SlideShare a Scribd company logo
1 of 19
Coins
& Minting of coins
A seminar by Naman Shrivastava
MA AIHCA II semeste
Coins according to V. .A.
Smith , denote “a metallic
metallic pieces of definite
weight authenticated as
currency by marks
recognised as a guarantee
of value."
Tip
Don’t wait till the end of
the presentation to give
the bottom line.
Reveal your product or
idea (in this case a
translation app) up front.
Each coin has two
values; an
intrinsic value i.e.
the value of the
metal it is made of
and
an extrinsic or face
value which is
conferred upon it by the
issuing authorities
Numismatics
Terminology
Flan is the surface of a coin.
Obverse Principal side of a coin
mostly bearing the royal portrait or
royal information is known as the
obverse side of a coin and the opposed
side is known as reverse
➔ Motif
It is a decorative symbol, design or figure impressed on the coin
➔ Hoard
is a secret stock or store or something valuable that is kept hidden
➔ Device
is the symbol or emblem or armorial design on a coin in conjunction with
the legend or motto. .
➔ Legend
words appearing on the coin or written on a coin.
➔ Die
Die is the metallic piece engraved in negative for minting coins. Two dies
are used for minting a single coin.
Tools
Kautilya in Arthasastra, referred in a passage to the
counterfeiters of coins (Kutarupa karaka) and he stated a list
of objects used for manufacturing of coins. Metal was first
melted in crucibles (musha) and purified with alkalis
(kshara) then beaten into sheets in an anvil (adhikarni) with
a hammer (mushtika) cut into pieces with clippers
(sandansa) and ultimately embossed with dies or punches
bearing symbols (Bimba - tanka)
ANVILS
The Anvils are very ancient
tools first made of stone as a
lithic stone tool, then bronze
and later with iron. It is a
heavy iron block with a flat
top and concave sides, on
which metal cab be
hammered and shaped. CRUCIBLE
It is a melting pot, a heat
resistant container of ceramic or
metal used for melting ores or
metals to very high
temperature.
CLIPPERS
It is an instrument for
cutting or trimming. After
melting the metal in
crucibles and purified with
alkalis it was beaten into
sheets in an anvil with a
hammer and then cut into
pieces with clippers.
DIES
Metal piece engraved with the
design used for stamping the coin.
Dies were made of hard bronze or
iron. Bronze dies were easier to
engrave and do not oust but wore
out faster. The obverse die was
mounted on the anvil and the
reverse die was struck to make the
Minting a coin
Mint is a facility where coins are crafted or a place
where coins, medals, or tokens are made. A mint is
an industrial facility where coins are
manufactured and it can be used as currency.
How many methods do
ancient mint masters use to
make a coin which
Should be accepted
Anywhere ?
Three!
(With a little help from the other countries and many
empires)
1. Punching technique also known as the archaic multiple
die striking technique
2. Casting technique
3. Die striking technique
All the sixteen mahajanapadas had their own specific type
of punch marked coinage. The symbols on these coins
varied from one to four on the obverse. Later with the rise
of Magadha as an imperial power we find the use of five
symbols of the obverse of each pieces as a standard
device. The technique used for minting these coins
involved the preparation of the coin blanks.
Punching technique
Punching
symbol that was to be
punched on the coin
flan was engraved in
negative on dies so
that when it as
punched it would be
in its positive. The die
was placed on the
coin blank and
received a hammer
blow so that the
symbol gets punched
on the obverse.
Preparing the
coin blanks
Sheet cutting
technique- irregular
shape, often clipped
for adjusting the
weight using clippers
Droplet method-
round or elliptical
shaped
Beaten into sheets of
required thickness
Adjusting the
weight
each piece was
weighed on a
weighing scale and
further clipping of the
ends of the metallic
piece was done for
adjusting its weight
according to the
weight standard
Punch mark
coins
Casting technique
A widely used technique for minting large scale base metal
coins. Generally used for copper coins in India. In this
technique the coin was produced with the help of moulds
which were mostly made of burnt clay or any hard metal .
● Single mould
● Double mould
● Multiple mould
See a short video on Casting coins
Coin finishing
mould was then
broken to get the
solid metal.
channel had also got
crystalized or
solidified and it was
then cut using a sharp
clipper to get the
desired coin. The
extra metal went
back to the melting
pot
Clay Moulds
moulds which were
mostly made of clay
and the device of the
coins was impressed
on this clay in negative
so that when the coin is
produced it will have
the positive
impression. Clay piece
after receiving the
impression was dried
and baked to get a
terracotta mould.
Pouring metal
Molten metal was
poured in the mould
and was allowed to
cool down to get the
coin.
single mould had a
blank reverse.
two different devices
joined , A vent was
kept on the top for
pouring the molten
metal.
Die Striking
Introduced by the Bactrian Greeks or Indo Greeks in India and
is the most popularly used technique for minting coins in the
Indian subcontinent. In this technique a pair of dies are used
for minting a coin. These coins were mostly round in shape and
the coin blank was rounded.
DIE STRIKING
A group of coin blanks were
rounded using a rounding
instrument which received
hammer blows with light
strokes for rounding the
coins blanks.
The lower die was fixed to the
anvil so that it does not move on
striking. The coin blank is placed
in between the two dies i.e. it
was placed on the anvil die and
then on it the upper die was
placed
Another piece of metal
block was placed on it to
protect the upper die
from getting damaged
soon
Then a blow was given
with a hammer for
both the devices to get
impressed on the coin
blank.
Numismatics - minting process
Numismatics - minting process

More Related Content

What's hot

What's hot (20)

2. introduction to epigraphy
2. introduction to epigraphy2. introduction to epigraphy
2. introduction to epigraphy
 
Guptas pdf
Guptas pdfGuptas pdf
Guptas pdf
 
Central Asia- Afghanistan pdf
Central Asia- Afghanistan pdfCentral Asia- Afghanistan pdf
Central Asia- Afghanistan pdf
 
Kahom stone pillar inscription of skandaguptapdf
Kahom stone pillar inscription of skandaguptapdfKahom stone pillar inscription of skandaguptapdf
Kahom stone pillar inscription of skandaguptapdf
 
Punch Mark Coins
Punch Mark CoinsPunch Mark Coins
Punch Mark Coins
 
Punch Marked Coins (1000 BCE - 500 CE)
Punch Marked Coins (1000 BCE - 500 CE)Punch Marked Coins (1000 BCE - 500 CE)
Punch Marked Coins (1000 BCE - 500 CE)
 
– PAINTED GREY WARE (PGW) Culture
– PAINTED GREY WARE (PGW)    Culture– PAINTED GREY WARE (PGW)    Culture
– PAINTED GREY WARE (PGW) Culture
 
Chola bronze
Chola bronzeChola bronze
Chola bronze
 
sarnath inscription pdf.pdf
sarnath inscription pdf.pdfsarnath inscription pdf.pdf
sarnath inscription pdf.pdf
 
Matriparishad Composition, Functions and Scope
Matriparishad  Composition, Functions and Scope Matriparishad  Composition, Functions and Scope
Matriparishad Composition, Functions and Scope
 
Kahaum stone pillar Inscription of Skandagupta.pdf
Kahaum stone pillar Inscription of Skandagupta.pdfKahaum stone pillar Inscription of Skandagupta.pdf
Kahaum stone pillar Inscription of Skandagupta.pdf
 
Hindu Shahis of Kabul and Punjab
Hindu Shahis of Kabul and Punjab Hindu Shahis of Kabul and Punjab
Hindu Shahis of Kabul and Punjab
 
KAUHOM INSCRIPTION OF SKANDAGUPTA
KAUHOM INSCRIPTION OF SKANDAGUPTAKAUHOM INSCRIPTION OF SKANDAGUPTA
KAUHOM INSCRIPTION OF SKANDAGUPTA
 
bodhisattvaimageinscriptionofsarnath-220625103131-c4b6af1f.pptx
bodhisattvaimageinscriptionofsarnath-220625103131-c4b6af1f.pptxbodhisattvaimageinscriptionofsarnath-220625103131-c4b6af1f.pptx
bodhisattvaimageinscriptionofsarnath-220625103131-c4b6af1f.pptx
 
Lumbini inscription.pptx
Lumbini inscription.pptxLumbini inscription.pptx
Lumbini inscription.pptx
 
Heliodorus pdf.pdf
Heliodorus pdf.pdfHeliodorus pdf.pdf
Heliodorus pdf.pdf
 
Chalcolithic cultures of india
Chalcolithic cultures of indiaChalcolithic cultures of india
Chalcolithic cultures of india
 
ANCIENT INDIA TRIBAL COINS
ANCIENT INDIA TRIBAL COINSANCIENT INDIA TRIBAL COINS
ANCIENT INDIA TRIBAL COINS
 
legal institutions.pdf
legal institutions.pdflegal institutions.pdf
legal institutions.pdf
 
Republican State in Ancient India
Republican State in Ancient IndiaRepublican State in Ancient India
Republican State in Ancient India
 

Similar to Numismatics - minting process

JMRC Presentation QNet
JMRC Presentation QNetJMRC Presentation QNet
JMRC Presentation QNet
Parag Murkute
 
Ingilizce 1. ödevi
Ingilizce 1. ödeviIngilizce 1. ödevi
Ingilizce 1. ödevi
Kader Arslan
 
Decorative metalwork fw
Decorative metalwork fwDecorative metalwork fw
Decorative metalwork fw
fjpwhelan
 
10 mixed media jewelry projects vol.4
10 mixed media jewelry projects vol.410 mixed media jewelry projects vol.4
10 mixed media jewelry projects vol.4
lady pices
 
Casting 111116231645-phpapp02
Casting 111116231645-phpapp02Casting 111116231645-phpapp02
Casting 111116231645-phpapp02
hadushberhe75
 
Casting 111116231645-phpapp02
Casting 111116231645-phpapp02Casting 111116231645-phpapp02
Casting 111116231645-phpapp02
hadushberhe75
 
The filigree technique
The filigree techniqueThe filigree technique
The filigree technique
Kumaran Vel
 

Similar to Numismatics - minting process (19)

Introduction to Early Irish Bronze age artifacts 2000 BC 500 BC
Introduction to Early Irish Bronze age artifacts 2000 BC 500 BCIntroduction to Early Irish Bronze age artifacts 2000 BC 500 BC
Introduction to Early Irish Bronze age artifacts 2000 BC 500 BC
 
JMRC Presentation QNet
JMRC Presentation QNetJMRC Presentation QNet
JMRC Presentation QNet
 
JR Mayer Collection - Training Presentation
JR Mayer Collection - Training PresentationJR Mayer Collection - Training Presentation
JR Mayer Collection - Training Presentation
 
Ingilizce 1. ödevi
Ingilizce 1. ödeviIngilizce 1. ödevi
Ingilizce 1. ödevi
 
Presentation1
Presentation1Presentation1
Presentation1
 
B holland.slideshow
B holland.slideshowB holland.slideshow
B holland.slideshow
 
The Making of Awakening
The Making of AwakeningThe Making of Awakening
The Making of Awakening
 
Field irish jewelry
Field irish jewelryField irish jewelry
Field irish jewelry
 
Lunar Year Silver Coins.pdf
Lunar Year Silver Coins.pdfLunar Year Silver Coins.pdf
Lunar Year Silver Coins.pdf
 
2 Oz Silver Rounds | BOLD Precious Metals
2 Oz Silver Rounds | BOLD Precious Metals2 Oz Silver Rounds | BOLD Precious Metals
2 Oz Silver Rounds | BOLD Precious Metals
 
A comprehensive study of coinage system in ancient.pptx
A comprehensive study of coinage system in ancient.pptxA comprehensive study of coinage system in ancient.pptx
A comprehensive study of coinage system in ancient.pptx
 
Decorative metalwork fw
Decorative metalwork fwDecorative metalwork fw
Decorative metalwork fw
 
10 mixed media jewelry projects vol.4
10 mixed media jewelry projects vol.410 mixed media jewelry projects vol.4
10 mixed media jewelry projects vol.4
 
Art on1207
Art on1207Art on1207
Art on1207
 
Hollow ring final
Hollow ring finalHollow ring final
Hollow ring final
 
Casting 111116231645-phpapp02
Casting 111116231645-phpapp02Casting 111116231645-phpapp02
Casting 111116231645-phpapp02
 
Casting 111116231645-phpapp02
Casting 111116231645-phpapp02Casting 111116231645-phpapp02
Casting 111116231645-phpapp02
 
Casting
CastingCasting
Casting
 
The filigree technique
The filigree techniqueThe filigree technique
The filigree technique
 

Recently uploaded

QUATER-1-PE-HEALTH-LC2- this is just a sample of unpacked lesson
QUATER-1-PE-HEALTH-LC2- this is just a sample of unpacked lessonQUATER-1-PE-HEALTH-LC2- this is just a sample of unpacked lesson
QUATER-1-PE-HEALTH-LC2- this is just a sample of unpacked lesson
httgc7rh9c
 

Recently uploaded (20)

Graduate Outcomes Presentation Slides - English
Graduate Outcomes Presentation Slides - EnglishGraduate Outcomes Presentation Slides - English
Graduate Outcomes Presentation Slides - English
 
21st_Century_Skills_Framework_Final_Presentation_2.pptx
21st_Century_Skills_Framework_Final_Presentation_2.pptx21st_Century_Skills_Framework_Final_Presentation_2.pptx
21st_Century_Skills_Framework_Final_Presentation_2.pptx
 
FSB Advising Checklist - Orientation 2024
FSB Advising Checklist - Orientation 2024FSB Advising Checklist - Orientation 2024
FSB Advising Checklist - Orientation 2024
 
80 ĐỀ THI THỬ TUYỂN SINH TIẾNG ANH VÀO 10 SỞ GD – ĐT THÀNH PHỐ HỒ CHÍ MINH NĂ...
80 ĐỀ THI THỬ TUYỂN SINH TIẾNG ANH VÀO 10 SỞ GD – ĐT THÀNH PHỐ HỒ CHÍ MINH NĂ...80 ĐỀ THI THỬ TUYỂN SINH TIẾNG ANH VÀO 10 SỞ GD – ĐT THÀNH PHỐ HỒ CHÍ MINH NĂ...
80 ĐỀ THI THỬ TUYỂN SINH TIẾNG ANH VÀO 10 SỞ GD – ĐT THÀNH PHỐ HỒ CHÍ MINH NĂ...
 
TỔNG ÔN TẬP THI VÀO LỚP 10 MÔN TIẾNG ANH NĂM HỌC 2023 - 2024 CÓ ĐÁP ÁN (NGỮ Â...
TỔNG ÔN TẬP THI VÀO LỚP 10 MÔN TIẾNG ANH NĂM HỌC 2023 - 2024 CÓ ĐÁP ÁN (NGỮ Â...TỔNG ÔN TẬP THI VÀO LỚP 10 MÔN TIẾNG ANH NĂM HỌC 2023 - 2024 CÓ ĐÁP ÁN (NGỮ Â...
TỔNG ÔN TẬP THI VÀO LỚP 10 MÔN TIẾNG ANH NĂM HỌC 2023 - 2024 CÓ ĐÁP ÁN (NGỮ Â...
 
Exploring_the_Narrative_Style_of_Amitav_Ghoshs_Gun_Island.pptx
Exploring_the_Narrative_Style_of_Amitav_Ghoshs_Gun_Island.pptxExploring_the_Narrative_Style_of_Amitav_Ghoshs_Gun_Island.pptx
Exploring_the_Narrative_Style_of_Amitav_Ghoshs_Gun_Island.pptx
 
Wellbeing inclusion and digital dystopias.pptx
Wellbeing inclusion and digital dystopias.pptxWellbeing inclusion and digital dystopias.pptx
Wellbeing inclusion and digital dystopias.pptx
 
How to Add New Custom Addons Path in Odoo 17
How to Add New Custom Addons Path in Odoo 17How to Add New Custom Addons Path in Odoo 17
How to Add New Custom Addons Path in Odoo 17
 
Model Attribute _rec_name in the Odoo 17
Model Attribute _rec_name in the Odoo 17Model Attribute _rec_name in the Odoo 17
Model Attribute _rec_name in the Odoo 17
 
Python Notes for mca i year students osmania university.docx
Python Notes for mca i year students osmania university.docxPython Notes for mca i year students osmania university.docx
Python Notes for mca i year students osmania university.docx
 
Simple, Complex, and Compound Sentences Exercises.pdf
Simple, Complex, and Compound Sentences Exercises.pdfSimple, Complex, and Compound Sentences Exercises.pdf
Simple, Complex, and Compound Sentences Exercises.pdf
 
Interdisciplinary_Insights_Data_Collection_Methods.pptx
Interdisciplinary_Insights_Data_Collection_Methods.pptxInterdisciplinary_Insights_Data_Collection_Methods.pptx
Interdisciplinary_Insights_Data_Collection_Methods.pptx
 
Understanding Accommodations and Modifications
Understanding  Accommodations and ModificationsUnderstanding  Accommodations and Modifications
Understanding Accommodations and Modifications
 
QUATER-1-PE-HEALTH-LC2- this is just a sample of unpacked lesson
QUATER-1-PE-HEALTH-LC2- this is just a sample of unpacked lessonQUATER-1-PE-HEALTH-LC2- this is just a sample of unpacked lesson
QUATER-1-PE-HEALTH-LC2- this is just a sample of unpacked lesson
 
Introduction to TechSoup’s Digital Marketing Services and Use Cases
Introduction to TechSoup’s Digital Marketing  Services and Use CasesIntroduction to TechSoup’s Digital Marketing  Services and Use Cases
Introduction to TechSoup’s Digital Marketing Services and Use Cases
 
Sensory_Experience_and_Emotional_Resonance_in_Gabriel_Okaras_The_Piano_and_Th...
Sensory_Experience_and_Emotional_Resonance_in_Gabriel_Okaras_The_Piano_and_Th...Sensory_Experience_and_Emotional_Resonance_in_Gabriel_Okaras_The_Piano_and_Th...
Sensory_Experience_and_Emotional_Resonance_in_Gabriel_Okaras_The_Piano_and_Th...
 
Accessible Digital Futures project (20/03/2024)
Accessible Digital Futures project (20/03/2024)Accessible Digital Futures project (20/03/2024)
Accessible Digital Futures project (20/03/2024)
 
NO1 Top Black Magic Specialist In Lahore Black magic In Pakistan Kala Ilam Ex...
NO1 Top Black Magic Specialist In Lahore Black magic In Pakistan Kala Ilam Ex...NO1 Top Black Magic Specialist In Lahore Black magic In Pakistan Kala Ilam Ex...
NO1 Top Black Magic Specialist In Lahore Black magic In Pakistan Kala Ilam Ex...
 
Details on CBSE Compartment Exam.pptx1111
Details on CBSE Compartment Exam.pptx1111Details on CBSE Compartment Exam.pptx1111
Details on CBSE Compartment Exam.pptx1111
 
FICTIONAL SALESMAN/SALESMAN SNSW 2024.pdf
FICTIONAL SALESMAN/SALESMAN SNSW 2024.pdfFICTIONAL SALESMAN/SALESMAN SNSW 2024.pdf
FICTIONAL SALESMAN/SALESMAN SNSW 2024.pdf
 

Numismatics - minting process

  • 1. Coins & Minting of coins A seminar by Naman Shrivastava MA AIHCA II semeste
  • 2. Coins according to V. .A. Smith , denote “a metallic metallic pieces of definite weight authenticated as currency by marks recognised as a guarantee of value." Tip Don’t wait till the end of the presentation to give the bottom line. Reveal your product or idea (in this case a translation app) up front. Each coin has two values; an intrinsic value i.e. the value of the metal it is made of and an extrinsic or face value which is conferred upon it by the issuing authorities
  • 3. Numismatics Terminology Flan is the surface of a coin. Obverse Principal side of a coin mostly bearing the royal portrait or royal information is known as the obverse side of a coin and the opposed side is known as reverse
  • 4. ➔ Motif It is a decorative symbol, design or figure impressed on the coin ➔ Hoard is a secret stock or store or something valuable that is kept hidden ➔ Device is the symbol or emblem or armorial design on a coin in conjunction with the legend or motto. . ➔ Legend words appearing on the coin or written on a coin. ➔ Die Die is the metallic piece engraved in negative for minting coins. Two dies are used for minting a single coin.
  • 5. Tools Kautilya in Arthasastra, referred in a passage to the counterfeiters of coins (Kutarupa karaka) and he stated a list of objects used for manufacturing of coins. Metal was first melted in crucibles (musha) and purified with alkalis (kshara) then beaten into sheets in an anvil (adhikarni) with a hammer (mushtika) cut into pieces with clippers (sandansa) and ultimately embossed with dies or punches bearing symbols (Bimba - tanka)
  • 6. ANVILS The Anvils are very ancient tools first made of stone as a lithic stone tool, then bronze and later with iron. It is a heavy iron block with a flat top and concave sides, on which metal cab be hammered and shaped. CRUCIBLE It is a melting pot, a heat resistant container of ceramic or metal used for melting ores or metals to very high temperature.
  • 7. CLIPPERS It is an instrument for cutting or trimming. After melting the metal in crucibles and purified with alkalis it was beaten into sheets in an anvil with a hammer and then cut into pieces with clippers. DIES Metal piece engraved with the design used for stamping the coin. Dies were made of hard bronze or iron. Bronze dies were easier to engrave and do not oust but wore out faster. The obverse die was mounted on the anvil and the reverse die was struck to make the
  • 8. Minting a coin Mint is a facility where coins are crafted or a place where coins, medals, or tokens are made. A mint is an industrial facility where coins are manufactured and it can be used as currency.
  • 9. How many methods do ancient mint masters use to make a coin which Should be accepted Anywhere ?
  • 10. Three! (With a little help from the other countries and many empires) 1. Punching technique also known as the archaic multiple die striking technique 2. Casting technique 3. Die striking technique
  • 11. All the sixteen mahajanapadas had their own specific type of punch marked coinage. The symbols on these coins varied from one to four on the obverse. Later with the rise of Magadha as an imperial power we find the use of five symbols of the obverse of each pieces as a standard device. The technique used for minting these coins involved the preparation of the coin blanks. Punching technique
  • 12. Punching symbol that was to be punched on the coin flan was engraved in negative on dies so that when it as punched it would be in its positive. The die was placed on the coin blank and received a hammer blow so that the symbol gets punched on the obverse. Preparing the coin blanks Sheet cutting technique- irregular shape, often clipped for adjusting the weight using clippers Droplet method- round or elliptical shaped Beaten into sheets of required thickness Adjusting the weight each piece was weighed on a weighing scale and further clipping of the ends of the metallic piece was done for adjusting its weight according to the weight standard
  • 14. Casting technique A widely used technique for minting large scale base metal coins. Generally used for copper coins in India. In this technique the coin was produced with the help of moulds which were mostly made of burnt clay or any hard metal . ● Single mould ● Double mould ● Multiple mould See a short video on Casting coins
  • 15. Coin finishing mould was then broken to get the solid metal. channel had also got crystalized or solidified and it was then cut using a sharp clipper to get the desired coin. The extra metal went back to the melting pot Clay Moulds moulds which were mostly made of clay and the device of the coins was impressed on this clay in negative so that when the coin is produced it will have the positive impression. Clay piece after receiving the impression was dried and baked to get a terracotta mould. Pouring metal Molten metal was poured in the mould and was allowed to cool down to get the coin. single mould had a blank reverse. two different devices joined , A vent was kept on the top for pouring the molten metal.
  • 16. Die Striking Introduced by the Bactrian Greeks or Indo Greeks in India and is the most popularly used technique for minting coins in the Indian subcontinent. In this technique a pair of dies are used for minting a coin. These coins were mostly round in shape and the coin blank was rounded.
  • 17. DIE STRIKING A group of coin blanks were rounded using a rounding instrument which received hammer blows with light strokes for rounding the coins blanks. The lower die was fixed to the anvil so that it does not move on striking. The coin blank is placed in between the two dies i.e. it was placed on the anvil die and then on it the upper die was placed Another piece of metal block was placed on it to protect the upper die from getting damaged soon Then a blow was given with a hammer for both the devices to get impressed on the coin blank.

Editor's Notes

  1. issue of the coin’s obverse and reverse developed with conventions developed by numismatists over a period of time. In coins with images, larger portraits of the king/deity were considered as obverse whereas smaller images the reverse.