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Studying Dance HistoryStudying Dance History
Chapter 1 & 2Chapter 1 & 2
History of DanceHistory of Dance
Dance history is the study ofDance history is the study of
4 basic areas :4 basic areas :
 Design and practice of the dance itselfDesign and practice of the dance itself
 Dancers and other artistsDancers and other artists
 Dance worksDance works
 Dance literatureDance literature
Can you give an example of each area?Can you give an example of each area?
We study dance in theWe study dance in the contextcontext of aof a
particular place & time period-particular place & time period-
Visual arts
Theatrical
elements
Music
Society
Culture
History
Geography
Performance
setting
Dance
All of
these
factors are
connecting
and
interacting
What do you learn about
dance in the French courts
of 17th
-18th
century
France?
To study Native American
dance we must consider
the context of when and
where the dances occur.
What do you learn about
these dances from the
images?
Primary and Secondary SourcesPrimary and Secondary Sources
((resources for studying dance history & researching dance)resources for studying dance history & researching dance)
 PrimaryPrimary (first hand accounts)(first hand accounts)
autobiography, eyewitness, dairies,autobiography, eyewitness, dairies,
choreography notes by thechoreography notes by the
choreographerchoreographer
 SecondarySecondary (synthesis of primary sources)(synthesis of primary sources)
-the writings of researchers and scholars-the writings of researchers and scholars
which includes their interpretations,which includes their interpretations,
opinions, and points of view of primaryopinions, and points of view of primary
sourcessources
Historical FrameworksHistorical Frameworks
Historians divide history into:Historians divide history into:
millenniums (1000),millenniums (1000),
centuries (100),centuries (100),
decades (10),decades (10),
periods or eras- which can span many years orperiods or eras- which can span many years or
even centuries (i.e. Romantic Era)even centuries (i.e. Romantic Era)
 BC - Before Christ, or BCE before Common Era-BC - Before Christ, or BCE before Common Era-
years counted backwardsyears counted backwards
 AD –anno Domini (“the year of our lord”) or CEAD –anno Domini (“the year of our lord”) or CE
-Common Era- years counted forward-Common Era- years counted forward
Ancient Civilizations (4000BC-476AD)
Early
Medieval (500–1400)
Renaissance (1400–1600)
Baroque (1600–1760)
Common practice
Baroque (1600–1760)
Classical (1750–1830)
Romantic (1815–1910)
Modern and contemporary
20th century (1900–2000)
Contemporary (1975–present)
21st century (2000–present)
Periods in European art:Periods in European art:
What are the tools forWhat are the tools for
recording dances fromrecording dances from
the past and present?the past and present?
Notes on ChoreographyNotes on Choreography
 DiariesDiaries
 Dance manuals (i.e. “How to manuals”Dance manuals (i.e. “How to manuals”
during the Renaissance Period)during the Renaissance Period)
 Choreographic notes on a dance by theChoreographic notes on a dance by the
choreographerchoreographer
 Dance NotationDance Notation
 Written reviews by dance criticsWritten reviews by dance critics
Dance NotationDance Notation
Fuellet Notation-
18th century
Labanotation-
20th
century
Benesh Movement
Notation- 20th
century
IconographyIconography
(painting, line drawing, or photograph)(painting, line drawing, or photograph)
Paintings of ballerinas by Edgar Degas
IconographyIconography
Cave paintingsCave paintings
IconographyIconography
Photographs by Barbara
Morgan
Pearl
Primus
Erick
Hawkins
Martha Graham
IconographyIconography
drawingsdrawings
Isadora Duncan
Rite of Spring by
Nijinsky, drawings of
Valentine Gross
IconographyIconography
bas-relief / sculpturebas-relief / sculpture
Greek Military Dance
Greek Pyrrhic Dance
Dance of the
Handmaidens
Geranos Dance
Oral TraditionOral Tradition
Dances are passed down from one generation to the nextDances are passed down from one generation to the next
 Artist and teachers teach dances to their studentsArtist and teachers teach dances to their students
who in turn teach their studentswho in turn teach their students
 Principal dancers coach other dancers to interpretPrincipal dancers coach other dancers to interpret
a role (i.e. the role of Giselle in ballet)a role (i.e. the role of Giselle in ballet)
 Social and Folk dances (i.e. Western two-step orSocial and Folk dances (i.e. Western two-step or
a Jewish wedding dance) is taught informally ata Jewish wedding dance) is taught informally at
gatherings from one generation to the next)gatherings from one generation to the next)
 Archives of written accounts or oral recordings ofArchives of written accounts or oral recordings of
dance and performing experiencesdance and performing experiences
Electronic Dance RecordingsElectronic Dance Recordings
 FilmFilm
 VideoVideo
 Internet (i.e.YouTube)Internet (i.e.YouTube)
Accessing Dance Through Other ArtsAccessing Dance Through Other Arts
 Written musical scoreWritten musical score
 Set designsSet designs
 Costume designsCostume designs
 Lighting designsLighting designs
 Dance spacesDance spaces
 Visual arts- studying an art period inVisual arts- studying an art period in
relationship to the dance during thatrelationship to the dance during that
period (i.e. Baroque Period in art &period (i.e. Baroque Period in art &
ballet)ballet)
Ballet CostumingBallet Costuming
18th century 19th
century 20th
century
Ballet Set DesignsBallet Set Designs
Giselle – Act II
1841 “Realism”
Afternoon of a Faun
1912 “Impressionism”

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DAN 3310 - 01 Studying Dance History

  • 1. Studying Dance HistoryStudying Dance History Chapter 1 & 2Chapter 1 & 2 History of DanceHistory of Dance
  • 2. Dance history is the study ofDance history is the study of 4 basic areas :4 basic areas :  Design and practice of the dance itselfDesign and practice of the dance itself  Dancers and other artistsDancers and other artists  Dance worksDance works  Dance literatureDance literature Can you give an example of each area?Can you give an example of each area?
  • 3. We study dance in theWe study dance in the contextcontext of aof a particular place & time period-particular place & time period- Visual arts Theatrical elements Music Society Culture History Geography Performance setting Dance All of these factors are connecting and interacting
  • 4. What do you learn about dance in the French courts of 17th -18th century France?
  • 5. To study Native American dance we must consider the context of when and where the dances occur. What do you learn about these dances from the images?
  • 6. Primary and Secondary SourcesPrimary and Secondary Sources ((resources for studying dance history & researching dance)resources for studying dance history & researching dance)  PrimaryPrimary (first hand accounts)(first hand accounts) autobiography, eyewitness, dairies,autobiography, eyewitness, dairies, choreography notes by thechoreography notes by the choreographerchoreographer  SecondarySecondary (synthesis of primary sources)(synthesis of primary sources) -the writings of researchers and scholars-the writings of researchers and scholars which includes their interpretations,which includes their interpretations, opinions, and points of view of primaryopinions, and points of view of primary sourcessources
  • 7. Historical FrameworksHistorical Frameworks Historians divide history into:Historians divide history into: millenniums (1000),millenniums (1000), centuries (100),centuries (100), decades (10),decades (10), periods or eras- which can span many years orperiods or eras- which can span many years or even centuries (i.e. Romantic Era)even centuries (i.e. Romantic Era)  BC - Before Christ, or BCE before Common Era-BC - Before Christ, or BCE before Common Era- years counted backwardsyears counted backwards  AD –anno Domini (“the year of our lord”) or CEAD –anno Domini (“the year of our lord”) or CE -Common Era- years counted forward-Common Era- years counted forward
  • 8. Ancient Civilizations (4000BC-476AD) Early Medieval (500–1400) Renaissance (1400–1600) Baroque (1600–1760) Common practice Baroque (1600–1760) Classical (1750–1830) Romantic (1815–1910) Modern and contemporary 20th century (1900–2000) Contemporary (1975–present) 21st century (2000–present) Periods in European art:Periods in European art:
  • 9. What are the tools forWhat are the tools for recording dances fromrecording dances from the past and present?the past and present?
  • 10. Notes on ChoreographyNotes on Choreography  DiariesDiaries  Dance manuals (i.e. “How to manuals”Dance manuals (i.e. “How to manuals” during the Renaissance Period)during the Renaissance Period)  Choreographic notes on a dance by theChoreographic notes on a dance by the choreographerchoreographer  Dance NotationDance Notation  Written reviews by dance criticsWritten reviews by dance critics
  • 11. Dance NotationDance Notation Fuellet Notation- 18th century Labanotation- 20th century Benesh Movement Notation- 20th century
  • 12. IconographyIconography (painting, line drawing, or photograph)(painting, line drawing, or photograph) Paintings of ballerinas by Edgar Degas
  • 15. IconographyIconography drawingsdrawings Isadora Duncan Rite of Spring by Nijinsky, drawings of Valentine Gross
  • 16. IconographyIconography bas-relief / sculpturebas-relief / sculpture Greek Military Dance Greek Pyrrhic Dance Dance of the Handmaidens Geranos Dance
  • 17. Oral TraditionOral Tradition Dances are passed down from one generation to the nextDances are passed down from one generation to the next  Artist and teachers teach dances to their studentsArtist and teachers teach dances to their students who in turn teach their studentswho in turn teach their students  Principal dancers coach other dancers to interpretPrincipal dancers coach other dancers to interpret a role (i.e. the role of Giselle in ballet)a role (i.e. the role of Giselle in ballet)  Social and Folk dances (i.e. Western two-step orSocial and Folk dances (i.e. Western two-step or a Jewish wedding dance) is taught informally ata Jewish wedding dance) is taught informally at gatherings from one generation to the next)gatherings from one generation to the next)  Archives of written accounts or oral recordings ofArchives of written accounts or oral recordings of dance and performing experiencesdance and performing experiences
  • 18. Electronic Dance RecordingsElectronic Dance Recordings  FilmFilm  VideoVideo  Internet (i.e.YouTube)Internet (i.e.YouTube)
  • 19. Accessing Dance Through Other ArtsAccessing Dance Through Other Arts  Written musical scoreWritten musical score  Set designsSet designs  Costume designsCostume designs  Lighting designsLighting designs  Dance spacesDance spaces  Visual arts- studying an art period inVisual arts- studying an art period in relationship to the dance during thatrelationship to the dance during that period (i.e. Baroque Period in art &period (i.e. Baroque Period in art & ballet)ballet)
  • 20. Ballet CostumingBallet Costuming 18th century 19th century 20th century
  • 21. Ballet Set DesignsBallet Set Designs Giselle – Act II 1841 “Realism” Afternoon of a Faun 1912 “Impressionism”