270032) and read the short description about The
Terminal by Alfred Stieglitz.
2. Take your own Stieglitz inspired photograph using the method of straight photography. Keep to his
theme of illustrating the everyday scenes of modern life--but updated to illustrate life today.
3. In a paragraph (5-6 sentences) describe how your photograph uses the method of straight
photography. Also, describe how the subject matter represents life today.
Alfred StieglitzAlfred Stieglitz
https://www.metmuseum.org/art/collection/search/270032
https://www.youtube.com/watch?v=8nc6hHSyxv8
Introduction to Art Chapter 29: Between World Wars 394
Chapter 29: Between World Wars
Dada
When you look at Marcel Duchamp’s Fountain, a factory-produced urinal he submitted as a
sculpture to the 1917 exhibition of the Society of Independent Artists in New York, you might
wonder just why this work of art has such a prominent place in art history books.
Marcel Duchamp, Fountain (original), photographed by Alfred Stieglitz in 1917 after its rejection by the Society of
Independent Artists
You would not be alone in asking this question. In fact, from the moment Duchamp purchased
the urinal, flipped it on its side, signed it with a ...
The Legacy of Breton In A New Age by Master Terrance LindallBBaez1
Brave Destiny 2003 for the Future for Technocratic Surrealmageddon Destiny for Andre Breton Legacy in Agenda 21 Technocratic Great Reset for Prison Planet Earth Galactica! The Prophecy of the Surreal Blasphemous Desires from the Paradise Lost Governments!
thGAP - BAbyss in Moderno!! Transgenic Human Germline Alternatives ProjectMarc Dusseiller Dusjagr
thGAP - Transgenic Human Germline Alternatives Project, presents an evening of input lectures, discussions and a performative workshop on artistic interventions for future scenarios of human genetic and inheritable modifications.
To begin our lecturers, Marc Dusseiller aka "dusjagr" and Rodrigo Martin Iglesias, will give an overview of their transdisciplinary practices, including the history of hackteria, a global network for sharing knowledge to involve artists in hands-on and Do-It-With-Others (DIWO) working with the lifesciences, and reflections on future scenarios from the 8-bit computer games of the 80ies to current real-world endeavous of genetically modifiying the human species.
We will then follow up with discussions and hands-on experiments on working with embryos, ovums, gametes, genetic materials from code to slime, in a creative and playful workshop setup, where all paticipant can collaborate on artistic interventions into the germline of a post-human future.
2137ad Merindol Colony Interiors where refugee try to build a seemengly norm...luforfor
This are the interiors of the Merindol Colony in 2137ad after the Climate Change Collapse and the Apocalipse Wars. Merindol is a small Colony in the Italian Alps where there are around 4000 humans. The Colony values mainly around meritocracy and selection by effort.
2137ad - Characters that live in Merindol and are at the center of main storiesluforfor
Kurgan is a russian expatriate that is secretly in love with Sonia Contado. Henry is a british soldier that took refuge in Merindol Colony in 2137ad. He is the lover of Sonia Contado.
Explore the multifaceted world of Muntadher Saleh, an Iraqi polymath renowned for his expertise in visual art, writing, design, and pharmacy. This SlideShare delves into his innovative contributions across various disciplines, showcasing his unique ability to blend traditional themes with modern aesthetics. Learn about his impactful artworks, thought-provoking literary pieces, and his vision as a Neo-Pop artist dedicated to raising awareness about Iraq's cultural heritage. Discover why Muntadher Saleh is celebrated as "The Last Polymath" and how his multidisciplinary talents continue to inspire and influence.
The perfect Sundabet Slot mudah menang Promo new member Animated PDF for your conversation. Discover and Share the best GIFs on Tenor
Admin Ramah Cantik Aktif 24 Jam Nonstop siap melayani pemain member Sundabet login via apk sundabet rtp daftar slot gacor daftar
2. Synopsis
Dada was an artistic and literary movement that began in 1916
in Zurich, Switzerland. It arose as a reaction to World War I, and the
nationalism, and rationalism, which many thought had brought war
about. Influenced by ideas and innovations from several early avant-
gardes– its output was wildly diverse, ranging from performance art to
poetry, photography, sculpture, painting and collage.
many cities, including Berlin, Hanover, Paris, New York and Cologne, all
of which generated their own groups. The movement is believed to
have dissipated with the arrival
of Surrealist in France.
3. History
The dada movement began around
1915 and continued until about 1923.
For many it was an anti-war (World
War I) movement protesting
traditional beliefs of art.
4. The artists were shocked by the war,
and wanted to produce something
shocking.
They wanted to be different and
produce things
that were different.
5. Chance
In an effort to defy the "rational" cultural
norms that Dada blamed for the bloodshed of
World War I, many artists within this movement
turned to "chance" to create their art. For
example, Jean Arp would create collages from
scraps of paper that he let fall onto the canvas.
8. About the Man ray
Become a leading figure in Dada movement in
New york. Painter Photographer
Man ray(27,Aug,1976)- (18,nov,1976)
• Born Emmanuel Radnitz , was an American
artist who spent most of his career in Paris,
France.
• he was a Significant contributor to both the
Dada and surrealist movement
10. Le Cadeau (The Gift) (1921)
This piece was made in the afternoon on the
opening day of Man Ray's rst solo show in Paris.
It was intended as a gift to the gallery owner,
the poet Philippe Soupault , and Ray added it to
the show at the last minute. But the object
received much attention and disappeared at the
end of the opening.
11. Dark Room Photography
• Darkrooms are rooms
that can be made
completely dark to
allow the processing
of light sensitive
photography paper or
film
• Have been created
and used since the
establishment of
photography in the
early 19th century
12. Le Violon
• Title : Le Violon
• Artist : Man ray
• Culture : American
• Medium: Gelatin silver Print
• Dimensions: 29.6 × 22.7 cm
13. Le Violon
This photograph has the symmetric effect of the (f)
embodied on the models body showing the similarities of
the two halves of the body of a woman.it has also
observed the rule of the intricacies of lighting and
printing, if you take a look at the back ground, there is an
angle of the lighting that is observed from right to left.
The right side is dark and continuously fades to the left.
There is also the effect of
shade on the models body that tells where the lighting is
placed.
14. Other work of Man ray
Internation Exhibition
of Surrealism
( 1938)
Noire et Blanche
(1926)