Georgy Cohen
                                 @radiofreegeorgy



                                                       Storytelling as
                                                        a Framework
                                                        for Higher Ed
http://www.ïŹ‚ickr.com/photos/pandora_6666/4927859168/
                                                       Web Marketing
Ant and shark 1/3




                    Credit: @tsand’s daughter /
Ant and shark 2/3




                    Credit: @tsand’s daughter /
Ant and shark 3/3




                    Credit: @tsand’s daughter /
“   Web Communications' mission is
    to use the Web and emerging
    technologies to engage our
    audience with the Tufts story
    and to enable our partners across
    the university to do the same.
“   There is no stronger bridge
    between you and your audience
    than a compelling narrative.
What are
stories?
http://www.ïŹ‚ickr.com/photos/functoruser/244207662/lightbox/
National Storytelling Network




“   Storytelling is the interactive art
    of using words and actions to
    reveal the elements and images
    of a story while encouraging the
    listener’s imagination.
    www.storynet.org/resources/whatisstorytelling.html
(Some random
site)



“   A story is the graphing of a
    character's emotional
    experience from the
    moment it begins to its
    logical conclusion.
    http://members.fortunecity.com/nadabs/literature-storystructure.html
Ordinary people doing
 extraordinary things
Daniel Pink,
“A Whole New Mind”



“   [Story] is becoming a
    key way for individuals
    and entrepreneurs to
    distinguish their
    goods and services in
    a crowded marketplace.
Why stories
    matter
Storytelling was the ïŹrst
 social media platform.
Storytelling was the ïŹrst
 social media platform.

   OMG!
 
  Srsly??
Storytelling is an act of
   community, sharing
   values and knowledge




http://www.ïŹ‚ickr.com/photos/jasonpratt/4807746068/
Stories draw strength from
   the number of people
   who share them.




http://www.ïŹ‚ickr.com/photos/turneround/5398112759/
The parable of Lot’s wife
The parable of Lot’s wife

is also found in Greek, Jewish, Indian, French Canadian,
Lithuanian, Chinese, Eskimo, Polynesian, Hawaiian, South
American and African folklore.     Source: Archetypes and motifs in folklore and literature:
                                                 a handbook, Jane Garry, Hasan M. El-Shamy
http://www.ïŹ‚ickr.com/photos/turneround/5398112759/
We see
                                                     in stories.




http://www.ïŹ‚ickr.com/photos/turneround/5398112759/
We see
                                                     ourselves
                                                     in stories.



http://www.ïŹ‚ickr.com/photos/turneround/5398112759/
We tend to “storicize” abstract shapes
  and seek ourselves in the objects around us.




Credit: Clara FernĂĄndez-Vara, Postdoctoral
http://www.ïŹ‚ickr.com/photos/turneround/5398112759/ Researcher, Singapore-MIT GAMBIT Game Lab
Heider, F.,  Simmel, M. (1944) An experimental study in
apparent behavior. The American Journal of Psychology, 57,
243-259. http://www.youtube.com/watch?v=VTNmLt7QX8E
http://www.ïŹ‚ickr.com/photos/94693506@N00/149781946/
 http://www.ïŹ‚ickr.com/photos/functoruser/244207662/lightbox/
Lessons of
                                                                   the Like Log



“   The best stories — the most
    inherently share-worthy stories — are
    the ones for which it would be almost
    weird to email them to someone — or
    tweet them to someone, or whatever
    — without an introductory “WOW” or
    “WHOA” or “WTF.”
    http://www.niemanlab.org/2011/03/lessons-of-the-like-log-the-big-story-and-the-nuances-of-shareability/
Shareability index
                                                   for news releases



“   
Releases with the elements of a
    good news story—a little drama, a
    person ïŹghting for what is right, a
    villain—have scores four to ïŹve
    times higher than those about the
    success of a program, he says.
    http://chronicle.com/article/Colleges-Rehab-Their-Web-Sites/127170/
://www.ishmaelscorner.com/2012/03/27/aligning-business-storytelling-with-what-the-media-values/
Photo / Melody Ko, Tufts
“   I'm a sophomore at Tufts, and I just read
    today's tufts.edu proïŹle on the woman
    working with the Massachusetts Gay and
    Lesbian Council. I wanted to say how
    proud I am to go to a school that would
    put an article like that on the main school
    site without any fuss. My friend's sister
    visited from another university this weekend,
    and she mentioned how her school website
    featured pictures of cheerleaders at a football
    game, while ours had an article about
    Ghana, and now gay rights. This is why I'm
    so happy to be here. Thank you =)
                       E-mail from a sophomore, March 31, 2008
Dogeared page #1:

Empathy
Structure
of a story
The structure of a story:
The structure of a story:

     ‱ Setting
The structure of a story:

     ‱ Setting
     ‱ Characters
The structure of a story:

     ‱ Setting
     ‱ Characters
     ‱ ConïŹ‚ict
The structure of a story:

     ‱ Setting
     ‱ Characters
     ‱ ConïŹ‚ict
     ‱ Resolution
Why We Need
           Storytellers at the Heart
           of Product Development



“   In a world where consumers
    are inundated with choices,
    products that want to be
    noticed and adopted must
    be rooted in the why.
    http://uxmag.com/strategy/why-we-need-storytellers-at-the-heart-of-product-
    development
Kim Goodwin, Confab 2011
“Storytelling by Design”

Scenario: “A plausible story
about a persona using the
future product or service in
a speciïŹc situation.”

Scenarios have all the key
story elements: Character,
ConïŹ‚ict, Plot, Resolution
http://www.slideshare.net/KimGoodwin/storytelling-by-design-scenarios-talk-
at-confab-2011
(Tweet links to http://www.agilemodeling.com/artifacts/userStory.htm)
story arc (n.)



“   A story arc is an extended or
    continuing storyline in episodic
    storytelling media 

    The purpose of a story arc is to move
    a character or a situation from one
    state to another; in other words, to
    effect change.
    http://en.wikipedia.org/wiki/Story_arc
Sounds an awful lot like
.

A) Effective content

B) Good UX

C) Clean usability
Sounds an awful lot like
.

A) Effective content

B) Good UX

C) Clean usability


D) All of the above
Sounds an awful lot like
.

A) Effective content

B) Good UX             * Also called a
                       holistic approach to
C) Clean usability     web development

D) All of the above
Dogeared page #2:

                    Holistic
http://www.ïŹ‚ickr.com/photos/functoruser/244207662/lightbox/
http://www.ïŹ‚ickr.com/photos/functoruser/244207662/lightbox/
One type of story arc:

The hero’s journey
12 stages of the hero’s journey:

1. Ordinary World
2. Call to Adventure
3. Refusal
4. Meeting with the Mentor
5. Crossing the Threshold
6. Tests, Allies, Enemies
7. Approach to Inmost Cave
8. Ordeal
9. Reward
10. The Road Back
11. Resurrection
12. Return with Elixir
Ordinary people doing
 extraordinary things
Students:               Faculty:
‱ Applying to college   ‱ Curing diseases
‱ Learning what they    ‱ Teaching tomorrow’s
want to do with life    leaders
‱ Tutoring local kids   ‱ Providing context to
‱ Staging a musical     current events

Alumni:                 Staff:
‱ Donating to support ‱ Balancing budgets
a new laboratory        ‱ Developing programs
‱ Reconnecting with     ‱ Organizing events
old friends             ‱ Recruiting students
‱ Giving students advice
“   Is our
    product
    King Arthur
    or Excalibur?
    -             Ron Ploof
                     http://www.mpdailyïŹx.com/
        is-your-product-king-arthur-or-excalibur/
User 


          Us
User      ↖ Unicorns



          Us
Frodo: Go back, Sam. I’m going to Mordor alone.
Sam: Of course you are. And I’m coming with you.
                      The Lord of the Rings: The Fellowship of the Ring
http://www.ïŹ‚ickr.com/photos/94693506@N00/149781946/
 http://www.ïŹ‚ickr.com/photos/functoruser/244207662/lightbox/
The Shire must
                                                               truly be a great
                                                               realm, Master
                                                               Gamgee, where
                                                               gardeners are held
                                                               in high honor. 
                                                               - Captain Faramir,
                                                                   The Lord of the Rings: The Two Towers
http://www.ïŹ‚ickr.com/photos/94693506@N00/149781946/
 http://www.ïŹ‚ickr.com/photos/functoruser/244207662/lightbox/
Storytelling Rules  Writing
                   Better Press Releases



“   Rule 1.  Know your audience.

    Rule 2. Give your audience what they
    need to achieve their goal.

    Rule 3.  Help your audience tell the
    world about your story.
    http://blog.prnewswire.com/2011/03/28/storytelling-rules-writing-better-press-releases/
Dogeared page #3:

           User as Hero
http://www.ïŹ‚ickr.com/photos/functoruser/244207662/lightbox/
Stories
and us
Erin Kissane, “The
Elements of Content
Strategy”



“   For anyone who
    communicates as a
    profession, stories are
    the ultimate hack.
Come on, Tour
    Guides, Tell
    Me a Story



“   The goal is you want
    people to remember
    something when they
    leave your campus. It’s
    gonna be the stories.
    Laura Martin, vice president for enrollment and
    dean of admission, Agnes Scott College
    http://chronicle.com/blogs/headcount/come-on-tour-guides-tell-me-a-
    story/30047
Tell Them a Story




“   1) A prophet was not without
    honor, save in his own country,
    and in his own house and 2)
    parables increased understanding.
    
I still have the charts and
    graphs, but accompanying
    them now are the stories.
    http://case.typepad.com/case_social_media/2011/03/tellthemastory.html
Many stories have morals.
Many stories have morals.

Our stories require purpose.
Many stories have morals.

 Our stories require purpose.

(Some may call this “strategy.”)
Storytelling and
                   Branding


“   1. Employees must believe and
       ‘own’ the story as they will
       ultimately be the ones to represent
       the company's brand values.
    2. Successful advertising delivers
       meaningful messages about the
       brand, often in sequence, taking
       the message’s recipients on a
       journey.
Storytelling and
                                               Branding



“   3. There is a constant need to adapt
       a story in a fast-paced society
       where change is inevitable. 
    4. A successful brand character can
       adopt human qualities that allow it
       to engage with an audience on an
       emotional level. 
    http://www.the-storytellers.com/blog/217
http://www.ïŹ‚ickr.com/photos/functoruser/244207662/lightbox/
The Art of Immersion




“   If you’re going to tell stories
    beyond what you see in the
    ïŹlms, the minute they
    contradict each other your
    house falls apart. If you kill off a
    character and then try to revive
    him, it’s going to be bogus.
    http://www.wired.com/epicenter/2011/03/star-wars-generation/all/1
Dogeared page #4:

                    Purpose
http://www.ïŹ‚ickr.com/photos/functoruser/244207662/lightbox/
Why we
 matter
Ordinary people doing
 extraordinary things
http://www.ïŹ‚ickr.com/photos/lenore-m/2515800654/
‱ Empathy
‱ Holistic approach
‱ User as hero
‱ Purpose
Dr. Seuss, “The Lorax”




“   Unless someone
    like you cares a
    whole awful lot,
    nothing is going to
    get better. It's not.


(h/t @epsteada)
Ant and shark 3/3




                    Credit: @tsand’s daughter /
J.D. Salinger, “Seymour:
An Introduction”



 “   Give me a story that
     just makes me
     unreasonably vigilant.
     Keep me up till ïŹve
     only because all your
     stars are out, and for
     no other reason.

Storytelling as a Framework for Higher Ed Web Marketing

  • 1.
    Georgy Cohen @radiofreegeorgy Storytelling as a Framework for Higher Ed http://www.ïŹ‚ickr.com/photos/pandora_6666/4927859168/ Web Marketing
  • 2.
    Ant and shark1/3 Credit: @tsand’s daughter /
  • 3.
    Ant and shark2/3 Credit: @tsand’s daughter /
  • 4.
    Ant and shark3/3 Credit: @tsand’s daughter /
  • 10.
    “ Web Communications' mission is to use the Web and emerging technologies to engage our audience with the Tufts story and to enable our partners across the university to do the same.
  • 11.
    “ There is no stronger bridge between you and your audience than a compelling narrative.
  • 12.
  • 14.
  • 16.
    National Storytelling Network “ Storytelling is the interactive art of using words and actions to reveal the elements and images of a story while encouraging the listener’s imagination. www.storynet.org/resources/whatisstorytelling.html
  • 17.
    (Some random site) “ A story is the graphing of a character's emotional experience from the moment it begins to its logical conclusion. http://members.fortunecity.com/nadabs/literature-storystructure.html
  • 18.
    Ordinary people doing extraordinary things
  • 19.
    Daniel Pink, “A WholeNew Mind” “ [Story] is becoming a key way for individuals and entrepreneurs to distinguish their goods and services in a crowded marketplace.
  • 20.
  • 21.
    Storytelling was theïŹrst social media platform.
  • 22.
    Storytelling was theïŹrst social media platform. OMG!
  • 23.
  • 24.
    Storytelling is anact of community, sharing values and knowledge http://www.ïŹ‚ickr.com/photos/jasonpratt/4807746068/
  • 25.
    Stories draw strengthfrom the number of people who share them. http://www.ïŹ‚ickr.com/photos/turneround/5398112759/
  • 26.
    The parable ofLot’s wife
  • 27.
    The parable ofLot’s wife 
is also found in Greek, Jewish, Indian, French Canadian, Lithuanian, Chinese, Eskimo, Polynesian, Hawaiian, South American and African folklore. Source: Archetypes and motifs in folklore and literature: a handbook, Jane Garry, Hasan M. El-Shamy
  • 28.
  • 29.
    We see in stories. http://www.ïŹ‚ickr.com/photos/turneround/5398112759/
  • 30.
    We see ourselves in stories. http://www.ïŹ‚ickr.com/photos/turneround/5398112759/
  • 31.
    We tend to“storicize” abstract shapes and seek ourselves in the objects around us. Credit: Clara FernĂĄndez-Vara, Postdoctoral http://www.ïŹ‚ickr.com/photos/turneround/5398112759/ Researcher, Singapore-MIT GAMBIT Game Lab
  • 32.
    Heider, F., Simmel, M. (1944) An experimental study in apparent behavior. The American Journal of Psychology, 57, 243-259. http://www.youtube.com/watch?v=VTNmLt7QX8E
  • 34.
  • 35.
    Lessons of the Like Log “ The best stories — the most inherently share-worthy stories — are the ones for which it would be almost weird to email them to someone — or tweet them to someone, or whatever — without an introductory “WOW” or “WHOA” or “WTF.” http://www.niemanlab.org/2011/03/lessons-of-the-like-log-the-big-story-and-the-nuances-of-shareability/
  • 36.
    Shareability index for news releases “ 
Releases with the elements of a good news story—a little drama, a person ïŹghting for what is right, a villain—have scores four to ïŹve times higher than those about the success of a program, he says. http://chronicle.com/article/Colleges-Rehab-Their-Web-Sites/127170/
  • 37.
  • 38.
    Photo / MelodyKo, Tufts
  • 39.
    “ I'm a sophomore at Tufts, and I just read today's tufts.edu proïŹle on the woman working with the Massachusetts Gay and Lesbian Council. I wanted to say how proud I am to go to a school that would put an article like that on the main school site without any fuss. My friend's sister visited from another university this weekend, and she mentioned how her school website featured pictures of cheerleaders at a football game, while ours had an article about Ghana, and now gay rights. This is why I'm so happy to be here. Thank you =) E-mail from a sophomore, March 31, 2008
  • 40.
  • 41.
  • 42.
  • 43.
    The structure ofa story: ‱ Setting
  • 44.
    The structure ofa story: ‱ Setting ‱ Characters
  • 45.
    The structure ofa story: ‱ Setting ‱ Characters ‱ ConïŹ‚ict
  • 46.
    The structure ofa story: ‱ Setting ‱ Characters ‱ ConïŹ‚ict ‱ Resolution
  • 47.
    Why We Need Storytellers at the Heart of Product Development “ In a world where consumers are inundated with choices, products that want to be noticed and adopted must be rooted in the why. http://uxmag.com/strategy/why-we-need-storytellers-at-the-heart-of-product- development
  • 48.
    Kim Goodwin, Confab2011 “Storytelling by Design” Scenario: “A plausible story about a persona using the future product or service in a speciïŹc situation.” Scenarios have all the key story elements: Character, ConïŹ‚ict, Plot, Resolution http://www.slideshare.net/KimGoodwin/storytelling-by-design-scenarios-talk- at-confab-2011
  • 49.
    (Tweet links tohttp://www.agilemodeling.com/artifacts/userStory.htm)
  • 50.
    story arc (n.) “ A story arc is an extended or continuing storyline in episodic storytelling media 
 The purpose of a story arc is to move a character or a situation from one state to another; in other words, to effect change. http://en.wikipedia.org/wiki/Story_arc
  • 51.
    Sounds an awfullot like
. A) Effective content B) Good UX C) Clean usability
  • 52.
    Sounds an awfullot like
. A) Effective content B) Good UX C) Clean usability D) All of the above
  • 53.
    Sounds an awfullot like
. A) Effective content B) Good UX * Also called a holistic approach to C) Clean usability web development D) All of the above
  • 54.
    Dogeared page #2: Holistic http://www.ïŹ‚ickr.com/photos/functoruser/244207662/lightbox/
  • 55.
  • 56.
    One type ofstory arc: The hero’s journey
  • 57.
    12 stages ofthe hero’s journey: 1. Ordinary World 2. Call to Adventure 3. Refusal 4. Meeting with the Mentor 5. Crossing the Threshold 6. Tests, Allies, Enemies 7. Approach to Inmost Cave 8. Ordeal 9. Reward 10. The Road Back 11. Resurrection 12. Return with Elixir
  • 59.
    Ordinary people doing extraordinary things
  • 60.
    Students: Faculty: ‱ Applying to college ‱ Curing diseases ‱ Learning what they ‱ Teaching tomorrow’s want to do with life leaders ‱ Tutoring local kids ‱ Providing context to ‱ Staging a musical current events Alumni: Staff: ‱ Donating to support ‱ Balancing budgets a new laboratory ‱ Developing programs ‱ Reconnecting with ‱ Organizing events old friends ‱ Recruiting students ‱ Giving students advice
  • 62.
    “ Is our product King Arthur or Excalibur? - Ron Ploof http://www.mpdailyïŹx.com/ is-your-product-king-arthur-or-excalibur/
  • 63.
    User   Us
  • 64.
    User  ↖ Unicorns  Us
  • 66.
    Frodo: Go back,Sam. I’m going to Mordor alone. Sam: Of course you are. And I’m coming with you. The Lord of the Rings: The Fellowship of the Ring
  • 67.
  • 68.
    The Shire must truly be a great realm, Master Gamgee, where gardeners are held in high honor.  - Captain Faramir, The Lord of the Rings: The Two Towers http://www.ïŹ‚ickr.com/photos/94693506@N00/149781946/ http://www.ïŹ‚ickr.com/photos/functoruser/244207662/lightbox/
  • 69.
    Storytelling Rules Writing Better Press Releases “ Rule 1.  Know your audience. Rule 2. Give your audience what they need to achieve their goal. Rule 3.  Help your audience tell the world about your story. http://blog.prnewswire.com/2011/03/28/storytelling-rules-writing-better-press-releases/
  • 70.
    Dogeared page #3: User as Hero http://www.ïŹ‚ickr.com/photos/functoruser/244207662/lightbox/
  • 71.
  • 72.
    Erin Kissane, “The Elementsof Content Strategy” “ For anyone who communicates as a profession, stories are the ultimate hack.
  • 73.
    Come on, Tour Guides, Tell Me a Story “ The goal is you want people to remember something when they leave your campus. It’s gonna be the stories. Laura Martin, vice president for enrollment and dean of admission, Agnes Scott College http://chronicle.com/blogs/headcount/come-on-tour-guides-tell-me-a- story/30047
  • 74.
    Tell Them aStory “ 1) A prophet was not without honor, save in his own country, and in his own house and 2) parables increased understanding. 
I still have the charts and graphs, but accompanying them now are the stories. http://case.typepad.com/case_social_media/2011/03/tellthemastory.html
  • 75.
  • 76.
    Many stories havemorals. Our stories require purpose.
  • 77.
    Many stories havemorals. Our stories require purpose. (Some may call this “strategy.”)
  • 81.
    Storytelling and Branding “ 1. Employees must believe and ‘own’ the story as they will ultimately be the ones to represent the company's brand values. 2. Successful advertising delivers meaningful messages about the brand, often in sequence, taking the message’s recipients on a journey.
  • 82.
    Storytelling and Branding “ 3. There is a constant need to adapt a story in a fast-paced society where change is inevitable.  4. A successful brand character can adopt human qualities that allow it to engage with an audience on an emotional level.  http://www.the-storytellers.com/blog/217
  • 83.
  • 84.
    The Art ofImmersion “ If you’re going to tell stories beyond what you see in the ïŹlms, the minute they contradict each other your house falls apart. If you kill off a character and then try to revive him, it’s going to be bogus. http://www.wired.com/epicenter/2011/03/star-wars-generation/all/1
  • 86.
    Dogeared page #4: Purpose http://www.ïŹ‚ickr.com/photos/functoruser/244207662/lightbox/
  • 87.
  • 88.
    Ordinary people doing extraordinary things
  • 89.
  • 90.
    ‱ Empathy ‱ Holisticapproach ‱ User as hero ‱ Purpose
  • 91.
    Dr. Seuss, “TheLorax” “ Unless someone like you cares a whole awful lot, nothing is going to get better. It's not. (h/t @epsteada)
  • 92.
    Ant and shark3/3 Credit: @tsand’s daughter /
  • 93.
    J.D. Salinger, “Seymour: AnIntroduction” “ Give me a story that just makes me unreasonably vigilant. Keep me up till ïŹve only because all your stars are out, and for no other reason.

Editor's Notes

  • #2 \n
  • #3 \n
  • #4 \n
  • #5 \n
  • #6 \n
  • #7 \n
  • #8 \n
  • #9 \n
  • #10 \n
  • #11 I know we spend a lot of our days avoiding mission statements like the plague, but I’m actually going to talk to you about our department’s mission statement.\nThis is not just a mission that applies to our content side. Half of our team is developers. We look at the Tufts story as infusing everything we do, from our mobile website to our feature stories to our social media workshops to our web templates to the backend of our news site. Every pixel, every word and every line of code should support the Tufts story.\n
  • #12 I know we spend a lot of our days avoiding mission statements like the plague, but I’m actually going to talk to you about our department’s mission statement.\nThis is not just a mission that applies to our content side. Half of our team is developers. We look at the Tufts story as infusing everything we do, from our mobile website to our feature stories to our social media workshops to our web templates to the backend of our news site. Every pixel, every word and every line of code should support the Tufts story.\n
  • #13 \n
  • #14 They have a magical quality but we’re going to make them tangible.\n
  • #15 \n
  • #16 \n
  • #17 \n
  • #18 The idea of a character is important\n
  • #19 we’ll come back to this\n
  • #20 This is what we’re trying to do with our websites right? Distinguish ourselves?\n
  • #21 \n
  • #22 \n
  • #23 it’s the oldest form of communication.\nPredates even the concept of media.\n
  • #24 It’s the fundamental unit of information in a community\n
  • #25 Make shareable and shareworthy\n
  • #26 Stories are universal\n
  • #27 Stories are universal\n
  • #28  \n
  • #29  Stories are a prism for understanding - People process information in story format, she explained.\n
  • #30  Stories are powerful because they activate the empathic part of our brain; the readers insert themselves in the narrative. Stories gain power through relevance.\n
  • #31 people tend to “storicize” abstract shapes and reflect ourselves in the objects around us. (She says that yes, there is Tetris fanfiction out there.) She also gave the example of electrical sockets, a thoroughly inanimate object devoid of story. But if you cock your head, a socket looks like a face. Objects can tell stories.\n
  • #32 In a landmark 1944 study, 34 humans — Massachusetts college students - All but one devised narratives to descrivbe the movements. Ascribe human emotion, feelings, motivations to abstract objects\nactually, though subsequent research suggests they could have been just about anyone — were shown a short film and asked what was happening in it. The film showed two triangles and a circle moving across a two-dimensional surface. The only other object onscreen was a stationary rectangle, partially open on one side.Only one of the test subjects saw this scene for what it was: geometric shapes moving across a plane. Everyone else came up with elaborate narratives to explain what the movements were about. Typically, the participants viewed the triangles as two men fighting and the circle as a woman trying to escape the bigger, bullying triangle. Instead of registering inanimate shapes, they imagined humans with vivid inner lives. The circle was “worried.” The circle and the little triangle were “innocent young things.” The big triangle was “blinded by rage and frustration.”\n
  • #33 Emotions keep coming up here. Emotions are powerful because they influence us. We approach every situation from an emotional context.\n\n
  • #34 A good story cuts through the weeds of informational noise that surround us, striking emotional resonance\n
  • #35 shareable and shareworthy\n
  • #36 \n
  • #37 \n
  • #38 \n
  • #39 \n
  • #40 - Everyone approaches our website from a unique emotional context. The more we can shape stories to anticipate and accommodate emotions and evoke new, desired ones, the more effective they will be. - word choice the user expects and understands, page load time, reassuring microcopy\n
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  • #46 - Not only do product storytellers identify the intended product value, they also share and evangelize this story throughout their organizations.\nThe root cause of these symptoms is the fact that execution focuses on the how and what of a product. But in a world where consumers are inundated with choices, products that want to be noticed and adopted must be rooted in the why.A product should provide an experience or service that adds value to someone's life through fulfilling a need or satisfying a desire. The ultimate question then becomes: who identifies that value? - The first goal of a product storyteller is to facilitate collaboration and co-creation- Not only do product storytellers identify the intended product value, they also share and evangelize this story throughout their organizations. - Daniel Pink: "like design, [story] is becoming a key way for individuals and entrepreneurs to distinguish their goods and services in a crowded marketplace."\n
  • #47 A fuller picture than a use case. From task motivation to task compleition.\n
  • #48 It’s a high level product requirement - informs developers\n
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  • #52 These structures carry our character through to the resoution of their experience.\n
  • #53 We can’t tell stories on our own. We need to bring all of our skills to bear to see the experience through to its resolution. Cross-functional teams built to do this. Many of us aren’t built to do this, so it’s tough to execute in practice.\n
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  • #55 1949\nMonomyth - common structure for all great myths\n
  • #56 Sounds like a prospective student enrollment experience to me\n
  • #57 Who are our big damn heroes?\n
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  • #59 - We’re surrounded by these activities everyday. It’s easy to forget how important these seemingly mundane activites are to all involved. We work in amazing places, surrounded by discovery and growth.\n
  • #60 THis gives us a huge responsibility\n
  • #61 And we have to ask ourselves an important question\n
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  • #66 We talked about a good story cuting through the weeds of informational noise.\n
  • #67 Well, Sam was a gardener.\n
  • #68 How can we be more like Sam?\n
  • #69 It’s not about us. Our users are doing amazing things and it’s our job to help them.\n
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  • #71 Stories help us do our job\n
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  • #76 Strategy sounds scary and elusive. A purpose sounds doable.\n
  • #77 Think back to the Story of Lot. This story had a purpose. It taught us something. It’s a cautionary tale.\n
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  • #79 After HEL - Stories support goals and show values. But they don’t tell themselves.\nPeople want to know about us one way or another. We need to meet that need before it becomes a void - embrace our role as storyteller.\n
  • #80 - Drink the Koolaid\n- Arc, resolution\n
  • #81 - tech, priorities shift\n- resonance\n
  • #82 Stories are no longer told just by us.\n“People formerly known as the audience” - Jay Rosen\nBrand resides in our audiene - co-author of our brand story\n
  • #83 We are all fanfiction writers, so is everyone in our community – are we adhering to canon?\nBrand resides in our audience – if everyone’s doing their job right, we should just be reflecting them. If we don’t have it figured out, no one else will. We need to have a consistent narrative\n\n
  • #84 Need to tell stories that mean something to our audience.\n
  • #85 Stories support goals and values. Embrace our role as storytellers.\nPurpose is the structure that lets a story do its job.\nOur brand is canon and we need to ensure it stays consistent.\n
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  • #87 It’s our job to help them be amazing.\n
  • #88 We already have the tools - social media, news stories, web redesigns, mobile apps\n
  • #89 - considering emotional context\n- story arc --> resolution\n- user centric approach, help them achieve their goals\n- structure that lets our story succeed\n
  • #90 It’s not easy, so to do it we really have to care. Important things are at stake.\n
  • #91 A story could save your life, or at the very least make a big difference in someone else’s.\n
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