Introduction; Decipehring and Rawlinson who deciphered Cuneiform; multi-lingual inscription on the Behustun hill; writing materials, picture to pictogram, to ideogram, to alphabet; Hammurabi’s Code.
An illiterate world; Achievement through Writing; beginnings in rock paintings; is writing necessary and achievement of non-writing culture like the Incas and the Vedic Indians; felt need for writing – record keeping, religious purposes and royal proclamations; stages of development of writing – pictogram, ideogram and phonetics; phonetic systems – alphabetic and syllabic; how materials used for writing influenced scripts; places of origin of writing – Samaria, Egypt, China, India and Meso-America
A presentation by Prof. Subramanain Swaminathan
Art and Culture - 01 - Invention of WritingRandy Connolly
First module for GNED 1201 (Aesthetic Experience and Ideas). This one covers how the invention of writing in Mesopotamia and then also examines other writing technologies, including papyrus, parchments, and then the printing press.
This course is a required general education course for all first-year students at Mount Royal University in Calgary, Canada. My version of the course is structured as a kind of Art History and Culture course. Some of the content overlaps with my other Gen Ed course.
An illiterate world; Achievement through Writing; beginnings in rock paintings; is writing necessary and achievement of non-writing culture like the Incas and the Vedic Indians; felt need for writing – record keeping, religious purposes and royal proclamations; stages of development of writing – pictogram, ideogram and phonetics; phonetic systems – alphabetic and syllabic; how materials used for writing influenced scripts; places of origin of writing – Samaria, Egypt, China, India and Meso-America
A presentation by Prof. Subramanain Swaminathan
Art and Culture - 01 - Invention of WritingRandy Connolly
First module for GNED 1201 (Aesthetic Experience and Ideas). This one covers how the invention of writing in Mesopotamia and then also examines other writing technologies, including papyrus, parchments, and then the printing press.
This course is a required general education course for all first-year students at Mount Royal University in Calgary, Canada. My version of the course is structured as a kind of Art History and Culture course. Some of the content overlaps with my other Gen Ed course.
A brief overview of the history of writing - who invented the first writing system, where and for what purpose. From Mesapotamia tax records to modern-day emoticons and txt spk : )
This presentation discusses about the influence of Sanskrit over English - linguistic similarities between English, Greek and Latin. A lecture delivered at Academic Staff College 2015
A brief overview of the history of writing - who invented the first writing system, where and for what purpose. From Mesapotamia tax records to modern-day emoticons and txt spk : )
This presentation discusses about the influence of Sanskrit over English - linguistic similarities between English, Greek and Latin. A lecture delivered at Academic Staff College 2015
Introduction; Hieroglyphic, Hieratic and Demotic scripts; Picture-signs of Hieroglyphic writing; Hieroglyphic signs, ideograms, phonetic symbols, syllabic signs; picture puzzles to solutions and determinatives; sign grouping; Rosetta Stone, Jean-Francois Champollion and deciphering Hieroglyphs; Sample page from the Book of Dead; Numerals in Hieroglyphs
Introduction to Western Humanities - 1 - Invention of WritingRandy Connolly
First lecture for GNED 1202 (Texts and Ideas). It is a required general education course for all first-year students at Mount Royal University in Calgary, Canada. My version of the course is structured as a kind of Introduction to Western Civilization style course.
Khamas is a very evocative raga, and all new comers use ‘sujana jeevana’ as their key to this raga. Sankarabharam, though a Telugu movie, became a big hit; who would not remember its ‘brocheva’?
Meso-American civilization; Meso-American writing; Proto-writing like Olmec heads, symbolinc images of Chalcatzingo, Humboldt celt; fifteen writing systems, rudimentary as well as developed; complex pictures as glyphs; Media used; engraving on stone, painting on ceramics and codex; Zapotec, Epi-olmec, Aztec and Mixtec scripts; La Mojarra inscription; Mayan civilization and script; deciphering Mayan script – syllabic and logographic charts; difficulties in deciphering; Mayan number system and Mayan calendar; Dresden Codex; Sarcophagus of Pacal at Palenque
The Pallavas contributions to temple architecture are many, of which conceiving temples sculpted out of single blocks of stone would remain the most important. There are as many as eight in Mamallapuram, each of which has certain special features. The Panch-pandava group is the most important, in which the Dharmaraja Ratha stands out as the best, containing some exquisite sculptures never found later in this part of India.
A presentation by Prof.Subramanian Swaminathan
Structural temples were the last executed by the Pallavas before their attention was shifted to their capital, Kanchipuram and its environs. However these temples in Mamallapuram were the earliest structural temples in the Tamil country. Even the four that were constructed here bring out the fanciful nature of the clan; the two Shore Temples are built on the very edge of the sea, the Olakkanesvara Temple on top of a hillock and the Mukundanayanar Temple on the ground. The Shore Temples, though highly eroded, have sculptures which would remind of the exceptional grace and beauty in the bygone era.
A presentation by Prof.Subramanian Swaminathan
The Great Penance is an achievement in relief sculpturing. This along with the Govardhana composition would rank among the best in the world. Not only the Pallavas were the pioneer in this genre of art, it is only in Mamallapuram one can see open-are bas-rieifs, and there are five them.
A presentation by Prof.Subramanian Swaminathan
Significance of the Pudukkottai district; Importance of preservation of Sittannavasal monuments; state of its paintings; aims od Project Sittannavasal – building a replica od cave shrine and designing pavilions to showcase development of paintings (Chitram), temple architecture (Mandiram) and Indian scripts (Aksharam) and Jaina contribution to Tamil culture. A presentation by Prof. Subramanian Swaminathan
Jainism was a thriving religion in the Tamil coutry from 3rd century BCE till the resurgence of Hinduism following the Bhakti Movement of the 6th - 9th centuries CE. Pudukkottai district in Tamilnadu has the largest number of centrally protected Jaina monuments, which the presentation highlights.A presentation by prof. Subramanian Swaminathan
Lalitankura-Pallava-Griham is one of the two cave temples situated in the Rockfort complex in Tiruchirappalii, the other being a Pandya Cave shrine. Excavated in the early 7th century by Mahendra Pallava has a beautiful Gangadhara relief. The sculpture as well as the 8-stanza poetry has teasing double meaning, bringing out the multi-facetted personality of the king.
The monuments contain famous Jaina paintings and isncriptions in Tamil from 2nd century BCA Presentation by Prof. Subramanian Swaminathan on the paintings of Sittanavasal
Jataks stories are the common themes in Ajanta paintings. Mahajanak Jataka painted in Cave One is one of the important compositions.
A Presentation byf Prof. Subramanian Swaminathan on the paintings of Ajanta.
Ajanta paintings are a treasure house of information about the period, namely, 2nd century BCE to 6th century CE. The textiles shown are astonishingly varied in dyes, yarn manipulation and garment design. The presentation showcases all these
A Presentation by Prof. Subramanian Swaminathan on the paintings of Ajanta
A Presentation by Prof. Subramanian Swaminathan on the paintings of Ajanta
Buddhist paintings on the walls and ceilings of the 29 caves in Ajanta are not only the ealiest in India but also the best the subcontinent produced. These are also the forerunniners of religious paintings of India and Indian Asia.
3. In this episode I am presenting Sumerian Cuneiform, the script of one among the earliest cradles of civilisation, Sumeria, that is, the present-day battered Iraq. Sumeria was a prosperous agriculture-based civilization. Sumerians had constructed a complex system of canals and dykes. But the country itself was virtually treeless and stoneless. Then they settled on mud as their medium of writing required for assisting their extensive trade. Weren’t they very enterprising, to have chosen the most unconventional medium? History vouchsafes to the efficiency of the medium for we have extensive writing of the Sumerians that tells us their story. Gilgamesh, a historical king of Babylonia, lived about 2700 B.C. Many stories and myths were written about Gilgamesh, some of which were written down about 2000 B.C. in the Sumerian language on clay tablets, which still survive.
4. The Sumerians were skilled in art, especially sculpture. They were also very inventive and were the first to use the arch and wheel, and developed a skillful number system based on 10's and 6's, the latter we use to divide circle and time. The Sumerians also had advanced knowledge of mathematics, medicine, and astronomy. Sumerians also kept records of much literature including hymns, epic tales, and myths. Sumerians also wrote the first epic poem, the Epic of Gilgamesh, mentioned before, which enabled scholars to learn about many aspects of Sumerian society. Perhaps all these would not have been possible without writing.
5. Thus we have the earliest writing of the world, dated to 3300 BC. This is long, long ago. For us, who are used to engraving on stones, scratching on mud-pots, stylus or brush-and-ink on leaves and ink on paper, to have successfully implemented writing by impressing conical headed pins on clay tablet is most amusing. I wouldn't have believed that it would be possible. It is really not writing, but 'impressing'! I am in good company. For these 'impressions', when noticed in the 16 th century, were not taken to be characters of a script. There are only five basic 'impressions'. Permutation-combination of these five looks weird. These 'triangular, in the shape of a pyramid or miniature obelisk … and are all identical except in position and arrangement' were concluded to be belonging to no people ‘that can be discovered now or to have ever existed’. This was in the early 17th century.
6. When the inscriptions were first published in 1657, there was no 'hulchal'. Some thought it is ornamental graphics, some even found to be even the tracks of birds walking across newly softened clay! I would have said the same. You can see for yourself when you look at the specimen given in the presentation. There were also highly intellectual imaginative suggestions. An Oxford don even suspected these signs as an experiment by the architect of Persepolis who wished to see how many different patterns he could create from a single element. He was quite imaginative! That most of the ancient cultures who ‘invented’ writing have progressed from picture to pictogram to ideogram, and some, to phonetics is worth noting. The lack of vowels (or minimal use of vowels) in the scripts of languages in the Middle-east region – Sumerian, Egyptian, Hebrew and Arabic – is another feature.
7. I am highlighting in this presentation the decipherment of the script and also a short description of Hammurabi's code; the former for sheer tenacity of the pioneers and the later as an admiration for a law-giver who need not to have burdened himself with such constraints. Before I hand you over to my presentation I must mention the supposed connection between Sumeria and India, in general and Sumeria and Tamilnadu, in particular. That the connection between ancient Sumeria and the Indian continent exists is accepted. Some even feel that Sumerian language was archaic Tamil. But a theory being floated around and gaining some following is that the Tamils of Sangam age are descendents of Sumerians.
8. Cuneiform of Sumeria In Sumeria, now Iraq, was spoken Sumerian and its script is the earliest writing of the world by about 3300 BC. Its script, known as Cuneiform, was in use till about 100 AD. During this period, Sumerians produced a rich body of literature consisting of more than 5000 literary works.
9. Deciphering the Script In 1835, Henry Rawlinson, a British army officer, found some inscriptions on a cliff. Carved by Darius of Persia (522-486 BCE), they consisted of identical texts in three languages, Old Persian, Akkadian and Elamite, all in one script, namely, Cuneiform.
10. Deciphering the Script Old Persian was in current use while Akkadian, a Semitic language related to Hebrew and Elamite, were both extinct by this time. After translating Persian, Rawlinson could decipher many of the cuneiform signs by 1851.
11. Deciphering the Script Its decipherment is an exciting story. As happened with Egypt and India, it became possible because of fortuitous finding of multi-lingual texts, and, a determined researcher.
13. The Behistun inscription was carved by the Persian emperor, Darius I (522-486 BC) celebrating his early victories. It is a carved relief, on the big cliff known as Mountain of the Gods.
14. The inscription and the relief sculptures are colossal in proportion, about 1000 lines inscribed on the face of a precipitous rock 100 metres high.
15. The panel depicts king Darius, with his two bodyguards. In front of the emperor are ten vanquished chiefs, their necks tied. One of them is lying under Darius' feet. Below is the famed inscription
16. The Multi-lingual Inscription The message is told in three languages: in Old Persian, in Akkadian, the language spoken in Babylonia and in Elamite, the administrative language of the Persian Empire, all in the cuneiform script. The total text is more than a thousand lines long. It is the Old Persian that gave the clue for the decipherment.
17.
18. Decipherment Rawlinson Henry Rawlinson joined the East India company when he was 17 and learnt many Indian languages and Persian. Later he was posted in Persia. In 1835 he noticed inscriptions on a cliff of hill of Behistun that was difficult even to reach.
19. Decipherment Rawlinson With his knowledge of Persian, he figured out the names of Darius and Xerxes. He noticed two other unknown languages on the rock face: Elamite and Akkadian. His painstaking work of two decades resulted in their decipherment.
20. Writing materials The abundantly available clay in the river-beds was chosen, and impressions on clay tablets were made with a stylus. Sharp stylus was changed to blunt stylus later.
21. From Picture to Pictogram Pictograms were the basis for cuneiform writing. BC 3200 3000
22. Philadelphia Tablet (3100-2900 BC) The document, on both sides, records transfer of certain land. Col. 1 describes the acquisition of 63.5 ha of land by a person. Col 2 and Col 3 describe division into 4 fields. The round holes in the tablet count the field size. This writing is from top-to-bottom using a pointed stylus.
23. From Picture to Pictogram Later the direction of writing was changed from top-to-bottom to left-to-right, necessitating rotating the signs by 900. BC 3200 3000 2400 BC 3200 3000
24. From pointed to blurt Stylus From pointed to blurt Stylus A pointed stylus on clay caused ‘heap-up’ and ‘clog’ lines already written. To avoid this a blunt stylus came into use later.
25. From pointed to blunt Stylus Possible impressions of a blunt stylus, with little lateral movement of stylus and orientation of holding the tablet. A specimen Tablet Blunt Stylus
26. From Picture to Pictogram With the blunt stylus symbols lost their original resemblance to the objects they represented. 1000 BC 3200 3000 2400 BC 3200 3000 2400 BC 3200 3000
27. … to Ideogram Pictograms for various objects, like the sun, houses etc, came into use. Next, the same symbols were used as ideograms to represent abstract words related to the original word, like the sun for bright, light, day, a leg for walking etc.
28. … to Ideogram New signs were created by adding graphic elements to an existing sign or combining two signs. Head Head + Stippling = Mouth Mouth + Bread = to eat
29. … to Alphabet Out of this evolved an alphabet. For example, the word for arrow was ti, and this syllable came to represent the sound ti, then the consonant t. One may construct a table of alphabet like:
30. Cuneiform Script Thus, a sign could be a pictogram, an ideogram or an alphabet. In order to clarify, determinatives were used that would precede or follow a group of signs to give a hint to the meaning of the word by marking the broad category of objects or ideas the word belongs to.
31. Deciphering Cuneiform Let us return to deciphering the script Cuneiform inscriptions were first discovered in 1618 It was not even suspected as writing. Some felt these were ornamental symbols Some quipped that these might have been foot impressions of birds on wet soil.
32. It was an uphill task to decipher the script. More than 15 languages unrelated to each other were written in Cuneiform. Since there were texts in three languages, A sound knowledge of all these was essential.
33. The three languages involved are: Old Persian, related to both Avestan and Sanskrit, Akkadian, a Semitic language and Elamite, unconnected with any known language. Deciphering, as usual, started from reading proper names.
34. Proper names would be written differently in different languages Let us see how the Greek name Darius would be written in these three languages.
35. Here are a few examples that would confuse Darius was written as Daheush and Xerxes as khshhershein Greek. Further, in Greek was written father of Darius asHystaspes But in Old Persian as vi-i-sa-ta-a-sa-pa in Akkadianus-ta-as-pa and in Elamite mi-is-da-as-ba.
36. It was the Old Persian text that could be deciphered as the language was related to Avestan, and Rawlinson’s knowledge of Persian and Sanskrit helped. It too two decades for the complete decipherment.
38. Hammurabi’s Code Hammurabi (about 1792 - 1750 BC) was a mighty Babylonian king, and is famous for his Code, the earliest-known example of a ruler proclaiming publicly an entire body of laws. It is the best preserved legal document reflecting the contemporary social structure of Babylon. 282 laws in fifty-one columns of cuneiform text are written in Akkadian, a Semitic language.
39. Hammurabi’s Code A copy of the code, engraved on a block of black basalt 7 ft 5 in. high is kept in Paris.
40. Hammurabi’s Code A selection from the code of ancient wisdom. “If any one owes a debt for a loan, and the harvest fails, in that year he need not give his creditor any grain …. and pays no rent for that year.” “If a judge tries a case, reaches a decision, if later error shall appear in his decision, and it be through his own fault, then he shall pay twelve times the fine set by him, and he shall be removed from the judge's bench ….”
42. Cuneiform Writing One may wonder how modern words would be written. Here is an example. My name, Swaminathan would be written like this:
43. Certain common Features of the Region We will be seeing that Egyptian Hieroglyphic script, shares many of the traits of cuneiform: The letters are composed of pictograms, ideograms, alphabet and determinatives. It may be mentioned that the alphabet of cuneiform consists mostly of consonants. This feature is found in many of the scripts of this region, like Egyptian Hieroglyphs, Hebrew, Arabic etc